alright fuck it. i can't sleep and i need to talk about this scene from the last episode of critical role.
because holy shit if this ain't some of the best rp – nay, storytelling in general – that i've ever seen. (buckle up, it ain't gonna be short.)
laudna: i made you a doll. because dolls are for children. and you're a child.
the way she says this is not nice! it's biting, it's snarky. she definitely seems to mean it as an insult – and she probably does! – at first. but laudna's idea of a child is much more expansive than just a cheep insult, as she makes clear shortly.
then ashton's response: i've never had a doll before. this is the nicest thing anyone's ever given me.
i don't know if this reaction melts laudna a little (if it does, she doesn't show it visibly), or maybe she was already coming to the conversation with a more nuanced definition of 'child', but either way, the conversation shifts immediately – and the next two sentences clarify where they're both coming from here.
laudna: i like children. // ashton: i don't.
she likes children! and we knew this, of course. marisha, the god of intentional rp showed us this within the first few moments of laudna's screen-time way back in episode 1. but still! it's worth repeating. despite the bite of her initial comment to ashton, she doesn't necessarily mean it as an insult. i don't know that we could entirely call it a compliment, given the context, but at the very least, i think she intended it as a point of connection.
after all, our data re: Laudna And Kids is not limited to that one scene from episode 1. there's also the parallel scene that mirrors it (with a happier ending) back in episode 38, when laudna first visits the sun tree after her resurrection. we also know (via a 4sd episode that i don't care to dig up right now) that laudna had another friend before imogen, who was a little girl.
and i think it's that little girl that's the most important piece here. we don't know anything about that story except that she exists, but i'm willing to read between the lines and make an assumption that laudna – on average – has better luck getting children to be kind to her (when they've not yet been taught to be cruel) than with adults. there is an innocence there that laudna needs! she needs people who haven't been hardened by assumptions and pre-judgements and all that bullshit. for laudna there is safety – both emotional and literal physical safety – in a childlike perspective.
ALL THAT TO SAY: laudna's associations with childhood are, generally, positive. for a variety of reasons.
but!
ashton's are NOT.
ashton's childhood sucked. from the jump. he was a part of a shitty cult that he barely remembers, and after that they were in an ophanage. their associations with childhood are overwhelmingly negative, and likely associated with feelings of helplessness and loneliness.
whether or not laudna intended that original comment ('you're a child') as an insult, we can pretty safely assume ashton took it as one.
they continue:
ashton: they're awful. // laudna: they're not.
NOW, we're getting into the meat of it. where before they were dancing around a metaphor, it becomes immediately clear what's really being talked about here. ashton is saying 'i'm awful', and laudna is emphatically saying 'no you're not.'
which! first of all, is so insanely generous of her. after what ashton just put her through less than 24 hours ago, laudna has every reason to affirm ashton's assertion that they are, in fact, awful. but she doesn't. ashton knows this, which is why he amends his original statement:
ashton: they can be.
they're saying: perhaps i can concede that i am not always awful, but let's at least agree that sometimes (like specificaly, oh, i don't know, LAST NIGHT) i can be.
laudna: you should remember what it's like to be one.
ashton: i do. it wasn't great.
the LAYERS, y'all. the LAYERS. the important thing here is that it's all in the context of that first comment: you're a child. which is, critically, a statement made in the context of ashton's decisions the previous night. they're talking in generalities here, but they're mostly talking about last night.
so!
when laudna says they should remember what it's like to be one [a child], she also means: you were a child last night, but not in a cool, whimsical way, just in a shitty, immature way. AND! when ashton says they remember, and that it wasn't great, they're saying they know they fucked up last night, but all they know of childhood is an overwhelming helplessness, how can that possibly be spun to a positive?
and this, really, is the crux of their two differing worldviews. these two have a lot in common – much has been said about that in game and out – but this point is where they split. laudna has survived, by embracing her childlike nature (admittedly, to a fault, at times). how to keep from being hurt? just keep everything fun and whimsical! nothing to worry about here, it's all just a silly little game! and she has also needed people who share that perspective. people who are willing to take her at face value and without any of the negative assumptions and prejudices they may have picked up along the way.
ashton, on the other hand survived by growing up immediately. they got through their own shitty childhood by becoming an adult (or acting like one anyway) as quickly as possible and STAYING that way. ashton needs to have a tough exterior (there's the made-of-stone thing again) to feel safe. (admittedly, from an audience perspective, this veneer is basically see-through. but ashton doesn't necessarily know this. they're trying their best. so from their perspective, the tough guy thing is Working.)
laudna: you should find more joy in your inner child.
she's saying two things here:
(1) you can be soft and be safe. those can co-exist, aND!
(2) i need you to be soft for me to be safe. when you have this false tough exterior, it hurts people. it hurts (hurt) me.
which is certainly a resonant metaphor to play with for the literal ROCK GUY who just got literally MELTED into LAVA 12 hours prior.
ANYWAY- that's what i've got for now on this scene. i'll probably never stop thinking about it, and there's even more good shit from later on in the scene when they talk about the doll, but that's it for now.
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At the end of the day, Philza comes home and her family is there, sleeping. A nap that never seems to end, he gets up and walks around the house, goes hunting for mobs, spends time with his friends, and then returns to the void. Nobody is waiting for him, they are asleep.
It's okay, they are tired, he is tired, but he can't stay in that semi-coma state. Then he wakes up, stays in bed for a moment waiting for them to wake up too, but they don't.
He was waiting for Missa to wake up with their children, but now he has to wait alone. No one is there to fill that silence, he just have to wait for them to wake up.
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