Tumgik
#heh. i have a lot of concepts for this but
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Sometimes you just gotta make an au that is way too personal.
Anyways looks like this y/n has bought a super sale mental health bot (the only one they could afford), that is just a repurposed nanny bot they gave some additinal crisis programming. Not good if that fucked bad with the night time mode, having him constantly flip flop between bedtime, crisis and punishment mode. Probably a few overlapping comands.
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seariii · 4 months
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Que horror
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aroaessidhe · 1 year
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2023 reads // twitter thread  
The World We Make
Conclusion to the Great Cities duology
the avatars of the boroughs of New York have to stop the cosmic reality-bending entity from destroying their city & possibly the universe once and for all
while a new far right candidate for mayor is fueling its power
amazing audiobook production i love this duology a lot
queer as hell
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vaspider · 5 months
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In defense of retellings & reimaginings
I'm not going to respond to the post that sparked this, because honestly, I don't really feel like getting in an argument, and because it's only vaguely even about the particular story that the other post discussed. The post in question objected to retellings of the Rape of Persephone which changed important elements of the story -- specifically, Persephone's level of agency, whether she was kidnapped, whether she ate seeds out of hunger, and so on. It is permissible, according to this thesis, to 'fill in empty spaces,' but not to change story elements, because 'those were important to the original tellers.' (These are acknowledged paraphrases, and I will launch you into the sun if you nitpick this paragraph.)
I understand why to the person writing that, that perspective is important, and why they -- especially as a self-described devotee of Persephone -- feel like they should proscribe boundaries around the myth. It's a perfectly valid perspective to use when sorting -- for example -- which things you choose to read. If you choose not to read anything which changes the elements which you feel are important, I applaud you.
However, the idea that one should only 'color in missing pieces,' especially when dealing with stories as old, multi-sourced, and fractional as ancient myths, and doing so with the argument that you shouldn't change things because those base elements were important to the people who originally crafted the stories, misses -- in my opinion -- the fundamental reason we tell stories and create myths in the first place.
Forgive me as I get super fucking nerdy about this. I've spent the last several years of my life wrestling with the concept of myths as storytelling devices, universality of myths, and why myths are even important at all as part of writing on something like a dozen books (a bunch of which aren't out yet) for a game centered around mythology. A lot of the stuff I've written has had to wrestle with exactly this concept -- that there is a Sacred Canon which cannot be disrupted, and that any disregard of [specific story elements] is an inexcusable betrayal.
Myths are stories we tell ourselves to understand who we are and what's important to us as individuals, as social groups, and as a society. The elements we utilize or change, those things we choose to include and exclude when telling and retelling a story, tell us what's important to us.
I could sit down and argue over the specific details which change over the -- at minimum -- 1700 years where Persephone/Kore/Proserpina was actively worshiped in Greek and Roman mystery cults, but I actually don't think those variations in specific are very important. What I think is important, however, is both the duration of her cults -- at minimum from 1500 BCE to 200CE -- and the concept that myths are stories we tell ourselves to understand who we are and what's important to us.
The idea that there was one, or even a small handful, of things that were most important to even a large swath of the people who 'originally' told the store of the Rape of Persephone or any other 'foundational' myth of what is broadly considered 'Western Culture,' when those myths were told and retold in active cultic worship for 1700 years... that seems kind of absurd to me on its face. Do we have the same broad cultural values as the original tellers of Beowulf, which is only (heh) between 1k-1.3k years old? How different are our marital traditions, our family traditions, and even our language? We can, at best, make broad statements, and of inclusive necessity, those statements must be broad enough as to lose incredible amounts of specificity. In order to make definitive, specific statements, we must leave out large swaths of the people to whom this story, or any like it, was important.
To move away from the specific story brought up by the poster whose words spun this off, because it really isn't about that story in particular, let's use The Matter of Britain/Arthuriana as our framing for the rest of this discussion. If you ask a random nerd on Tumblr, they'd probably cite a handful of story elements as essential -- though of course which ones they find most essential undoubtedly vary from nerd to nerd -- from the concept that Camelot Always Falls to Gawain and the Green Knight, Percival and the grail, Lancelot and Guinevere...
... but Lancelot/Guinevere and Percival are from Chrétien de Troyes in the 12th century, some ~500 years after Taliesin's first verses. Lancelot doesn't appear as a main character at all before de Troyes, and we can only potentially link him to characters from an 11th century story (Culhwch and Olwen) for which we don't have any extant manuscripts before the 15th century. Gawain's various roles in his numerous appearances are... conflicting characterizations at best.
The point here is not just that 'the things you think are essential parts of the story are not necessarily original,' or that 'there are a lot of different versions of this story over the centuries,' but also 'what you think of as essential is going to come back to that first thesis statement above.' What you find important about The Matter of Britain, and which story elements you think can be altered, filed off or filled in, will depend on what that story needs to tell you about yourself and what's important to you.
Does creating a new incarnation of Arthur in which she is a diasporic lesbian in outer space ruin a story originally about Welsh national identity and chivalric love? Does that disrespect the original stories? How about if Arthur is a 13th century Italian Jew? Does it disrespect the original stories if the author draws deliberate parallels between the seduction of Igerne and the story of David and Bathsheba?
Well. That depends on what's important to you.
Insisting that the core elements of a myth -- whichever elements you believe those to be -- must remain static essentially means 'I want this myth to stagnate and die.' Maybe it's because I am Jewish, and we constantly re-evaluate every word in Torah, over and over again, every single year, or maybe it's because I spend way, way too much time thinking about what's valuable in stories specifically because I write words about these concepts for money, but I don't find these arguments compelling at all, especially not when it comes to core, 'mainstream' mythologies. These are tools in the common toolbox, and everybody has access to them.
More important to me than the idea that these core elements of any given story must remain constant is, to paraphrase Dolly Parton, that a story knows what it is and does it on purpose. Should authors present retellings or reimaginings of the Rape of Persephone or The Matter of Britain which significantly alter historically-known story elements as 'uncovered' myths or present them as 'the real and original' story? Absolutely not. If someone handed me a book in which the new Grail was a limited edition Macklemore Taco Bell Baja Blast cup and told me this comes directly from recently-discovered 6th century writings of Taliesin, I would bonk them on the head with my hardcover The Once & Future King. Of course that's not the case, right?
But the concept of canon, historically, in these foundational myths has not been anything like our concept of canon today. Canon should function like a properly-fitted corset, in that it should support, not constrict, the breath in the story's lungs. If it does otherwise, authors should feel free to discard it in part or in whole.
Concepts of familial duty and the obligation of marriage don't necessarily resonate with modern audiences the way that the concept of self-determination, subversion of unreasonable and unjustified authority, and consent do. That is not what we, as a general society, value now. If the latter values are the values important to the author -- the story that the author needs to tell in order to express who they are individually and culturally and what values are important to them* -- then of course they should retell the story with those changed values. That is the point of myths, and always has been.
Common threads remain -- many of us move away from family support regardless of the consent involved in our relationships, and life can be terrifying when you're suddenly out of the immediate reach and support of your family -- because no matter how different some values are, essential human elements remain in every story. It's scary to be away from your mother for the first time. It's scary to live with someone new, in a new place. It's intimidating to find out that other people think you have a Purpose in life that you need to fulfill. It's hard to negotiate between the needs of your birth family and your chosen family.
None of this, to be clear, is to say that any particular person should feel that they need to read, enjoy, or appreciate any particular retelling, or that it's cool, hip and groovy to misrepresent your reworking of a myth as a 'new secret truth which has always been there.' If you're reworking a myth, be truthful about it, and if somebody told you 'hey did you know that it really -- ' and you ran with that and find out later you were wrong, well, correct the record. It's okay to not want to read or to not enjoy a retelling in which Arthur, Lancelot and Guinevere negotiate a triad and live happily ever after; it's not really okay to say 'you can't do that because you changed a story element which I feel is non-negotiable.' It's okay to say 'I don't think this works because -- ' because part of writing a story is that people are going to have opinions on it. It's kind of weird to say 'you're only allowed to color inside these lines.'
That's not true, and it never has been. Greek myths are not from a closed culture. Roman myths are not sacrosanct. There are plenty of stories which outsiders should leave the hell alone, but Greek and Roman myths are simply not on that list. There is just no world in which you can make an argument that the stories of the Greek and Roman Empires are somehow not open season to the entire English-speaking world. They are the public-est of domain.
You don't have to like what people do with it, but that doesn't make people wrong for writing it, and they certainly don't have to color within the lines you or anyone else draws. Critique how they tell the story, but they haven't committed some sort of cultural treachery by telling the stories which are important to them rather than the stories important to someone 2500 years dead.
****
*These are not the only reasons to tell a story and I am not in any way saying that an author is only permitted to retell a story to express their own values. There are as many reasons to tell a story as there are stories, and I don't really think any reason to create fiction is more or less valid than any other. I am discussing, specifically, the concept of myths as conveyors of essential cultural truths.
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orcusnoir · 6 months
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"You know what I hate?" The Champion asked to no one in particular as he watched over the slow boiling pot of stew.
"Uh... Not having enough spices?" The Captain asked from his seat at the table.
Wild gave a nod. "Not what I was going for, but yes."
"Then what do you hate, Champ?" Wars asked while glancing over to the Vet. Legend was currently trying to stack his fork and knife on top of each other to no avail.
"How do I put this?" Wild tapped his chin in thought.
"As bluntly as you can." Hyrule chimed in.
"Fair enough. Why are certain clothes locked to certain people? It's fucking cloth." Wild complained with a laugh.
At first Wars was going to chide Wild for the language, but... He just couldn't. Wild had a point here.
"FINALLY!" Wind's loud voice startled Wars a bit as the Sailor had been awfully quiet in his seat. "Tetra and I both hate that stupid shit. What do you mean I can't wear heels? I'm trying to feel tall, and Tetra hates heels, and so somebody has to wear them."
"Tell me about it." Wild started. "Zelda let me try on one of her old royal dresses, don't ask how they survived a hundred years, and somebody had issues with that."
The Captain just laughed. Damn those social rules indeed. Wild in a dress wasn't something he was expecting to hear about today, but it was something that he could picture.
And the Champion would rock that dress.
"Heh, I've been thinking those rules were stupid since I knew they existed. So, since I was nine." Time joined the conversation. "I didn't even know what the big deal was back then."
"I'd ask how, but I'm afraid the answer would be too confusing." Twilight said.
"Oh, not at all, I was raised by forest spirits and a giant tree." The Old Man nonchalantly explained. "They didn't have concepts like "male" and "female." So imagine my confusion."
A claim that he made often but never elaborated on. Everyone, besides the Captain and Wind, thought it was a lie or a ruse.
Warriors just laughed, he couldn't help it.
"Oh little Mask and his insisting that he's a tree." Wars felt everyone's eyes turn to him.
Time laughed loudly. "You made that corporals life hell."
"I did not have time for that guy's bullshit. We are in the middle of a fucking war, if the kid says he's a tree then he's a fucking tree." Wars started to lose his composure from all of his laughing.
"What do you mean by "he's a tree"?" Sky asked while scratching his head.
"Again, I was raised by forest spirits." Time explain. "You lot, besides two, think this a lie. It's not."
"Time, your life profoundly confuses me." Sky said. "So they assigned you a tree?"
Time nodded.
"Instead of anything else?"
Another nod.
"Not like a boy tree? Just a tree?"
Another nod. "Two trees, to be exact. But yes."
"Two trees?"
"Maple and oak, to be exact."
Wars just watch the conversation with a grin. Oh, poor Sky. He must be feeling the same confusion that he and the Sailor had during the war.
"I feel so understood." Rulie said with the widest smile imaginable. "I'm just a Fae." He shrugged as the others turned to face him. "Not the legend kind of Fae. I was raised by Fairies."
