attention-seeking | k. bakugou
☆ tags ;; imbalanced power dynamics, dubcon!!!, caning, punishment, ambigious relationships, handjobs, reader is implied to be 'master of the house', bakugou is a brat kinda, age gap but reader is older, gn!reader, bkg is meant to be like 20ish, 18+
☆ wc ;; 1.3k
☆ a/n ;; sorry for being a sicko (lying). i know this is indulgent. leave me alone man.
☆ synopsis ;; you punish the maid boy who keeps acting out in your presence.
"Lift your skirt, boy."
This is beyond the realm of what you're supposed to be doing. As master of the house with duties to attend, important ones, one of the first things you learn is relegating to tasks to capable staff. Your head maid is a capable woman, one who looked after you near birth.
And she's never once made you intervene in house affairs. She takes cares of the maids and all the other servants, and only asks for assistance to sign off on new hires or something else administrative.
For her to talk to about some new hire is strange. More strange for her to complain. Apparently, he's the only son of the Bakugou family. A family of tailors which apparently their son doesn't wish to inherit. That his mother called in a favor for job in the house. He wasn't suited for other duties, he excels at housework and when he's not blowing a fuse - is very capable at that job indeed.
Your head maid seems very fond of him, exceptionally so. He must be a little younger than you, no older than 20. He's got the temperament of a spoiled brat, his face is all screwed up with tears. He swears often and only respects the hierarchy in the house when he wishes to.
And if he wasn't so adamant on disrespecting you specifically, you'd be willing to let him off without giving it much thought. The truth is you don't really care what people say about you. All sorts of rumors spread about you bedding men and women often, about your supposed gambling and drinking problem, about your cold temperament.
If you were a little younger, you think it'd hurt your feelings. It doesn't though, not really. It all just seems sort of silly. As long as people respect you in your presence, you're willing to let them sort out their own feelings.
But this maid, this brat - is insistent on getting on your nerves. Has been from the minute you met. You can't really understand why, what the reasons been for as long as he's been in the house. You're told he behaves well when he's not around you, but when he is around - he can't keep his snark around. And that's forgivable, passable when no one else is in the house.
But not in front of your esteemed guests and important clients. That just won't do.
This is beyond your realm of duties. Telling a maid off and disciplining them like this isn't something you enjoy. You've never had to do it before now, so his impudence and bad attitude is really starting to grate on your nerves.
"I have a name," He grits. You scoff, picking up the cane again. The room is dark, the moon illuminating the raised welts on the back of his calves. You want to smooth your hand over his skin, pristine and pale and red.
He looks a little like the moon. Beautiful as much as he is frustrating, you really aren't sure what compels him to be here. You're not stupid enough to think he simply wants to be a maid, but his motives are odd.
"So do I. I have a title too. You've yet to use either,"
He scoffs as he turns over to look at you.
"Titles are earned through respect,"
You frown.
"Respect is mutual. Maids I respect can call me my name if they wish, most just don't. I don't mind it. But they've earned it. What have you earned other than disciplinary action?"
"You're a scumbag,"
"Really? I thought you must find me quite charming since you always act out for some attention?" You must, holding the cane in both your hands. "That's the only good reason I could think of your attitude,"
He's silent at this. Easy to read, the tips of his ears are red.
"Step down from there and lean over that. Pull your skirt all the way up,"
"W-What?"
"I know you heard me. If you want to act like a petulant brat, you can get punished like one too. Now move,"
His movement is begrudging but he follows instructions hastily.
His skin is red when he pulls his skirt up. He's toned. His thighs are clenched with tension as the fabric pulls up over his ass. You aren't sure what you thought he'd be wearing, maybe briefs. The panties are pretty, white and lacy against. You resists reaching your hand out and touching it. Instead, you position your cane and tell him to count to 15.
The sound of the cane hitting fills the room, the dull thud echoing down the halls. You have to commend him for taking it well, that his sobs are soft even when it's painful.
When you're ready to excuse him back to his quarters, your eyes catch on something you don't think you're supposed to see.
