#he’s gonna haunt so many narratives

[emeritusterzo]

irl just told me she decided to search about cm punk to see what I was on about I’m losing it

#I got another one #he’s gonna haunt so many narratives

[respectthepetty]

I need to stress something somewhere. And I know you will be able to help or even help be observe but, I have a haunting feeling that in the clips we have of Mork reading to Day, is in the future and….Mork isn’t actually there anymore . … many reasons with the scenes set up but the main things for me is the fish. There is only one in the rank now in that scene. And the book marks in the book. 1 fish bookmark, the other an avocado? And their legs are covered with a blanket. So no 2 slippers of fish is shown……am I creating narrative things that are not there or seeing things wrong? it just feels almost a melancholy scene set up in front of the tank…… and I’m scared!!

What are your thoughts pretty please?!

Anon, I'm choosing violence first, then I'll be kind.

On Spanish TikTok, or as I like to call it Tea Talk, someone stated they saw the book's ending, and it ended with Mork dying and donating his eyes to Day.

The people of Tea Talk ripped that video to shreds. The comments section was not pleased with the mentiras (lies), and Indonesian TikTok even showed up in the fray with the actual book to prove the original poster was "Livin' La Vida Loca."

I don't know how this cookie will crumble, but let me remind you of two things:

#1 - This is GMMTV.

It gave us The Shipper in 2020 at the height of the pandemic, and I think it has been correcting that wrong since.

And it gave us Only Friends in 2023.

I wanted murder and mayhem. Instead it gave everyone happy endings except the slut because apparently he had too many "happy endings" and *morality* or some bullshit.

If you are watching Playboyy, it's what Only Friends could have been if Disney BL hadn't produced it.

I might sound salty (because I am), but I'm really just trying to emphasize that GMMTV wouldn't. Period. Full stop. GMMTV wouldn't give us a sad ending to a branded pair. It will kill a mom quick, but sad times for a branded pair? ¡Nunca! For example, how did we all know Palm x Nueng were gonna be safe and sound in Never Let Me Go? Our Skyy 2. Can't have Our Skyy 3 if it kills a ship now can it?

#2 - This is Aof

The director, producer, and screenwriter extraordinaire shot Pat (Ohm) on Christmas Eve.

He killed Papang!

Hell, he killed Singto before the series even started!

Mork (NOT GAWIN, NO!) got beat up and was hospitalized!

And yet, we got a happy ending each time.

The man wants to make use cry, but he has never ended with queer trauma to do so.

Which is why there are still two fish in that tank.

And I think the avocado is a shout out to Jimmy's love of them (because who doesn't love avocados, am I right?).

So as much as I do not think the reading scenes we keep getting are set in the present,

I don't think they are setting us up for a sad future, especially because Korea already did this trick.

If you watched To My Star 2: Our Untold Stories last year, you know that shit hurt, every, single, episode,

and because it hurt, we were too blinded by the pain to notice the happiness sprinkled throughout.

The happiness we were seeing wasn't flashbacks of their past relationship or even snippets of their current one.

THEY WERE GLIMPSES OF THEIR HAPPY FUTURE!

Korea gave us The Eighth Sense and Strongberry's Choco Milk Shake, both which had the perfect premises to fuck us over, and yet my only complaint was NO POLY!

If Korea can delivery happy endings, Disney BL can too (but not the kind it punished Boston for. Never those kind). It isn't Taiwan, and it certainly isn't Japan who is ALWAYS itching to give maximum pain. This is "soft power" Thailand, GMMTV, Aof, and a branded pair. If GMMTV brought out Gawin to get Krist and Joss back to kiss a homie, I greatly doubt it would tank the JimmySea ship for a sad ending (did you get the pun?). If there is one thing I can count on GMMTV for, it's to secure the bag. Sell merch. Sell novels. Sell a special box edition of the series. Sell the ship. That won't happen if this is sad.

Also, color-coded boys in love get happy endings.

It's science.

#last twilight #last twilight the series #mork x day #this ain't ending sad #GMMTV wouldn't #not even putting on clown makeup #GMMTV wants to collect the coins #and Our Skyy 3 won't make itself

[xxgoblin-dumplingxx]

The allusion to a Dick centric breeding kink play date in this that you wrote has haunted my narrative ever since I read it, I humbly beg you for a morsel.

Blood was pounding in his ears and he swallowed hard. Whatever was in the pheromone mix he put on the back of your neck had kicked in and his mouth was actually watering.

Between that and your white dress- not sheer but close to it.Not too short but not long enough to be in the way. Down to your mid-thigh. Peasant top... He'd tried having you just be naked once. It felt gross. Dehumanizing. He liked cute little skirts and dresses better. Shoving them out of the way to expose you. Fucking you so hard your tits popped out of your top as he bent you over something... it felt better.

You look so innocent cleaning the house. Tending to him like a good girl. Fussing busily. And he thought about a couple days ago. Watching you play with your sister's baby. You'd be such a good little mommy. And the thought made him smirk

But he forces himself to wait. To watch you. Admiring you now- before he spends the next few hours using you. Breeding you. Leaving you a writhing, whimpering mess. Sore and cock drunk from being pounced on whenever he decided it was time to take you again.

"Com'ere baby," he coaxed. But it wasn't a request. And when you turn, looking at him wide-eyed, he knows that you know it. He waits, but quirks an eye brow. Letting you know his patience is very slim.

And you walk to him, tentative. Like you know he's already feeling the effects of what he spritzed on you. Those primal effects that make him rougher. Even if you know he's not really going to hurt you. It's... exciting and scary. A thrill.

"Do you remember your safe word?" he asked, pulling you into his lap, stroking your hair. The last bit of tenderness you'll have until he's done with you.

"Yeah," you murmur, leaning into the touch.

"And you know what today is?" he rumbled, smirking when you shiver.

"Breeding day," you answer, looking away when your voice cracks.

"Good girl," he praised. "My pretty little baby." He tangled his fingers in your hair with one hand, pulling your head back, and sucked the first of many love bites into your skin. "You're gonna look even prettier knocked up, huh?" he teased. "Maybe I'll get lucky and we'll get twins."

#Dick Grayson #Dick Grayson x reader #ask answered #minors dni #reader insert #dom!dick grayson

[naranjapetrificada]

Izzy becomes a "real boy"

So obviously I haven't been able to shut up about the way Izzy has been written in season 2 and I stand by my disappointment and criticism, even knowing that the writers were given a herculean task of cramming 10 pounds of season into an 8 pound bag. Even knowing that, his "arc" such as it is has felt very off to a lot of people, present company included. I'm a cogitator at heart (thanks AuDHD!) and that can turn "make it make sense" into a prime directive sometimes. So here I am, trying once again.

I felt a particular way about Izzy after the end of season 1, which I would describe as "not especially strongly" because I primarily saw his character as a storytelling tool/useful foil more than anything else. But his presence and characterization in season 2 have been haunting me this time and not in a good way, because I've spent this season trying and failing to make it make sense. But something just occurred to me that I hope I can explain in a coherent way:

If season 1 Izzy was more a storytelling tool than anything else, maybe season 2 was an attempt to turn the puppet into a Real Boy. And if so, maybe things did not go as planned.

There are so, so many good posts going into the things that don't work about how Izzy has been handled this season, to the point that I'm not gonna try reinventing the wheel. Some of the reasons it hasn't worked for some of us include:

Much of his alleged growth apparently happening offscreen, most likely due to the reduced budget and episode count.

The lack of connective tissue between many of his scenes, some of which can be attributed to the previous point about corporate fuckery but other parts of which are hard to explain beyond "idk I guess the writers felt like it?"

The unfortunate connotations of sidelining nonwhite characters like Jim, who was the only character beyond the central pair to receive a detailed backstory, flashbacks, and a multi-episode character arc

The unchecked racialized comments he gets to drop about Edward (calling him a "wild dog" or seemingly mixing him up with Roach) that in season 1, would have resulted in violent retribution as a sign of the story's disapproval

The lines we get from Izzy that feel like they should have been said by other characters, and maybe that would have been based on the expectations of the show that we left season 1 with

The way it seems like Izzy's suffering is being used as a stand-in for actual moments of reflection or atonement, which is a pretty fucked up dynamic to set up as precursor to redemption

The way Izzy now gets to partake in the very behaviors he denigrated in Ed last season, which would be a cool and moving character beat if there was a single, solitary narrative acknowledgement in the harm caused by his treatment of Ed in s1e10. Ditto for him apparently just being cool with shit that once would have been his worst nightmare.

The fact that so many of these issues could have been addressed in a quick throwaway line or two that showed that the narrative understood what was wrong to reassure us all because by definition if a character is getting a redemption arc, it's because they did something wrong, right?

There's plenty more of course, but that's not why I made this post. I made this post because regardless of why the decision was made to handle Izzy this way this season, the attempt was made to flesh him out in ways that his role last season may not have been initially written for. Con's performance and certain production choices hinted at a depth to his character that may or may not have been on the page, but helped make for a pretty interesting season 1 antagonist.

For season 2 they decided to make Izzy a real boy, but the combination of a reduced budget, a lower episode count, and whatever creative darlings they couldn't seem to kill in order to give us more development of his transformation made sticking the landing impossible because we're lacking certain elements for basic comprehension.

Imagine you know almost nothing of the story of Pinocchio and someone starts up the Disney movie version of it for you but it's a weirdly edited version of it. There's no narration from Jiminy Cricket, mostly because there's no Jiminy Cricket at all. We see Geppetto crafting a wooden puppet, but not the part where he wishes for him to be a real boy, which makes it kinda weird to then see the part where the fairy brings him to life and says he can become a real boy but okay, let's go with it.

Now let's say the one thing you've always heard about the story is that Pinocchio's nose grows when he lies. So we get to the scene where he lies to the fairy but for whatever reason, his nose doesn't grow. No one comments on the inconsistency, and when you mention the nose thing all anyone wants to talk about is how great Pinocchio's nose looks.

Then Pinocchio goes to Pleasure Island and while the animation and acting seem great as usual, and the language of cinema appears to be setting up something dark on the horizon. Then Pinocchio's new friend Lampwick starts transforming into a donkey, this random well-dressed cricket shows up to admonish Pinocchio, and our puppet friend is randomly immune to the thing turning other kids into donkeys. No one comments on that either. Maybe Pinocchio even gloats about it a little, which seems like a weird storytelling decision that merits a follow up discussion later.

And I guess this is the part of this over-extended metaphor where you remember you have somewhere to be but you'll finish the film later, because as an audience we won't know how things shake out for season 2 Izzy until the finale. Presumably we'll still get the scene where he magically turns into a real boy, but there isn't exactly time for anything else like all that stuff with the whale. Maybe the real boy scene will happen, but for whatever reason the animator kept drawing him like the wooden puppet and every time you point it out no one will take you seriously.

