Welcome to my little meta analysis essay called
Why do we misremember Flower Husbands as being “nicer” than it was?
Disclaimer: I’m not here to talk about whether or not FH is “toxic” or anything like that. It’s just a fact that many old fans rewatching FH POV and new fans who are watching it for the first time after seeing fan content tend to be surprised at how they actually behaved in the series compared to how everyone remembered them being back in the day. This will NOT go over whether or not I think FH is unhealthy or whatever and instead just discuss why I believe this phenomenon has happened.
So, if I try to make this a fancy well written essay, I’ll be here all day, so I’ll just get to the point. 3rd Life came out during the DSMP era of mcyt. MCRP has been around for ages, but the DSMP style of RP (which I’ll be calling “smp rp”) was pretty much popularized by DSMP, mostly towards the end of 2020. For reference, 3rd Life started early 2021, so there’s about a half a year between these two events, and DSMP kept going for years so 3rd Life was absolutely happening during the golden era of DSMP.
But what does DSMP have to do with this? Well, it sort of created this idea of “lore” and only specific things being “canon”. You can make fun of me for the way I worded that, but you know what I mean, DSMP was weird about that stuff. I don’t really blame them as it was kind of a new style of RP they accidentally spawned, but still, it was a confusing time for SMPs.
3rd Life was actually less like DSMP and more like the modern SMP RPs, where there’s no (known, lol) scripted events and the fandom itself deciphers what is or isn’t “canon” rather than it being told to them, with mostly everything being considered canon. HOWEVER, I do believe that DSMP’s style did still affect the fandom, specifically with the topic of this essay, Flower Husbands.
But why would it only really affect Flower Husbands? Now we get into a rough topic: shipping discourse. Back in those days, shipping in the mcyt fandom was heavily frowned upon. Moreso than it is today (I know it’s still around, but it was a lot worse the earlier we go lol). I’ve even seen old relics of ppl saying flower husbands should only be portrayed as platonic cuz it’s wrong to ship them, despite their team name literally being husbands. But more importantly, for A LOT of people, flower husbands was the One Ship people felt “allowed” to ship, BECAUSE it was canon. So they would allow FH and shun every other ship.
My point isn’t actually that, with it being the only “acceptable” ship everyone tried to make it more wholesome, though I suppose that could be a contributor. But my ACTUAL point is where all the things I laid out finally close in on each other:
Ships were a Dangerous territory in mcyt fandom, and ships being “canon” was something a lot of people weren’t prepared to deal with. People don’t want to get too close to RPF territory, but back in the day their ideas of c! vs cc! wasn’t as great, so they default to the DSMP Rule of “if it’s stated to be roleplay, then it’s canon to the characters, if not, it’s noncanon and just the CCs hanging out”.
You see where I’m going with this? When trying to follow this rule for a character relationship where they don’t explicitly state what is or isn’t RP, they hear “we’re married” and instantly mark that as canon to the characters since it clearly isn’t true to the CCs, and tend to block out anything else, otherwise you’re risking it not actually being true to the characters. Especially when it’s things like Scott saying something mean about Jimmy; that directly contradicts the “these characters are in love” thing, so it must not be canon, right?
But wouldn’t people still remember that these things happened, or did they actually straight up not process any of it? My answer to that is: of course everyone was paying attention, but with the context that it’s the CCs playing a video game, all of the teasing and other behavior seems WAY less serious. It just looks like average friends playing a hunger games smp together. And as I explained earlier, the fandom was ONLY processing this as a CC thing, so Scott’s treatment of Jimmy never stood out because that’s just how it is playing games.
Back to DSMP, I’m not active in that fandom anymore but I’ll see snippets sometimes, and I’ve seen the claim that beeduo was actually boring in canon and the fandom was the one that made it interesting. I feel like this is exactly what happened with FH. Nobody was actually expecting anyone to go hard into romantic roleplay, so the fans just take whichever pair says they’re getting married and fill in the blanks themselves. And that was normal back then, it wasn’t fans making stuff up for no reason, it was kind of expected of us.