"Well, now you can be a Fae tree. How lovely." Time stated with a laugh.
"What kinda tree?"
"Hmmm, you and the Captain both have the same one. Pine, and you can have maple too. As a treat."
"A Fae pine and maple tree. Nice."
"Are we just gonna brush over the fact that Wars already has a tree identity?" Legend asked.
"I do too!" Wind but in. "Take a guess, it's so obvious."
"Uh...Palm tree?" Twilight asked with a raised eyebrow.
"Correct!"
"What tree am I then?" Wild asked while seasoning a few cuts of meat.
"Willow." Time and Warriors both spoke at the same time.
"Damn, that was fast."
"You had this conversation before, hadn't you?" Sky asked while keeping his gaze locked to Wars. "So tell us our trees."
"Oh, alright, I'll try to remember all the specifics. It's been a while." Time laughed while tapping his fingers on the table.
"It all reminds me of the Minish. They have leaves instead of trees, though." Four, who had been quietly observing this whole time, finally spoke up.
"Oh, the Kokiri had leaves too. That's a whole other thing."
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salty-croissants · 4 months
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Hello, it's me again! Sorry to bother, but can you make about Bullfrog and Rayman/Ramon with the reader that loves cooking (mainly desserts), please?
Thank you for the request !
This is a very original and neat concept , I really enjoyed writing for it :D 
Hope it turned out okay ! 
Details : use of gender neutral reader ; 
established relationships ; 
no warnings needed 
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Bullfrog 💚
When he first discovered your hobby Bullfrog was immediately enthusiastic about it , and to this day whenever you cook something for him he is simply overjoyed : 
< Oh - is that for me ? Thank you so much mon amour ! > 
< Hehe , no need to thank me sweetie … it’s nothing much , just thought I’d try a new recipe this time around . > 
< Now now , don’t underestimate yourself my dear : this already looks and smells delicious , I’m sure I’ll love it ! > 
If you ever decide to make something that comes from France to surprise him , Bullfrog will be absolutely delighted …
I mean , his beloved making an effort to get closer to him in such an adorable way ? Boy , his heart is going to positively melt ❤️
< Here Bullfrog … I know you had an especially long day today , so I thought it would be nice to end the evening with a little something I made ! > 
< *gasp* - y/n , this mille-feuille looks wonderful ! 
Thank you mon chou , thank you so much ! ~ > 
< I’m really happy you like it my love ! ~ 
I’ve … never really made one of these before , so I really hope I got everything right with the ingredients … would be a shame if it just looked nice but didn’t have a good taste , y’know ? And - >  
< You worry too much … I’m sure it’s amazing , like everything you do ~ > 
< Heh … never miss an opportunity to flatter me , hm ? ~ 
Seriously though , thank you … you’re a sweetheart ~ > 
Whenever the two of you are in the kitchen and you’re busy cooking , Bullfrog is going to just stare at you , mesmerized by your every movement as you mix the ingredients together to make whatever food you may have in mind come to life …
While your boyfriend already adores you , seeing just how creative and passionate you are makes him love you even more … if that’s even possible ;//)
< I see you back there ~ > 
< Ah , I’m sorry my dear … I just can’t help but look at you , tu es magnifique ~ > 
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Rayman 🧡
Given how busy he is with his work as the Eden Late Show host , I doubt that Rayman is able to find time to actually cook for himself … 
Not like that’s a problem for him anymore , now that you’ve entered his life .
< Aw - did you make this for lunch y/n ? 
Thank you , you shouldn’t have ! > 
< Don’t worry about it Ray , it was my pleasure ! 
I know you got a lot to do later , so hopefully this will help you get the energy you need to deal with your schedule … it’s my job to take care of you , remember ? > 
< Heh , how could I forget … ? 
I love you so much honey , I really appreciate you doing all this for me ~ > 
You often prepare food that Rayman can carry over to the studio in a lunch box to make sure that he eats properly ( he often forgets about it ) , and you better believe that he’ll be talking about how well your cooking skills are to anyone passing by … 
< Oh , you won’t believe how good these are - you’d expect them to be from a bakery , but actually my y/n made them for me ! 
They’re so talented - and pretty , did I mention pretty ? > 
The sheer determination he has to make those around him know how much he appreciates you … it never fails to make you smile :,//) 
Rayman definitely tries to cook something for you when he has enough time on his hands , and while he still has a lot to learn you can’t help but feel your heart skip a beat whenever he walks in the room , proudly displaying something he made … 
He really tries his best for you , his beloved partner , and that thought alone always warms your heart . 
< I don’t know … maybe I didn’t use enough flour , I hope this isn’t too bad … > 
< It’s not bad at all hun , it’s a really good first attempt at a chocolate cake ! 
Thank you for making this for me ~ > 
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Ramon 🖤
You often end up cooking things that Ramon especially enjoys eating to cheer him up when he’s not having a good day , and the way he smiles at you with genuine gratitude whenever you do that brings you more joy than anything else ever could …
< Here you go love , luckily there were enough ingredients to make some apple pie ! > 
< Heh .. you really remembered that one time I said I liked it ? >
< Of course ! 
Besides , I know today has been pretty harsh , so the least I could do is do my best to make you happy … you deserve it . > 
< Thanks y/n … you’re amazing ~ > 
Much like before , Ramon does his best to cook for you sometimes , being very worried about disappointing you … only to be surprised by your adorable reactions .
< Uh , actually … I tried to make us some dinner tonight , since you were tired .
I’ll be honest , I wasn’t entirely sure about some stuff I was doing , so I just hope I didn’t make a mes - > 
< Aw Ram - thank you so much ! It looks great !
I’m really looking forward to eating it now that I know you made it ! > 
< You … really think that ? > 
< Mhm ! > 
< Heh , well let’s hope this lives up to the chef’s expectations then ~ > 
< Gosh I … heh , I’m nowhere near a chef sweetie , but thank you nonetheless ~ > 
Ramon could hold you in his arms for hours while you tell him all about a new recipe you found , or some other cool cooking fact : 
it’s like all the fears and worries he has completely disappear , the soothing sound of your voice making him forget about being a wanted criminal who is at risk of getting caught at any minute .
< I’d definitely love to try out this honey cheesecake sometime : it only takes ten  minutes to get done , and it doesn’t need that many ingredients !
Though I did see two different ways of using the butternut biscuits , so I’m not entirely sure of which one works best … but I think picking one and starting off there would be good to determine which is better , and plus - > 
This man can’t get over how cute you look when you passionately explain something related to your hobby …
Ramon holds on to those precious moments for as long as he can , as always feeling immensely lucky to have you by his side . 
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sunshine-scented · 1 year
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Hehe Hello hello Can i request Wukong, Macaque and Mk ( platonic on Mk one, because Wanna make Reader being a mother to him )
A goddess Reader that's well Tf so gorgeous so handsome they can cook they can do anything so basically How they Thought and say like " Hm? Oh reader yeah i know him they blablabla " On reader just wanna seee i might love this one
Olso have a great day luv your Work And take a rest and drink a lot of water
- ✨ Yuzex ✨
Cute~ I've definitely heard about these type of concepts before, I'm glad I get to make one of them!
❀ Tell me more, don't be shy ❀
: Them talking about their s/o when asked, voice lines hc!
: Sun Wukong, Macaque, MK(platonic) x reader
: Fluff!!
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Sun Wukong
About (Name); showing off
"You've met (Name) already? I mean, that's great and all but I was the first one to meet them so hah! What do you mean that it doesn't matter? Uh, duh? It's (Name)?? The best person you will ever meet in your entire life until you die???? Keep up bud"
About (Name); hidden secret
"Wh...what are you doing touching me like that? Huh? (Name) told you I liked scratches on my fur? Wha— ughhh, I told them to keep it a secrettt...whatever, you're not allowed to touch me, only (Name) is allowed in that, hmph"
About (Name); Adoring
"If there's one thing I absolute adore about (Name) that isn't them existing, it's them in general. No really, I mean it. I love how they make me feel better by just talking to me about the weather, I love how easy it is to be myself with them. I just love them so much you know? It's hard to explain but basically, if they were to disappear in this world, then I would flatten mountains, empty oceans, and flip the world upside down until I get them back into my arms."
About (Name); Facts
"Did you know (Name) liked that color in their shirts? I always see them wear those kind of clothes with that style. Oh! Those birds over there yeah? They think they're cute and often stare at them when they're zoning out. And that one over there? That's their favorite place to eat. Also— MPHH?! Ack- why did you cover my mouth all of the sudden?! Yeesh, have some respect, anyways, did you know that (Name) really liked those kind of shoes—"
Six eared Macaque
About (Name); first impressions
"To be completely honest, I didn't think I'd like them as much as I do now. I thought that they were just some ordinary being not worth my time, yet when they talked to me over and over again, suddenly, I felt rather...lonely whenever they're gone. Heh, how annoying of them♡"
About (Name); soft spots
"...You won't leave me alone until I tell you more about (Name) huh? You're lucky I like talking about them so much. However, if I did try talking about them more we'd be here until I decide to stop holding grudges..Huh? I'm going soft? You seriously just realized?"
About (Name); voice
"(Name) once told me that they found my voice soothing to listen to. I'll admit, it took me by surprise the first time they mentioned it, yet that boldness they showed at that moment was attractive of them. Telling me something I never knew people liked about me? And told by the one person you'd kill a whole nation for? Sends shivers down my spine"
About (Name); Sleep
"Knowing me, I never got a lot of sleep. And even if I did it's probably somewhere about 4 hours and then boom, a nightmare to haunt my life until I die. Twice. As cliche as it sounds, I sleep better when (Name) is with me. Something about their arms sharing their warmth into mine never fails to lull me to sleep. Perhaps it's also the fact that they sometimes hum small melodies or run their hands onto my hair to sooth me from whatever's on my mind. It's now mandatory that they stay with me everytime I'm going to sleep, hopefully they don't mind~"
MK
About (Name); excitement
"Huh?! You know about (Name)?!?! That's so cool! (Name)'s so cool!!!! They're so nice and caring and amazing and caring and nice and caring you know? I want to grow up to be just as nice and caring and amazing and caring and caring and nice as them!"
About (Name); injuries
"Look! I'm a mummy! Hehehe I'm not actually one, it's just that I got into this hugee battle with a demon and the aftermath got me all these scars and bruises. (Name) was not happy, gosh, the look on their face when they wrapped bandages on my body while they gave me a whole hour long lecture was so..*shiver* remind me to take better care of myself please"
About (Name); snacks
"My bag is a little bit heavier than usual, maybe it's because of the multiple snacks (Name) keeps inside it. I mean, I'm not complaining, I like the snacks they give me. But a hero's gotta have agility too you know! How am I gonna heroically jump on buildings and beat demons with a heavy bag of super delicious extremely amazing and over the top golden snacks that (Name) gives me?"
