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magentagalaxies · 10 months

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Writing an Essay on Brooklyn 99 So Maybe I Can Stop Thinking About It Every Day:

i can't wait for like 20 years from now when we'll be able to have thoroughly researched academic articles about what the fuck happened with brooklyn 99 and its place in the culture bc even tho i haven't cared to rewatch a single episode since it ended i still think about the show at least once a day because of how fucking surreal that situation was. and ik we already have some (very good!) video essays about the copaganda aspect of it but i feel like we're not gonna be able to understand the full scope of what this sitcom means until decades from now

like it's just so bizarre when you think about it, bc while police and the broader "justice" system have always been viewed as inherently cruel and biased to target minorities and uphold the rich white cishet status quo by many people, this view wasn't quite as mainstream when the show started. the show being set at a police department likely carried none of this baggage to the people working on it when it was first pitched. the thought process was (likely) more like well, we already have sitcoms that take place at all these generic jobs, so "cop" is a natural continuation of that list, as well as well, police dramas have been huge for the past twenty years, so having a sitcom set at a police department allows us to spoof that and get some cool action sequences, and let's be real andy samberg needs something to do after snl. like not excusing the glorification of cops by any means, but imagine if you were the creator of "the office" and then around season 6 it became impossible to ignore that paper companies were inherently racist and killing people and there was a movement to defund them??? again, it's not a perfect analogy bc there are just inherent parts of being a cop that should have tipped people off that maybe this isn't the best for a goofy comedy, but i don't think this show was made with any malicious intent, it was just very bad luck

but the "goofy sitcom about cops comes out when cops are still seen (by the mainstream) as normal guys and stays on the air long enough to have an existential crisis in 2020" thing honestly isn't the only reason this show fascinates me. i think this aspect has been covered by other people a fair amount, and honestly it's not even unique to brooklyn 99 (there are still a TON of cop shows on the air rn, even cop comedies! none of them have reached the same heights as brooklyn 99 but yeah unfortunately the "defund the police" movement did not kill cop shows). the real reason brooklyn 99 has retained such a bizarre place in sitcom history, and why it even had this identity crisis to begin with, is in its tone.

if i had to guess the three things brooklyn 99 is most remembered for are:

being a copaganda sitcom that tried not to be and imploded on itself

the cold open bits that were such widespread memes that even if you've never watched the show you can probably quote at least two

the diversity of its characters

we're going to focus on number three. brooklyn 99 was a groundbreakingly diverse show from the very beginning. the number of people of color in its cast was beyond most sitcoms at the time, and captain holt being openly gay was a plot point from the pilot episode. however, i don't think the show really embraced its status as "the woke sitcom" until around season 2 or 3 (i don't remember exactly when the shift happened and i don't want to rewatch it to find out) in the earliest episodes, the tone is more focused on typical sitcom tropes combined with parodies of police drama tropes. this is also a very egregious era for people to look back on like "hm the behavior of these cops isn't entirely ethical even tho they're the supposed good guys," but again other people have covered this topic way better than i can

however, in seasons 3-5 brooklyn 99 started to take off in liberal circles because of its "progressive" politics. the show's female characters were badass and had actual personalities! the show had characters who were people of color and acknowledged racism existed! the show even started having episodes that acknowledged these issues, and its cast pushed for advocacy as well. as someone who was deep in the "brooklyn 99 is out unproblematic fave" culture of that era, i specifically remember rosa's coming out episode as a huge moment for queer representation, and i remember how much people applauded the episode where terry is racially profiled by another officer for shedding light on the issue. the characters on brooklyn 99 weren't just seen as "the good guys," they were seen as an ideal diverse friend group. the retort whenever someone pointed out the copaganda was to point out the depiction of other cops on the show being "the bad guys," and explain "brooklyn 99 isn't saying all cops are good, it's saying that our main characters are an example of what police should be like, and we can work together to make the system better!" i'll dissect this take more later, but for not this is just a snapshot of what the culture was like.

the main thing i remember from being on tumblr during the heyday of brooklyn 99 was this phrase being repeated over. and over. and over. again:

"this is proof that you can be funny without being offensive!"

