Tumgik
#i could listen to her all day
daisyridleyedits · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"It's a good problem to have. I feel really like — and it probably sounds fake, but it's not — I feel really lucky. The stuff that I'm doing, I felt, is interesting and I've worked with such different filmmakers and a job is a job is a job. So if I love the script and and I love the story it's going to be great. And it will probably be different people, I imagine. I don't know if it's the same or different — crew-wise, cast-wise. It's all a sort of adventure. It's a good thing. It was like I was always thrilled to be part of it, even when it's divisive. I feel generally people are good. And I feel people are are receptive and interested. And honestly if it wasn't a story worth telling I wouldn't be doing it. But I was like, 'ohhh.' It's a fun direction."
—Daisy Ridley on Happy, Sad, Confused about the new Rey film
81 notes · View notes
mey-rin-is-fabulous · 3 months
Text
Käärijä really doesn't miss does he. Oops all bangers so to speak.
Also Erika Vikman has a great voice.
42 notes · View notes
catteababy · 2 years
Text
you know you’re in love when just their voice turns you on 😩
6 notes · View notes
djkerr · 19 days
Text
Just finished this incredible memoir of composer, author Mary Rodgers (Once Upon a Mattress, Freaky Friday). Mary Rodgers knew just about everyone associated with American musical theater. Her stories are deliciously candid, full of humor, self deprecating, and often poignantly intimate.
*BONUS* - the audiobook is narrated by the inimitable Christine Baranski! ✨💗
Tumblr media
Christine Baranski's narration is impeccable in timing, intelligent, and full of energy. She is performing a one-woman show - 15 hours worth! She superbly channels Mary Rodgers minus impersonation. It's Christine Baranski's voice expertly delivering the tone and cadence of Mary Rodgers; the quick reparteé, the irreverent retorts, and the ever present irony. Fabulous stuff!
Highly recommend. 👏🏼✨
0 notes
hellodarjeeling · 8 months
Text
Ethel Cain has such a fantastic voice
0 notes
thresholdbb · 6 days
Note
what's the threshold theory
There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.
If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.
#every day is threshold day#tldr threshold cemented the time travel shenanigans#we're not counting her disparagement of time travel in relativity i know it's technically before threshold#but they've messed with the timeline so much that her past timeline is also changed.#Time travel is funny because the past is the future the future is the past#so while relativity comes before threshold in the prime timeline her timeline has also been changed in a way that it wasn't before threshol#we could chalk it up to a writing oversight but this is more interesting#not to mention her uncanny luck with the Borg which I think ties in as well#it's part of why her instinct is so strong#also the bio neural gel packs but that's a different theory#listen she's amazing with or without having seen all of time and space but she has seen all of time and that must have affected her somehow#those little salamander babies also have all of the cosmos in their mind#tried to explain as concisely as possible but it is part of my overarching theory#she doesn't second guess herself nearly as much following their jaunt into transwarp#I have more but I'm trying to be brief cause it's written up partially in my drafts somewhere and i have some things i need to do today lol#meta#Star Trek voyager#Kathryn janeway#threshold day#did you expect me thresholdbb to not have a serious threshold theory?#listen I can make anything nonsense and turn anything into a serious theory I was known for this kinda bs in grad school#I wrote a 25 page paper on NOTHING once#I wrote a paper about how corn fields were super gay and it made my professor cry I can spin the bullshit it is one of my skills
251 notes · View notes
impecko · 11 months
Text
Tumblr media
halle as ariel :}
737 notes · View notes
stuckinapril · 2 months
Text
I’m finally biting the bullet and contacting a therapist today after being ambivalent ab it for so long… this hellsite has its many disadvantages but one thing I can say is it has truly helped me be less scared of pursuing therapy. Silver lining etc etc
119 notes · View notes
undead-potatoes · 5 months
Text
Neil Newbon really did an amazing job with Astarion, and I'm sure he deserved that best performance award, but I am a little sad how the hype around him tends to overshadow everyone else. The general standard of voice work in this game is SO GOOD, and I feel like the other VAs whose work feature heavily alongside Newbon's deserve to be talked about more too.
100 notes · View notes
milimeters-morales · 9 months
Text
Hobie, looking at old photos: who’s this lady?
Miles: oh that’s my mom when she was like in her early 20’s, she was really into goth stuff… i think she got arrested right after this photo though bc of a protest
Hobie:
Miles: stop giving me that look i’m never letting you near her.