Pitching a tent in the fabric of his panties, his cock is tucked and leaking against the back of your couch. You stare at him slackjawed.
"....That's unexpected, I must admit." You say, amused, "Getting aroused from being caned. Even for you, that's..."
"Shut up," He croaks, voice dripping with arousal. He makes no effort to move.
For your entire life, you've been nothing but good to your staff. Nothing but kind. You never fraternized or used your position, it always felt slimy. Against your better judgement, you fall victim to your temptation.
"Would you like some help?" You pose, gently, "Rather, is that you've been seeking out? Did pushing my buttons satisfy for your urges?"
He lets out a mewl, so pitchy you can't believe it's him.
"Turn around,"
He hesitates, but does so. His face is dripping with tears, spit pooled in the corners of his mouth. He's a pretty crier, and he can't bring himself to look at you. You cup his jaw, scratched your manicured nails along them until he's shivering.
"Would you look at that," You hum, glancing at him "You were acting like this because you wanted special attention, is it?"
"Fuck you,"
With your hand reaching up, you pull his skirt up over the top of his thighs till it's pooled at his stomach. His cock is hard, and there's a dark-spot right at the tip. You glance at him, than back down - reaching your hands to pull it away. The tip is pink, angry. It curves left, heavy in your hand.
Hesitant, you wrap your palms around the shaft. With your thumb over the slit, you watch him squeeze his eyes shut.
"I nearly can't believe it's the same person," You jerk him off slow, entertained by how easily he feels pleasure. Coming from a strict family like that, you'd bet he's never had the time. That he doesn't know "What a good boy you're being. I always thought you were incapable."
He moans, head dropping back throaty and hoarse. He's twitching in your palm like just a little more will push back. Saying good boy makes him harder in your hands, hotter.
"Oh, that's all it takes? You needed a little encouragement and you're eating out of my palm? You haven't earned it at all, but you want it anyway?"
He hiccups.
"N-no, I'm" He stops like he can't get the rest out "Fuck, please, it's—please,"
"Swallow your pride and ask for what you want this time,"
"Make me cum,"
"And tell me I'm—I'm good,"
"Good boy," You coo "Go ahead and cum,"
You watch as he spills into your head with a desperate hiccup, turning to tuck his head in your neck. You click your teeth a little, unsure of what else to say.
"Who knew you'd be so needy afterwards? I guess I do have a type after all,"
"Shut up,"
Your heart squeezes with unmistakable fondness. You close your eyes, beyond fucked. You let him cling to you anyways.
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apparently theres some rain world fandom discourse going around?? thats crazy anyways heres my gourmand and artificer as one of my favorite pieces of sonic fanart (its the last one)
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D
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Papyrus sketches from my book the other day!
I like to think papyrus is serious and can become angry when he wants to be, but he’s such a nice and genuine sweet character he wouldn’t want to show that to the character or others.
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our cat broke his hip on christmas
hi, your local guy-with-a-blog is here to dox himself so his cat can walk again!
i made posts earlier as this was happening, but now that i've heard back from enough vets to get an idea of how steep this is going to be, i can't not ask for help.
its cheesy to say, but my cats are my everything. mordred, especially, spends his days basically glued to my side. he's my little shadow, and i don't know where i'd be without him.
when he woke me up to feed him at 6am on christmas morning, he was completely fine. i went back to sleep after, and when i woke up for real at 8, he was limp on the ground. when we went to move him, he howled and thrashed like we were torturing him. he ran, and we saw he wasn't using his right back leg.
many tears and an anxiety riddled 4 hour wait for our emergency vet appointment later, we were told he had a right capital physeal fracture, which basically means he snapped the ball bit of the ball joint in his hip. the vet said the best option for him is a femoral head and neck ostectomy (FHO), which'll take the broke bit of his bone out and the scar tissue will sort of just grow in the right way to replace his missing joint (cats are so weird)
its the cheapest option, and its the one with the best success rate, which is super lucky. unfortunately, its still expensive as fuck.
weve been quoted anywhere between 3.5k and 8k by vets i've contacted so far, and most need at least half as a downpayment before they'll operate. it'd take us years to cover the full cost by ourselves. so we've got to break out the big guns - a full gofundme, which will be shared with basically everyone we know, and hopefully far past that as well. carecredit can only cover so much for us, and our immediate family can't afford to lend us much. the internet is our only hope for meeting the full cost and getting mordred better
mordred's the light of my life and i can't stand to see him in pain like this. anything helps. if youre not in a financial state where you can donate, spreading the word is just as important and just as deeply appreciated.
thank you so much for getting this far.
our gofundme is here
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spotify | john marston's revenge quest, set to music from 1960s spaghetti westerns.