sure, brooklyn 99 wasn't the only show to be given this tag line by its fan base, but i associate this take with brooklyn 99 more than any other show that was popular during that time. especially when it comes to the cold open bits, like "now number five", or "the full bullpen!" or "hot damn!" it would also be applied to bits about queerness like "bye rosa!" or "BONE???" which is understandable, since most sitcom audiences were used to queerness constantly being the butt of the joke and it was nice to just hear bisexuality used as a non-judgmental pun for once.

this was also during an era where "offensive comedy" was very heavily taken over by the right wing, especially trump supporters. in the minds of many, "offensive comedy" just meant a conservative saying slurs and getting butthurt when people stopped laughing. the right was offensive and grotesque, so the left would take the high road and be tolerant of everything. we don't want to offend people, but we still want comedy, so brooklyn 99 is a nice way to reassure ourselves that we can still laugh while being as inoffensive as possible. the ironic thing is i'm sure someone can find a reason to find any one of these brooklyn 99 cold opens offensive. i'm not going to make a callout post for every single potentially offensive thing in these bits bc that just feels like making up a guy to get mad at, but my point is "offensiveness" is subjective and not the deadly sin we thought it was.

(to detour slightly, this idea of "proof that you can be funny without being offensive" was so internalized in me that i ended up self-censoring my own works so much. it actually wasn't until i discovered scott thompson's comedy that i realized being "offensive" in the overt queerness of your work is actually so much more powerful than trying to look unproblematic. homophobes are gonna find you disgusting no matter what you do, so don't censor yourself to seem better than them because at best they won't care and at worst they'll see you as the death of comedy)

season five was the peak of brooklyn 99 imo. the show was diverse. the fandom was everywhere. the comedy was iconic. then it was cancelled. not the social-media-version of cancelled, that will come much later. fox, the network brooklyn 99 aired on, pulled the plug on the show after season five, leading to a massive uproar on twitter in defense of the show. major celebrities were tweeting about how they watched it every week, people were petitioning other networks to pick it up, and eventually someone did!! brooklyn 99 was brought back on nbc through season 8 and we all lived happily ever after

just kidding but can you imagine?

whenever brooklyn 99 pops into my brain these days, i keep coming back to the same theory, which is that the show would be remembered much more fondly if it was just cancelled after season five. i would've been sad, sure, but think about it. it's 2018. this show is still viewed as the pinnacle of positive representation by so many people. its fan base is vast and passionate, and it even ended on the classic wedding episode for the will-they/won't-they couple. yeah it's a shame to let all that momentum go to waste and not have a proper sendoff for everyone, but we move on and fans fill in the gaps themselves through their own creativity. a few years down the line, our nation finally experiences a reckoning with police brutality and the defund the police movement gains traction. this of course taints the legacy of our beloved cop sitcom, but we didn't know back then (even though we really should've), and since the show is done we can just enjoy it as escapism while also being firm in our beliefs irl. this system isn't perfect, but the question of how do we remember brooklyn 99? is a lot easier when brooklyn 99 is not currently airing

but brooklyn 99 was airing, and seasons 6-8 were a mess. even beyond the copaganda conversation, things just felt a bit off. the shorter seasons definitely didn't help, since they took away a fan favorite aspect of the show (the halloween heist episodes, which honestly are the only things i'm ever tempted to rewatch anymore) and gave us less and less time in the world of our characters. jake and amy had a kid, because that's what sitcom couples are supposed to do. we saw rosa's girlfriend. and rosa's girlfriend. and rosa's girlfriend. the show dealt with mass shootings, the #metoo movement, and other topical issues.

then the world shut down, and middle class white people finally had to reckon with the realities of police brutality since they couldn't look away. brooklyn 99 of course was swept up in this conversation, and since they were always known as the most progressive sitcom on television, they had to do something. but it was looking more and more like despite all their efforts "progressive cop show" was an oxymoron, and all they could do was try and minimize the damage while making a swift exit.