About (Name); Lessons
"I think (Name) saw how stressed I am with this whole hero thing, first it was DBK, then spider queen, LDB and now this Asare Leon guy or whatever his name was. It's like I can't keep anything from them. Yet, they still treated me gently and talked to me about how everything happens for a reason, I'm living this life because I'm strong enough to live it. Honestly, I'm glad they told me this, if it weren't for them, I would have been eaten alive by some stinky demon, ewww"
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I'm trying so hard not to make another Nezha fic it's literally mental torture
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ladysomething · 2 months
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not really unique but maybe some kind of actors/movie star au where max and charles are the two it boys of hollywood and therefore have always been pitted against each other as rivals. however, they’re casted together in a movie with an esteemed director that neither want to refuse. then they fall in love woopty doo !!
firstly it's not your job to make the concept unique! that's on me baby! so don't stress about it, and I love this idea!!
also... this one got so long haha
ok so to keep the past tension, for sure they were on like. a Disney channel show together growing up. pit against each other like Zendaya and Bella Thorne.
they were playing best friends and had amazing chemistry, but secretly couldn't stand each other. Max is definitely a repo baby, whereas Charles is so pretty he gets a lot of opportunities. they both resent each other because of it: Charles thinks Max gets everything because of his dad, whereas Max thinks Charles get everything because he's pretty.
eventually they have a big fight on set, and the show gets shut down because of it. maybe they get physical - maybe they just refuse to work with each other anymore
Max is the first one to rebuild his image - he works and works on as many movies as he can, trying to only be in Serious Dramas so people know he's a Real Actor
whereas Charles kind of disappears from acting for a while and instead turns to modelling
cut forward, they're both very successful in their fields. Max already has an Oscar, whereas Charles is getting brand deal after brand deal
and then, like, Scorsese or Greta Gerwig or somebody incredible goes to Charles and pitches a movie to him
some kind of really angsty, dramatic, gay love story set on the Italian coastline (heh heh, just because I think I'm funny, let's make the movie be based on Give Me That Fire lmao) (even though that was set in London) (lets make it GMTF but set in a restaurant on the Italian coastline lol)
anyway so Charles turns them down at first and says he doesn't act anymore, but Greta Gerwig is like, "No, I want you in this part, and you can have first pick of your co-star."
So Charles, "I want Max."
Max is tentative at first, doesn't want to work with Charles, but Gerwig says that Charles picked him and so Max ends up agreeing
it's super awkward between them at first, so they end up having to do some bonding exercises to try and ease the tension, and while they do it they apologise to each other for their behaviour as kids and congratulate each other on their successes
filming is much smoother from there, and Charles and Max end up admiring each other's skill
Charles appreciates how hard Max works, and how much more he achieved that his than his father, while Max is impressed with how good Charles still is even though he hasn't acted in years
they end up kind of being like ... "Hey, you're not too bad?" and spending a lot of time together outside of filming
maybe Charles spends a couple nights in Max's hotel room
they film that really intimate sex scene from GMTF and afterwards they're both so emotionally spent but also a little turned on from the tension and the kissing, even though its a Film Set and they're not actually that sexy to film
Max absolutely falls in love first - he realises what he's feeling for Charles, and pines hopelessly from a distance
meanwhile Charles is terrified of being Known and Knowing Somebody, and he can't let himself fall in love
but Max is so sweet and charming and the more time they spend together they more he realises just how wrong he's always been about Max
anyway, by the end of filming they're both hopelessly in love but neither have admitted it
they part ways, Charles going back to modelling, Max moving on to his next movie, and then they're reunited for the press tour
they end up confessing their feelings during the tour and having an intense affair, but at the end of it they decide to go their seperate ways because of how busy they both are ... though obviously neither of them actually want to seperate. they just think the other person does.
anyway the movie comes out and everybody loves it, they praise their acting and the range of emotions Charles showed and how well Max embodied this lonely chef and the chemistry the two of them had and how well it told the story of these people who had been in love and who's relationship had fallen apart, but then who had wanted to try again anyway despite it (yeah obvi it's a metaphor for Charles and Max's relationship in this universe too haha)
it ends up getting nominated for a bunch of Oscars, and Max gets nommed for best actor and Charles for best supporting actor
idk if Max wins but Charles definitely does
and at the after party they find each other and it's just inevitable, really, that they'd kiss again
anyway from there they'd basically just make it work, because they admit they're in love and want to give it a go, so they do
Max keeps acting, and Charles gets to choose between modelling and acting, whatever he wants. idk exactly how it would end aside from them being very happy!
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ashwii · 1 year
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Celestial AU FAQ
Usually I prefer pinning my favorite artworks to the top of my profile, but over the last couple weeks I've gotten MANY repeat questions about my rottmnt celestial AU. I never mind answering questions, but I want to limit how many asks I answer to keep everyone else's dashboard's in mind [i.e. I don't want to clog up other people's tumblr with several asks that have been answered in the past.]
Below is a list of general frequently asked questions regarding my celestial au. Even more detailed information and questions can be found in the "#celestialFAQ" tag on my blog.
What is the Celestial AU?
It's a ROTTMNT au where Leo, Donnie, Raph, and Mikey embody celetial bodies. Leo embodies the stars, Donnie embodies the Moon, Raph embodies the Sun, and Mikey embodies the comets.
Can you tell us more about what they are?
Leo is the stars — he overlooks the stars as a guardian figure. While he thinks of his stars as his children, he is also an embodiment of the stars — he IS the stars. They are one and the same.
The same goes for Mikey and his comets. Although, while Mikey specifically embodies and overlooks the comets, he also overlooks all them zippy lil' things in the galaxy [meteors, asteroids, etc.]
Donnie and Raph are a little different — Donnie specifically ONLY embodies Earth's moon, and is the overlooker of all the other moons in the universe. The same goes for Raph and Earth's Sun.
Are there any other characters in this AU [Splinter, April, Drax, Krang, etc]?
[As of writing this] The only other characters in this AU are April [an astronaut who works for NASA / an aspiring astronaut], and S.H.E.L.D.O.N. [a robot made of lost junk and lost space tech that Donnie found]. I do not plan for there to be any other characters in this au, as I mainly want to draw and focus on the turtles.
There have been lots of fun headcanons in the askbox about who else could be in the au and what they would embody, and I think that's great! I love all the fanart and creativity everyone is doing for this AU, I will never be mad at exploring fun ideas [I've even doodled some of these ideas for fun] — as for what is "canon" in the AU though, at the moment I'm going to keep it as the turtles, April, and S.H.E.L.D.O.N.
What's the lore behind this AU?
There is no real lore behind this AU, just a bunch of fun ideas in a fun concept. Lots of other people have had fun coming up with their own lore and ideas for this AU, and once again, I think that's great! There's so many ideas other people came up with that I love — but again, in terms of "canon" and what I'm willing to draw, there's no legitimate lore for this AU.
The Sun is also a star. Does that mean Sun!Raph has a special relation to Star!Leo in some way?
Yes! Leo and Raph have a very strong special connection in this AU because of this.
Do the celestials control what they embody?
Control isn't exactly the right word — say for Star!Leo, for example, he's more of a guardian figure to the stars. "Control" implies that the stars have no personality of their own whatsoever, but that's not exactly true. They almost have their own little life to them — like a healthy tree —that Leo can understand since the stars and Leo are one in the same.
What are Moon!Donnie's alternate phases?
Moon!Donnie's alters are Blood Moon, Harvest Moon, Blue Moon, and Super Moon. Moon!Donnie's design also changes some depending on the phase of the Moon [eg. During the Full Moon phase, Donnie has no shadow up his arms and legs. During the New Moon phase, Donnie is all encompassed in shadow].
Is there any more info about these phases?
During Donnie's Blood Moon phase, he tends to be a little more mischievous and violent. He's ready to kill, no questions asked.
During his Blue Moon phase, he's a little sadder than usual. He's not breaking down every minute or endlessly sobbing — he's more just a little blue (heh) and the unending river of tears just comes with the phase. He just needs some cuddles and comfort during this time <3
Harvest Moon Donnie is a happy lil guy! He's a little chipper and cuddly during this time, hapoy to help and talk with his brothers on end.
These phases don't COMPLETELY change his personality — he still the same Donnie, but just with little changes to his overall mood.
There are many more types/names for the Moon [Snow Moon, Worm Moon, Flower Moon, etc.] — will you be drawing those as designs for Moon!Donnie as well?
While I think I may sketch out some of them for fun, in terms of "canon" to the AU, I want to keep it limited to what I listed above in the previous question.
Are there any alternate versions of the other celestials?
Sun!Raph gets sun flares when he's upset, and I have a Nova!Leo design in the works. I haven't thought of any alternate versions for Comet!Mikey, but I don't think he needs one, haha.
What happens during an eclipse?
During a solar eclipse, Raph gives Donnie a hug from behind. During a lunar eclipse, I like to imagine that Donnie is hiding behind the earth because he ticked Raph off.
Can Star!Leo feel it when any stars die?
Yes, he does. I explained in much more detail in the "#celestialFAQ" tag, but when his stars die, it hurts him some emotionally and physically.
Whenever the Sun [Raph] would explode in the future, Star!Leo will be out of commission for a while because of how much it would hurt him.
What is Star!Leo's relationship with the stars?
Leo is the stars, point blank. He is the personification of them. He's all the stars, he is them, they are he. One and the same. BUT there's also a special relationship there — Leo looks at the stars like they're his children, almost. A very deep connection and love. The stars feel that deep love for Leo too, they see him as almost a guardian figure. They love him more than anything, and Leo knows that.
Now HOW can the idea that Leo looks at the stars like they're his children, and the idea that Leo is just straight up the personification of the stars (him being all of the stars) both be true at the same time? Ah — no real answer there. It just kind of is, and it's more of a feeling that I myself have. That's just the way that I personally feel Leo's relationship with the stars is, even if I'm never able to describe it quite perfectly, and even if it's confusing to everyone else lmao.
Do the celestial turtles still have their weapons like the canon turtles?
Yes they do — Star!Leo has katanas made of constellations, Moon!Donnie has his staff made of shadow, Sun!Raph's fists fire up, and Comet!Mikey's comets and meteors spin around him and he can shoot them where he pleased.
Is this AU meant to be accurate about how astrology and space works?
Not at all — there are a lot of inaccuracies in this AU. But what's the fun of making an au like this if I have to keep everything pinpoint accurate! This AU is for good, fun vibes, and it's ok if not everything matches up with exactly how space works.
Can I make fanart/fanfics for this au?
Yes, you can! If you do, please tag me and lmk, I'd absolutely love to see what you guys make. Oc's and fan characters are welcome as well.
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directdogman · 9 months
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Gotta say, I love the tendency for Milt fan-designs to give him a bowler hat/similar hat-wear.
Funnily enough, I DID imagine Milt wearing a similar hat when I pictured him. If you're curious where I got the idea, it's partly based on Crown's outfit (he wears a fedora + suit like a classic 50's salesman) and I've obviously pictured how the two would look standing together quite a lot, heh.
The choice for a bowler hat too is really smart, and honestly, I think I'd have actually gone for the same. If you're curious why: I've always loved the Samuel Beckett play Waiting for Godot, a play about two men waiting around in a timeless space, seemingly unable to remember much about themselves or exactly what they're doing there. While virtually nothing of use is revealed about the main characters due to their own lack of memory (a trope I use in DT with Gingi), one thing that Beckett DID agree with is that the men should be wearing tattered suits... with bowler hats, as was the fashion in Foxrock, Dublin where he grew up.
Note (the hats:)
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Just a small thing but I thought it was neat. There's a few other things that I've seen in fan designs that are eerily close to concepts I've pitched to my collaborators for future DT media, which makes me very happy. Shows I'm lucky enough to have a fandom that's basically on the same wavelength as me and gets my ridiculous creative process to some degree :)
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nights-at-crystarium · 3 months
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Fragments - episodes 31-35 author notes
You can find similar breakdown posts on older episodes in my pinned!
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The chasm in their understanding of what makes Vivi tick.
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The stakes in this scene seem low and the twins are just overdramatizing the danger for the sake of unwinding and being silly, right? Yesn't. One wrong move or word, and they join those leafmen scattered all over the place.
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Finding the line between bad actor and caring sister.
Of course Alisaie wants to hang out with Vivi. She doesn't want to admit that to herself, let alone risk looking desperate in her brother's eyes. Tsundere moment. It's been a while since they've. Had a rest. Between rescuing Minfilia from Laxan Loft and making their way to Il Mheg. Alphinaud, at least in my hc, isn't as physically durable, but definitely as stubborn and proud as Alisaie, so he wouldn't simply agree to chill out for a moment. Alisaie makes him tunnel-vision her bad (?) acting and openly throwing the game for supposedly selfish reasons, while she gets what she wanted, AND forces Alphi to sit his ass down.