Wouldn't that be a weird thing to experience?

#ofmd #our flag means death #ofmd s2 spoilers #ofmd s2 #ofmd meta #izzy hands #izzy critical #not really critical but that tag is useful for people's filters #ofmd season 2 #ofmd spoilers #ofmd season 2 spoilers #our flag means death spoilers #tbh I don't even understand how Izzy fans feel good about his arc #if this happened to a secondary character I loved I would be pretty upset

[zeephyre]

CRITICAL ROLE CAMPAIGN 3 EPISODE 85 SPOILERS

IM LITERALLY ABOUT TO LOSE MY MIND YALL

Where do I even ??? start ???

I haven't been posting c3 as the episodes dropped in...a while actually, like right before they went to the feywild. i have many thoughts and many feelings about so many things that have happened since then and I'll summarise them so I can get to THIS episode.

fearne and ashton - love their shard powers, they're literally royalty and terrifying, and i want them to make-out. i can't wait to see them go full primordial again in a real combat situation.

imogen - save her. literally save her. free her, even. i love everything about the call of ruidus when it comes to imogen on a narrative standpoint, but...God I get so worried that we're gonna lose her. I don't mean she's gonna betray the hells, but...ruidus could take her and then i would simply perish.

laudna - before i really get into wtf went down this episode with her and she who must not be named, i gotta say... im worried. very very worried. however, that fireball was objectively the best shit ever.

fcg - i can't even really remember anything stand out abt fcg except what Sam pulled last night so.

chetney - still the heart of the team, still my baby girl, still my favourite. love him to bits.

orym - i think laudna is going to beat his ass one of these days and im... even more concerned about that after this episode. his nana morri powers are cool as fuck tho... does that make him a warlock now? i know he isn't multi-classing but wouldn't that be cool

ANYWAY WE'RE ON THE FUCKING MOON AND WE GOT MOON LORE AND EVERYTHING WAS SHITTY THEN FUN THEN SHITTY THEN FUN AGAIN THEN REALLY FUCKING SAD THEN IT ALL WENT TO SHIT AGAIN.

the moment imogen reached out to ruidus and matt mentioned that she could sense where other ruidusborn were i fucking knew that otohan was high tailing it in their direction, and i thought they instinctively knew that too but they probably got so distracted.

we were travelling for hours and had a huge fight that almost got them captured (not to be confused with the OTHER two fights that almost got them captured) and I was begging and screaming and crying for them to get a long rest safely hidden away AND THEN THEY SPLIT THE PARTY WITH BARELY ANY SPELL SLOTS OR HIT POINTS AFTER BEING DRAINED FROM ANOTHER BATTLE WHAT IS WRONG WITH THEM

(Sidenote, the willmaster really opened up the door to the further increase in moral pondering in a certain number of hellians. i do think using the harness is disgusting and hypocritical, but i don't condemn them for it, it just...makes me wanna vomit thinking abt what ludinus did with it. not to mention the HUNGER parallels between laudna and ludinus...its just not good yall. also??? objectively funny that fcg seemed weirded out by the idea of killing the willmaster, not just with the harness but in general, considering how many people they've killed up to this point)

idk if its just the inherent terror that an evil old hot lady can inspire that makes otohan so much more terrifying to me than ludinus. like, objectively, ludinus is a worse threat and could wipe them out EASILY but jesus otohan is like the damn reaper to me. it's the trauma from the laudna, fearne, orym massacre mixed with the underlying little drop from their uthodurn romp that let us know that resurrection spells are NOT working and idk if that got fixed bc of time passing or distance from the leylines but i really did not want to test that shit out in real time

thank...god that sam riegel is a damn genius player, that banishment of fcg and fearne was the ONLY reason fcg survived. and thank GOD FOR KEYLETH BECAUSE WITHOUT THAT CLOUD SPELL BELLS HELLS WOULD BE VERY VERY VERY VERY VERY DEAD RN.

God, "otohan has us. run." is going to haunt me just as much, if not more than the almost tpk. it just...shot me straight back to bassuras and the plan to run that just...immediately fell apart.

god fcg truly could have died there. and fearne would be captured. i know the hells would be too stupid and too brave and too loyal to leave fearne with otohan in their cloud form but can you imagine a world where fcg was gone, fearne was captured and the hells had to switch from recon to rescue... itd be stressful but pretty fun.

thankfully it didn't come to that and some good came from the shit.

ruidus is so beautiful. i was worried they'd end being trapped under ruidus while they explored (not that I wasn't on board with the detours, I wish this wasn't a time sensitive mission), but matt's imagery of the fossilized elven structure and garden made me sad but also happy that we got to see it.

i cannot believe that the stupid plan to shove fearne up a water hole happened AGAIN and it ended up with us FINDING A BACK HOLE TO RUIDUS GOD I LOVE THESE CHUCKLEFUCKS WHEN IS THE NEXT EPISODE MATT YOU CANNOT DO THIS TO ME. WHERE EVEN ARE THEY??? IS IT EVEN EXANDRIA???? WHAT DO WE DO IF IT IS EXANDRIA??? WHERE DID THIS HOLE EVEN COME FROM???? DOES IT CLOSE AND REOPEN??? IS IT STAGNANT?????? IS IT FUCKING STABLE?!?!?!?!?!

God...we could go back to keyleth and the others and actually invade ruidus without encountering the ruby vanguard. (that's if they're alright because otohan did go out onto the battlefield and we don't know what fhe fuck she did when the illusion fell through)

GOD. IS IT THURSDAY YET??? WE HAVENT EVEN FOUND THE RESISTANCE????

#critical role #cr3 #bells hells #critical role campaign 3 #c3 #critical role c3 #critical role spoilers #imogen temult #ashton greymoore #cr laudna #laudna #orym of the air ashari #chetney pock o'pea #fcg critical role #cr spoilers #fearne calloway #c3 e85 #cr3 ep85

[inkblackorchid]

What the hell happened with Crow: an autopsy (Part 3)

Trying my absolute damnedest to finish this one and part four sooner now that I've finally covered the Pearson backstory. *Ehem* Hello again! I hope you're ready for more yelling about a certain spiky-haired Blackbird aficionado, because I sure am.

To get some things out of the way first, though, here come the usual disclaimers:

This is part three of a series of posts about hpw Crow's character was handled during 5Ds' whole run. You can find part one here and part two here. Reading them technically isn't required, but things sure will make a whole lot more sense if you do. (Bring snacks, they're long.)

This post isn't meant as a Crow hate post, nor is it meant to convince people who didn't vibe with his character to change their mind. This is my very long winded-attempt to analyse the writing decisions surrounding his character as best I can, without too much bias. That said, full disclosure, I do personally like Crow, so there's a good chance that will shine through whether I want it to or not. But also, I'm trying to have fun here, so please cut me some slack.

In case you haven't read my previous Crow posts (no shade there) and/or still believe the many, many production rumours that have been haunting the 5Ds fandom since the show's original run, please let me burst your bubble(s) with some insanely comprehensive research by someone over on Reddit (thanks again to @mbg159, who's also here on tumblr): No, Crow was not meant to be a dark signer, or the final boss of season 1, and his spike in screentime has nothing to do with his cards. And also, No, Aki didn't get less presence in the narrative because her VA got pregnant. What if you don't have the time to read either of those long posts? In that case, please take away this simple, very easy rebuttal of why the above theories are bullshit: Their would-be "key points" don't line up with the 5Ds production timeline. At all. Not even vaguely. So please, ditch them, let them die, seeing them still talked about makes me feel like I'm gonna break out in hives. And for the love of god, don't use this post or in fact anything else I post to pit Aki and Crow against each other. Both characters have their strengths and their reasons to love them. I am not the least bit interested in starting any character discourse. So please, spare my sanity. Ok? Thank you.

And now, we can get to the good part at last. In my previous post in this series, I stopped my analysis at episode 95, a.k.a. part two of the Pearson backstory. In this post, I will thus be picking up right after, at the very start of the WRGP—with the Team Unicorn match. The goal for this post is to analyse Crow's part in this particular arc, then provide some food for thought/ideas on how things that rubbed some people the wrong way could have been improved.

More below the readmore, and I give you not just my usual warning, but an extra warning, too: The universe will not let me write short things, so tread with caution, stay hydrated, and expect a veritable dissertation below, because this post feels long even to me, who has long since lost her sense of length when it comes to text. (But I'm well aware this is the result of me refusing to split the WRGP part into two separate posts, so I take full responsibility for that.)

Since we left off right after I chewed through all the issues with Crow's rather belated backstory and especially Black-Winged Dragon last time, we jump right into the thick of things now, with episodes 96 and 97, which serve as the preamble to Team 5Ds' first WRGP duel against Team Unicorn. Crow only gets two major things to do during this short stretch of episodes, the first being that he's Team Unicorn's gateway into roping Yusei into a duel during practice, which helps them set up a ruse that baits the 5Ds gang into sending Jack as their first wheeler because they think Jack's deck is best suited to countering Andre's—which, as it later turns out, it is not.

(Arguably the screenshot where Crow gives off the strongest Youngest Sibling Vibes during the entire show. Look at him, all chastised.)

Crow's second role is an odd one that I argue only he out of the main three guys could fulfill at this point: He's the one to get injured right before the Team Unicorn match, rendering him unable to compete, which leads to Aki offering to take his place for that particular match.

(Pictured: Bird Boy regretting all his life choices up until that point simultaneously.)

Here's the first moment I have to talk about in greater detail. See, the thing is, I don't know what the fandom consensus on Crow getting injured here is, but I argue that this moment was a (rare) strategic decision made by the writers at this point. Crow's injury accomplished several things: 1. It sets up the mystery of why his back wheel locked up out of nowhere, which is later paid off through Team Catastrophe's shenanigans. 2. It organically allows Aki to take his spot without introducing any argument about which of them is "worthier" of having that third spot. 3. Through this, it also allows him to actually bounce off Aki for once (a point I will come back to below, during the Team Catastrophe section). And 4. It allows the show to (TECHNICALLY) pay off the setup they did in letting Aki get her turbo duelling license and train with the boys. (Generally, Crow's and Aki's character writing intersects a bit during the pre-Diablo incident WRGP section, something I'll touch on below.)

Moreover, I think this is also the only match where they could have done something like this, and the reason for it is very simple: Team Unicorn are one-off opponents whose presence in the narrative is only relevant as far as it concerns the WRGP, and they are also one of the first teams the 5Ds gang faces. If we think about the opponents Team 5Ds has after this, it becomes very obvious why Crow could only be injured during this duel: If they had tried pulling this stunt later, it would have forced the writers to pull Aki centre stage during a much more plot-relevant duel than this one (which they were apparently allergic to, but let's not go there), not to speak of the fact that it would have forced them to sideline someone they were definitely trying to sell as the third portion of their protagonist trifecta, which would have probably been awkward. (If not for the fact that they literally did this to Crow later in the show, but I'll get there. Yes, I know there's a lot already that I'll still be "getting to".)