there have already been several essays on how brooklyn 99 handled its identity as a "cop show" in its final season, and this essay is already long enough so I won't get into the weeds even more here. some aspects were a good step towards important conversations (rosa quitting, jake's realization that everyone sees themselves as one of the good ones, etc.). some were... trying their best? but also vague enough that there was no substance beyond just saying "this is a thing" (amy's arc about submitting a proposal defunding some police programs? i don't even remember if that's what it was about since it was so vague). and others were just kind of baffling??? like. the show ends with jake quitting being a cop, which is good. and his decision is framed as entirely about wanting to spend more time with his son... but also the whole reason he got to spend more time with his son was because he got suspended for intimidating a suspect and being super unethical??? and that's never brought up again or cited as a reason for jake quitting. like, they already had rosa quit because she realized being a cop was just contributing to a corrupt system, and jake has just had the dark realization that no matter how golden-retriever-husband he is, he's still a corrupt cop??? but they fully ignore that and make the finale about family??? idk it just feels like they wrote the finale before everything went down and never bothered to rewrite it.

but the important thing is that brooklyn 99 finally ended, and rather than being met with the standing ovation of its almost-finale in season five, it was met with... still a moderate amount of applause, but mostly people looking away and awkwardly asking what to do with it now. in the years since, i have barely seen anything about brooklyn 99 on the internet. idk if it's just because of who i surround myself with, but to contrast, i still see things about the office, parks and rec, community, scrubs, 30 rock, etc. years after they ended. i didn't even like the office! and these shows certainly had problematic elements as well (even my favorites on this list, community and scrubs, have some jokes that really don't hold up), but even tho i couldn't scroll past 5 posts on tumblr in 2015 without seeing a fandom redraw of "and i know that if i run at terry he will catch me" "JAKE I'M HOLDING COFFEE!", brooklyn 99 has kind of... vanished?

the only times i'm forced to think about brooklyn 99 now (outside of this essay bouncing around my brain every 24 hours) are when i see a post where it is the butt of the joke or a piece of discourse that we all know the right side of. a netflix synopsis of the show prioritizes saying it's "full of memeable moments" but never uses the word "cop." that's obviously bad, but also, that's accurate to how we thought of the show back in 2015. the cop thing was easily ignorable by its fans. or, more potently, on a post about how cops shouldn't be allowed at pride, some clueless steven universe blog pipes up "what about captain holt?" and is treated to a barrage of "HE'S A FICTIONAL CHARACTER STOP BEING A BOOTLICKER." and maybe that's evidence of the more damning legacy of brooklyn 99, that for all its progressive storytelling, it's still a cop show. and even if you're a fan who knows most cops aren't like our main characters and they're just an example of how the system should be, that still makes you idolize the idea that there could be people like these characters who made you feel seen, and that they're working in the police force. that if you say "ACAB" you could make captain holt sad, because even though the show and fandom tried so hard to make the police identity secondary to their mission of diversity, the police identity has to come first in order for any real change to be made.

that's all i have for now. i'm sure i didn't explain things entirely perfectly and that there's major aspects to this conversation that i missed, but that's why i'm excited to read someone else's analysis in 20 years. i'm very curious to see what brooklyn 99's legacy will be like then.

#time for a jessay #this one is unrebloggable bc i don't want discourse since it touches on sensitive topics and i'm not confident i explained everything right #but i just needed to get this brooklyn 99 infodump out of my head bc i seriously cannot stop thinking about how it's aged #that 2015-2018 era where brooklyn 99 was the pinnacle of progressive inoffensive comedy was so vivid #and then it managed to escape death but that just allowed it to overstay its welcome #and now like. those memes have vanished??? and it's not just bc it's off the air bc so many other sitcoms are still memed all the time #it's obviously bc of the cop aspect and how the audience is forced to reckon with that

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cheriladycl01 · 5 months

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Love in the Fast lane - Max Verstappen x Actress! Reader

Plot: Max Verstappen meeting an Actress who has actively been a F1 fan from before the limelight gets invited to the Monza GP after her recent film debut.

Credit to piosqueak1507 for the GIF

"Can we please stop getting these celebrities in that know absolutely nothing about the sport? Vegas was a ball ache" Max says to Christian they walk through the Monza paddock.

