TGCF Vol 3, Chp. 43 - 44 (First "Kiss") Part 2 / 5 (First, Next)
Next part is finally done! Xie Lian's inner monologue kills me.
Novel excerpt under the cut:
[denotes panel #]
[1, 2] Xie Lian blinked, trying desperately to bat away the thousands upon millions of lingering crystalline bubbles. [3] Then he found himself caught by a pair of strong arms. [4, 5] One hand circled his waist, and the other grasped his chin. [6] In the next second, something cold and soft covered his lips.
[7]In that instant, Xie Lian's eyes bulged.
Never in his life had anyone treated him like this.
First, no one dared, second, no one could. However this person was swift like the devil and had appeared so suddenly that he had no chance to defend himself before he'd been plunged into such a state. [8, 9] Flustered, he thrashed and desperately tried to push the person away. [10] Instead, he only succeeded in choking on large mouthfuls of water as string after string of bubbles escaped his mouth like crystal beads.
Of course, this was a big mistake underwater. [11] The hands round his waist only tightened, pressing their bodies closer together, and Xie Lian's struggling hands were firmly folded and crushed against his own chest, trapping them in place. [12] His lips, too, were securely sealed. The kiss deepened, and with it, a breath of cool, gentle air was transferred into his mouth.
[13, 14, 15] Completely helpless and at a loss, just as Xie Lian began to accept his fate, he finally saw the person's face clearly.
[16] It was Hua Cheng.
[17] The moment he realized it was Hua Cheng, he stopped struggling. Innumerable random thoughts popped into his mind, all inappropriate for the time and place, such as : So it was Hua Cheng! No wonder he's cold. [18] Ghosts don't need to breathe, but he can still transfer air to me?! [19] Don't ghosts sink in the water?
[20] Hua Cheng suddenly opened his eye.
[21, 22] Staring into that dark eye from such an intimate distance, Xie Lian froze again, then resumed struggling, his arms flailing like a duck so clumsy it was drowning. [23, 24] Hua Cheng easily corralled those thrashing limbs, and with his arm still firmly locked around Xie Lian's waist, Hua Cheng took him and speedily swam upward.
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person.
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard.
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry.
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling.
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
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Obviously I love and support all of Destruction's creative endeavors but I just think he deserves to at least once have Hob Gadling drag him bodily to a Break Room so he can see people getting the catharsis and release of destruction in a safe and appropriate space until the feelings dissolve away and what's left is some people crying with relief and others laughing with glee as they start to find joy and fun in the contained chaos and they all leave feeling so much better when they arrived and then the room gets swept up and no harm was done.
Just. Destruction seeing a space where his nature isn't war, or bloodshed, or abuse. It's just humans getting their feelings out and having fun with it too.
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