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I’m sorry but I really need to point out that her ahoge did, in fact, launch into the stratosphere.
More under the cut~
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....Can you blame her tho.
Vivi’s shirt’s a bit more plain than usual, he needed to wear something practical under his crystarium guard disguise in Laxan Loft.
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The flashback in episodes 32-33 has no dialogue per se, only monologues, to emphasize how disconnected they are.
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Technically both vivis are real, but Exarch’s memories are definitely heavily skewed. He’d only known Vivi during the CT quests, in this story it’s a month or two in summer, during which literally nothing bad happens, sans the finale. Alisaie, however, got lucky to experience Vivi during Stormblood, his absolute low.
Exarch and Alisaie sit on opposing sides of the bias, one wears pink glasses, delusional and bluepilled, the other one’s (heh) redpilled, perhaps a bit too much. Hence Alisaie feels the whiplash when her jerkass woobie friend suddenly acts mellow (back in the present), still she has the expertise to tell that he’s not affected by a fae spell or anything.
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Full page because I’m so proud of the paneling here, simple as this trick is, these speech bubbles blocking Vivi from sight neatly illustrate that Alisaie just babbles away, paying no heed to his state.
With the power of flashbacks and stories told by one character to another, I’m able to revisit any moment in their past whenever I please. I didn’t commit to a linear story because there was no story! Well, just the outlines. Vivi as a character began in ShB because I really needed to fuck that old man, I started writing down the lil scenes loosely connected by the canon plot, and that’s how the whole concept of Fragments came to be.
It may not work for everyone, but my secret sauce’s that you don’t have to begin at the beginning. Make a guy, put him in a situation, then ask a lot of whys and hows to expand his story backward and forward.
Keeping the past events for later allows me to flesh things out at a leisurely pace. This Alisaie flashback is actually an iteration, originally I’d planned to have Vivi stand alone and just think the broody thoughts, and that was supposed to be the transition between ARR and ShB arcs. I grow more writing muscle as I go, and I’m infinitely happy that I avoided that angsty infodump.
Okay this’s becoming a big fat tangent, but I wanted to acknowledge another pitfall: overusing a character as a mere exposition tool. I wouldn’t do this for, say, Tataru or Y’shtola. Being THE flashback haver makes sense for Alisaie because a) they’re close with Vivi, b) her worldview and opinion on Vivi are changing in ShB, she’s a smart lil thing who would slow down and reflect when appropriate, c) she has a distinct arc in my comic, and knowing what’s going on inside that elf brain will give you the most entertainment out of her actions in the present moment.
I’m new to writing and very excited about the story that comes together as we speak, so I like to show around my kitchen. Please lemme know if you enjoy this. I don’t know if I’m parroting the boring 101s, or if this’s actually useful to someone.
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“Meals made for me” YEA HE CAN’T COOK. Well, barely.
New sharp outfit, procured by our most magnanimous branch. The “tail” will help me draw the upcoming Titania fight, it adds fluidity to his movements.
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*presses the upgrade button*
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There's a lot happening in his head that's not being shown. I hope at least some readers wonder who or what he leaves behind in his mind's eye in this moment. What we know for sure is that he doesn’t take too long to make a decision.
Not sure if subtle, but I did try the breadcrumbing:
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Unfortunately for everyone, including himself :’>
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I love this one especially because, instead of telling that about himself, Vivi asks Ardbert, kinda gauging his wol experience against the other wol’s.
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Episode 34 really shook people awake and reminded that we’re off the msq rails with this story. I loved the response it evoked in the tags, lots of thoughtful rambling about being a hero.
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Fae temptation jokes and all, but Feo Ul really says what Vivi needs to say out loud to himself.
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Normalize prioritizing self-care over world-saving.
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Vivi genuinely cares about Feo Ul. That’s unusual. It might be my storytelling mistake that I didn’t show much of his typical indifference before this scene, unless you count the episodes where he does this
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instead of hurrying the fuck up with the msq. Or, perhaps, it’s okay, since this gets plenty of attention later on. You won’t miss the fact that he isn’t eager to set himself on fire to keep others warm. Feo Ul just lucked their way into his heart, and, as a result, he approaches the Titania fight with unusual consideration.
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/srs mode on ^
Remember how I just talked about developing this story in all directions at once? I planned Vivi to have this demeanor during the early days of writing Fragments. Like, most of the time. He’d be a broody bitch, get slowly thawed by Exarch’s kindness, and... That’d be it. In veeeeeery broad strokes, this’s still the case, but the current iteration has much more nuance.
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Vivi and Titania’s likeness has no deep meaning, take it or leave it. Vivi cares about appearances, he was bound to notice this. Feo Ul can see souls, visuals are secondary to them. But Vivi, being himself, must doubt and question everything.
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He moves fast and thinks a lot as the adrenaline speeds him up.
Notice how he lets Titania speak and remains quiet. This’s common in most fights: he doesn’t indulge with chats or banter those who he sees as mere targets to destroy. There’s like a point of no return, if an enemy poses no threat and can be talked out of dying, Vivi will speak, sadly he enters this fight knowing that Titania has to die no matter what.
Once he’s familiarized himself with the situation, and realized that Titania’s more than just a mindless husk, things change up a bit. But for now, he just runs in circles, analyzes the situation, and overthinks about their visual resemblance :’>
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Sorry not sorry but unintentional reference x’DD
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To be fair Vivi IS being a magical boy in this miniarc so this works lmao.
Wrapping up on this note, thanks for sticking with me and reading till the end~
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setsugekka · 10 months
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『atarashī 』 ; 05
❝ breaking point ❞ | mlist  。
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student!hongjoong x fem!reader, husband!yeosang x fem!reader — drama, dark romance, mystery, heavy sexual content [8k wc] ch cws: smut, a lot of it!!, more marital problems (yes, the baby thing again), very destructive, heat of the moment decision making out of anger that certainly can't be undone...heh
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"I think I'm falling in love with someone."
Sitting on the couch beside you, sharing the same warm blanket and with a glass of wine not unlike your own in hand, Yeosang turns to look at you with an expression that vividly says is that so? 
It's evenings like this especially that you're thankful for your wealthy background—an apartment to yourself in the middle of the city during college—not something many others get to have for themselves. As a result, you and your boyfriend enjoy so many nights together such as this one, cuddled up in the living room with a movie on the television that neither of you have much intention of paying attention to.
"Oh really?" Yeosang says, playing along. "Anyone I know?"
You smile, pleased by his willingness. "Not sure, just some finance guy with bleached blonde hair and a pretty birthmark by his eye."
Grinning, Yeosang pulls closer to your body. "None of those things sound especially...special. Surely there's something else about him that you like that has you falling for him?"
Face nuzzling into your neck, you feel his lips press into the skin there while a hand beneath the blanket slips over your thigh and slowly between your legs.
"Yeah, I guess so," you reply, feigning being lost in thought on the matter. "He's got a big dick."
Yeosang laughs out loud and into your flesh—not anticipating the comment—and as a result you feel the wetness of his saliva sprinkled from his reaction. You reel with a shriek, pulling quickly away from him and lamenting the outcome of this through laughs that the both of you share.
"Seriously! You spit on me! Gross!"
"Sorry," he says quickly, still grasping towards you in an effort to pull you back against him. "I wasn't expecting the comment about my dick, can you really blame me?"
"For spitting on me!? Yes!" you retort, though playfully and with little resistance to his desire to have you close to him again.
"I didn't mean to do that part," Yeosang says, lips finding yours and hand slipping between your legs once you're close enough again. "I have something you can spit on though, if that would help."
An enticing offer, hard to refuse. You begin to allow yourself to melt into his touch, another evening of enjoying all of the ways that the two of you seem to fit together with such ease. In so many ways, you can't even begin to fathom a world in which you don't. Maybe this is it. Maybe this guy will be the one.
A concept you've never found yourself particularly fussed with before, but who knows. Maybe with him.
"Hey."
The word brings you back out of your thoughts, Yeosang's eyes fitted firmly onto your own now. A small smile paints his lips, as if wildly pleased just by the mere existence of you. Probably true, too. The beginning always feels like this.
"It's about time you caught up, was starting to think I was going to be waiting forever here, by myself, like a loser."
"What do you mean?" you question, eyebrows furrowed.
Yeosang kisses you lightly then, no nefarious intent behind it. A mere showing of kind affection towards you that feels so strongly like the warmth of adoration from one person to another. Innocent, well-meaning. Perfect.
"I love you."
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Over the sound of sizzling onions in the pan just in front of you, the loud pop of a champagne cork echos through the dining area of your apartment and turning to look to your left, you watch your husband pour two glasses of the beverage. One for each of you.
Yeosang slides closer to you, slips an arm across the small of your back and around your body to pull you closer against him and places a kiss atop the peak of your shoulder. His lips curl into it, which has a similar effect on your own.
So, you turn your attention fully to him, and the two of you share a kiss over the savory scent of dinner preparation, and in times like this you're actually able to forget all of the other stuff that lies dormant beneath the happiness that exists within this partnership.
If only he was home more often so that it was more of the norm, and less of a reminder.
"It smells delicious," Yeosang says, lips still pressed into your shoulder as he stands beside you. "I wonder what dessert is going to be."
Hardly hidden in intent enough to even be considered an innuendo, Yeosang tips his glass lightly towards your own before whisking himself away and out of the kitchen entirely before you have a chance to chastise him for his filthy mind. 
"Be good, or there won't be any dessert."
"I hardly believe that."
Unfortunately, Yeosang knows better. The long, messy hair that delicately cradles the sharp lines of his face as well as the pretty birthmark he has now long since given up trying to hide—your husband stands at the end of the kitchen island in just a plain, white button down shirt and black slacks, but it's plenty to have the mind wandering about what dessert might have to offer indeed.
You remain strong in your resolve, flash him a look that tells him to behave, and at the very least he appears to acquiesce to the suggestion, taking a sip of his drink and then carrying himself further away and towards the dining room table.
"How is it?"
You ask over the gentle clinking sounds of silverware against porcelain plating. It's not often that the two of you get to share evenings together such as this—dinner often reduced to quick and cheap take out, less candlelit filet and the fancy champagne glasses that you received as wedding gifts.
Yeosang leans back in his seat though, mouth full of food and chewing while grinning like a pleased child who couldn't possible receive anything else, anything better from the world. "Delicious. Amazing. You've really outdone yourself this time."
A loving grin takes your face, bashful in the praise even if it comes from your husband, and he's not even finished yet. Yeosang leans forward again with elbows into the glass table, eyes pressed onto you.
"I'm so lucky. The luckiest man on earth, if I had to guess."
You play along. "It is hard to imagine anyone else to be living more lavishly than you are right now, isn't it?"
"Unfathomable, really," he chuckles under his breath, taking a sip of champagne and tossing his napkin onto the table to signal his defeat by the meal in question. "I'd like to see someone try."
Sliding his hand across the table, you meet him halfway and place yours on top of it. 
"I have a couple of work emails to catch up on that I've been ignoring all day," Yeosang says with a disgruntled sigh. "But after that...maybe we can revisit that conversation about dessert."
It's not the most ideal, but duty calls. Suppose the table could use some clearing and pans beginning their soaking process in the meantime—thus, you agree with little pushback on the matter.
"I'm holding you to that," you say, coy.
Yeosang takes his hand back, stands from the table and leans over to kiss you on the mouth, lips lingering just atop yours as he grants you a whispered reply. "Good, I hope you do."
Hands wet with warm water and dish soap, you idly drag a sponge across the front of a plate with little thought expended towards the act.
And then your phone vibrates atop the counter just beside.
