The Pendulum Syrinx. Just a giant parrot leviathan 👁️ 👁️
It’s not obvious whether or not they understand what they hear but they tend to hang around larger ships with many passengers, showing signs of being ‘social’, however unnerving their presence may be. A ship that notices they’re being tailed by one might welcome this or chase them off with loud noises if they have the means. They’re also attracted to music if they can hear it. They can adjust their own volume as well, at their size they’re known to shatter some eardrums if they aren’t careful.
They can come in many different sizes, with more or less appendages, they usually stay in the range of leviathan class though. Their heads can also come in various shapes but they generally stay a symmetrical axe shape.
I just really wanted to make a leviathan that mimics sounds because I always love that mechanic used in creatures, whether it’s scary or not.
Here’s some alternative text below for more of a description
The Pendulum Syrinx
The slits on the sides of its head are mouths. It exhibits a powerful ability to mimic, picking up signals and sounds using a form of echolocation in addition to electromagnetic waves. It adds these sounds to its ‘library’.
It’s shown the ability to mimic voices, music, wildlife and even machinery; whatever it may pick up from passing ships or radio signals.
The first recorded had befriended an fisherman who frequently played her hurdy gurdy while aboard her boat, earning the creature the nickname ‘Gurdy’.
It’s not seen to be particularly hostile, mostly just a curious nuisance. However, it’s a highly intelligent leviathan and should be handled with excessive caution regardless.
Last image: A curious Syrinx will often perform ‘soundbathing’, where it will float just below or above the surface of the water and take in its environment.
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spent ages preparing to audition for a role I really really wanted and it's looking like (still unconfirmed) they might not even be holding auditions at all but have just given it to someone directly
which, meh, that sucks but that's the industry!
I'm just like now what? I spent a lot of my free time the last few months prepping and I genuinely don't know what to do with myself now!
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i was thinking about how i wished leverage had a birthday episode for some of the characters cause that would be sweet, but then i realised something and basically…. okay here’s my thoughts in quotes form, just for fun
hardison: so when’s your birthday? i could plan something for us and the team to do and-
parker: i dont know
hardison: you don’t know… your own birthday?
parker: no, how would i know? pshh, cmon, you’re telling me you remember EXACTLY when you were born? watch this - hey, eliot, do you know your exact birth date?
eliot, innocently passing by, who was canonically anonymously dropped off at a hospital as an infant: no, how would i know?
parker: that’s what i said!
hardison: excuse me?? what is going on right now
sophie, walking into the apartment: whats wrong?
hardison: parker and eliot- well, okay, when’s your birthday? i just have to prove something.
sophie: …….july 12th
hardison: why did you pause? wait, is that your birthday or sophie devereaux’s birthday?
sophie: ………… (guilty silence)
parker: see, no one knows their real birthday! haha you’re so weird sometimes, hardison
hardison:
hardison: what the fuck guys
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Starlo should be Clover's dad
Why? Because ↓
1) Both dress into cowboy-themed attire to feel braver/more important than they are
2) Clover, instead of a regular kid, wants to feel like a hero; Star, instead of a regular farmer, also wants to feel like a hero
In reality, Star is not the tough guy he pretends to be. His optimism, protectiveness and caring nature make him a hero though.
In reality, Clover started off as a scared kid who became more confident and skilled thanks to Flowey's resets. Their heroism comes from their forgiving and selfless nature and the hidden courage they got the chance to explore.
2) Both acted childish during a dangerous situation
Clover came down the mountain with a toy gun so that it would bring them comfort/they'd feel more in control of the situation (if you remember, Frisk refused to play with Asriel's toys in UT, saying how they're "too old," and I assume Frisk and Clover are the same age).
Starlo brought a fake gun before confronting Clover in genocide, just to feel cool.
3) Both not only value justice, but base it on compassion
Clover's entire mission was to bring justice (avenge the kids), but along the way changed that mindset (in pacifist). Star says how him and his posse aren't bandits, tests Clover's sense of justice and morality with the trolley problem, and wants to give Ceroba a second chance despite her actions.
4) Starlo's got protective fatherly instincts
5) fatherly pride
8) a lot of monsters associate Clover with the Dunes/Wild East
9) oh and... Starlo referred to the Wild East as Clover's.... home. Twice.
he could have easily said 'Wild East'
... get the adoption papers.
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I meant Hama and Katara... But thank you for the Kanna & Katara Link. I'll go theough it.
ohhh yes i obviously have so many thoughts on hama and katara as well..... hama is the embodiment of who katara could have become had a) her circumstances been slightly different (and worse) and b) had she had less emotional strength & resilience & desire to cling to her own humanity at all costs. like, the fact that katara gets multiple figures who embody the terror of her submitting to her most vengeful instincts and perpetuating the cycle of violence instead of working to end it is honestly quite beautiful, as that tension culminates in "the southern raiders" and katara lets herself prioritize her own humanity over her pain and rage and (totally justified) desire for revenge.
i know a lot of people think that hama and jet are the most politically confused aspects of the show, since they do play into the thing lok does where it's like "all oppressed peoples who employ radical means of resistance are simply cackling mustache-twirling terrorists," and while i do think that the way hama is framed at the end of "the puppetmaster" is in poor taste and lacks nuance, it's also pretty clear to me that a) their trauma is portrayed as sympathetic b) their stories are depicted as tragedies and c) atla doesn't actually demonize violent methods of resistance. like if katara wasn't literally the main character i'd feel much more comfortable making that critique (because lok does do this and it's liberal bullshit and it sucks), but we see katara use violent means of resistance as early as episode 6 of the whole show. she's literally framed as a hero for doing ecoterrorism; even when she's actually in the wrong in that situation, her desire to do whatever it takes to help people and encourage them to fight back against their oppressors is celebrated unconditionally.
the lesson katara has to learn from them is that she must never let her anger and desire for revenge consume her over her love for humanity and her drive to help people. jet and hama are both deeply traumatized in a way that made them prioritize wanting to wield power over others in the same way that they were once made vulnerable and helpless, and katara recognizes that instinct in herself too, that instinct in every person who has been subjected to that degree of violence. hama targets fire nation civilians out of spite, because she was once a regular girl from the southern water tribe who was targeted for reasons beyond her control, made to fight and treated like a villain. the reason she goes after "regular people" instead of targeting actual combatants is specifically because she knows that if the roles were reversed, the fire nation wouldn't care about differentiating her people in those roles; she's giving them a taste of their own medicine.
she used to be a resistance fighter who fought back against the imperialists on her land with everything she had, and it didn't work. she suffered unimaginable horrors, and in the process discovered an ability that would allow her to make others suffered the way she did. no, she's not a good leftist or whatever, but her motivation is understandable. she's driven by pain, not reason, just as katara and zuko are in "the southern raiders," just as aang is in "the desert" when he loses appa, just as sokka is in "the boiling rock." when one is hurting that badly, the desire to ease one's pain supersedes logic, supersedes one's core values in general, the values of grief taking its place. hama has been grieving her entire life; whoever she was before the raids is gone, and now she is someone shaped wholly by pain. and had katara not met hama, been traumatized by her, and thus vowed never to be like her, who knows whether she would have had the ability to take a step back and recognize within herself that she is standing over that precipice, and instead walk away from the threshold of violence, and back towards herself.
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