268 notes · View notes
imthursdaysyme · 10 months
Text
I feel like the kids in st would have simple small answers for “what do you want to do in the future” bc subconsciously or not they don’t think they’ll survive, I think Lucas would answer and say oh I want to be a camp counselor one summer and his dad is like….I meant a job son
261 notes · View notes
sysig · 6 months
Note
You mentioned you mainly ship Glados/Chell when it comes to Portal? Could I please request something with them, however you personally imagine their dynamic? Sorry for the vague prompt, I'm just curious what your ideas are!
Tumblr media
Day 25 - As if being dead wasn't bad enough
#My art#Requestober#Portal#Chell#GLaDOS#Big girlfriend <3#Big Mean girlfriend <3 <3#Ugh it's been a while since I've drawn her lol I forgot how complex her design is#A lot of this is just visual noise don't look too hard lol#I do love her tho! I just happen to love her mind - her personality - the most ♥#For a change of pace I listened to her lines in the background rather than music hehe ♪#I forgot how funny she is in Portal 1 gosh she's so cool and mean and fdjsalfjdsf I love her I love her#I never know where to cut the line between the Player and Chell - she's designed to be a blank slate so hmm#I mean I see her as being extremely long-suffered - you'd have to be to put up with GLaD hehe <3#Sarcastic and flippant in response to GLaDOS' long monologues haha#But for me personally I could listen to her insult me all day <3 So how much of that carries over to Chell?#Probably a non-zero amount while I'm playing her lol - we see Players nod or shake Chell's head!#That means something!#So just go ahead and insult her it's all in good fun ♪#I do love the idea of GLaDOS needing Chell to be somewhere and all other methods of moving her are inaccessible#Elevator breaks? :3c She can fall a long distance but her jump height isn't quite that good lol#Ride around on her to go from floor to floor! GLaDOS secretly enjoys it and turns that pleasure into more insults lol#''Stop enjoying this only one of us is allowed to be having fun right now. And by one of us I mean neither of us. Be quiet.'' Lol ♫
93 notes · View notes
alethiometry · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"Fuck 'em. Fuck 'em all. Gods, oracles, especially pir— sailors."
277 notes · View notes
revelisms · 11 months
Text
Braindumping about Silco and Vi, because these two are such fantastic narrative foils for each other—and, in the same breath, completely cut from the same cloth.
I keep wishing they had more scenes together, another square-off, something to put them head-to-head—because there's so much potential for them to counteract the layers of each other.
Tumblr media
At the root of it all, Vander's looming between them, this monolith of a presence that ties their pasts together. But above that, still, we have Jinx—who not only is their driving tension, but their greatest possibility for reconnection.
Here, we have Vander's daughter—someone who, for all intents and purposes, has become what he wanted, but who has also been someone he saw too much of himself in; who he did his best to reshape, instead of enable, and who put him on a pedestal, and truly saw him as hers, more than perhaps anyone (except, well, Silco).
Vi treasured Vander, fully looked up to him as her father—and losing him shattered her. In between all the layers of it, there's this underlying thread in his actions towards her, a tension that just sits with her through Act 1—Do as I say, not as I do (or, rather, as I did).
Here, we also have Vander's partner—someone who knew him before, knew what he was, what he resented, and what he became, instead; and who bears the scars of what all their fallout grew to be. Someone who holds the memory of him tangibly, in multiple respects, as though it is something he physically cannot sever: Vander's knife, the Drop—and even, in some ways, Jinx.
Silco is still clinging to the idea of Vander, throughout the entire series. To the potential in their reunion at the cannery; to the reassurance of what he knew him to be (I knew you still had it in you; Vander wasn't the man you thought he was); to this need he has to still speak to him, even after everything.
But Vi was raised with the burden of being the eldest; being the one most capable of providing protection—and, as a consequence, with the burden of responsibility.
She's not only a sister to Jinx. She's a guardian to her—and in many respects, a stand-in mother. And Silco, as a surrogate father, is standing right in the middle of that. A roadblock between "Powder," as Vi knows her sister as, and "Jinx," as Silco knows his daughter to be.
Right at the forefront, we have so much conflict here. Vi is so similar to Vander, to the point that she is nearly his spirit incarnate—so much so that having her resurface from a presumed grave just sets fuel to fire for a vendetta Silco has never been able to snuff out.
But beneath that—far beneath that—they have so much in common. Vi's headstrong rebuttals in Act 1 about going against Piltover and striking them down, about being made to feel lesser her whole life and needing to fight against it, just sings with Silco's anger in the cannery (You'd die for the cause, but you won't fight for one?).
These are two kindred spirits, two revolutionaries willing to do anything for their city and those they love, and who aren't afraid to fight for it. Who want to fight for it.