You still—confused—it's so late in the evening by now that you wonder who it is that could possibly be attempting to contact you. Seonghwa knows you're sharing an evening with your husband and wouldn't bother with an attempt to shoot the shit right now, so when you quickly dry your hands and illuminate the screen, the email that pops up is far from one that you would expect to be finding.
Hey, Sorry for the late night contact, I was going through the other lists of contacts and couldn't find anyone who might be able to set me up with some industry viewings or interviews. Would you happen to know anyone I could speak to about this? My professor is, to put it kindly, useless. Thanks, Hongjoong.
You reread the email two, three times in total. Glance around yourself to ensure that you're alone despite knowing that Yeosang is still holed up in his office with work. Not that you're doing anything wrong—this is work of your own to deal with, after all.
Something in you enjoys this, however. Enjoys the attention, enjoys the way that Hongjoong comes to you for the things that he may need. There's a guilty part of you that knows that the correct choice in this matter is to tell him that he should only contact you during normal, business hours, but another, louder and perhaps sinister part that enjoys the attention; basks in the way that Hongjoong seemingly wants your attention just as much as the other way around, and has no qualms with doing what it takes to acquire it.
Your last meeting with him was a mistake, one that you have no intention of ever revisiting. Boundaries need to be put in place. You can reel this back enough that it sits firmly in the harmless flirting category rather than whatever that was that happened in the theater hall before.
Hey, Unfortunately, I don't have anything on hand, this conversation would be better suited for office hours back at the theaters. I have a personal listing of contacts that would probably suit you well in an effort to advance your career. The professors at the Akademiya have no such lists. We can meet sometime this week and look it over.
See? Perfectly professional. You set your phone down to get back to the dishes that await, but his reply chimes through quicker than anticipated, and worse than that, the excitement of that fact vibrates electric hot under your skin.
Then what kind of conversation would be better suited for the late evening hours? Do you have anything in mind? Instead of waiting for the week to meet, we should meet tomorrow night. 
Well, you certainly can't chalk this one up to you. Wholly started by Hongjoong now, you try to fight back the way the corners of your lips curl upwards at how seemingly desperate he is for your attention—for you to talk to him, see him—and while you know you shouldn't be indulging in it, they're just emails. Just text. He can't touch you here, can't undress you here. Nothing on the table like the last time.
But now the dishes go all but forgotten entirely; you turn away from them, phone in hand and glancing up every now and then to keep an eye on the door to the office room. Still closed. 
You wonder how wrong this really is. Where the line of affair truly begins and ends.
I don't think it's a good idea for either of us to be going out to do God knows what on a Saturday night, but I appreciate the offer. I can meet you early Monday morning to go over the potential prospects that would likely suit you.
Hongjoong replies quickly to that. Something that you find you are enjoying.
Perhaps not a good idea for you. There's a club I want to go to, you're not allowed to go out and dance when you're married? You didn't answer my question about what we should be talking about at night, by the way. Also, I'm a little regretful I didn't think to take photos of the garment on you, they would have helped a lot with the future planning phase. Instead when I'm working late at night I just have to go off of memory...
The last paragraph is so poignant that you almost immediately forget about the rest of the words laid out in the text. Your heart rate accelerates—hard and fast against your chest as you read the words over and over again—is he...? Is this...?
A thinly veiled admission to touching himself to the memory of touching you?
That thought does something hateful to the way your skin feels across your body. Heat felt all across you as you think of the possibility of it; Hongjoong laid out along his bed, the fabric of his shirt pushed up just slightly across his abdomen and pants pushed down, hand tightly wrapped around his cock as he thinks of you, imagines that it's you, pretends that it's you as he comes across his fist.
You shake the thought from your head as quickly as you can, but the lasting effect of it sitting pooled between your own legs isn't as easily pushed away.
There's a conscious effort to read back the email and simply ignore that bit now, so that you can at the very least reply to everything else.
Surely you have friends from the Akademiya to go with, no need for a married housewife to tag along.
Trying to make yourself sound as boring, uninteresting as possible. You continue on.
Sorry about the garment. As for nightly discussion topics, I'm not sure if there's anything that would be deemed rather appropriate.
Great. You've done your part. You sigh, quickly put your phone on the counter—face down—and make an effort to get back to the dishes, but unfortunately Hongjoong seems to have no intention of allowing you to do any such thing and his reply comes through just as fast as the others.
You nearly drop your phone upon reading it, however.
I don't want to go with friends from the Akademiya, and I have no intention of remaining professionally appropriate, either. I think you liked the way I touched you back at the theater. Do you want to know what other ways I can touch you?
No. No, no, no. In your mind, at the forefront of everything, you repeatedly tell yourself that you cannot engage with this any further. That a conversation needs to be had with the Akademiya board about this, that you cannot keep indulging in this banter with him, because it's going to impede not only your ability to be professional, but also his ability to be a student. You're going to have to take this to administration Monday morning. This can't keep going on.
Beyond that thought, your thoughts wander to exactly what it is that he's implying. Recalling the gentle, tender ghost of his fingertips across your skin, his attentive gaze upon your form with every movement, every single thing that he had done in regard to you. Hongjoong has only ever given you his full, undivided attention—you can't help but wonder what that might be like when there is no barrier to the way his hands, or mouth, could be on you.
You must not reply quick enough for his liking, and that makes sense because a part of you has long since abandoned the want to continue partaking in the conversation at all. It's no good for you, and only going to get worse the more you respond. There's guilt there, because what if he feels terribly for having sent you such things—creepy, uncomfortable in the aftermath of never being met with a response—but the stronger part of you, the part that slowly has your own hand sinking down into the front of your jeans to alleviate some of the pressure that this has resulted in, can't be bothered to care. Regardless, another email from him comes across your inbox.
Are you thinking about it now? I'm thinking about it too.
The thought has you putting pressure into your fingertips, bottom lip caught up between your teeth as you close your eyes and picture it; his hands on himself, his hands on you. 
You have no business indulging in this fantasy, but at the end of the day, it is just that. It's not real, and nothing has happened. You imagine your husband has probably shared similar moments of weakness—coming over his fist to the thought of having a colleague in a particularly fitted pencil skirt, no doubt. It's a human want, desiring the new, and even in some cases, desiring precisely the thing that we should not ever have.
Hongjoong doesn't email again, and in ways it leaves you high and dry—wanting but never reaching any particular point within the interaction. You wash your hands then stand idly in front of the sink, staring blankly into the tiled, back wall of the countertop and contemplating what, exactly, you're going to say to the administration board come Monday morning.
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Less than the breaking through of light through the crack of the blinds, it's the feeling of your husband nesting his chin against your shoulder that wakes you back to consciousness in the morning.
Yeosang brings an arm up from behind you, tosses it lazily over your side to pull you tighter against his form. Lips drop chaste kisses to the exposed skin below them, and the reminder of his early morning attraction to you is felt firm and thick against you from behind.
And so, you lightly push back into him, reveling in the low groan that rumbles in his throat as a result of the motion. His kisses upon your shoulder turn slightly harder and paired with small nips of his teeth—the hand once against your stomach then traveling down beneath the sheets and settling between your legs.
"Good morning, baby," he says, just above a whisper and the morning gravel to his tone adding just that much more to the desire you carry for him. "Sorry for the late night, maybe I can make it up to you now?"
Practiced fingers rubbing into you, Yeosang continues pressing himself against you, hard and thick, slotting between your pressed together legs and shallowly driving into you as to simulate the turn that this morning can take. You moan lightly, melting into the touch. Desire creeping up through your veins at a rapid pace and pushing back timed just right to meet his motions halfway.
"You do kind of owe me," you answer back playfully, alluding to being left to fall asleep alone so many hours ago. "How do you intend to do that?"
Yeosang hums, thoughtful. "In theory, shouldn't I be at the mercy of your whims? Made to do whatever it is that you wish of me?" His hand slips away from between your legs then, instead moves between your bodies, positioning himself better for what's soon to come. "Or maybe I'll just take matters into my own hands. Flip you over, fuck you into the mattress where you belong."
Your groan is louder but still airy and sleep-carried at not only the words, but Yeosang's initial, slow drive inside of you. A strong hand moving to grip at your thigh—pry your leg apart just slightly to make space for him to fill you—it only takes a few, shallow strokes before he sits firmly planted deep within the warmth of you, though he doesn't sit still for much time before he withdraws equally long and slow, pushing in again and biting into the skin of your shoulder as you gasp out at the feeling of him having you.
"How's this for owing you?" he asks, though there's little genuine question in it and you know that. "How about I make you come around my dick, then we'll see who owes who."
Yeosang delivers a hard thrust then, punching the air and another whimpered moan out from your throat as you lean forward to clutch at the sheets beneath your bodies. His motions don't relent, settling into that pace for the foreseeable future—fingers gripping hard into the flesh of your thigh as he nearly pulls your body down and onto his cock with every drive forward.
"Fuck, Yeosang—"
"Yeah? Feels that good already?" he answers low, taunting. "Always know you're dying for it when I've got you moaning my name."
Repeated hard and long strokes of himself into your body that quickly send you teetering on the edge of release, Yeosang continues teasing you through it with his words—the sound of your bodies meeting quickly and in succession resounding through the otherwise silent room—and just when you feel your body pulling taut around him, whining and whimpering into the sheets below in desperation for him not to stop, to keep going, begging for more, harder, faster; Yeosang gifts you with just that.
"That's it baby," he says now, voice more pointed, domineering. "Come real good for me so I can fill you up just like you want—" teeth nipping into your skin again, teeth clenched when he stops to speak and fucks you even harder still, almost angrily in delivery both words and body. "Fuck my cum deep into you, get myself that baby I want after all."
It rattles you, but you're too far gone and within the throes of dirty talk, the filthiness of it still has you coming apart around him just like he wants from you. When your orgasm crashes over you, it has every nerve ending in your body firing off, skin on fire and burning at the spots in which he touches you as he continues to fuck you through it, and shortly after, empties himself inside of you with a deep, hearty groan too.
But the post-orgasmic bliss of it all wears off much quicker than under normal circumstances.
Your breathing steadies, body returning to normal fast and as a result, you're pulling away from him and creating space between your forms. When his softening length drops from inside of you and the subsequent leaking of what he's left spills out, you grimace at the feeling of it. 
You don't say anything right away, but he must notice—knows you. The two of you have been here before, after all.
"What?" he asks, but his tone makes it evident that he already is well enough aware, and annoyed by your reaction too.
Part of you considers not bothering with answering him, little point to starting this fight, but he is your husband, and suppose he deserves at least that much.
"Seriously? Again with that?"
Yeosang doesn't say anything right away, which spurs your glancing back and over your shoulder at him.
He's smiling. Pleased.
"You didn't seem to hate the idea when you were coming."
"Yeah, because you were talking dirty to me and I enjoy having sex with you! It feels good! I love you! That doesn't mean it's free range for you to drag in all of our points of contention."
He rolls his eyes, turns to lie on his back. "All of our points of contention, as if there are any besides this one thing."
You have to fight back the laugh that wants to tear through you, it's like he's never heard anything you've been saying at all: in regards to a baby, in regards to his being gone all the time, in regards to your inability to nourish your desire for the arts. Nothing at all.
Instead, you pull yourself up from the bed entirely and make haste in getting dressed. You've got to get out of here, and more than that, you have to get away from him.
Yeosang's eyes remain on you as you throw items on your body. "I have to go to work," you say, and when you hear your husband huff out a laugh, you regret giving him even that much.
"Work," he repeats, plain. "I'm sure you have so much work to do."
That infuriates you more. The incessant unwillingness to take you or anything you do seriously so long as it doesn't involve him and his wants from you. You pull a light jacket from the closet, shrug it on fast, then walk back to the nightstand to grab your phone and hurry your way out of the room.
"Lemmie ask you something," Yeosang then says, voice still simple and unbothered in a way that infuriates you just that much more. Because of course he doesn't care, you'll come around for his desires just as you always do, he just has to wait it out a bit longer.