The thing is, whether or not it feels like an awkward writing choice to make so early in the big tournament of this arc (you be the judge of that), Crow's injury finally allows him to have a few interesting character moments for once. For one, there is his immediate disappointment about being forced to stay on the sidelines. Aside from the fact that this is a human and relatable reaction to his injury, it stings even more for the character than it does for us as the audience, because Crow got a moment where the Satellite orphans he previously took care of cheer him on for the tournament literally within the same two Team Unicorn preamble episodes.

(Say what you will, this is just stupid cute.)

So when Aki eventually offers to take his place during the match, he's understandably apprehensive—and again, this is human. It may seem mean in the moment, but from a character writing standpoint, it's a natural response. Plus, it's certainly more interesting to watch the group have a bit of conflict among themselves, rather than everyone immediately jumping straight to acceptance. It introduces tension, and, for however brief a moment, raises the question of whether Crow might refuse to let Aki take his spot. This is also the point where Aki and Crow's character writing officially intertwines, at least for the stretch of episodes between the Team Unicorn duel and the Team Catastrophe duel. And you know what? Say what you will, but I think it does a world of good for both of them. The 5Ds cast, as lovely as it is, doesn't get a lot of room to bounce off one another where it concerns personal matters anymore, once the WRGP starts. Arguably, they get little time to bounce off one another outside of plot-related discussions at all once this portion of the show comes around. The characters are treated as "fully developed", and thus, the writing largely doesn't take the time to show us how the group naturally interacts with one another anymore, especially not with how many side characters (chiefly Bruno and Sherry), antagonists, and duels the show now has to juggle. So Aki and Crow getting even a smidgen of personal conflict here is honestly a breath of fresh air. The interaction kicked off by Crow's injury isn't completely plot-irrelevant, like most character interactions during the pre-WRGP were, but it's not something that feels like it's only there to explain the machinations of the antagonists to the audience, either.

Let me go through this in a little more detail to illustrate my point.

So, episode 97. Crow storms off after Aki offers to take his spot, while Aki heads out to prepare her runner, intent on helping her team. The personal motivations here are already very nice and reflective of these characters as we've gotten to know them up until this point: Crow's angry and disappointed (mostly at himself, which is noteworthy!) because he can't compete. And specifically, he's angry because not being able to compete in the first match means he can't show the kids his duelling like he wanted to. Then there's Aki, whose offer to take Crow's place is every bit as much of a strategic suggestion as it is a bid for acceptance from her. Acceptance, which is the thing she's been all about ever since she was introduced, basically. So she pleads with her friends to accept her, see her as an equal, and allow her to duel for the team, which they do. And Crow initially throws a fit, but then...

(Listen. You have no idea how much Crow and Aki getting to actually be friends means to me.)

He comes around to the idea and not only gives Aki his express permission to take his spot, he even coaches her a bit right before the match. Moreover, as his text states above, he literally entrusts her with the kids' hopes, as well as his own. This quickly brings both of them full circle: Crow, who already has a theme of legacy attached to him, passes the torch to Aki for this match, and in so doing, offers her the acceptance she asked her teammates for. (Frankly, stuff like this makes me wonder why on earth people were so eager to pit these two against each other, when their shared moments are actually some of the best-written during the often rocky WRGP arc.) So, though this injury pulls Crow out of the duel, it, funnily enough, ties him better into the story and to the other characters.

From there, we then dive into the Team Unicorn match proper. And well, being injured as he is, Crow doesn't exactly get a whole lot to do there. However, since we're in the portion where his and Aki's writing overlaps a bit, I do need to go on a quick tangent about what Aki's portion of this duel means for Crow.

(Sigh. Okay, buckle up for a quick and rough detour.)

First, something I need to get out of the way and off my chest: I have made no secret out of the fact that I hate Aki's portion of this duel, save for the moment where she summons Stardust. Hell, this duel segment is pretty much universally hated by anone who has even a smidgen of sympathy for Aki. It's regarded by many as the very moment the writers axed Aki's character, and for good reason: After all the buildup surrounding her getting her turbo duelling license, the supposed "payoff" of it all is that she gets to duel against Andre for a depressing four turns before being defeated immediately, which leads into Yusei's frustrating portion of this duel, which, to my knowledge, isn't regarded any more kindly by fans than Aki's segment. It's a massive let-down, simply put. But the thing is, it's not just a let-down for Aki. After all, the brief character conflict she had with Crow about taking his spot here can and should be regarded as part of the setup for this moment, and as such, it can also be considered to be wasted the second Aki leaves the track after barely making an impact whatsoever.

However, I do need to mention that I have a theory on why this segment was handled the way it was, mostly because I feel like Crow's later interaction with Aki, shortly after she's out of the duel, underlines it (mind that this is just my personal theory, though, after having watched the show perhaps more times than can be considered sane): I think there is a cultural aspect to this duel. See, the word ganbaru, which anime subtitles often like to translate with "do your best" or something along the lines, has a greater significance than the translation implies. Though it's not inaccurate per se, there's more than just the idea of doing your best behind ganbaru, because it's something like an umbrella term not just for doing your best and succeeding, it's also the idea that you have to keep trying, even if you don't succeed. It's related to tenacity, to persistence, even in the face of terrible odds. And make no mistake, I don't mean the Japanese equivalent of "if at first you don't succeed, try again" here. I genuinely do mean "you have to keep trying, even if you fail". There is no guarantee of success here. And for that reason, the idea behind ganbaru is also that it's not simply the success that has value, but the effort made in the attempt to attain it, regardless of the result. (Side note: I tried to scrounge up a resource I could link to that nicely explains this concept, but unfortunately, all the promising articles were paywalled and the ones I learned it from require institutional access to lecture materials.) And this is where I will posit the tentative theory that this is exactly what the 5Ds writers were going for with Aki's segment of the duel—it was very much meant to be the payoff for her turbo duelling license setup and her plea to take Crow's place, but it wasn't so much her success that was meant to be valued, as the effort she (and by extension, Crow) made for and during this duel. And this is where Crow's little pep-talk with Aki after she's out of the duel comes in, because it feels like it supports exactly this interpretation:

(This is essentially the whole sequence. Note how Crow, despite so fervently entrusting Aki with his and his kids' hopes prior, doesn't admonish her for making a bad showing in the slightest.)

I don't think it gets any clearer than it is here. During this sequence, Aki is painfully aware of how poor her performance was against Andre, especially after she was so insistent on duelling at first, and despite having been entrusted with Stardust by Yusei, to boot. Yet, Crow doesn't have a single word of criticism to offer her. Instead, he even tells her she did well and that nobody's perfect. It very much reads as valuing Aki's effort over the result she achieved to me, and thus seems perfectly in line with the idea behind ganbaru.

However, if we assume I'm correct about the intentions behind this writing choice, we come back to why Aki's segment of the duel is so hotly debated and why it may have arguably been a disservice not just to her, but to Crow, too, character-wise. Because the majority of non-Japanese watchers of the show culturally don't have a 1:1 applicable concept like ganbaru, this writing choice was more likely to fall flat for them, because to someone who wasn't raised to understand the idea behind it, Aki's portion of the duel doesn't register as a payoff; it registers as a massive disappointment, because it feels like the writers, who had so much setup already done for her, let her fail on purpose, just to later let Yusei attain his arguably dumbest victory of the entire show. Thus, they also essentially waste the conflict she had with Crow about whether she would be allowed to take his spot in the first place, because with how little she achieved during the duel, she may as well not have gotten on the track. (Figuratively speaking. Please Do Not take this to mean I would prefer a version where Aki hadn't duelled at all. That would be worse. It would be infinitely worse.)

(Also, side note: If this post reaches anyone who's actually Japanese and still remembers this duel, I would genuinely love your input on whether my interpretation is feasible or just wishful thinking. Did you interpret Aki's part of the duel the way I did here? Or did it fall flat for you, too? If what I'm saying here feels like an absolute reach, please tell me. I'm honestly just trying my best to make things make sense here and remembered this concept from some classes I took in Japanese studies at uni.)

With all that in mind, it doesn't come as a surprise that some people were just as frustrated with the way Crow was barred from duelling here as they were with Aki's segment or Yusei's later victory. But it is what it is—the Unicorn duel concludes the way we all know it to, and with that, the show begins setting up the following duel with Team Catastrophe.

The only other, non duel-related, noteworthy thing that happens between the Unicorn and the Catastrophe match is a brief appearance at the Poppo Time by Sherry, who admonishes the signers for celebrating their victory early and warns them about Iliaster. Why do I bring this up? Because it's one of less than five times that Crow is in the same room with Sherry. Remember, Sherry. The girl he later, during the finale, talks out of working for the big bad evil guy because he suddenly seems to have such a deep understanding of her motivations and character that he can accurately deduce what argument will make her understand that working with Z-ONE won't give her what she's looking for. So, does Crow get a meaningful interaction with her during this scene, then? Nope. Not even in the slightest. Crow says exactly one sentence that is aimed at Sherry during her appearance, and that sentence is this:

(What a meaningful conversation!)

And yes, I will come back to Crow and Sherry's dynamic in particular. But we'll save that for the Ark Cradle arc post. For now, just keep it in mind as we move along to the other WRGP duels.

So. Team Catasrophe.

During the duel against this team, which was previously only hinted at ominously, the writing for Crow and Aki overlaps again, and this starts with the writers essentially doing a complete switcheroo of what came before: Instead of Crow getting injured and being unable to compete, it's Aki who crashes, ends up in the hospital, and is thus forced to give up her spot during the duel. (This also goes hand in hand with her suddenly losing her powers, which we are given absolutely zero explanation for, but let's not talk about that clusterfuck here. If you're interested in my opinions about that particular trainwreck, I have a rant for you.) Additionally, it's during this stretch of episodes (103-105, which is a whopping four episodes less than Team Unicorn got) that we find out that not only Aki's crash, but Crow's previous one, too, were both sabotage, caused by the rather unscrupulous Team Catastrophe by way of a special card that can cause real damage even when there is no psychic duellist present. (A card we also find out was given to them by Placido/Primo, but this is irrelevant for both Aki and Crow.) Crow's reaction to this piece of information, particularly once Aki gets injured due to the same thing, is where things get interesting for him again, because he gets pissed, to say the least.

(A moment I imagine firebirdshippers must have been positively delighted about.)

