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disneygifsources · 3 months
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FINISHED   RESUEST   !   Click   the   source   or HERE   for   #36   gifs   of   Hudson   Thames   in   Kirby   Buckets   s01   ep13.   All   of   these   gifs   were   made   by   scratch   by   me.   iIf   you   find   these   helpful   in   any   way   or   are   planning   to   use   these,   please   do   give   this   post   a   like/reblog   !   Please   don’t   repost   or   claim   these   as   your   own.   If   proper   credit   is   given,   you   can   edit   these.
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andichoseyou · 1 year
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dude-storm · 1 year
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Hudson Thames
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gender-trash · 6 days
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my toxic trait is that ever since i got into bookbinding i'll sometimes buy books at stores just because the construction is good or interesting in some way
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this exposed sewn binding fucks sooooo hard though don't @ me!!
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artphotocollector · 6 months
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"There were lots of things, touching, poignant, or queer I wanted to photograph." --Lee Miller
Lee Miller led an extraordinary life in her 70 years. While not as appreciated in the photography canon as she deserves to be, or widely known for the pioneering contributions she made, with the publication of Lee Miller: Photographs from Thames & Hudson, along with a new film, Lee, starring Kate Winslet, her story is being freshly shared with a younger generation.
Lee Miller's story is told in these pages by her son Antony Penrose, who also compiled the more than 100 images that reveal Lee Miller's diverse interests from surrealism and solarization to fashion and portraiture to wartime photojournalism. For anyone who has not discovered Lee Miller's work, this new edition from Thames & Hudson is an ideal introduction.
What is not told, respectfully so, is the sexual trauma Lee Miller suffered as a young girl to the peculiar relationship with her father who often photographed her nude. And how these experiences impacted her. Lee Miller endured the best and the worst in people. As a photography correspondent in WWII, she also witnessed the unique horrors of Dachau and Buchenwald concentration camps. While there was much beauty in Lee Miller's life, there was also much unhappiness.
Yet, what a life! Lee Miller's legacy endures. Her passion for art, travel and adventure will always inspire. Lee Miller: Photographs, shows us why her work still matters. --Lane Nevares
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uwmspeccoll · 3 months
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Milestone Monday
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Untitled, 1939
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Self-Obliteration No. 1 and No. 2, 1962-67
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A Pumpkin, 1999
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Women of Shangri-La (Infinity Nets), 2002
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Women Wishing for Peace, 2004
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Yayoi-chan & Toko-ton, 2013
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I'm Here, but Nothing, 2000/2018
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My Heart with Many Worries, 2013
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Tomb of Downfall, and my Spiritual Poverty Dominates my Entire Body, 2017
January 22nd is National Polka Dot Day and to celebrate we’re sharing artwork from the Queen of Polka Dots, Yayoi Kusama (b. 1929)! Kusama’s first recorded use of polka dots dates back to around age ten when she covered a drawn portrait of her mother in a field of frantic dots. More than a stylistic choice, Kusama has since shared the use of polka dots reflects the “infinity nets” present in the visual hallucinations she often experiences in relation to her mental illness. Incorporating them into her art became a way for Kusama to share and coexist with the fears prevalent in her life.  
Yayoi Kusama: All About My Love, published by Thames & Hudson in 2019, is an intimate overview of Kusama’s life and career documenting the artist’s retrospective exhibition of the same name that was on view at the Matsumoto City Museum of Art in 2018. One of the many exhibition catalogs held within Special Collections, Yayoi Kusama: All About My Love offers nearly 200 color reproductions of Kusama’s work accompanied by numerous photographs of the artist, archival paraphernalia, poetry, interviews and her exhibitions throughout her long career.  
Read other Milestone Monday posts here! 
– Jenna, Special Collections Graduate Intern 
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germanpostwarmodern · 9 months
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In Japan the term „monozukuri“, the making of things, is a mindset and method that entails the heartfelt commitment of the executor to give their very best in order to bring an object to perfection. At the same time craft stands synonymous for products and objects that are meant for everyday use and now without ornament or decorative elements. Against the backdrop of this tradition it comes as no surprise that Japanese design still often refers to this tradition. But after the Second World War it mixed with the gradually emerging mass production as practiced in the West.
This decisive shift after 1945 and the overall development of Japanese design well into the present is covered in Naomi Pollock’s compendium „Japanese Design after 1945: A Complete Sourcebook“, published in 2020 by Thames & Hudson: in a total of six chapters devoted to the titans of Japanese design as well as furniture, table ware, lighting and electronics, graphic and packaging design as well as textiles and lifestyle products Pollock provides a very comprehensive overview of the many-faceted Japanese postwar design. Each chapter features portraits of key designers, their important works and daily used design icons. One of these is Kenji Ekuan’s Kikkoman soy sauce bottle, to this day Ekuan’s most significant work and a great example of „monozukuri“ as it took him more than three years and a hundred prototypes to find the perfect shape.
For additional depth each chapter closes with an expert essay focusing on a particular aspect, e.g. the influence of Scandinavian design on Japanese furniture, the development of Japanese car design or an excursion into prewar design which provides additional background insights into its origins in the crafts.
Naomi Pollock’s book is an indispensable companion for anyone interested in Japanese design that also contains countless hints and references for additional research. Highly recommended!