You stop in the doorway, turn to look at him, and don't bother masking the contempt etched into your face.
"Do you want to have a baby?"
Counting the seconds between the words leaving his mouth, and your response to him is simple enough. It's seven. Seven seconds is all it takes to come to your final conclusion.
"No."
And then you're gone.
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So many reasons to go home, you instead ignore all of them in favor of staying late at the theater office.
You make up work that needs to be done. Door knobs that need to be polished and rooms that need to be vacuumed out despite just having done it not long ago before. Emails that probably need to be tended to though it's the weekend, and you've already answered the ones that had come in through the week.
A few hours into the dark quiet of the night, you consider that maybe you do need to finally go home. Confront your husband, have this conversation finally. You're not really ready to do that. You wonder if you ever will be ready to do that. 
You wonder if this is what standing in the face of a divorce looks like—having told him the truth of how you're feeling now. Maybe Yeosang already has the papers drafted up. Maybe it takes longer than a few hours to get the papers drafted up. You don't know, it's your first potential divorce, after all.
But the idea of it, of dissolving your marriage to him and going your separate ways saddens you in such a distinct and visceral way that perhaps you'd lost sight of over the last few contentious weeks. A reminder that you love him, that you want to remain in this marriage to him—but you don't want to have a baby, not like this.
Memories of the horrible comments he has made to you in relation to it all then flood through your mind and you're filled with rage over them all over again. You try to remember a time back in college when he was so terrible to you like this, a red flag that you had missed, or maybe just ignored. You fail to locate one, but the anger that sits at your finger tips as a result of it itches in such a distinct and particular way that you have a difficult time setting it aside and being the bigger person about it.
A desire to cause harm, a craving to do to him as he has done to thoughtlessly to you.
Your phone vibrates then, pulls you from the thoughts about it all. Far from hoping to be greeted by a message from the man in question, you're instead shocked to find what it is that is awaiting you, having all but forgotten not only him, but what this evening is.
Last chance to come out tonight.
It's the only thing Hongjoong says. No flirtation, no additional commentary about what may or may not lie beneath the suggestion. A simple enough message, and because of that, suppose you find it easy to lull yourself into what may be a false sense of comfort in regards to the situation.
If only your husband knew. He would hate finding out about where you were going, and who with.
All the more reason to go.
You reply, tell Hongjoong to send you the address of where to meet and he does so quickly. Still, nothing extra added to the messages, so flat, in fact, that you consider the possibility of being entirely delusional about the exchange of messages the night prior. Maybe that never happened, maybe you had had a little too much to drink.
It's not hard to locate the email thread and scroll through the messages as they had been left to you, and no, you did not, in fact, have too much to drink last night.
You grab your bag, sling it over your shoulder, and head out down the red Aurelian halls towards the door.
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Upon your arrival, you realize that you had not put thought into proper dress attire for this sort of endeavor—not that it had been planned anyway.
It's early enough in the evening that the crowd outside isn't that jam packed. People stand around in small pockets of peer groups, dressed somewhat similarly as if having presented a theme and wholeheartedly wanting to stick to it. The sight of it sort of endears you, makes you wish that that was something that you could partake in too.
Instead, here you are; oversized hoodie and a boring, black skirt that comes down about mid-thigh. Hardly sexy, hardly anything really.
You glance down at yourself, frown a little at what you have to offer. A few years back you probably would have really killed the scene at something like this, but now, this is all you've managed to bring to the table.
There's a run climbing its way up the side of your calf in your tights, and you can't help but think of it as an incredibly apt manifestation of everything.
"Hey."
Turning to face the voice, Hongjoong approaches you as he takes a final drag of a burnt down cigarette. Not a fan, but far from your place and you suppose it's not especially shocking, either. He's never smelled of smoke down at the theater, but more than this knowledge is the fact that he's more or less dressed just the same as you usually see him too. Tight, slightly ripped jeans, a simple shirt, and a jacket over top—only this one has more zippers, more buttons, more adornments that make it appear more him.
"I didn't know you smoke."
"I don't really, only socially, when I'm drinking," he replies, flicking it to the ground and crushing it under the heel of his boot. "Why? Don't like that?"
You shrug. "Not really up to me what you do, I'm not your keeper."
Hongjoong smirks, leans in a little bit closer to your face with those words. "Mmm, wouldn't you like to be though."
He leans back again just as quickly, as if never having said or done anything out of the ordinary at all. Looks you up and down for a second—judging, you consider—but any negative commentary never comes, and instead he nods towards the entrance to go inside.
"You ever been here?" he asks as the two of you wait behind only a handful of people at the door.
"No," you can't help but laugh. An asinine question. "I'm thirty."
"So? You can't have fun anymore when you're thirty? What's the age cut off? Or is it just that your husband doesn't want you getting out of the house too much anymore."
Hearing Hongjoong speak so clearly about Yeosang sends a spike of rage down your spine that you sort of don't expect. You want to bite back at the comment, though the truth in it and a reminder of what it is that he has said to you grants Hongjoong unknown reprieve from being on the receiving end of such.
"I just don't get out much anymore, not like this," you choose to reply. Somewhat true, in ways. You watch Hongjoong nod to the door guy as the both of you enter together and become swallowed up but the pitch black dark and loud, booming bass of the floor inside, forcing you to yell the remainder of your sentence to your company for the evening.
"No one to go with."
Hongjoong turns his head, looks you dead in the eye at that. Mischievous perk to the corner of his lips as he leans in so slowly, so pointedly, that a part of you thinks that he's going to kiss you.
"Guess I'm going to have to fix you then."
It's not lost on you at all, the verbiage of choice. Not a matter of fixing that, your outlook, your circumstances. No.
He's going to fix you.
An hour or so into the night and two drinks down, there's a loosening in your body that feels much needed after the prior events that still hang heavily over your head. The music is loud—so loud that you can feel it rattling through your bones—jarring in a way that feels new to you despite this not being your first time at a place such as this. Hongjoong seems content with allowing you to take the lead for the evening, and the two of you hang back in a corner of the open floor plan just next to the steps that lead upwards. He asks if you want to get another drink but you decline the offer, swaying to the electronic music as stand.
A few more moments pass, he leans in towards your ear once again. "Dance with me."
It's less of a request, more of a demand you realize, when you feel him slot himself behind you and a hand sets lightly against your waist. A part of you wants to protest the action, remembering the last time you allowed the man to be so close in proximity to you and what resulted from that. Tonight isn't supposed to go like that. Tonight is only meant to take the edge off of the looming problems that await you back home.
The alcohol certainly helps, fuzzy through your veins and electrifying his touch on you. Not long after, Hongjoong spins you so that you're facing him, hand coming up to hold you by the back of the neck and pulling you so closely to him that your foreheads meet and eyes settle harshly upon one another. In a brief moment of weakness, you remember the emails sent the night before; the implications, the understanding without explicitly being stated that they hold. A rush of excitement courses through you—you shouldn't be here, you shouldn't be here with him. 
Then you think of Yeosang, wonder what he's doing right now while you're out here, like this. Wonder if he's choosing baby names, wonder if he's going as far as to sabotage your birth control. You don't really know how far he's willing to go to get what he wants from you—his wife, his incubator. 
At a place like this, with a man like Hongjoong, none of that matters. He wants nothing of the sort from you. Zero expectations of a role you're meant to be fulfilling for him. 
You love your husband, but you also hate him for everything that he is putting you through.
Hongjoong's face slips past yours, mouth settling atop your ear instead. So close that you can feel the warmth of his breath ghosting over you, sending a shiver across your flesh.
"Stop thinking," he says against you. His other hand sits at your hip, though you can feel the burn of his fingers curling into you—the fabric of your skirt riding up your leg to expose more of it. "You can be whatever or whoever you want here. None of that other shit matters."
His lips slip down just a bit then, lightly trailing over the skin of your neck—almost nonexistent in the way that he touches you but still so sure of it that you allow your head to fall back, loll to the side with eyes closed to take it in. Hongjoong's teeth graze you, and it manifests in a vivid throb of arousal between your legs that you want more than anything to find the strength to ignore.
But you don't, not anymore.
You bring your head back up, look him in the eyes for just a moment before your lips crash against his, and he meets you eagerly, hungrily. Not missing a beat despite the neediness. No one is here to find you, no one is here to see this, and for all intents and purposes; it might as well not even exist. Not the kiss, not you, and not him. The hand cradling the back of your neck tightens in grip, pulls you harder against his mouth as teeth nip at your bottom lip like he's been waiting for this forever. Desperate for it, unwilling to allow you to escape it. You don't want to anyway.
Over the sound of your back meeting the firm mattress below, you barely have a chance to find your bearings—hear the sound of the front door closing and clicking locked—before Hongjoong is crawling over your form and pressing his mouth to every bit of exposed skin that he can manage to find. There isn't much, and this obviously frustrates him with the quickness in which he pulls you sitting, hurriedly peels off the sweatshirt that hides your torso from him, and tosses it somewhere on the floor of his quiet apartment.
He kisses you again, just as much neediness as before, and you meet him with just the same amount of vigor. Quick fingers unfastening the garment still hiding your chest from him, his mouth traveling downward then to press his mouth and tongue into the soft flesh that awaits him there. 
You gasp out, back arching up and into him. Heat rushing to your head with every expertly placed swirl of his tongue, though it's lost quickly when he sits back onto his heels, grabs at you by the thighs and pulls your hips to the edge of the bed to settle himself between. It's dizzying intoxicating, everything happening so quickly that you can barely find it within yourself to keep up. When you're grounded enough, Hongjoong's fingers are already dug into the hem of your skirt, pulling it down your legs, and when your eyes meet his, he makes it a point to dig nails into the soft fabric of your already previously marred tights. Ripping them more as they cascade down to pool at the floor.
There's a protest that begins within you but dies out in almost an instant—the feeling of Hongjoong's tongue pressed into your folds destroying any chance the words had at escaping out into the air.
"Oh my God—" is what you do get out, and Hongjoong hums into your cunt in response to the lazy attempt.
Urgency courses through every movement, and it thrills you and sets your body alight. You understand it well, every thought put out of your mind except for him, the way that he's touching you, the way that he seems to crave your body in a way that you haven't quite experienced in so, so long. To be desired for exactly what you are, not what you could be—not for what you can give him in the future, even.
Hongjoong's fingers come up to meet his mouth, presses two inside of you slowly enough but the need is still sitting just behind the motion. You moan out loud at the feeling of him—any part of him—filling your body. Back arching again, hands coming down to curl into strands of hair that do not belong to the man who put a ring on your finger.
He sets a rhythm, brings you even closer to being drunk with visceral want for him. All you can think about is what's next, needing more, needing to feel more of him.
And it's as if he can read your mind, understand your body as it lies beneath his grasp as he pulls away; stands just long enough to strip himself of his jacket, his shirt. Can't be parted from you long enough to remove his jeans all the way and only gets far enough that the front is unbuttoned before he's pushing you up the length of the bed and slotting himself between your legs once more. Lips crashing down onto yours just like before, the weight of his body held to one arm while he works himself out of his jeans and you don't get any further warning than that before he sinks into you—slowing just enough in an effort to ease the sting of the stretch, but carving space inside of your body for him all the same.
You gasp out, his name somewhere in the sounds. His teeth find your neck as a hand finds one of your thighs you pull you open for him. Hongjoong's hips snap into you three, four times, and each time the air is punched out of your lungs, electricity raging through your body with every hard, thick drag of his cock inside of you.
He feels and looks like heaven when he pulls back enough to focus on the task at hand—a steady, rough rhythm as he fucks you hard, reveling in every whimper and moan and gasp that he drags out of you as he does so. Bottom lip tucked up between his teeth as he stares down at the way that you come undone beneath him. You want him. You desire him. You crave everything about him—most of all, the way that he craves you. 