Here, I have to reiterate an earlier point: Think what you will of Team Catastrophe, of Aki's crash, and of the sequence where her powers suddenly don't work, but this moment here, where Crow gets angry on her behalf and swears to duel Team Catastrophe into submission—not because he wants his kids to cheer for him, or because he wants to prove himself, but as revenge for his friend—is one of sadly only a handful of moments the writers use to show the strengthened relationships between the individual members of Team 5Ds after the dark signers arc. It's one of the precious few scenes that actually shows, rather than tells us or lets us search for scraps in the subtext, that the signers, and the members of Team 5Ds as a whole, care for each other outside of revolving around Yusei like planets around the sun. Even if it's laughably small, it's at least a hint that there are individual friendships between the other signers, too, that they all stick around one another for reasons beyond gravitating towards Yusei for one reason or another. And for that alone, I'm grateful that they put this here, even if Team Catastrophe was otherwise so ridiculous and made such a bad showing at their actual match that they could barely be taken seriously as antagonists at all.

Speaking of which. The actual meat of the matter. The Team Catastrophe match. What does Crow do here? Well, he duels! Even though he wasn't supposed to, for injury-related reasons. What both his participation as well as the actual duel accomplish, though, are that they not only showcase previously established character traits of Crow's again, but they also make a (possibly unintended) callback to a previous, major duel Crow took part in: His dark signer duel against Bommer/Greiger. Where and how? Let's see.

Firstly, Crow's participation. The reactions of the other characters to this make it very evident that Team 5Ds did not plan for this, with Yusei and Jack even going as far as to say they "had no choice" but to let Crow duel, because he insisted. This is perfectly in line with the stubbornness we already know from him at this point—a stubbornness that was also a major reason for why he took Bommer on and later continued his duel with said man, despite Yusei showing up and telling him he shouldn't be duelling a dark signer.

Secondly, there's the manoeuvring thing, and here's where I can call attention to a fun tidbit: The WRGP isn't what introduces the concept of manual mode during turbo duels to the audience. It's Crow. During his duel with Bommer. Being crafty and a bit shrewd as he is, Crow, during said duel in the DS arc, purposefully switches to manual mode when he duels Bommer, because he figures that attacks that can deal real damage can probably be evaded if you actually have control over your runner and aren't stuck in autopilot.

(Don't believe me? Here it is. And frankly, it is somewhat hilarious, yet also very fitting that Crow is the only one who thinks to do this during a duel with a dark signer.)

The reason this particular bit is relevant during the Team Catastrophe duel is because Crow essentially repeats this trick here. Of course, it's a bit less impactful now, given that manual mode is standard for WRGP duels, but still: Due to Hook, the Hidden Knight, Crow is forced to pay attention to the track and manually evade the monster's attempts to make his back wheel lock up during the duel, mirroring how he thought to manually evade Bommer's attacks during the DS arc.

Thirdly, there's the revenge angle, and this one is a particularly juicy callback. Remember, Crow's major reason for taking on Team Catastrophe, despite being injured, is that he wants to get revenge for Aki. This directly parallels how his major reason for duelling Bommer during the DS arc was that he wanted revenge for his kids, whom he believed to be dead at that point in time. (It also, interestingly, establishes a bit of a connection to his deck, which boasts a fair amount of revenge effects, but I'll not get into that here, seeing as I've talked about Crow's cards a bit before.)

Keep in mind, despite all the things listed above that this duel accomplishes, it's also by far the shortest WRGP duel. It lasts a whole six turns, total, which is ludicrous compared to the likes of 27-turn Team Unicorn, 26-turn Team Taiyou, or 25-turn Team Ragnarok. And I don't think it's controversial to say that the Catastrophe guys are probably the most forgettable WRGP Team, too. Yet, somehow, despite all its shortcomings in terms of memorable antagonists and plot relevance, this is one of the best duels of the WRGP where Crow's character writing is concerned. Now, I'll be perfectly candid: Coming into this post, I did not expect the Team Catastrophe duel, of all things, to end up being as good at actually showcasing Crow's character and his ties to other characters (who aren't Yusei) as it was, but here we are. And we had better hold on to the good the Team Unicorn - Catastrophe segment did for Crow, because the next thing that's coming up is a harsh break from the WRGP, starting with the sudden appearance of Placido's home-engineered army of killer duel robots. And what does Crow get to do during this part?

Uh. Well.

(Pictured: Bird Boy being demoted to benchwarmer while the city's being ransacked by murder duel robots.)

Nothing. A whole lot of nothing, is what.

During the duel robot invasion, we only ever flash back to Crow to ascertain that he is, in fact, useless during this part of the show, something he shares in common with Ruka, Rua, and Aki here, because all of them get pretty much nothing to do while Yusei finally gets the hang of accel synchro. Granted, Aki gets to save a little girl at the hospital, but in comparison to Yusei's lengthy, plot-heavy duel with Placido, this feels like a consolation prize. And for once, Jack is only marginally better off, too, because sure, he gets to beat up a couple of robots, but that's it, really.

Where Crow is concerned, his plot relevance doesn't actually resume once the Placido duel finishes, though. (And neither does Rua's, Ruka's, or Aki's, while we're at it.) Because wouldn't you know it, the next big thing directly after the duel robot invasion are the Red Nova episodes, where three out of five signers (Crow, Aki, and Ruka, unsurprisingly) are removed from the screen almost in their entirety again while Jack gets his much-needed dragon upgrade so he can keep up with Yusei, in order to uphold his status as a classic, almost-evenly-matched yugioh rival.

Speaking of upgrades and dragons, let's make a quick detour while our protag and rival duo take their express vacation to the Nazca plains. It is, of course, no secret that no signer outside of Yusei and Jack ever got a dragon upgrade within the anime. (No, I'm not forgetting about Life Stream Dragon. But that one, unlike Shooting Star Dragon and Red Nova Dragon, was a.) teased all the way back in the DS arc and b.) didn't have a unique summoning method or some other gimmick that made it an "elevated" synchro. So I'm discounting Life Stream as a "proper" dragon upgrade on purpose.) Is this the point where I start arguing that Crow should have gotten one, then? Well, not quite. Not with the writing the show canonically gave us, at least—after all, with how late Black-Winged Dragon was introduced, it would have been bonkers to upgrade him here already, if even at all. However, I do argue that the way the show hands only Yusei and Jack upgrades seems a bit... off. Now, I know why only those two get upgrades, or at least I think I do. After all, they're the central protag/rival duo, and within the framework of the character archetypes the larger yugioh canon has created for itself, this would have always made them the first, if not the only candidates for dragon upgrades. What feels a bit off to me, though, is that specifically the 5Ds cast feels like it... chafes a bit against those character archetypes, for lack of a better word. The problem is this: The signers, as far as the first two arcs are concerned, are sold to us as equals who all have very powerful ace monsters. Yes, Jack and Yusei are still undoubtedly the best duellists among them, but not on account of having uber-powerful extra special monsters that were acquired through supernatural means that are categorically inaccessible to the other signers. However, with the appearance of Shooting Star and Red Nova, this changes. While Yusei and Jack were previously and would have always been the two guys who had a Special dynamic with a capital "S" on account of their character archetypes, their acquisition of the dragon upgrades—and even more so, the lack of upgrades their fellow signers receive—now decidedly puts them in a different power bracket and skews the balance between previous, supposedly "equal" characters. (Which, unfortunately, is yet another thing that makes everyone else easier to sideline.)

Why do I bring all this up in a post dedicated to Crow? Because this new power imbalance arguably impacts him more than the other signers—because he's Team 5Ds' second wheeler and doesn't miss another WRGP match from here on out. Thus, that power imbalance is felt in the upcoming duels, where Yusei and Jack bust out Shooting Star and Red Nova like it's nothing, while Crow is left manoeuvring with the somewhat underpowered Black-Winged Dragon and whatever else he can come up with. This is also why I claimed that the show did sideline Crow in some aspects further above. Because while some parts of his writing go to great pains to establish him as part of a protagonist trifecta that is now supposed to take centre stage before the other characters, he also permanently lives in Jack and Yusei's shadow, ultimately barred not just from reaching equal status as a signer (due to his late and rocky introduction and dragon acquisition), but also barred from becoming the equal of his foster brothers as a duellist. Frankly, I'm surprised the show didn't make this a plot point, because the first thing my mind jumps to when I think about this is whether Crow felt left behind after his brothers acquired such immensely powerful, special cards. But more on my personal writing ideas later. For now, let's just put a pin in the power-imbalance thing.

So, when is Crow back on screen in any meaningful role, then? (Note that I mean this as literally as possible. As per my discussion about "screentime" and my gripes about it in part two, I gloss over the parts where Crow is on screen, but could be traded for any other signer or even a lamppost without affecting the scene at all.)

Well, the next thing Crow gets to do isn't exactly glorious, but it sure is funny.

(I want you all to remember that he has to wear this costume and play this part in Team 5Ds' absurd plan to capture Yaeger/Lazar because he lost at rock-paper-scissors. This will never not be funny to me.)

Ignoring the hilarious outfit and Crow playing the bait at a fabricated cup ramen promo event meant to lure Yaeger in, bird boy does actually get something that's not just for funsies to do during the two episodes where Team 5Ds is trying to get more information about Iliaster: He gets to have a duel revanche against Yaeger, who, if we remember the DS arc, ditched him the last time they squared off. Much like the Team Catastrophe duel, this one, too, calls back to previous duels Crow has had: For one, it's the obvious conclusion to his unfinished, first duel with Yaeger. And for two, Crow repeats a "trick" (for lack of a better term) here that is also unique to him: losing on purpose, which we remember from his duel with Lyndon.

(Identical-looking clown family jumpscare be upon ye.)

And again, much like getting injured for the Team Unicorn duel, I argue that this story beat here is something that could also only have been accomplished with Crow. Because he's the only one who has previously duelled Yaeger, firstly, because not wanting to make a child cry by beating their dad in a duel makes sense for him as a character due to him being a family-oriented person who loves children, secondly, and because losing on purpose in this scenario is a tactic that would seem out of character from anyone else, thirdly. (We recall, the only times Jack and Yusei, respectively, ever consider/offer to lose on purpose is when the lives of people close to them are on the line, in the shape of Carly/Rally. As for the others, aside from not being present, Aki, Rua, and Ruka are so heavily sidelined at this point that they would have never been an option for this. And if his writing is anything to go by, Bruno is mostly purposefully forbidden from accomplishing Plot Things, especially through duels, while he's Bruno.) But hey, due to the way this episode is set up, losing on purpose works out for Crow, because it convinces Yaeger to stop hiding and actually share his knowledge about Iliaster. This, by the way, is the second scene where Crow gets to be in a room with Sherry for a longer stretch of time. And look, him joking that Sherry might kill Yaeger if he doesn't spill the beans about Iliaster soon is fun and all, but in light of the Ark Cradle duel later, I have to point out that he, again, doesn't get to have so much as a shred of a meaningful conversation with Sherry here. Again. But moving on. The scene with Yaeger at the Poppo Time then leads us first to the small sequence in the arcade where the gang has to win a simulated duel to get Yaeger's encoded intel, then to episode 116—the Moment Express episode, where, due to this being a Yusei, Sherry, and Bruno-focussed episode, Crow gets nothing to do again. (And also doesn't get to interact with Sherry again.)