Fun detail: the opening cutscene for Red Dead Revolver (2004) features an instrumental version of "His Name Is King". The lyrical version is oddly fitting for John, given that it's a song about seeking vengeance for a dead brother.
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Goth Vaggie because how could you let her be so tasteless in the gothness bro. Please... atleast one hint at goth vaggie 😔
My other non related Vaggie redesign sort of expression sheet + goth vaggie x Charlie under cut vvvv
Didn't turn out as well as I wanted it to. I think I rushed out the sketch and tried to fix it in line art as best as I could. Soo... I love Vaggie guys. Like a normal amount yknow? So normal. (It's crazy. I kin Charlie ofc but Vaggie is literally so mmmff)
Still trying to find a consistent head shape for Vaggie sooo I'll jst practice I guess
Very VERY messy and quick doodle I shit out. Might finish one day, these new nails make digital art hard (i draw on phone and am too pussy for computer and I'm too poor for traditional art lmao so expect shit art for a bit maybe unless i thug it out fr)
PLEASE CHAGGIE JST ONE CHANCE ONE CHANCEE ONE CHA-
I love these goobers so much 💜💜
Charlie tryinna not look at booba, respect women even tho they is in bed wit you 🗣🔥
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i need to wynnepost. somebody has to
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Patalliro! is fascinating to me because of stuff like this. It's unapologetically gay - even within its anime which aired during primetime hours in 1982 - in a way that many later BL manga would never be, like the ones from the early 2000s which would never dare to call their characters actual homosexuals. Patalliro has actually aged quite well in this regard, there's something comforting about how campy it is.
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i've been looking for ages for someone who makes the robin!jason content for my soul and i couldn't find like anything until i saw one of your posts and !!! thank you so much for knowing tiny little robin!jason like i do
i am mentally shaking ur hand we are brothers in arms now
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My thoughts,
I feel like the biggest disconnect with all the discourse going around is that, (mainly twitter) users automatically assume that combining two peoples names is 'shipping' when that's really not why.
!EXPLANATION!
If you were looking for content surrounding 2 certain people but only tagged their names separately you would be getting EVERY single post. Posts that could have other people in it, and not be the two you were looking for (if I were to look for posts about Ian and Anthony, I would trust the Ianthony tag more than just looking through their regular tags, because people tag them in a lot of other Smosh related content)(same thing for Damien and Shayne, if I was looking for them as a duo I would look through the Shaymien tag)(it simply sorts posts better)
They don't seem to grasp the fact that tagging 'Damangela' is because that's how the tagging culture works over here, and not because we're 'shipping' them.
I thought it was common practice, everyone understands in the fandom world that when you combine people's names it's at it's CORE, a 'Duo Name' before ANYTHING ELSE.
I'm just going to automatically assume that most people getting their feathers all ruffled, just haven't been in fandoms spaces as much, AND THAT'S OKAY!!!
But please, if you take anything away from this, most people doing a lot of shipping is young people, so keep that in mind.
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jokes @ night r not funny in the morning,,,
originally the blue was green but then i decided 2 b pan
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Tbh? I think the radiant emperor duology deserves more critique than it gets in its tag, so after stewing it over for a couple weeks and also discussing it with my friend, I have decided to do it myself.
So. Spoilers for She Who Became the Sun and He Who Drowned The World ahead.
First off, so nobody accuses me of hating the series, I liked the series. I'd say I'd give the first book a 4.5/5, I thoroughly enjoyed it, and I like both books. I truthfully skipped the fisting scene, it triggered some dysphoria that I wasn't comfortable with personally but I don't have problem with it existing in the book, it's good where it is, no changes.
