I love "i would kill for you" ship dynamics but what about "i would stop killing" ship dynamic??
I would lay down my sword for you. I would change my nature and go against everything i've known. I would resist the easy way out of solving my problems. I would give up the adrenaline of battle to stay by your side and make tea instead. I'm not sure I know who I am without a weapon in my hand because I've had to fight for so long but for you I'm willing to try and figure this out.
It must be hard. To put down your weapon that's protected you for so long. It's allowed you to stay alive it's kept you from getting hurt--physically and mentally. Because you've never had to worry about a real relationship if you think you'll be dead at the next battle. And you feel naked without it and it feels like you're ripping off an extension of yourself. Are you even whole without it? Are you worthy of being loved if you can't prove it by risking your life? And yet they've found someone who's asking them for something much harder than dying in battle on their behalf. They've found someone who wants them to live. And that's much more terrifying.
22K notes
·
View notes
satoru physically withers and crumbles every time you return his belongings. he doesn’t know how to tell you that he can only accidentally on purpose leave his glasses on your nightstand, or his jacket on your couch, or his shirt in your laundry so many times before he loses his mind. every time you don’t take he bait, he folds into himself and wonders why you don’t love him anymore and it costs him $22.50 to hear ieiri tell him to suck it up and use his words because he literally has to buy her company (and drinks).
but when you do take the bait, when you do wear his things, satoru thinks it’s all worth it. he can’t explain why it does what it does to him. it’s a sinister kind of possession he wants to have over you, knowing you’re your own person, free to do as you please, but also knowing you’re caged in him. it’s a lovesick kind of gooeyness that melts his heart seeing you fumble with the sleeves of a sweater that’s too long for you. it’s the vision of you seeing you drowning in him—in his clothes, in his things, in him, in him, in him. he’s selfish, he wants to consume you in as many ways as possible, wants you to drown in him, would die happily knowing you were one tenth as enraptured by him as he is with you. he doesn’t know how or why or when you gained so much power over him, but he doesn’t care, he doesn’t want you to ever stop, so if he has to keep pretending to leave his clothes and bags and glasses around then so be it.
5K notes
·
View notes
i'm unwell!!! because in stede's eyes, ned low was right!! ned says "he [ed] only likes you because of your bumbling amateur status" and calls stede blackbeard's "pet" just like izzy did in series 1
so stede steps up as a captain, kills the man who harmed his crew, and suddenly, for once in stede's life, he isn't a joke! the gentleman pirate is taken seriously and welcomed into the pirate community!
and what happens less than 24 hours later? ed calls their night together a mistake, AND LEAVES.
yes, obviously the situation is more nuanced, and these old men are once again struggling to communicate, but i 100% understand why stede went a bit of the rails at the end of episode 7. stede's been so focused on trying to help ed, that he's completely ignored his own ongoing identity crisis and trauma, and after the incident at the academy in series 1, this meltdown was long overdue.
3K notes
·
View notes
You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.
Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.
1K notes
·
View notes
family portrait :D young sam and sybil are behaving themselves and vimes is throwing a hissy fit because they tried to make him wear the helmet
[id: a digital painting of three people sitting for a portrait in a domestic interior. young sam is standing with his hands behind his back and beaming proudly. vimes is standing behind him with his hand on his shoulder, wearing a shiny military uniform and a surly expression. sybil is sitting on the right with an arm around young sam, smiling at the viewer. a plumed helmet is sitting on a table on the left. end id.]
1K notes
·
View notes
i think sometimes people overlook steve having a crush on robin when it comes to his reaction to her coming out.
like, i know everyone just prefers to ignore it because stobin are platonic soulmates!! but i think it gives his reaction more depth.
it’s not just that some girl is coming out as gay. it’s that a girl he likes is coming out as a gay. and he still immediately jumps to reassuring her, and joking around, and dismisses the crush asap if it means making her smile.
(obviously that’s the bare minimum etc etc. but for a kid in the 80s, it’s pretty great tbh.)
it’s not just that his coworker who he’s kind of friends with is opening up to him. it’s that this girl that he likes, really likes since his bad break up last autumn, knows that he likes her, and is choosing to be open and honest with him when she could just lie.
steve’s crush, and robin choosing to come out knowing about it, and steve’s reaction is just so important to me in regards to the way stobin works. idk, it’s just that, they really do care so deeply about the other, and care about the others feelings, even kind of at the expense of theirs (robin is putting herself in danger!!! all because she wants to explain herself to steve. she doesn’t know how he’ll react, but she wants to honest!!!)(steve is into her!!! and he’ll totally repress that down if it means making robin feel comfortable!!! and accepted!!!)
yeah, idk. i guess i just wish more people allowed stobin to exist as what they are. complicated people. teenagers. they aren’t immediately platonic soulmates, but they find their way there. because they love each other more than anything.
1K notes
·
View notes