Congrats! We've survived the WRGP break. This leaves us with three more WRGP duels before shit hits the fan and the Ark Cradle arc commences. And full disclosure, I'll be doing a bit of a quick-fire round of those three duels. Why? Because despite them all having their merits in their own rights (they're the better liked duels of the WRGP for a reason), there honestly isn't that much focus on Crow during them. He duels, yes, and I've seen people point this out over and over again as the supposed smoking gun that shows how Crow had so much more relevance and screentime than Aki and yadda, yadda. We've been there. And it's not that I can't see where this argument is coming from—I'll be the first to tell you that it's a travesty that Aki never got to duel in the WRGP again outside of the Unicorn match. But I want to use the final three matches to dig into how the way these matches—and especially the opponents to go with them—were set up made it nearly impossible for Aki to replace Crow again during any point of the WRGP finals.

First, episode 118. This is the only preamble episode we get for the first two WRGP finals teams, and here, our group is split in two: Yusei, Bruno, and Rua introduce us to Team Taiyou, while Jack, Aki, and Crow introduce us to Team Ragnarok. There isn't much to say here, because the only thing this episode does for Crow is a shallow repeat of what the Team Catastrophe duel did: By putting him in a group with Aki and Jack, and letting them decide among themselves, independently, to check out the exhibition match, it implies that he voluntarily spends time with signers who aren't Yusei. Thumbs up. Gold star. You made an effort (I guess). Then, the real fun starts.

Round one. Team Taiyou.

(Pictured: The sweetest country bumpkins to ever grace this earth. Yes, I'm biased.)

So here's the deal with Team Taiyou, from a narrative standpoint, as best as I can grasp it: They are a callback to Team 5Ds' roots. Specifically, to the boys' Satellite roots. The Taiyou boys come from humble origins, have only one, mostly home-engineered duel runner, and play using old cards that are widely considered shitty, as 5Ds canon tells us. They are essentially the non-signer, countryside version of what Jack, Crow, and Yusei once were, which is why this is the first duel where the duellist constellation on Team 5Ds' end couldn't possibly have been altered. Team Taiyou is there to remind us where our boys started, so it has to be our boys duelling them. This also goes for Crow, even though this duel otherwise doesn't accomplish much for him, character-wise. Instead, it's more of a narrative wink at the audience, as well as providing a breather between otherwise extremely tense, plot-focussed duels. But yeah, Crow's part in this match isn't much to write home about; he doesn't get any verbal interactions that are very meaningful to his character, can't get so much as a scratch in on Zushin, even with Black-Winged Dragon, and is defeated so Yusei can take out the legendary giant.

Round two. Team Ragnarok.

(Behold the pizzazz of at least two contenders for Haircuts With The Most Spikes in the show.)

Though this duel is framed as being even more so aimed towards bolstering Jack's character writing than Crow's, given the inclusion of Dragan's personal history with Jack, Team Ragnarok gets significantly more interesting for Crow again than Team Taiyou did. This is, of course, mainly because of Brave/Broder. Where Team Taiyou were a callback to the 5Ds boys' roots, Team Ragnarok are their narrative foils. Dragan is the duellist who lost his pride to contrast Jack, who's brimming with pride at all times, and Harald/Halldor is essentially the rich, "destiny isn't bullshit, actually" version of Yusei. Meanwhile, unlike the first two, who highlight our 5Ds boys' characteristics by contrasting them, Brave acts as Crow's mirror. Through Team Ragnarok's flashbacks, we see that he gets almost exactly the same, lovable-rogue-type backstory that Crow did during the DS arc, just in a different setting. The only, major difference between them is that while Crow is more down-to-earth, Brave likes to be pretty flashy.

(Keep in mind that he's doing this on a runner. Is there such a thing as courses on how to do acrobatics on your runner? Like there are courses for vaulting on horseback irl? I'm overthinking this again.)

Unsurprisingly, the duel thus ends up addressing the similarities between Crow and Brave, mostly through two things: One, the duel essentially becomes a contest of who can out-trickster who, culminating in the famous, ridiculous-in-the-good-way sequence where Crow activates a trap from his graveyard, to the shock of pretty much everyone present. And two, despite being on opposite sides, the two bond over their concern for the children they took care of and their concern for children in general, which is expressed most clearly in the scene where Crow's kids, in an attempt to hold the poster they made for him higher, very nearly fall over the barricade in the WRGP stands. Despite the hefty length of the full duel, these are pretty much the only things actually related to Crow's character that come up, though. They're good, don't get me wrong, but in a duel that is otherwise this dense with plot, Aesir shenanigans, and Iliaster foreshadowing, it's no surprise that the duel doesn't add that much to Crow's character, outside of giving him someone he can bounce off very well and relate to. Again, though, we are faced with the same situation as with Team Taiyou: Due to the way the members of Team Ragnarok are written, meant to contrast/parallel one male duellist each from Team 5Ds, nobody other than Crow could have taken the third spot here, either. It would have felt awkward from a narrative standpoint (as much as I would have loved to see Aki duel more).

Now, finally. Round three. Team New World.

(Welp. Here come the robots.)

I had to check to make sure I wasn't misremembering this, but due to the way this duel was set up so José/Jakob could bust out Meklord Emperor Granel with a ridiculous amount of attack points, Crow gets a resounding four turns total in this duel. (Gee, I wonder which other character got this treatment during a WRGP duel.) During those four turns, there are only two things he accomplishes: One, leaving behind two combo pieces Yusei later uses, and two, showcasing the shrewd tactics that earned him the label of "trickster" during the Ragnarok duel by bringing out a non-synchro monster that can take advantage of a synchro monster's attack points and effects—Aurora the Northern Lights. And arguably, this is a very smart play, moreover, it's the only time anyone in the show has the bright idea to not use synchro monsters against the known and feared synchro-killer Meklords. Unfortunately, as smart as it is, the narrative doesn't reward Crow for this play—José all but shrugs what could have been a turning point in the duel off, then proceeds to steamroll Crow the next turn, leaving Yusei to score the win, as usual. To get back to the "Crow got so much more screentime than Aki during the WRGP" thing for a second, of all the duels in the WRGP finals, this is arguably the one where Aki could still most easily have taken Crow's spot again, because here, it doesn't matter whether it's him or someone else, as this duel isn't tied to his character in any way. Unfortunately, due to the Granel-steamroller-strategy, this is also the duel where letting Aki take his spot again would have been the biggest shot in the foot, because unless they had changed Team New World's strategy, Aki would have gotten brutally guillotined here, same as Crow—something I can't imagine anyone, not even people who hate Crow, being happy about.

With that, though, we've finally made it through the WRGP. So, what's the bottom line here? Frankly, speaking from my own interpretation, Crow occupies an... odd spot during this tournament, to say the least. Though he does get to duel the majority of the time, few of the duels actually cater to his character in any way. Moreover, he only gets to be the star of the show in a WRGP duel once, during the by far most forgettable match against Team Catastrophe. And mind that I use the term "star of the show" very loosely here, because the problem the WRGP arc as a whole has, in my opinion, is that the rather lame Team Catastrophe duel is the only one in the whole tournament that isn't won by Yusei, which categorically means that any of the other character's big moments are usually undermined by the fact that they ultimately still need him to save the day. Thus, moments like Aki summoning Stardust Dragon and Crow using an anti-synchro-killer strategy that for once actually forgoes synchros are somewhat cheapened by the fact that they're not actually the turning-point moments they're initially painted as, because ultimately, Yusei always has to be the one to save the day. What's worse is that this almost feels like a bit of a non-issue that could have easily been fixed—given that the show tells us that teams can shuffle around their line-up for a match any time. But unfortunately, the writing never interacts with this as a possible strategic element, nor does it ever seem to consider letting Yusei lose, or forcing him to give up his spot for a match. I feel the need to say that I don't put the blame at Yusei's feet here, though: This strongly feels like an oversight by the writers, and perhaps a disproportionate need to have a nigh-infallible protagonist (on the duelling side of things) that their audience would never run the risk of calling "lame". For Crow, though, this chiefly means one thing: In any duel other than the Catastrophe one, it was always clear that even if he partook, he would never finish the match. And yes, this is technically an issue Jack has, too. But this is where the character writing outside of the duels comes into play, too.

Unlike Jack, who actually gets to do something during the Diablo invasion (albeit very little), who gets his very own dragon upgrade and who gets a very personal, pre-duel plot with Dragan, the show's writing doesn't bother giving Crow a lot of plot- or character-relevant things to do, once the WRGP starts. This is also why I was so surprised at how much the Unicorn and Catastrophe duels embrace his interactions with Aki—compared to the later duels in the finals, this portion still makes Crow feel genuinely relevant and interwoven with the other characters. Meanwhile, out of the three final duels, only the Ragnarok one actually tries to establish a connection to his characterisation, through Brave. The Taiyou duel only sets itself up in such a way that Aki partaking instead of him would have been awkward. Meanwhile, the New World duel just has him being treated like a floormat in a sad parallel to Aki during the Unicorn duel, seeing as they both get a nice moment where it looks like they might turn the duel around (Aki summoning Stardust Dragon and Black Rose Dragon onto the field at the same time; Crow summoning Aurora the Northern Lights, which couldn't be absorbed by the Meklords), only to have their hopes dashed as they're mercilessly cleared off the track. Outside of the duels, many scenes sadly give the impression that they may as well not have included Crow, though—he often gets so little to contribute to a moment or even to say at all that substituting him with a cardboard box seems like it would not have impacted the scene in any way. And that's without addressing his non-existent connection to Sherry, which feels extra glaring, given his later interactions with her on the Ark Cradle.

All in all, the WRGP feels like a very mixed bag, where Crow's character writing is concerned. His belated backstory, which I talked about in part two, is front-loaded and asks as many questions as it answers. Then the tournament commences, gives him some actually decent character interplay with Aki for once (at the cost of letting her succeed in the tournament, it seems), only for him to be basically irrelevant during the WRGP pause again. And once the whole thing resumes, it becomes this hot-and-cold thing where some duel aspects seem tailored to him, while others treat him as completely expendable. The end result is an arc where I'm left wondering why exactly the writers felt the need to make it seem like Crow made up one portion of a protagonist trifecta, if they never actually bothered treating him as equal to the other two. (The answer, I believe, lies somewhere between the fumbled setup they did for him during the Fortune Cup and DS arc, and the way yugioh in general treats its character archetypes. But that's just speculation on my part.) The one, saving grace the WRGP (outside of the Pearson backstory) has for Crow is that it at least doesn't introduce any new character- and/or timeline inconsistencies. In fact, his character stays remarkably true to form once the tournament begins.