So yeah, I personally believe that this whole confusion about FH is a result of its time. Whether you want to finally look at the actual substance of the relationship rather than following weird rules about what is or isn’t “canon”, or you believe that since FH was from a time where romantic RP was confusing and weird it would make the most sense to take into account the time period it came from and ignore the less appealing bits in favor of the fanon, I don’t really care honestly. But man isn’t this an interesting situation.
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Hank, Sanford and Deimos with a Reader who does Handcrafts
Gonna post my old MadCom stuff since people seem interested in it! I didn't write too much back then, but I'll post it anyway and hope for some MadCom requests as well! What the title says! Reader knits, crochets and embroiders in this! The format is different from how I usually write, but that's because I wrote this months ago, if not in 2022! I don't remember when, but it's been a while since I wrote this!
Hank
If you get his attention while doing one of your crafts, expect him to just stare at you for a while. He knows what knitting is, since you can use those needles to stab someone with enough force, but he never really cared much for any of it. So, seeing you do those small, but precise movements has him somewhat curious. If you beckon him closer to check out what you’re doing, he will approach you, taking your piece from your hands and gently examining it, before returning it to you.
While he won’t join you that often due to his occupation, Hank will lie down next to you from time to time, watching you work until he falls asleep eventually. Doing so next to you, especially when you’re knitting or doing embroidery, takes a lot of trust on his behalf, so it’s a rather rare occurrence, but it might happen. Still, sometimes even Nevada’s most wanted can’t resist getting some sleep in.
If you give him a scarf or anything of the likes it might seem like he doesn’t like it at first. As he only grunts in acknowledgement and doesn’t wear it, it might seem disheartening at first glance. But rest assured, he’s well aware that him wearing it would only get it covered in blood, and he wouldn’t want your creation, that you put so much love into, to get sullied like that. Hank does keep it somewhere hidden where only he can find it so that it won’t get stolen as well, he truly does treasure anything you give him.
Sanford
He has helped his mother crocheting every once in a while when he was young by holding her wool for her. Sanford always thought it to be really cool how you can make something so beautiful out of something as simple as wool and yarn. Much like he did when he was younger, he’ll hold your yarn for you, making it more comfortable to knit or crochet for you. Unlike Hank and Deimos, he will try to learn it as well. It seems relaxing, so why not? But by no means is he a master. Due to his strength, he will likely rip the yarn and wool apart from time to time and come to you for help.
In order to relax and unwind a bit, he’ll likely come to you and ask if you would like to practise your craft for and with him. Having you around in and of itself already makes Sanford happy, but just getting to spend time with you without having to worry about being killed by the enemy makes it all the better. If you let him, he will hold you close, lean into you, put you on his lap, anything you’re comfortable with.
Please give him a sweater. Because he’s never wearing a shirt he gets cold fairly easily. He’ll cherish it dearly and wear it whenever he can, and whenever he knows it won’t get ripped. Another thing he’d be very happy with would be a piece of embroidery. It reminds him of better times and gives him hope, especially when your piece of art is something pleasant and sweet to look at. Because of that, he will put it up somewhere in his room where he can always see it. Even if Deimos makes fun of him for it, he will simply lightly jab at the smoker, all the while smiling at it.
Deimos
He’ll lovingly call you a grandma for having hobbies like these. Even while doing embroidery, where you stab things thousands of times, he will snicker at you whenever he catches you doing any of these things. Though, he doesn’t mind that sort of thing at all since that means you’ll be sitting still for a while, meaning you’ll give him a chance to unwind with him. Deimos will wrap his arms around you, leaning onto you or just cuddle into you in general. No fighting, no getting hurt, just watching you do the same movements over and over again.
Despite possibly calling you boring, he does have great respect for your craft, since he can’t do any of it. It’s too tedious and he can’t sit around for long enough doing something like this. It’s simply not exciting enough. But the moment you give him his first sweater, he will think it’s the most awesome thing to ever exist. Proud as a peacock, he will flaunt and taunt his new piece of clothing, especially to Sanford and Hank, declaring just what a great lover he has.