No, my critiques come mostly from the second book, hwdts. Which sucks because I absolutely loved Baoxiang in it, it's a well known fact that my ideal type is pretty, really mean, characters. ('What about Madam Zhang?!!!???!? Shes mean and pretty!!' I hear you ask. Give it a second cause i will get to my beloved madam zhang) So, my critiques are mostly organized as 'The first part I didn't like in Hwdtw that signals the thing that became my biggest issue, the bits in the middle that i did like along with the bits that I felt didn't really work well, and Act 3 which is where my issues really were exacerbated.'
By the end of book one, I had a general annoyance but acceptance that Ma Xiuying was a bit of a weak character, and not weak as in 'dang shes a woman and cant fight' or any other sexist way you may interpret that, but weak as in structurally, she didn't really have as much depth as other characters. I thought she didn't have as much time put into her character as others. And yeah you could have a million character analysis essays over Ma and her place in the story and etc, but for me, her setup for the next book as potentially having conflict with Zhu or her own morals was the most interesting part of Ma. In general I think a lot of people tend to overlook this flaw partly because Ma is a cis lesbian character and the main 'love interest' in a book that is usually marketed to people as sapphic, which yeah there is certainly a sapphic relationship in the book but I think saying it's a major part of the book is really giving the relationship a load bearing wall ot isn't strong enough to carry. The Radiant Emperor Duology is not a romance, first and foremost. To describe it as a wlw romance is gonna leave people who read ot specifically for that reason kinda dissappointed by the end of book 2.
My big critiques didn't start until book two, and a particular scene, though. Ma, at the start of book two, was generally filling the niche of 'nagging wife' to zhu, which yknow, is a fine place to start from. I was a little disappointed there was no further discussion of Ma's disapproval of the morality of Zhu's actions, and in fact the dead child was pretty much entirely forgotten by Ma in favor of being Zhu's wife. Which, yknow, sure.
The Scene I had issue with happened (Spoilers once again) after Zhu finally captures Ouyang and imprisons him at her base of operations. Ma, dressed in her empressly regalia enters his room with the intention of being the bigger person. She walks in, looks at the stripped down and humiliated general who killed her father and famously is also really a women hater, and tells him she forgives him for killing her father. And then she gets upset and cries when the prideful general who hates women gives her a dressing down and taunts her and is like 'I'm glad I killed your father'? She nearly cries because Ouyang was mean to her (notably only cause he was mean to her and didn't gracefully accept her forgiveness, not because he killed ehr father) and runs off to Zhu. And Zhu responds with 'Wow, he's just a weirdo, everyone likes you and everyone in existance immediately knows you're a good person and you change people.' Which, my friend suggested before she finished the book, was a case of Zhu placating Ma and dismissing her feelings which would be an interesting dynamic.
Really my hangups with this scene come from multiple parts.
1. Ma' few character traits including being observant and reading people really well (a thing she's praised for in book 1) and having good social intuition are completely thrown out by her thinking being alone with ouyang and forgiving him would be a good idea and then her being shocked and upset when he spat on her forgiveness. And
2. Zhu's response is never once treated by the text as her dismissing Ma and placating her, and Zhu's statement despite never being shown to be true before and that moment being the first time it's ever mentioned, ends up becoming Chekov's moral purity by the end of the book, where the plot hinges on Ma being able to magically heal a damaged character's mind enough for Zhu to win in the end. Which I will get back to. There's a lot of other stuff happening between here and the end.
So, before I get back to Ma and her role in the story, I'll address some other bits from after this scene. Both problems and things I enjoyed generally.
Madam Zhang and her parallels to Baoxiang and her being the absolute queen of dissociating really was interesting (before act 3). She was a very compelling character who I completely understood and felt positively about. She had a way more interesting relationship with gender imo than Ma did, especially in book 2. I didn't really like that she was overwhelmingly shown having sexual villence done to her, that felt weirdly like a punishment. But, I did like her a whole bunch, and I liked the look we got into her head. She was probably my second, maybe third, favorite character in the whole book until Act 3.