But trapped between it all, we have Jinx. Someone Vi is not willing to sacrifice (i.e., her memory of Powder), and who Silco, by the end of the series, isn't willing to sacrifice, either (i.e., his loyalty to Jinx).
Vi, of course, could never fathom Silco being a father to Powder (how could she, after he is the reason Vander was taken from her?)—and looks for justifications for her hatred, in everything he does.
But the unfortunate truth of the matter is that for all Vander cherished and nurtured Vi as a vision of himself—so has Silco, to Jinx. He sees himself in her. He has empowered her, cherished her. He is so incredibly tender with her, in his own ways. And—for all his absolute faults, his skewed morals, his tunnel-visioned zealousy to achieve Zaun—he is a good father to Jinx, just as Vander was a good father to Vi.
The question I keep finding myself mulling over, though, is whether these two could find elements of that, once again, in each other.
There are so many things Silco isn't—not only in Vander's shadow, but simply in the character that he is. He doesn't come in swinging; he plots, he strategizes, he fights with words. He isn't a warm presence, or a jovial one; he's chilling, he's dry, he's distanced. There are countless contradictions one can draw between the two of them—and so many layers one can tease apart, on how their opposites attracted each other, how they worked (a balance that will no longer ever be).
But there are so many things Silco is. He's critical, he's fiercely rational, he knows how to weave a crowd around his finger with a single intonation. He admires the outcasts, the scrappers, those that have dredged through society to claw for what they can. He surrounds himself with them—and he operates alongside them, as an equal as much as an usurper.
He's a flavor of parenthood Vi didn't receive, but could have—the one that would have validated her need to fight; who would have taught her that strength comes in numbers, not in one's single ability to protect; who would have seen her snarkiness, her quick wit on her feet, and taught her to use it to her leverage.
The tragedy of the whole series is that Jinx needs them both to have balance in her life—to keep the tether of her child self and her trauma from splitting her apart at the seams—yet for Silco and Vi, as the narrative destines them for (and as it destined Silco and Vander for), any semblance of a connection between them is doomed for destruction.
There's too much they hold fiercely to themselves, in their own traumas, that they cannot set down—even for the sake of Jinx's needs. They are equally selfish, in that way. They want the version of Vander that they are not willing to let go of; and they want the version of Jinx that they know her to be.
But they could change. They could.
Silco did, by the end. Chose his daughter, his legacy, over the cause, over his vision of progress. And Vi did, too. Chose "peace," chose to set down the gauntlets, chose politics (and—arguably—complacency, in the same way Vander did) as the path forward.
But what if they set it all down, for Jinx? What if they became what she needed, on both sides? A father who sees her, nurtures her, like Vander saw and nurtured Vi—and a sister who loves and protects her, like Vi loved and protected Powder; who could learn, maybe, to love and protect "Jinx," too?
And maybe—just maybe—Silco and Vi could learn to appreciate each other, for all their surface hatreds. Find mentorship, find balance again, in each other. And through it, Vi could learn that protection, responsibility, isn't the only quality to strive for. That even she can be nurtured again, too.
106 notes · View notes
elliespuns · 2 months
Text
Okay, okay, we all know our weak spot is all of Ellie. But if you had to choose??
27 notes · View notes
simptasia · 4 months
Text
my mum died last night
#i was with her. i spoke comforting words to her as her breathing slowed#she didn't suffer - she wasn't in any pain. she heard me and became slower and slower then i... saw her die#i never predicted i'd be there at the moment of death#it was her time. her body had been slowly shutting down the last three days and she'd been officially dying for 5 months#she was so strong. she was hanging on for me. needing to know i'd be able to survive with her gone#once it was clear that things were gonna be fine (besides the emotional toll) she started to truly let go#i've been with her whenever i could be the last three days. and night nurses watched her as i slept#last nights nurse woke me to be with her in her final moments#besides hearing me talk the last few days - i was also running star trek for her to listen to#she couldn't communicate or move but we all knew she was aware of things around her#i gave her words of reassurance and comfort and the last words she heard me say were ''i love you''#and three days ago before she lost the ability to speak the last words she managed were ''i love you''#so things went as well as they could be considering the situation#she died a little over 12 hours ago. it was 7 hours before they could take the body away. that was. haunting#it's been a rough day. worst day of my life. but mum is at peace now. and i have a lot of kind people to support me#everything will be okay eventually and i have my whole life ahead of me and mum wants that life to be good#so i musn't give up. now matter how depressed i feel
32 notes · View notes