Okay, onto the final bit, then. As I've done in both previous posts, let me delve into completely subjective territory and offer some ideas on how this arc could have been handled to make it seem a little less all over the place with Crow. And since his writing here canonically intersects with Aki's several times, let me try to do it while offering the best of both worlds to both characters, if I can.

As far as Crow's backstory is concerned, I've already offered my solutions to that in part two. Now, to stay consistent with my own suggestions, I'll try to branch off what I wrote in the last post. This means that, as per my previous two analyses, we're dealing with two scenarios again: One, Crow stays a signer and we try to touch canon as little as possible. Two, Crow isn't a signer and we adjust canon in whatever way we need to to make him feel interesting and necessary despite/because of that.

First, though, let's get two adjustments I personally would have made in both versions out of the way:

The way the WRGP is structured puts every character that isn't Yusei at a massive disadvantage, where character moments in duels are concerned. Thus, I propose an overhaul. Among the changes I think could have benefitted the characters (yes, all of them) are: One - Aki actually getting to accomplish something during the Unicorn duel (she can and should still have her moments with Crow, but maybe let her portion of the duel end in her thanking him for coaching her, creating a more upbeat scene that strengthens their friendship, which could double as good setup for their later double-duel against Sherry). Two - letting the Team Catastrophe duel actually play out properly (as in, they become more meaningful as opponents by having a better strategy, for example, and Crow could stick it out longer against them, in order to make this more so his win than Jack's. Also, why not let Aki actually see him get back at Team Catastrophe for her?). Three - giving Crow an actual character moment during the Taiyou duel (what if one of the country boys had played a card or two of the ones he learned to read from? It could have helped drive the parallel between the two teams home.) Four - letting Crow's anti-Meklord strategy get at least a little payoff, if only for two turns (show us at least proof of concept, damn it!). Yes, the Ragnarok duel is the only one I wouldn't rewrite (unless special circumstances are introduced, see below). Additionally, let Team 5Ds alter their line-up more than once, damn it. Let them actually strategise about the duels, let them take into consideration who should go first when and whose deck might be better suited to which scenario. Also, remove Yusei from at least one duel. Doesn't matter how, just let him not partake once. Perfect setup to let Aki duel again, and would also allow for spicy character interactions. (Arguably the best duels where this could have been done would have been any of the final duels, though it would have also required rewriting the antagonists somewhat in any case.)

For the love of god, give Sherry and Crow some setup. Let them actually interact, let them introduce their philosophies to one another, just do something, anything to make Crow understanding and talking sense into her during the finale seem earned. A few chance meetings, or maybe even a tiny side-plot could have done so much here. And if you can't let them interact outright, at least let Aki and Crow talk about Sherry! Double whammy! The two characters who end up duelling against her are made to seem even more like a team, and Crow actually gets to find out what Sherry's deal is on-screen. Just. Set. it. up. I beg you.

There we go. Now, onto the two branches.

Option A: Crow stays a signer and obtained Black-Winged Dragon.

Seeing as Crow's signer status, funnily enough, isn't all that relevant during the tournament itself (save for two notable exceptions), there aren't that many fixes to be made here. Crow can still get injured, miss out on the Unicorn duel and be the star of the Catastrophe duel. But giving him something to do during the duel robot invasion that isn't standing around and hoping Yusei will fix everything would also be nice. It's fine if he can't drive out there and duel, but why not let him do something else? He's a crafty guy, why not let him find, say, a way to fry the Diablos' runners, taking a few of them out even from a semi-stationary position without duelling them? He could at least get as much of a consolation prize scene as Aki got with her saving that child. Then there's Team Taiyou, which, save for what I proposed above, is a duel that doesn't feel like it needs changes. Crow does his thing here. That's it. The same goes for Team Ragnarok, especially given that they're specifically written to oppose an all-signers Team 5Ds. Finally, there's Team New World, which, if I'm being completely candid, I would personally overhaul to change the cyborgs' strategy entirely in order to actually let all three members of Team 5Ds shine. But this is the version where I touch canon as little as possible, so... Aside from what I wrote above, no changes needed. Just make Crow seem a little more relevant, make his strategy have at least a little payoff, even if Granel's back out and menacing literally two turns later.

Option B: Crow, as per my previous posts, isn't a signer and doesn't have Black-Winged Dragon.

This is the version that would categorically require heavier changes, though they honestly don't arrive until the break in the tournament. Unicorn and Catastrophe stay the same, I would still propose that Crow gets to be a little more useful during the Diablo invasion. But! In this version, seeing as he never acquired BWD, the break in the WRGP would be an excellent spot to let Crow acquire an upgrade for his beefy Blackwing ace monster of choice. Give him a little side-plot, too, something to do, something where he proves himself. Maybe let him run into Iliaster here, or maybe call back to Pearson again and introduce the new Blackwing upgrade as a treasure Pearson stashed away before he died (maybe this could have even been the card Bolger was actually after; the world is our oyster here). Then he's beefed up, too, and actually feels a little more on the same level as Jack and Yusei. The tournament recommences and again, the Taiyou duel could stay mostly the same, I think. Ragnarok and New World are where it gets really interesting, though. The way I see it, Ragnarok could go two ways with Crow not being a signer: Either he partakes as he did in canon and his non-signer status is called out as a peculiarity by our Swedish boys who happen to be obsessed with fate (which would make his performance against Brave seem all the more impressive), or, due to this being a duel all about destiny and celestial pissing contests, Crow's spot is given to Aki again for this duel due to her signer status (this would, obviously, require rewriting Brave, perhaps even switching him out for a Ragnarok lady instead). As for Team New World, this duel would honestly be a lot more juicy with a non-signer Crow, because much like he was for the dark signers, a non-signer Crow would essentially be an unknown in their plan for the cyborgs. He would be the guy who's Not Supposed To Be Here. Granted, he would still be beaten, but he could still get an excellent moment where his out-of-left-field anti-Meklord strategy genuinely seems to turn the tables for a bit, angering José and providing even stronger setup for Yusei to win later.

Aaaaand that's that. Somehow, I get the feeling the WRGP had the least things that needed fixing because it also had the least actual character writing. But that might just be me. It's late and I have been writing for A While. But hey, I got out part three faster than part two! I consider that an achievement.

Now, while I get my talking points in order for part four, I hope you'll have fun chewing on this one. See you in the grand finale to my Bird Boy dissertation.

#yugioh 5ds #crow hogan #ygo 5ds #5ds #yugioh meta #team unicorn #team catastrophe #team taiyou #team ragnarok #team new world #holy shit my brain is smoking #so. much. stuff to talk about. #the irony that I'm posting an analysis of this length about crow #on a blog with an aki theme is not lost on me #listen I love them both. they are so good. #and tbh I think I made it abundantly clear that I do here #they are friends. they don't need to fight. #also again if anyone wants to use my fix suggestions as fic premises #please do and tag me if you publish it #anyway *yeets this out into the wild* take it

[pagodazz]

NO SERIOUSLY HOW THE FUCK DO YOU WATCH EMH AND SKIP STEPH'S BLOG WHY WOULD YOU DO THAT WHAT'S THE POINT. Like I get why someone might skip the tapes even though they're important because they might assume it's less connected or something, BUT HOW THE FUCK ARE PEOPLE SKIPPING CYSTW WTF

you would be SO surprised at the amount of people who have not taken the time to look at ANYTHING. I've literally gotten so many people telling me they never knew Vinnie had been taken advantage of by the priest. like MF. DID YOU READ THE CORENTHAL LETTERS??

I think alot of people in this fandom are actually very sexist (even if they think they aren't) because they'll ignore all the women who even DARE to interact w the emh guys which is so unbelievably frustrating. They have to be purposely ignoring that stuff bc so many people are unaware of the terrible things HABIT has done. And yk from one look at my acc I obviously enjoy his character, but I'm definitely not gonna DEFEND this mf shouldn't be DEFENDED. cuz he's AWFUL.

They'll see Steph as an obstacle in their way to Evan even though she's literally JUST as important as the rest of the guys. LIKE Y'ALL SHE WAS WITH THEM IN FAIRMOUNT... SHE WAS THERE!!!!! they're so unaware of emh's connection with Bible verses thanks to Steph's posts with the floods.

Steph's story is something that is majorly needed for the plot AND to advance forward, if we didn't have Steph we WOULD NOT have an answer for Jessa. The dead characters of emh haunt the narrative, even when they're long forgotten, Vinnie still carries around the guilt for it all.

It's honestly SO UNBELIEVABLY UPSETTING HOW PEOPLE TREAT STEPH, I'd say recently maybe it's gotten a little bit better, but PEOPLE STILL ACT AS IF SHES A BAD GUY. like no she didn't bully your favorite emo dude, she was a WOMAN GRIEVING THE LOSS OF HER ONLY FRIEND, HER ONLY FAMILY and they could not HANDLE HER!!!!!!!

#everymanhybrid #slenderverse #emh #steph emh #damsel emh #canyouseethewords

[ok-boomerang]

Without arguing whether Aang should or shouldn't have killed Ozai, what he did to him—life imprisonment—was not only just as bad but a terrible burden he saddled with Zuko.

Zuko has no choice but to care for his warmongering abuser? He has to make the decisions about him and his imprisonment? He can go speak to him when he's feeling particularly lonely and desperate?

Sure, this is part of the narrative in some of the (trash) comics (which ok I haven't read bc #self-preservation), but we see Ozai imprisoned in the show, too.

The decision makes Aang seem self-righteous, sanctimonious, and selfish. Aang doesn't have to deal with the consequences of this decision—Zuko does.

Now, I don't actually terribly mind the decision not to kill Ozai. I used to think it was kinda silly (how many people did you kill throughout the show Aang?) but then I thought it was kind of nice that Aang got to choose to be the Avatar he wanted to be (even though obviously he should have gotten there without the Pointy Rock). The problem is in how the fallout is handled. Yes, the death penalty sucks...but so does any prison! "Lena, you dumb boomerang, this is a kids' show," you might be thinking. "What were they gonna do, send him to Avatar-Norway?" But why shouldn't a kids' show have to reckon with the effects of Aang's big-finale decision?

Obviously it wasn't Aang's decision, it was the decision of the writer's room, but because it was Aang's decision in the show (his final decision, really) it's presented as the right one, the moral one.