There's so much behind it, overwhelming in all ways. Another pained, desperate whimper falling from your lips as you reach out towards his face to bring him closer to you. He does, drapes himself over your body as he continues full, pointed drives that have him burying every inch of himself between your legs. You attempt words though it's much of a failure, but Hongjoong seems wildly attuned to the needs of you, your body—brings the hand not clutching at the flesh of your thigh up and into your hair as if to hold you there in place, his lips sitting at the shell of your ear once more to drive you just that much more wild.
"Anything you want," he whispers against you, a call back to an earlier conversation before things ever got this far. Not even all that long ago, either. 
Your muscles tighten, contracting with the impending crash of your orgasm. You know what you want: to feel him like this for as long as you can manage to do so. His lips on your skin, his hands all across your body, the perfect, velvet drag of his cock against your walls—a desire to taste him, watch him come against your tongue—and perhaps even the filthy desire to be had by him, taken by him, in all of the other ways that people who engage in debauchery do. Even currently fucked by him, your mind wanders briefly to the thought of a hand tightly wrapped around your throat, and his cock embedded tightly in your ass.
Anything you want. What do you want? This?
"'m coming—" you gasp, the words barely even coherent enough to be understood, but Hongjoong is attuned to it, to your body in such an unfathomable way. Delivers into you harder, longer, more fulfilling strokes until you're whining and begging and nearly crying out as your release crashes down upon your body. Eyes rolling, crown of your head pushed back and into the mattress as your body arches up and against his own—orgasm ravaging you, claiming you for his.
Hongjoong hisses at the tail end of yours, two, three drives tip to hilt inside of you and then he buries himself deep to the point that it nearly pains you to have him so hard and heavy and be so full of him, but he holds you there—down and against him and in place as he empties inside of your cunt with a few pulsing, firm throbs.
The weight of reality crashes down much faster than you suppose you might have anticipated—if you were to have considered this to ever be an option that you would go through with.
Your stomach turns, chest clenches tight, and throat runs dry. Hongjoong kisses you on the mouth and that distracts you long enough—still melting into his touch—what you've done not enough to put you off of the man that has been your ultimate moral failing.
How did you get here? How did you allow this to happen?
It's in that moment that you hear the vibration of your phone from inside of your purse, left somewhere along the floor in the flurry of sexual deviancy. Hongjoong lies himself on top of you fully, holding you to the mattress as his lips find your neck and trail hot, wet kisses into the skin there, as if still in need of your body. As if just having had you moments ago not even close to enough to take the edge of his want for you off.
And it's just as intoxicating to you as before. Eyes closing, palms running up his back and nails digging into his skin as you feel him gently begin drives of himself inside of you once more. Softening, spent length still nestled against your walls, marred and marked with his cum even still as he shallowing fucks into you again.
"Ignore it," he whispers into your skin, teeth finding the flesh in a way that has you keening.
"I have to—" you start, finding all of the will inside of yourself to pull away just enough to locate the bag. Hongjoong once more pushes your back down against the mattress, continues his handwork on your body as you do whatever task it is that you need to do, unbothered by the fact. "It might be my—"
Hongjoong's head pops up from the crook of your neck just enough, the two of you making eye contact at your unwillingness to state the obvious. As if he's testing you, waiting to see if you're willing to say the word.
3 Missed Calls.
Terrors strikes through your bones at the sight, already knowing who from. The feeling of a hand slipping down between sweat-dampened bodies not enough to distract you—that is, until his fingers find and begin their work stroking circles against your clit.
"Hongjoong, I have to—"
His hips push forward, firmer once again. His cock hardened and fuller in the meantime and offering deliriously delicious friction that, when paired with the perfect press of his fingers just above the place where he remains buried inside of you, leaves you wildly unable to escape his hold.
"I'm not done with you yet."
You type up a text, send it off just as quickly and toss your phone back to the floor. Hongjoong swiftly changes your positions; lies himself back against the bed and pushes you up to be seated atop him. Body weight pushing him fuller into you, grinding yourself down harder in all of the ways that make your body feel like it's on fire as his hands once more travel your skin—nails digging into your hip, soft pads of his fingers ghosting over the supple flesh of your chest in just the way that has you arching and whimpering for more. 
Over the breathy, quiet groan of Hongjoong from below you, you hear the quiet vibration of your phone receiving a message. Most likely from Seonghwa, because that is the person that your only message this evening has gone out to.
If Yeosang asks, tell him I'm with you. I'll explain tomorrow. Love you.
Only a few more perfect rolls of your hips, and Hongjoong has you unraveling for him all over again.
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a/n: oh dear.
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starfirexuchiha · 1 year
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Unused Akechi Thieves Den conversations
There are some unused Thieves Den conversations that Akechi had with the other PTs, so I wanted to show them here. This is a long post btw.
Zorro - Yusuke & Akechi convo
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Yusuke: ......
Akechi: You're looking at that Persona rather intently. Is he that intriguing?
Yusuke: Absolutely. It is an unparalleled luxury to lay sight on the physical manifestation of another's self-image. Not just any artist can claim to have borne witness to the likes of Personas, or Mementos. It would be foolish not to use this opportunity to incorporate these concepts into an art piece.
Akechi: I... see. Well, you have fun with that.
Yusuke: Ah, before you go. Would you be so kind as to show me your own Persona? I'd love to use him as a model for one of my sketches.
Akechi: ...I'm going to have to decline.
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Goro doesn’t want to model for Yusuke lol
Robin Hood - Ann & Akechi convo
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Ann: Seeing this reminds me of the days you still acted like a prince. Things have gotten pretty dark since then...
Akechi: Complain all you like, but this is who I am. I'm not going to change back.
Ann: I'm not complaining. It's better to know you're being honest and not hiding anything from us.
Akechi: Honest, huh.
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I like how Ann is accepting of Goro’s true self.
Robin Hood - Sumire & Akechi convo
Sumire: This Persona is yours, Akechi-senpai? I'm surprised. It's very, um... noble.
Akechi: Ah, that's right. I suppose you've never seen this one.
Sumire: Never! Do you fight with it the same way? You know, "Muahahahaaa! You're all gonna die! Sayonara, suckers!"
Akechi: Heh. Are you mocking me?
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Sumire’s friendship with Goro is so adorable!
Robin Hood - Ryuji, Ann & Akechi convo
Ryuji: It ain't fair that he gets to have two Personas. Aren't you kinda jealous?
Ann: Sometimes. Is it something you can train yourself to do?
Akechi: Personas are part of your personality, correct? Why don't you try acting like someone you're not?
Ryuji: Dammit, Akechi!
Akechi: Down, boy. Learn to take a jo—
Ryuji: You're a frickin' genius! Let's do it!
Ann: Good idea! I wonder what I should act like...
Akechi: Hah. And here I thought I'd seen the limits of your idiocy.
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Goro was like “Why don’t you try being a wildcard?”. It ain’t that easy though lol
Morgana Car - Akechi, Ryuji & Yusuke convo
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Akechi: This car was a lot more comfortable than I expected. I can't say I mind it.
Ryuji: Dude, have you forgotten how bumpy that shit was in Mementos? I thought my ass was gonna split in half.
Yusuke: Agreed on the bumpiness. It was rather effective at abating my hunger, though.
Akechi: I don't usually ride in cars with such weak suspension. It was a new experience for me.
Ryuji: THAT'S what you call it!?
----------- 
You learn something new everyday.
Kamoshida Statue - Sae & Akechi convo
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Sae: Honestly, when I heard there was a teacher like this at Makoto's school, my blood ran cold.
Akechi: If it was that much of a concern, why didn't you bring it up with the faculty?
Sae: It's not that simple.
Akechi: You should be more upfront about your feelings. Then again, I suppose you are who you are.
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Did Kamoshida had some way of making the students’ parents/guardians not complain about him? Is that why Mishima was like “the parents know but don’t care”?
Kaneshiro (Ruler Form) - Makoto, Ryuji & Akechi convo
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Makoto: Say, Kaneshiro mentioned that there was someone using other people's Palaces to do whatever they pleased...
Akechi: Yeah. I suppose that was me. I'm surprised a petty criminal like him had caught wind of me, though.
Ryuji: But Shido's the one who was takin' advantage, yeah? I thought you were just followin' orders.
Akechi: Hm... It's not quite that simple.
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What do you mean by that Goro? Do you have more freedom when you’re in palaces or something because the conspiracy is not aware of what goes on in there?
Shido (Ruler Form) - Akechi & Sae convo
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Akechi: I never thought the scheme would end with Shido. I always assumed some other monster would take up his mantle.
Sae: Even so, I'd already decided that I wouldn't give up on exposing the guilty parties. ...I want to keep my faith in justice.
Akechi: Oh? Something so cliché coming from you is rather surprising, Sae-san. I suspect the Phantom Thieves have rubbed off on you quite a bit.
Sae: That's a possibility. Maybe you could do with some change yourself? Like, drop the "cool customer" act and just live in the moment?
Akechi: Hah! Surely you jest. I'll pass.
----------- 
Oh Goro is putting up his Detective Prince act on this one.
Interrogation Room - Akechi & Morgana convo
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Akechi: How nostalgic... It makes me sick to remember that day. I can't believe I was so thoroughly tricked.
Morgana: It was quite a gamble on our end. But ultimately, our justice saw the light.
Akechi: Justice, huh... Sure, let's leave it at that.
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Sounds like Goro doesn’t believe Morgana there.
Penguin Sniper - Ryuji & Akechi convo
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Ryuji: Pool's pretty fun once ya get used to it. Aight Akechi, let's go a round! It's time for the Ultra Mega Poolin' Schoolin'!
Akechi: Ignoring that ludicrous title... Do you honestly wish to play against me?
Ryuji: I'm a man of my word! I know I got no chance when it comes to brainy stuff, but this? I can take ya. Or what, are you chicken?
Akechi: Heh, of course not. Sure, I'll play a round. And I won't be holding back.
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I think Goro is gonna use his right hand, but Ryuji you should still prepare yourself. 👀
Loki - Yusuke & Makoto convo
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(Akechi is not in this unused convo but the convo is about him)
Yusuke: To think we would fight side-by-side with Akechi once more... His personality seems to have shifted, though. It's a far cry from the Detective Prince we once knew.
Makoto: That is true... But somehow, I think it made him easier to talk to. He's honest with us, at least. I don't worry about him hiding things anymore.
Yusuke: Yes... His murderous screeching may be unsettling, but I've come to realize that is simply a part of who he is. Perhaps it would be worthwhile to paint a portrait of him, knowing this...
Makoto: If you do, I'd love to see it. ...I'd like to hear what he thinks of it, too.
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Murderous screeching LOL! Again Yusuke, Goro will not model for you 😆
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and that’s all of the unused Goro convos in the Thieves Den.
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help-im-a-gay-fish · 11 months
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In sleep he sang to me, in dreams he came...
That voice that comes to me, and speaks my name...
*inhales*
I am in love with his musical. I was very lucky to get to go and see The Phantom of The Opera at His Majesty's Royal Theatre in London.
I LOVED IT.
I have been listening to this sound track on repeat all week, I have been so invested in this story, I just had to cross over it. So this is a crossover of the musical, not the movie, very important distinction because the musical is different, and better
Honestly I have a lot to say but I'll ramble in the tags heh.
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Some more charactersssss!!
Dream is going to be left gender ambiguous here, so if you want them to be a he like regular Dream you can, but if you want them to be a she like Christine then you can!
Also Cross' scar is only present for some of these drawings, because I decided he gets it from broken glass coming off the falling chandelier.