I really, really liked Ouyangs dynamic and relationship with Zhu. The weird sexual tension between them, their weird kinda nonsexual but also kinda very sexual S&M relationship. It was somehow the most sensual, sexual part of a book that featured Madam Zhang having sex with multiple people, and Zhu going down on Ma, and a lot of other mentions of sex or scenes involving sex. Tbh I feel like, in a way, Ma was left to the sidelines for most of the book because Ouyang became the primary 'love' interest for a hot second there and the only reason Ma could get her spot back was Ouyang and Zbu's separation. Also, from what I've seen when people talk about this book, they always kinda try to express Zhu and Ouyang's dynamic as very nonsexual and nonromantic, as platonic mostly. And there is no inherent superiority of romantic over platonic, but I think to insist that it is only platonic, and not a strange swirl of romantic, platonic, sexual, frustration and relief, and a swirl of familiarity and vulnerability all wrapped into one, is doing the dynamic a bit of a disservice. And ther is, imo, very clearly a subtle hint of romantic intent and interest on Ouyang's part before he realizes Zhu has a body he hates.
Which is also another point I didn't like. Ouyang and Zhu's relationship end felt off. The entire bit with the pirates felt off, but especially how Ouyang found out about Zbu's body, and how Zhu reacted. I think Ouyang finding out second hand, from a combination of being suspicious and from Jiang saying it, was a poor way for that to be revealed. I think there was a better way for that to happen that woyld have felt more like a betrayl to zhu than this did. The fact that Zhu and Ouyang were so in tune and could see each other perfectly, but this one thing was a blind spot for both of them because of how unaffected by gender Zhu was compared to how overaffected by gender Ouyang was is a really interesting thing to explore, an interesting disconnect between two character's whose entire basis for their relationship is 'like recognizes like'. I think Zhu seeing it as a betrayl would have been more impactful if she had presented this informatuon to Ouyang herself and been rejected than how it went down. And, I think her not realizing Ouyang would be disgusted that he felt connected and felt a sameness to someone with a body he found grotesque and that he feared would have been more interesting for zhu, who views herself outside of womanhood and didnt really think that other people would not see her outside of womanhood, if she was the one who told ouyang herself.
Also, less importantly, think going into Ouyangs annoyance that zhu kept moving his target further away was a good move but it wasn't expanded on as much for my taste. I also really liked it when (spoiler) Xu Da dies, and that entire part despite some minir bits, was extremely good in that Zhu finally has tasted loss. She had, up until that point, been riding a wave of positivity, she was the underdog who won over and over again despite all the odds and despite her own reckless choices. So I did appreciate that everything went wrong for her at least once. that would have been, imo if other things were changed, a good place to end a book two in a three book series. Which will make sense as to why I mention it im a bit.
I also didn't like how Ma was nonexistant unless the plot was like 'ok we need to remind people that Ma exists.'
And there's of course other stuff but those are the main points of acts 1 and 2 that i wasn't fond of or that i liked.
Act 3 is a wholely different behemoth which can be encapsulated with 'I wish it was longer but also different' (courtesy of the convo my friend and I had).
My friend and I both agreed that we liked this kind of courtly drama game it was playing. My friend doesn't tend to like the structure or writing style of a lot of the chinese wuxia, danmei, or courtly drama translated books i read, so it was nice to know that the genre content isn't the issue for her there.
The biggest problems I had with the ending though was 1. I think Baoxiang and Ma had an interesting dynamic despite it being really rushed and how distasteful I found the entire concept of Ma being such a good wholesome goody good good person that she could change Baoxiang, quiet his demons and fix him in some way. That was annoying in an otherwise interesting dynamic. And 2. I think Madam Zhang's character traits and cleverness and all that were wiped away to make her inexplicably jealous of Ma in a way that I don't think fit her character and just served to fit a trope of jealous empress who hates the favored concubine.
So, here's my major proposed changes.