Life imprisonment is not inherently more moral than the death penalty, full stop, but especially when Zuko is forced to allow his father to haunt him forever.

#atla meta #zuko #aang #atla critical #imagine having to manage the imprisonment of ur abuser #my god atla

[ppeonppeonhan]

Dead Friends Forever Q&A-Style Review

I listen to a movie podcast called The Rewatchables, and they have interesting categories that I want to examine this series through.

Most rewatchable scene: It has to be the last one, because we've been talking about it nonstop since it aired. Plus, it lives in my head, rent-free, like Non is haunting me. Like WE failed him. 😱

But since I'm a BL girlie, who loves a well-crafted sex scene, I also have to include both of Phee and Jin's high-heat moments when Phee's trying to seduce him on the balcony and when they have rough sex in Jin's room. I'm not gonna lie: That was some king shit on Ta's end.

Best quote: "No one could leave this abandoned house — not even one." Come on! It foretold the surreal ending and fulfilled the victim's wishes. Gold.

What aged the best? The way that even the bullies perceived teacher Keng as a groomer, who took advantage of a desperate child — that will most definitely make that subplot still bearable even a decade from now.

What's aged the worst? The unaliving and SA montage in the finale that some have said was insensitive/irresponsible to have included. It was like trigger after trigger after trigger — practically a machine gun of traumatic scenes. The fandom could sincerely organize a class action lawsuit against the writer and director for them to pay for our therapy bills.

Scene-stealing location: The lake. Such a beautiful setting for romance, betrayal, and revenge. 😈

Best shot: Definitely the one of Tan from above when he's successfully drugged all of his victims. Iconic.

Are we sure this person is good at their job? Tee's uncle. The fact that he has so much riding on two teenagers is ridiculous. He didn't just start being a con man / mob boss that week. How does he not have a more stable criminal infrastructure at this point?

Best use of food and drink: Obviously, Tan spiking the beverages, knowing it would be the easiest way to poison everyone.

Was there a better title? Absolutely not. The play on the phrase "Best Friends Forever," an archaic term popularized in the '90s that puts way too much pressure on kids to find their kindred spirit and hold on to them through adolescence and adulthood, was inspired. It truly encompassed the impossibility of it all. There are just so many obstacles ahead of you, like peer pressure, family obligations, love triangles, bullying, ego, insecurity, and cowardice, that it's a lofty promise to make when you've barely finished puberty. Plus, it kind of hints at the ending...

Overacting award: Some could argue Barcode, but part of his performance was meant to be surreal, because it was in the dream state. I, personally, vote Jet (Top). Sometimes I felt like his character was in an entirely different, far more slapstick genre.

The "That Guy" Award: This category is for the actor/famous person you see all the time, but don't know the name of. I noticed a lot of people were excited to see Perth, so I "saw him all the time" on my feed. When I Googled him, that's when I learned that he was on a reality show with other Be On Cloud stars. 

Scene-Stealer (with very few scenes): Honestly, whichever extra/stunt double they had wearing that mask, freaking us out. The most memorable of which was when its creepy hand groped Tee.

Recasting couch:

I think Nanon (Bad Buddy) could've been interesting as the tormented Tan, because we would've bought his innocence longer.

It could've added to the mystery if we had the BL twins, AJ and JJ, confuse the narrative. 

I would watch Neo in almost anything at this point, and he could've played the morally conflicted Tee as he showcased those skills already in Only Friends.

A younger Mark (Last Twilight) would've fit so well into this cast. He plays lost and guilty quite well.

Picking Nits: This category is for pointing out things that just don't add up.

Why didn't Phee's cop dad have more questions about his son's behavior and activities after he saw who his son was involved with?

What teenager is fine going somewhere that has no wifi or reception? Even I wouldn't do that and I've had wifi as long as these characters have been alive.

Why was Non, a teenager, being medicated for mental health issues, but not being monitored by a mental health professional?

If Tee's uncle didn't want to be at a loss if Non died unexpectedly, then why didn't he let him get his wounds treated and get some rest? Unless the plan was always to harvest his organs, which would still have merited rest. Nobody wants shitty organs.

Unanswerable Questions

If Jin and Phee survived, would they have got back together?

If Non were alive, would Phee have ditched Jin?

What did they do with Non's body?

And, of course, after succeeding: Does Tan recover from his grief and move on with his life? Does he successfully escape arrest? Does he leave behind evidence of what the boys did to his family to further persecute them in death? Is his revenge plot really over...?

That was fun! Tag me if you answer the same Qs.

#bl drama #thai bl #bl series #thai drama #dead friend forever #dff the series #dff spoilers #bl review

[crazypenguintacofan]

Okay after sitting a bit with my feelings and rewatching the whole thing, I'm 100% certain that killing Izzy was the correct narrative choice.

1— This season solves all of Izzy's main character conflicts and satisfyingly closes his arc. Easily resisting Ricky's "seduction attemp" (appealing to Izzy's ego and desire for praise and power) and remaining loyal to the crew (which s1 Izzy would've had a lot of trouble with), plus his apology to Ed and fully letting go of Blackbeard, were the perfect culmination for his story thus far. And, crucially, Izzy's character conflicts needed to be solved so his relationship with Ed could be solved, because it's the only way Ed could've ended the season leaving piracy, which I'm guessing was a major plot point the writers always had in their 3-arc plan.

With that in mind, to keep him in the story, you'd have 2 choices:

a) Build up a new conflict for Izzy, which would take a lot of screen time that we do not have bc next season is the last and we don't even know how many episodes Max is gonna order (and the resolution to Ed and Stede's story has to be the priority).

b) Just keep him around doing things in the background like other minor characters, just a pleasant background presence with no real function. Which honestly? Would've been a disservice to both character and actor. I think having Izzy go out with a blaze of glory of sorts both honors the character and gives Con O'Neill the chance to show off his skill, and that was the right call from the Doylist perspective.

2— I didn't like what I perceived as Ed being passive in the final "break up" with Izzy, I read it as only Izzy making the choice of letting go, but that's not really what happens. Ed could've chosen to go full Blackbeard again and go get revenge, and in that way keep sacrificing his true self for Izzy's sake. But he actively chooses to build his happiness with Stede instead <3

3— As many people have pointed out, both Izzy's death (as THE representative of traditional piracy) and the destruction of Republic of Pirates symbolize the end of piracy as we know it at the hands Prince Ricky. It's a massive change in the status quo of that universe and it sets potentially very interesting scenarios for season 3.

4— Izzy's death contextualizes and makes more meaningful both Ed's choice to remain in land and the crew's choice to remain pirates.

On perspective, someone important had to die in the final episode. The whole of s2 has been about showing the harsher realities of piracy, which haunted the narrative in s1 but were never explicitly visible (you could consider the Kraken scenes in s1 ep 10 a sneak peek). Piracy becoming more realistic and less fairytale-like (not hyper realistic either, this still a surreal comedy in which people turn into seagulls) could be linked to Stede and Ed getting a more realistic perspective of romantic relationships, as well. Crucially, what was missing from this exploration of piracy was a meaningful death. We've been told often that risk of death is a big part of that world, but we've never really *seen* it in a meaningful way (RIP Ivan who died offscreen). A big death was needed to contextualize the decisions that all the characters make at the end of the season and that set the stage for season 3. And again, if you're gonna kill someone, it's better if it is a character that has finished his arc and has no loose ends, and that's Izzy.

This death is a tangible reminder of the cost of living as a pirate. A sudden end can happen to anyone at any time (and Izzy got inmensely lucky that he didn't die in the battlefield and kept breathing for long enough to say goodbye). With full understanding of the costs, Ed decides to leave piracy as he always wanted, but the crew decides to recommit to it.

The crew's choice to remain pirates despite the cost it's even more significant if it turns out they're the only crew that managed to scape the destruction of Republic of Pirates. They are among the last pirates in the Caribbean (I really hope that Anne Bonny, Mary Read and Hellkat Maggie are still alive and kicking somewhere, though). And now "the new Revenge" has the opportunity and the responsibility of rebuilding piracy in a fresh and better way, inbued of all the ways Stede's captaincy has made all of them kinder.

So yeah. Izzy's death ties everything narratively and thematically in a neat little ribbon. So I'm still gonna miss the little rabid rat, but I'm at peace with it, I'm zen, I'm like a fisherman contemplating the universe in a fish scale.

(I'd still like it if they brought Izzy back as some kind of pirate revenant. I don't know how the fuck that would make sense at a thematic level, but I do love stories about the undead)

#im not mentioning stede more in this bc he would've always chosen ed no matter any other factor #thats a no brainer #ofmd #ofmd meta #ofmd s2 #ofmd s2 spoilers #izzy hands #ed teach #the crew of the revenge

[mouthsfullofsharpteeth]

hm. monster high mh au. what monsters/cryptids whatever are they atlas?

what an EXCELLENT question omg omg omg i love monster high, this is perfect

there are literally so so so many possibilities of what could fit them, but heres my general list

alex- gargoyle. hes stone faced, cold, and has got a helluva chip on his shoulder. his dog is named rocky. plus i think he would look hot in that kind of design. the gargoyle designs go HARD

i know everyone normally says werewolf for tim (just like alex is usually a vampire) BUT if this is a monster high au then im gonna think outside the box and say

tim- boogeyman. if youre familiar with twyla, i think he would be pretty much like her, except he would be the introvert side instead of shy side of this meme

going on,

brian- zombie, though im hesitant and can be swayed to something else. i just think it sort of fits his hoody vibe. shuffling and grim and sulking in graveyards. dirty and leaves in his hair. he would make suchhhh a cute zombie, especially if he combined parts with a frankenstein monster situation and stitched his limbs back on and got electricity boosts!

jay- invisible man. like invisibilly. he uses his powers for evil and for stalking and stuff. its awesome. he pranks alex so much and alex hates it HSDKJGFHKGJ

jessica- skeleton. reference to her dynamic with skully in the comics, plus i feel like it just Fits her

seth- voodoo doll. i know the character hoodude voodoo was technically "made by frankie" and wasnt "born" like the rest of them, but just consider this: white doll reference, and brian makes him? is this anything?

amy- ghost. reference to her haunting the narrative of season two marble hornets. also she totally fits being all floaty and creepy and ghoulish. i think she would be some kind of banshee type ghost. very horrifying and screamy. ohohoho this is good stuff.

sarah- im gonna say vampire, BUT she would look a lot more like a batsy claro style vampire with wings and stuff, she isnt pink like draculaura or valentine.