"I think you'll actually enjoy who we have for this race, they're a big sponsor" Christian smiles.

"Yeah they all are ..." Daniel chimes in with a slight laugh.

"No, trust me guys i think you'll really really like her" Christian says as they round the corner. Normally whatever celebrity that sat in any of the garages would immediately be getting photos by both their manager and the Red Bull Team for the publicity on both ends.

However both Daniel and Max immediately saw the celebrity that had been invited. She was in the Red Bull team gear crouched down observing Max's car, she was asking questions to all the engineers before taking her own swing on things.

"That's Y/N Y/L/N" Daniel whispers wide eyed just watching her look so effortlessly normal.

"She's been a motor-sport fan for ages! Since before she was an actress. There's a picture of her at like age 10 at the South Korean Grand Prix. She had her first big movie 3 year later!" he continues as if he'd read an autobiography on her at some point.

"Hey Y/N come meet the drivers!" Christian offers to you, your hair was up in a tight pony tail, your face was natural and free of makeup and if they didn't know who you were apart from your outstanding natural beauty they'd assume you were an actual Red Bull team member.

"Oh my gosh, Hi hello!" you saying coming up to them and shaking there hands. Daniel and Max share a look between them, not believing how this 23 year old, Oscar Award winning actress is being a fan girl over them.

"Hello, its really nice to meet you!" Daniel says, and before you know it your being pulled into a hug.

"So you were asking some detailed questions about our cars, how'd that come about?" Max asks trying to get a judge on this girl.

"Oh! Well apart from the fact I've been a Motorsport fan for ages, I did a degree in Engineering at St Andrews around my career. I graduated last year!"

"Oh woah, that really amazing! Daniel was just telling me about the picture of you at the South Korean Grand Prix in 2010!" he offers, trying to get to know the extremely pretty girl in front of him. You excitedly pull out your phone, going straight into the photos app and to the specific album you had all of your Formula One pictures in.

"Oh i have another one of me and Sebastian Vettel when he won the 2013 Germany Grand Prix, I'd just got back from a movie premiere in London, and i refused to miss it! Oh and here's me, Lewis, Kimi and Sebastian in 2018!" you says showing them the pictures on the phone.

"Well, you had a picture with Seb when he was the Red Bull Golden boy but how about you get one with the current?" Max smirks, and your face reddens.

"Yeah of course! But I want a separate one just for me, not to go on any socials" you smile, you hand your phone to Christian who takes a private one of you and then the media teams come after to take them.

Daniel leaves to talk to his engineer and Christian leaves to set up for the race ahead.

"I'm going to be blunt, I like you. You have a true interest in the sport and if i win this race I want to take you out to dinner" he smirks, looking over at you. He was lent against the wall, his race suit down around his hips.

"Hmmm okay, you've got yourself a deal" you agree.

You watched the race in the Red Bull Garage with the headphones on. You'd been on camera a few times, sometimes when you'd been biting your lip as Max had clipped a corner or didn't break early enough but stopped himself from spinning out. Other times they just caught you with an in awe adoring look at the screen as you watched the cars zoom past.

Max tried as hard as he could but today the Ferrari's just had pace, Charles ended P1, Lando ended P2 and Carlos ended P3, Max unfortunately not being able to go for the overtake in the last sector.

"Everyone in RedBull was celebrating the win of P4 and P5, you came out with the pulling Daniel who had gotten out of his car first into a huge hug.

"Well done Dani that was an amazing race considering the longer pit stop" you admit looking at him and he gives you a massive grin back.

"Max, Max!" you shout as you see him pull himself over the halo of his car. He slams his fist onto the bonnet, and shoves his helmet into the seat of the car.

"Hey, stop you did really well!" you smile at him, holding each wrist of his in your hands, his forehead had started to line with a little bit of sweat, his helmet hair being scraped back now.

"Didn't get the dinner though did i?" he frowns.

"Well what if i tell you that I'm good to go out with you for dinner regardless of a race win..." you smile and he smiles back.

"But that would be going against the offer I originally made" he smirks, leaning forward.

"Fuck the original offer Verstappen" you laugh at him, pulling him in for a kiss that he happily led.

Taglist:

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