1. Ma gets sent to Khanbaliq extremely early on. Like, act one maybe after ouyang is captured early. This serves three purposes. A. Ma has something to do and is more present in the story. this could be a good xhance to let her actually feel frustrated or upset at Zhu in some tangible way that needs to be resolved or talked thru eventually. B. she gets more time to build a relationship with Baoxiang, whose entire defeat hinges on him having a strong connection with her. and C. Her absence in the other parts of the book feel less like she's being ignored or forgotten. It makes Zhu's lack of haste more than just a way to annoy Ouyang, and turns it into an interesting moral choice. Should she rush to Khanbaliq to save Ma or trust that Ma will be ok in favor of gaining power? Her lack of haste means Ouyang leaves, depressed, and she loses Xu Da, all while she doesn't even have the assurance that Ma is ok, she is truly at her lowest point with nobody with her. If Ma is in Khanbaliq and that's explored, then Zhu and Ouyang can also explore their dynamic without Ma feeling a bit like she is battling for Zhu's attention.
2. Madam Zhang is suspicious of Ma, or feels actually tangibly threatened by Ma. In act 3, Madam Zhang's anger towards Ma feels really out of place. She got exactly what she wants, she is empress, her emperor isn't interested in removing her from her position and her position isn't threatened by anyone. Baoxiang won't get rid of her, he won't demote her, he has shown zero sign of ever even considering it. So, why is Madam Zhang jealous of Ma? Imo, especially since she very clearly has dissociated into oblivion and has no love or affection for anyone anymore, and no real desire or motivation to secure her position further aside from maybe producing an heir to make sure shes taken care of after Baoxiang dies, there's no reason for her to be inextricably jealous of Ma. It kinda just erases all of Madam Zhang's political savvy and cunning into jealous, petty woman, and that sucks. If she was suspicious of Ma's intention, or Baoxiang genuinely expressed spmething that actively threatened her position, her hatred of Ma would make sense, but instead she hates Ma cause Ma is ugly and spends every night with Baoxiang. She hated rice buckets concubine cause that concubine used a lot of funds and competition genuinely made her position less stable. She needs better motivation for hating Ma.
3. As I mentioned earlier, Zhu needs to be the one to tell Ouyang that she does not have a dick. That's just all around better, it feels more like a betrayl to bare your secrets and be rejected, etc etc.
4. The duology should have been a trilogy, with book 3 starting when Zhu is at her lowest, ouyang is dead, ma is in khanbaliq, Xu Da is dead, a new guy is the emperor. This is where a book three should have started. in a series that has so many important characters, i feel like it needs more space. she's in a 10 gallon tank when really she needs a 30 gallon tank. Lots of it, especially towards the end of book 2, felt rushed and the extra book will absolutely push that back a bit and make it less rushed.
Anyways that's my critique of The Radiant emperor duology. Once Again, I liked the series, its one of my favorites i've read all year. I don't dislike it, and having a critique or opinion about something doesnt mean I didn't like the book or understand the book (because obviously if i understood it i would understand why its flawless). I liked it, there are things I wish were different, that's it.
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really weird thing ive noticed lately re: hermits getting critiqued for stuff theyve said or done is that as soon as someone holds a shit opinion (even if it's just them being stupid, or a centrist, or saying a bad word without knowing what it means, or whatever) people immediately seem to flock to the 'this guy should die' 'kys' 'why are we giving this person a platform' rhetoric and like. that's not how meaningful change is made?
like, yeah, if one of my beloved CCs posted a tweet or video tomorrow about how much they hate gay people, or believe in conservative ideals, or they just said a bunch of slurs or whatever (these are hyperbolic examples obviously) then yeah, fuck them, they should go rot. but like, having some dumb takes, or saying bad things in the past, doesn't = evil terrible person...
idk, i feel like we can critique content creators without getting so insane about it. like, shit, there are things some of my favourites do that i don't like, but theyre not even really worth bringing up tbh. unless its something actually important, i feel like it just creates more drama out of nothing and all these assholes come crawling out of the woodwork to tell everyone how much they hate that creator. or find their content boring anyway so clearly they have no real merit to anyone.
more of an explanation of what i mean in the tags but yeah.
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