#asks #marble hornets #monster high #mh x2

[swordfright]

Do you have. More c!Quackity thoughts.

i have so many and they can generally be summed up by Oh my god what a sad and funny guy. he’s so hilarious and pathetic. he’s also had, objectively, one of the fullest development arcs on the entire server, narratively speaking.

i love how manic he is, i love his inferiority complex, i love how good he is at persuading and how bad he is at combat. i love his slimy moments because they make his sincere moments all the more genuine. he falls in love fast and hard and against his best interests. he’s a sadist (bad) and a capitalist (worse). he wants to be included in things. he’s apparently so pretty that he’s had more canon love interests than any other major character. he’s been bitten by the consequences of his own actions and he wants to bite back and never stop biting. he can’t take accountability but he also has insane guilt (not about the torture tho, that was cool and fun!) he wants to get married. he was supposed to get married. he lives in a giant empty casino. he’s surprisingly good at organizing people. he expresses regret but not about the stuff a normal person would regret. he sees through illusions, sees through people’s bullshit. he sees through his own bullshit but not enough to change his ways. he’s a bad person but a good friend. he says he wants peace but spurns his calls to redemption. one of his most memorable pieces of advice is if you’re gonna seek revenge, by god you had better be fucking successful. or else. or else. or else. 10/10 great character.

Also there was this line in a karlnapity fic i read where the author describes his speech patterns as “he talks like a seinfeld character but with more swear words” and it’s haunted me for over a year now. So there’s that.

#in summary i think he’s neat #hand in unlovable hand type beat #asks #c!quackity

[thequeenintheeast]

The Halloween (the 31st? lol) confrontation is very telling of both Dorothy and Gator. Firstly Dorothy knew after she kicked the first set of kidnappers butts they were gonna come way harder this time. Hence the haunted house set up. She was all prepped to straight up kill them this time until Gator reveled himself. Then she tried to pull her punches and flee. Which was what Roy was hoping for. Gator though was also pulling his punches from stepping in as he said if we need to deal with the husband leave the kid. Which hilarious that he faithfully calls Wayne Dotys husband not Roy ever. Even when Roy’s calls him out he just says sure.

Him being effectively tough with his own group just proved he wasn’t dumb. His father just needed to keep him small and feeling like a little boy to control him effectively. There is a big contrast with how he acts with his group of thugs vs how he acts with Bowman. Who seemingly has been Roy’s good friend for many years as Roy calls him “brother” and seems to listen to him. Something he def does not do with Oden. I’m thinking Bowman’s dad was ranch manager before Bowman and him and Roy grew up together.

It was hilarious and sad watching Gator and Doty try to have an aggressive confrontation through smoke and mirrors to avoid touching each other violently at all costs.

Unrelated nice foreshadowing when Gator pulled the cookie sheet out of oven and said God Nadine your gonna burn down the house.

This season was so well written. Apparently Noah’s mother was a therapist for domestic violence survivors and it really shows that he had a strong knowledge base to draw off of. People say the conservative nonsense will date the season. But I don’t think so it’s such an afterthought because both Lorraine and Roy just use the “conservative” agenda to further their own agendas. It’s clear neither truely believes that it’s just means to an end for them. Which is what’s it’s like for so many moderate conservatives in America right now. It’s a convenient narrative until it’s not. The character writing and acting was just so good this season. It’s so re watchable.

It’s amazing that everyone was well rounded even the “villains” of the story. Because humans aren’t born bad their experiences teach them how to survive and then they do what they think will keep them safest and “happiest”. Brain chemistry is a piece but just a small piece. Unless they are severely impaired. Which none of these characters are.

Anyway prob more to come. I’m just really into Gator/Nadine. Them being each other’s only real “friends” during the darkest times of their lives really hits me.

Lorraine def thought Scotty wasn’t Wayne’s. I’m thinking she thought Gator was Scotty’s birth father and Gator came to blackmail Doty about it. Which what all the need to be POA stuff came from. But that’s another story.

#fargo #sorry guys I’m obsessed #gator tillman #dorothy lyon #roy tillman #Halloween episode #headcanon

[indigoire]

Been taking a small break from reading MDZS (I'm terrified to start novel three because I know it's just gonna be pure angst), and just been binge reading all the SVSSS fanfic I can get my hands on and y'all, this fandom...I'm mad at myself for not finding it sooner tbh. There is so much ridiculous shit bookended with the angstiest fic I've seen in a minute. My god. I say this in the most complimentary way, by the way.

I'm jumping wildly from a fic where LBH uses a magic flower to babytrap SQQ to a fic that delves into Shen Jiu's past and the torture he suffered until adulthood. And this isn't even touching on how many different ways people interpret/approach the canon. Everything is canon and AU at the same time. Original LBH haunts the fandom space as much as he haunts the narrative of the source material. Fics set in the canon of PIDW are super common. Fics where people transmigrate are also super common. There's basically zero rules. There are a million ways to transform the material. There's so much breathing room in canon to add events or scenes.

Genuinely loving the fanworks I'm finding for these absolutely insane novels. Keep up the good work y'all.

#the fanart I'm also finding is absolutely choice but I really have taken a deep dive into the AO3 tag #like I'm just scouring specific tags I enjoy at this point #there is so much my god #svsss

[myxinidaes]

Trigun Fic Recs!

There are so many amazing fics in this fandom, I thought I would round up a few of my favorite completed fics (mostly for my own sake since I don't bookmark as often as I should, but also I would love to see some of these get more attention) Some Vashwood, some gen. If you check any of these out, please remember to give the authors some love with kudos or comments <3

man's best friend, et cetera by unsungillumination. 3.8k. Long after the events of trimax, Vash finds a dog that reminds him of a dearly missed companion. Offscreen/non-established Vashwood and rated G. I'm so enchanted by this fic and the way that the author portrays grief in the face of the mundane and just. it's such a good fic, yall

YOU ARE HERE; or, How to Get Lost in the Desert Without Really Dying by fathomfive. Wherein Vash and Livio find a de-aged Wolfwood after the events of Volume 10. Gen, rated T, and 15k, this fic absolutely nails the razor-edged absurdity between the edges of seeing the man you killed/buried/have only just begun grieving come back as a child who doesn't know what you did to him and the looming despair of the Ark. And, in the background, Vash is quietly losing his mind the entire time. It is. So well done, yall. So many gut-punches, and every character is perfectly portrayed. (All of fathomfive's trigun fics are top-notch!)

Tomorrows and Thereafter by KingfisherPrince. Vashwood, rated T and 9.3k words long. Vash communicates with his sisters in his dreams, and Wolfwood accidentally intrudes. There's some really fun examination of Plant communication and Vash and Wolfwood's dynamics. Also, a not-so-nebulous future.

still my guitar gently weeps by faugan. Background Vashwood, rated T and 4.6k. A melancholic fic featuring a ghost town and a guitar. It slots in very well with early stampede!!

Neck in a Noose (Kick the Chair, Hang Loose) by neatrogenous. Vashwood, rated E, 3.8k. Despite the title sounding ominous as hell, this fic is mostly just pining while fucking and Vashwood having a great time laughing at each other. It's massively cute. The goofy smutfic the fandom deserves.

Never Understood a Single Word He Said by aboxthecolorofheartache. Gen, rated T, 9.5k. Vash takes Meryl and Wolfwood to a hidden location near and dear to his heart. A oneshot about greenery in the desert, featuring a top-notch Vash characterization that's offbeat and lonely and very, very old.

these hands stained red (a thousand bodies piled up) by littleghost. Rated M, Vashwood, 12k. Mind the tags! An absolutely devastating fic about Wolfwood, a deal, and how far he'll go for Vash. It's so good! I'm scared to reread it!!

something to hold onto by VerboseDescription. Rated T, gen, 40k. In which a post-trimax Livio, Razlo, and Chronica face the future. A little bit about grief, a little bit about mourning, and entirely captivating.

and we're gonna sing it again by procrastinatingbookworm. Rated T, 5k, past vashwood. Based off of shelternmberone's Ghostwood AU. Wolfwood dies on the couch in Trigun Maximum, and finds himself haunting the narrative of Trigun Stampede. About second chances and self loathing and maybe loving yourself a bit despite it all.

as above, so below by chuchisushi. T, 2.4k, Vashwood. In which Vash gets drunk and has A Time. I'm absolutely obsessed with the plant headcanons in here!!! I'll never not be overcome with emotion about Vash and his sisters.

#trigun #fic recs

[peachjagiya]

https://www.tumblr.com/peachjagiya/747891487375753216/im-not-a-shipper-and-definitely-in-no-way-a-jkkr?source=share

Asks like these makes me realise that people still don't understand people tbh. You don't have to believe in taekook to comprehend human interaction with themselves and society. Everyone lies and especially people behind cameras. There is nothing wrong with it if the intent is good. This whole omission/tweaking of facts made me realise how bh sticks to jkk narrative with subtitles, cuts and emphasing on moments. Remember: serendipity as a choice for Jk's fave, hickey emphasis, them sharing cars. Bh also does it for taekook but in reverse like telling Jungkook even v left him after the tasks etc. the issue is not whether he left or not but to point out things to suit their narrative.

Unfortunately members also have to play their parts as well. Like I found it weird that jin had to emphasize twice on Tae's being absent for Jungkook's birthday last year. And it's not only members but taekook themselves who have done it. In fact Tae has alluded so many times that Jungkook doesn't give him time in the earlier days but goes to Jimin but then we see incidences like Jungkook's shoes outside his room and speaker in his hotel room. Anyone remember that may 2019 live where taekook showed such a big drama of tae exiting the room and mysterious flying wrappers. Yeah his room was def haunted. 🙄

It's not like they have never been on individual lives when the other is present (the live before Jungkook recorded his GCF Newark, Tae is clearly present and shown sitting near the table, though Jungkook shifted the camera so quickly). My point is they have to show that taekook don't spend time together without members or other people.

My advice to the anon is to keep an open mind and see how taekook drives the narrative that they are close but not like a couple coz they gotta protect themselves. Them implying they are not sharing room, when they do sometimes. Not staying together after outings (reverse lives) or mostly only disclosing their group outings. That whole its awkward talk. Though sometimes I feel Tae gets frustrated with how people hate taekook and let's it slip how he and Jungkook are so close. You see all this them not being together on important days are their way of protecting themselves. It's not a matter of if they were or were not but to make their point home that there is nothing between them.

They live in SK darling. We don't know how their families, friends, company, military, general public gonna react if they get outed. So even if they don't like they have to drive this narrative home. It's sad though when I really think about it but feel very proud when I seem them treasuring and protecting what they have in adverse conditions.

Sorry Jo for the long "essay" 😂

☝️☝️

There's so much to protect for all 7 of them. Not just potential same sex couple in their group but potential girlfriends they might have, opinions they might hold, habits they might have that fans won't like.

History shows fans act very entitled with stuff they don't like. So of course they'll limit our access to it.

None of this essay was calling TKKrs delusional and generally being really really rude so you're fine 😂💜

#my asks #truthbending