Present him with a plushie and his mind will be blown. He always thought knitting and crocheting are just for woolly hats and sweaters and scarves and all. If he sees you made him a tiny grunt, he will simply lose it, run around the Status Quo base and show everyone what you’re capable of. It doesn’t even matter to him whether or not it looks good. Your hands are magical to him and absolutely everyone has to know just how cool and epic you are.
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corey commentary: the official making of h40 🎃🔪
honestly i feel like this book really helped me refocus my thoughts on corey and brought me back to basics for the first time in a while.
i've split this post into a few specific topics based on my own thoughts and the book details that i found most interesting. a lot of this i've talked about before but i'm bringing it back with evidence babyyy.
WARNING for suicide and suicidal ideation, murder, manipulation, mental health issues and crises, and passing mentions of child abuse.
costume
corey's costume was developed in reverse (pg. 176), starting with his final look, the leather jacketed bad boy, and working backwards to the opening scene look, the good boy on his way to the sock hop.
i love that this was the process, i think that's so interesting from both a design and character perspective. taking him from what he became to what he was? it feels sort of like they were centring nostalgia in a way, starting with who corey became and then looking back to who he was (and who he will never be again). it kind of makes his downfall even more heart-breaking to me.
rohan mention's wearing coreys clothes in his real life and how no one even looked at him (pg. 184).
in the commentary he also mentioned wearing corey's glasses a lot to get into the character mindset.
very interesting that we have tried and tested proof that corey can literally fade into the background and go unnoticed. it must be a combination of trying to be visually more plain but also a very quiet demeanour. but then you have the angle of corey being forced to reduce himself to as small and quiet and invisible impossible. i like the way corey both wants to be invisible (to avoid confrontation) but also desperately wants to be seen and heard and believed and understood by someone.
frame of mind/suicidal ideation
rohan mentions that there's an element of corey having not been able to kill himself before, because it was too hard to do, but looking into michael's eyes he realises he can just "call it quits" and let michael do it. then, after he is spared by michael, it gives him "permission" (pg. 198)
i think it makes a lot of sense though that michael letting him go is what tips corey over the edge, maybe reinforcing his own buried guilt (if michael let him go, he must be evil, right?) and making it feel a lot easier to make horrific choices (murder) while also making his emergency exit plan (suicide) feel easier too, if he wanted to.
corey being "tainted" by the shape because he's so close to being that anyway (pg. 172).
i don't personally believe in evil as an actual supernatural force in these movies, but corey is definitlel portrayed as more susceptible to michael's influence, even if michael does actuall demand anything of him.
i think @/slutforstabbings was the one who mentioned this to me. but when corey meets michael he is mentally and physically more susceptible to reacting irrationally in a very real-world sense. he has a history of abuse, experienced a major trauma (the accident), been under intense stress (the party), and had a recent head injury (the fall from the bridge and smacking his head in the sewer). these factors all contribute to a mental health crisis and drastic change in personality.
i feel like this confirms that corey was likely headed for (possibly another) breakdown in the future, but the events of the party/meeting michael just triggers it sooner.
emotional control
rohan mentions corey purposely doesn't feel anything since the accident (pg. 188).
this might have been my favourite detail that gets mentioned. i've always thought that corey's way of surviving post-accident was to just shutdown completely and switch off all his emotions. it's interesting to know that rohan was playing him that way.
and also a lot of the time when corey does feel strong emotions, they are turned in on himself to try and keep them private, like his anger at terry results in him hurting himself (accidently) with the milk bottle, or him regularly climbing over the bannister at the allen house but not being able to let go while during the day he thinks about some outward expression of rage through the blowtorch at the garage.
the mirror scene symbolises the first time corey feels in control (pg. 198).
i've written about this a lot before, but i very much agree that the mirror scene is a moment of processing both "what the fuck just happened?" but also "this is what control feels like". corey's whole breakdown, starting from killing nelson, is about regaining control over his own life, even if it means un-restraining himself and doing horrific things.
killings
ryan turek (exec.) and paul logan (writer) specifically state how ends is essentially a revenge movie, with corey's kills start as revenge killings, but if he survived the kills would get more random (pg. 167).
i feel like this highlights the way that corey's connection with the shape is cut short, unlike michael who had it for decades. the shape (or the idea of it) lets corey get his revenge, but after that he could keep going, he'd pick up momentum and he wouldn't be slowing down.
this seems like this is pointing towards killing being corey's method of control rather than some more direct desire to kill.
he becomes "addicted" to violence and he knows it (pg. 191).