A kind of more detailed synopsis of how the Crossover lore works. And my concept art :)
In this Cross over, Dream and Nightmare were twins, but from babyhood, Nightmare had a strange mass of gloop around his eye. First covered with a small mask, the mass grew more over time. He ran away from home at age 6 and was taken by a circus to become the star of a freakshow attraction.
Over his travels he learned a lot and was proven to be a musical prodigy, but the mass grew. Soon wrecking one side of his face and covering one side of his body, that's why he wears one glove, and has the tendrils, hiddenunderneathhis cloak.
Eventually he found himself at the opera house, and lived there secretly, living as the oprea ghost.
And then who should turn up, but Dream, moving in with the other dancers after their mother's death. It didn’t take long for Night to recognise their twin, and seek to keep on eye on them from a distance. To protect them, but also teach them to sing.
Protecting to be an angel of music, and instructing Dream from the shadows. And Dream growing convinced that he's the spirit of their 'dead' brother, and they were kind right.
And in a true dreammare fashion, some of this sibling protectiveness turned into a bit of a more twisted obsessive love in Nightmare...
And that's most of the stuff that is changed, the rest stays mostly the same.
:)
Original cross jakei95
Original nightmare and Dream by jokublog
Original ccino belongs to black-nyanko
Original ink by comyet
Original error by crayonqueen.
original lust by nsfwshamecave
@zu-is-here asked me to tag her in this post.
And I also want to bring some attention to this work, as well :)
Concept art! <3
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Thank you so much!
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ftm-radio · 18 days
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My gender is 4 years old
...and four days, as of April 15th. This post is a bit late. 😅
Four years ago, all the confusing little puzzle pieces I'd been collecting came together in a genuine eureka! moment and I realized I was transgender. It was exhilarating and terrifying and it undeniably changed my life for the better.
The last few years have felt pretty damn slow and I've had to scramble over a few frustrating obstacles (never changing my name AGAIN, lmao, that was annoying as fuck) but it's all been worth it and now it feels like I'm really making headway.
I started testosterone this past year! I did that! I'm almost 7 months on T now! Currently on a dose of two pumps of gel, which I have only missed applying once in all that time because I was literally sick. The changes are gradual but they are real and they have already brought me so much joy and made me so much happier in my humble flesh prison. 💗
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The most anticipated change for me (and for a lot of transmasc folks, I imagine) is my voice, and BOY (heh) am I happy to share this data comparison with you:
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[ LEFT: A screenshot from the Voice Pitch Analyzer app, dated November 3rd, 2021. It shows that OP's voice registers fully within the female voice range. RIGHT: Another screenshot from the app, dated April 12th, 2024. This one shows that OP's voice registers mostly between the Androgynous and Male voice ranges. ]
My voice is so different now. It sounds different, it feels different, and in just the last week or so I swear it has gotten a little rougher and raspier and I am LIVING. I could not be happier!!!
...okay, fine, I could be happier lmao.
I'm adjusting to my deeper voice and still learning how to use it in a way I like & that feels best to me, so I'm starting to do some casual at-home voice training again after basically forgetting about the concept completely since 2021. (Whoops.) But I am already so much happier and more content with my voice than I have ever been in my life, so it's only getting better from here, lads. <3
I've also had to go to a lot of appointments and answer a ton of phone calls about said appts recently because I kinda fucked up my eyeball (it's better now, don't worry! and be gentle to your eyes, they are delicate and eye drops are so fucking annoying when you're doing them seven times a day, jfc) and my voice has reached a point where I was a lot more comfortable interacting with strangers and I also didn't notice any surprise or confusion when I introduced myself with a male name! It was kind of amazing.
Also singing is even more fun now. I love love LOVE singing along with a male vocalist and feeling the way my voice kinda rumbles through my chest. 10/10 sensory experience.
Other changes aren't nearly as exciting or obvious as my voice, but here's a quick (?) rundown, for those who are curious:
Mood — Gotta be honest, I don't think I've really noticed any significant change in my day-to-day mood, though I may not be the best judge for this because I have trouble figuring out what/how I'm feeling in general, tbh. But I think I have certainly gotten more comfortable and content with myself and I'd even go so far as to say I feel a little more confident these days. It's nice, I appreciate it.
Acne — I definitely noticed a change in how my acne presents itself on my face. I wouldn't say it's worse than before (I've had very bad acne since I was a young teenager and only got medication for it like, last year which has helped immensely) but I think it's different. More little red spots and roughness than the unpleasant and painful pimples I'm used to. I don't even mind it, really. Oddly affirming.
Facial Hair — I've got facial hair. I really do!!! Not clickbait!!! It's not much, not enough for me to be brave and take my dad up on his offer of shaving lessons quite yet, but it has grown in enough that I don't feel silly including it in self portraits! 🤭🧔🏻 Got a little bit of a mustache happening, a little bit at the sides of my face, some fuzz on my chin (with one LONG hair that I can only assume has been greedy and stealing his brothers' growth), and a frankly surprising lil patch of hair under my jaw. On a semi-related note, not sure if my brows have gotten much darker/thicker. They might have? idk.
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my new discord icon, hehe... 👁💜🪓
Body Hair — I have gotten a little more hair on my forearms, and it may have gotten a little darker too! I have a tattoo on my arm just below my left wrist and it's been surprisingly helpful for measuring arm hair growth because for years my tattoo was not covered by hair at all but the left side of it's a little fuzzy now... 😏 I've gotten more noticeable hair growth on my upper arms, which were basically hairless before (free gender euphoria every time I put on my T) and on my thighs. Don't think my lower legs have gotten much hairier, and I'm a little impatient about it lmao. I want to get hairy enough to rival my brother.
Energy/Appetite — Can't say I've really noticed any differences here? I am not a very active person and I already struggled with appetite and getting myself to eat before I started T (thank you adhd & poor eating habits 🥲💀), so I can't quite tell if I'm ignoring more hunger signals than usual. 😅 I am hoping to get more active and start doing more physical activity now that it's starting to get warmer outside again, so hopefully that will help me see these sorts of changes and also get me into some better eating habits as I expend more energy and work up a proper appetite! (Also, since we're on the topic... a reminder for all of us that taking care of yourself and feeding the body you live in is a million times more important than aesthetics and numbers on a scale. ❤)
Menstruation — I am still getting my period right on schedule, but I am happy to say it is considerably lighter than it was before I started testosterone! My period has begun getting shorter, too. It lasted for roughly 7–9 days before, but I was bleeding for exactly 7 days last month, and only 6 days this month. I'm not sure if this trend will continue at such a dramatic rate, but if my next round is only 5 days I will be very excited about it, lol. My uterus can retire any day now, please...
Bottom Growth — if any of my friends read this part, don't speak to me about it lmao — Yeah... there's a little bit of something happening down there. Not a lot, and I haven't really noticed any pain or sensitivity, but there's a Difference. Aaaaand I like it. 😌 I am looking forward to any and all future developments. 😏👉🏻👉🏻
Okay! I think that's it, really.
I know I haven't been super active on this blog for quite a while now (I have really gotten into fandom blogging on my main lmao, and also discord is my favorite thing right now, it's where 90% of my friends live) so I hope this nice, long, ramble-y post makes up for that a little bit. <3
Not gonna make any promises that I'll post here more often, but y'know. I might. It could happen. Definitely not leaving this blog to sit and gather dust, that's for sure. I'll still be reblogging stuff semi-frequently, even if I'm not writing up my own posts.
So goodbye for now, and thanks for tuning in! 👋🏻📻💖💙✨️
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salty-croissants · 4 months
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Bullfrog and Rayman/Ramon x pregnant reader : talking to their child
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Thank you @elyn-27 for the request !
This is a really cute concept , always down to write something wholesome for my favorite boys ://)
Hope it turned out okay ! 
Details : use of female reader ( preferred given the premise ) ; 
established relationships ; 
no warnings needed 
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Bullfrog 💚
Oh yeah … he definitely talks with the baby a lot , mostly when the both of you are someplace safe , just cuddling after a long day . 
Hearing Bullfrog whisper in the coziness of your room , his head gently placed against your belly , never fails to make you smile . 
< Oui , mon petit , that really happened today ! 
If your mother didn’t patch me up , it would’ve all been very troublesome …
She truly is une merveille ~ > 
< Aww , honey … ! ~ > 
You can see his eyes light up every time he hears the baby move even just a little , and it’s honestly the most precious thing : 
this frog is just so excited about your child , but he tries really hard to contain himself to avoid overwhelming you too much … 
Instead , Bullfrog continues on caressing your belly with his strong , gentle hands , a smile of pure delight on his face while he does it . 
Bullfrog does indeed get worried about what kind of life your child will have to live , given he is an assassin who often has to leave for the mission assigned by the Warden , and the thought of not being able to be there for them because of what he does crushes him …
However , as soon as you give him that soft , understanding look and pat on the bed to suggest him to lie down with you , he just feels a wave of peace and most of all love wash over his troubled mind :
resting his head on your belly is something that works like magic for your lover .
< Mm , mercy mon amour … > 
< No need to thank me , sweetie : we are going to be okay , I just know it . > 
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Rayman 🧡
Okay , did I mention that Bullfrog is one who talks to the baby a lot ?
Because Rayman beats him fair and square on that account : 
if he could he would never leave your side , busy to explain your child just how perfect in every way their mother is . 
It’s very cute ;//C//; 
< Oh yes indeed , y/n is very wonderful ! 
She is the light of my life , my beautiful sweetheart , and - > 
< Ray honey , you’re gonna be late for work ~ > 
< Oh - I almost forgot — 
Uh , I’ll be back soon , okay ? Both of you , wait for me ! 
Love you ! > 
< Love you too !
… heh … your Dad is surely something isn’t he ? ~ >
Rayman definitely kisses your belly pretty much every time you’re together , enjoying to hear your adorable flustered giggles …
< Ah , there is that lovely smile … god , I wish we could stay like this forever , I’m in heaven whenever I hear your voice ~ > 
< H-Heyy come on , now you’re just trying to make me blush ! ~ > 
< Hehe , can’t say that’s not true darling ~ > 
Rayman also loves to place his head on the crook of your neck , occasionally giving it a little kiss while his hands gently hold your belly …
It’s a very intimate little moment that really helps him calm down , especially after he’s had a long day at work . 
You really make this man feel like home , and he will never be able to thank you enough .
< I love you … mm … I love you so much , y/n … I can’t wait for our little angel to arrive … ~ > 
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Ramon 🖤
Ramon’s nights are often tormented by nightmares and understandable worries for you and your child’s futures , so most of the time he ends up resting his head on your belly , the comfort of your warmth being the only thing that can put him at ease …
< Bad dream … ? > 
< … yeah . 
Is it okay if I … ? > 
< Of course Ram , you can stay there as long as you want .
We are both here for you … don’t forget that , okay … ? > 
< I could never … > 
And it’s mostly at night , while he is trying his best to fall asleep , that you’re able to hear Ramon talk to your child with a very quiet voice to avoid waking you up : 
it’s something that he does fairly often , it’s just very soothing for him .
< … it’s not gonna be easy when you’ll get here , I won’t lie to you … but I promise that no matter what happens I’m going to keep you safe … I will keep all of us safe . 
I owe this to you … I owe this to my beautiful y/n … > 
< Mmm … are you talking about me back there , Ram ? ~ > 
< Oh - 
I … heh , thought you couldn’t hear me … 
I still one hundred percent mean what I said , though ~ > 
Whenever he has to leave your place ( something that almost never occurs since he wants to be there for you as much as possible ) , Ramon makes sure to say goodbye to both of you before heading out , it’s something that he never forgets .
< Be careful out there , my love … mm … we will be waiting for you . > 
< I’ll be careful darling , don’t worry … take care of yourself while I’m gone , okay ? 
And the same goes for you . >
After one last kiss on your belly he steps out in the dangers of the street , with only one thing in mind : 
going back home to you and your child , no matter what . 
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