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Tracklist:
Rock n Roll Is a Risk • Stay Clean • The Riddle Of The Model • Rio • Up • To Find You • Town Called Malice • Inbetween Days • A Beautiful Sea • Maneater • Steppin' Out • Drive It Like You Stole It • Up (Bedroom Mix) • Pop Muzik • Girls • Brown Shoes • Go Now • Up • Drive It Like You Stole It (Hudson Thames)
Spotify ♪ YouTube
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garadinervi · 1 year
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Richard Hamilton: ‘Collected Words’, (artist's book with a portfolio of eight collotype and screenprints (one with collage additions, one with ink additions) and one screenprint with aerosol spray), Thames & Hudson, London, 1982 [MoMA, New York, NY. © ARS, New York / DACS, London]
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fieriframes · 7 months
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[Who can forget Donnie D'Alessio at Queens Comfort. London: Thames & Hudson, 1986. Ernst, Jimmy. So here I am on the northeast side]
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Book 377
Joseph Cornell: Shadowplay…Eterniday
Lynda Roscoe Hartigan, Walter Hopps, Richard Vine, and Robert Lehrman
Thames & Hudson 2003
Every few years or so, someone publishes a new book on Joseph Cornell (1903-1972) to mark a new retrospective or anniversary, and I seemingly need to buy all of them. This one was published to celebrate the centennial of Cornell’s birth, and it’s very well done. With over 200 illustrations of Cornell’s work, many in detail, it’s an impressive volume. What’s different about this book are the various perspectives offered about Cornell and his work from the four essayists, and the DVD-ROM included with the book that includes a compendium of the art and source materials, commentary by scholars and critics, and access to his experimental films.
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professorpski · 2 years
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A Big Beautiful Book: Scarves by Nicky Albrechtsten and Fola Solanke
The cover of this book is a textile itself which you kind of wish you could take off and wear. It signals that this big coffee table book offers hundreds of large images of scarves organized by themes like eras, artists, textile designers, scarf companies, etc. Each offers a short essay, but the real treats are the pictures. The images remind us of the extraordinary creativity that went into this accessory over the course of the 20th Century.
You see here the lovely palette called “Vermillion” in silk twill by textile designer Georgina von Etzdorf. Then a ribbon scarf from the 1940s whose designer is unknown and whose color play charmed me. Then two scarves from the 1950s:  a rayon travel scarf from the 1950s on Manhattan, bought to mark a trip, from a chapter on travel scarves, and then a Liberty silk scarf which seems to be playing with the TV antennas that proliferated in that decade. It has a strangely technological look.
While we can appreciate the scarves laid out flat like this, their real appeal is how they will look tied around the neck or shoulders. That is when the colors themselves make an outfit. While today we see a super-abundance of cowls, I am far more keen on scarves myself. If you take a look at this book, you will understand why.
You can find it here: https://thamesandhudson.com/scarves-9780500296172
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5 More Fashion Books I Want to Read
Can one ever have too many fashion books? No. Fashion Africa by Jacqueline Shaw – Jacaranda Books A visual overview of contemporary African fashion, Fashion Africa is a comprehensive guide compiled with an ethical perspective. Jacqueline Shaw promotes Africa as a place not just for sourcing materials, but with the potential to be a vital epicentre of trade within the global marketplace. This…
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dzelonis · 11 months
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Stephen Halliday - An Underground Guide to Sewers or: Down, Through and Out in Paris, London, New York, &c.
Links uz grāmatas Goodreads lapu Izdevniecība: Thames & Hudson Manas pārdomas Vai kāds no mums katru dienu izmantodams labierīcības diži piedomā, kas gan tālāk pēc nokārtošanās notiek ar izvadīto materiālu? Sen pagājuši tie laiki, kad naktspoda saturs tiek izmests pa logu uz ielas, bet, protams, ne visur pasaulē vai pat visās urbānajās vidēs var mierīgi pasēdēt uz poda, noskalot ūdeni un…
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djohnhopper · 1 year
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NEW BOOK: Victorian Architecture by Roger Dixon and Stefan Muthesius. I have always had a weakness for Victorian architecture. It's eclectic passion that often bordered on monstrosity, is staggeringly overconfident. I'm also a big fan of Thames & Hudson's 'World of Art' books. I have a whole collection of these - probably as eclectic as the Victorians.
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artphotocollector · 3 months
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"Photography is about being exquisitely present." --Joel Meyerowitz
Joel Meyerowitz met Robert Frank in 1962. That chance encounter, serendipity if you like, made all the difference in the life of a young art director and painter. He knew instinctively after witnessing Frank work, that he wanted to be a photographer. That was it. Meyerowitz knew nothing about cameras or photography, but as the course of his life would attest, he was always good with risk.
Thames & Hudson's Joel Meyerowitz: A Question of Color takes us back to the beginning. Along with the writer and critic, Robert Shore, Meyerowitz tells us why he started carrying two cameras in 1963: one with black & white film, one with color. Early on, he had tried to reconcile "the question of color" at a time when this question was of significance to the arts community. Today, we seamlessly glide between both worlds. Color photography now has all the importance and gravitas of black & white photography, but there was a time when that was not the case. And it was photographers like Joel Meyerowitz who helped us to question why.
Meyerowitz is one of our master street photographers. At age 85, he continues working, and has enjoyed a remarkable career as an artist and educator--having published 53 books, as well as earning numerous distinctions for his pioneering color work. This latest book from Thames & Hudson puts a fresh spin on Meyerowitz's oeuvre. The photo pairings of black & white vs. color help us feel the tension between the images. We can then answer our own "question of color." --Lane Nevares
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