"addicted" is a super interesting word choice and i feel like it fits perfectly. corey starts with revenge, he has his reasons, but as time goes on he could find a reason for anyone if he wanted to.
if corey survived ends and got away, he'd be living his own life for the first time ever. i think there are a lot of things he'd over indulge in, and killing being an addiction plays heavily into that -- there would be nothing to tell him to stop.
high priest!corey
rohan specifically describes corey leading doug to the sewer as him bring michael a "sacrifice" (pg. 206).
vindication !! @/slutforstabbings once said to me, while we were talking about the ritualistic nature of corey and michael's relationship and killings, that corey replaces nelson as michael's high priest, as the person who brings the sacrifices and channels michael to the outside world.
manipulation
rohan says that corey "plays" at being the shaking little boy again when he jump scares laurie while waiting outside for allyson (pg. 204).
i love this, because i fully believe corey thrives on manipulation. i think corey is fundamentally a good person anyway, but in dealing with joan he knows how to make himself inoffensive and agreeable, and i think he knows that that "character" is a safe bet to keep people happy.
and the novelisation confirms that this almost works !! laurie thinks he's just awkward and still upset from the night before. the thing that makes laurie doubt how genuine he is, is that she can see how he changes -- she can see the way he switches from one demeanour to another. proof right that he can play at being who he needs to be in the moment.
but then, by the time laurie shoots him, corey really is just a scared little boy who is in way over his head and unequipped for the situation he finds himself in (pg. 226).
corey is unprepared and unpractised -- he doesn't have the experience that michael has in bouncing back. he isn't michael. he's fucked up big time, his plan has fallen through, and he's backed himself into a corner. all the terrible things he's done, everything he's been through, the taste of control -- it's all for nothing is laurie can get the upper hand on him like this.
he's scared and out of his depth but he's dangerous, but corey ends the film the same way he starts it, in a situation he has no control over and with only himself to blame. only this time he's having the last word, he's going to do what he could before and he's going to take laurie down with him.
relationships
rohan said ronald is "the loveliest thing" in corey's life, and that the gesture of giving the motorbike is "beautiful [but] manly and detached" (pg. 182), which is a way more sympathetic view than i have.
this is a wayyy more sympathetic view of their relationship than i have. i do like this angle though, the idea that corey and ronald did have some sort of relationship but that neither of them can express it very well, that they're taking the stereotypically masculine route of small gestures and not a lot of words. which seems at odds with what corey really needed from the only male role model in his life, but it's kinda sweet that corey must like ronald enough for him to be a good part of his life, rather than just neutral.
maybe the takes about ronald being a good stepdad aren't wrong 👀
corey falls for allyson most deeply when he sees how she is on the edge just as much as he is (pg. 215).
this made me wonder if allyson and corey could have ever been together without the events of the movies? if they still met by chance, would they get along? would the attraction still be there?
their relationship is based on parasocial affection and shared similar traumas, there's a certain emotional intensity there that translates to them making rash decisions and commitments that i don't think they would otherwise.
joan's last words (in an even more extended death scene) are begging "michael" not to hurt corey (pg. 222).
joanne baron has talked about joan's motivations and perspective in some interviews, so this scenes lines up very well with what she's said previously. joan has never treated corey like a person, he's an object for her to control, but her two moments of concern for him (when he comes home the morning after the party and her death scene) come from a seemingly natural and genuine place.
also, the biggest factor that made me loose my mind over this: she doesn't know it's corey killing her. she begs this masked murderer not to kill her son, not know that it is her son beneath the mask 💀
she's begging someone not to hurt corey after years of being the one who has hurt corey. it's too late to turn back, it was always going to end like this, but can you imagine what went through corey's mind in that moment? that his momma wanted him to be safe but never made him feel safe when she had the chance.
me whenever there is a direct quote from rohan in this book:
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