they honestly couldve done so much with junpei beheaded/dismembered and im disappointed that it ended up just being mira. so much of his character and his relationship with akane is characterized by his lack of bodily autonomy, and him being openly beheaded during the nonary games would be the ultimate example of this. its perhaps the most brutal death in the game, and it never really gets explained or developed beyond the one puzzle that we get with it. junpei has been shown repeatedly to be subject to akane's plans or follow her blindly and i just think that would have been a really interesting angle to approach his beheading from. junpei has willingly signed up for nonary games in two different timelines just because he knew he would see her. he was infected with a deadly virus trying to find her. he grew desensitized to death as he took underground jobs to try and find her. his safety always comes second when shes in the picture, and his beheading wouldve been a prime opportunity to 1. exploit his willingness to let himself die/be injured for her and 2. make akane confront the fact that her confidence that junpei will always follow after her is not necessarily a positive thing.
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I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.
How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?
I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.
The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"
Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"
I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.
But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?
I COULDN’T STAY!!!!!!!
I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!
WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!
Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.
It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!
It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.
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so if someone was theoretically going to write a fic based off of the tags on that one very excellent garashir artwork you did... what would be a suitable villain role and/or scheme for garak to play? i know basically nothing about spy media and even less about james bond. i googled "most homoerotic james bond villain" and that was interesting but not helpful for this scenario... idk i want to really do this justice so i figured i could ask, since you came up with the idea in the first place and i guess that means this is a gift for you? and everyone else who liked that piece? thank you for your time :)
this is SUCH a charming question to receive!!! it's an honor that my art might inspire others to create! that said, here is my advice:
i think you should follow your heart, mainly! i say this to everyone about everything but its very true, with writing especially, i think, you might want to write things that are especially interesting to you so that its exciting to keep going with them
personally, i don't watch a lot of spy media, i disliked james bond as a kid and i still dislike him now, so the character archetypes and plots from that wouldn't interest me enough to write a fanfic off of—i could read ds9 fic based off of them easily bc i love the ds9 characters!!! but. i couldn't write like that. therefore, i can't give you useful answers from that canon.
i can give you this, but i don't know if it will be helpful:
i think i would first start with the question—what about garak excites you? what puts you on the edge of your seat with him?
what about julian—what actions do you like to see him take? what decisions of his make you giddy? how do you like to dig into his character?
how do you like to dig into garak's?
if you write down the answers to your question, it becomes the puzzle of how you can get everything you want out of the fic. the beautiful thing about the holosuite is that anything can happen at all, and while you're telling a spy story, it doesn't have to all be spy tropes. you could, if you wanted, play out a shakespeare play (your favorite shakespeare play, assuming you don't hate them all) as if it were a spy thriller! Sure, what's Twelfth Night as a spy thriller? We already have many characters playing with the fluidity of identity, going by different names, taking on different roles, gaining trust and acting on their own best interests. Just raise the stakes a little.
is this insane? i feel insane. is it worth anything? i hope so.
my ending point is: i am not so good at writing advice! i'm a much better drawer than a worder, but it's a gift already that you've said my art has motivated your desire to create!!!!!!!!! from there on—don't worry about what i want at all, don't worry about doing my work justice!!! take what excites you about the idea, take what excites you from your own ideas, and build it into something that makes you giddy to work on!!! i believe in you, and you have the world at your fingertips!!!!!!
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I just thought of a ship and I wanted to share it:
Spadesgorudy (spade x Asgore x Rudy)
Basically spade and Rudy tolerate each other for asgore’s sake, because he loves the both of them and they love him.
Also this man (asgore) deserves all of the love and praise and everything
Just wanted to share
Extremely valid and I support this ship wholeheartedly. If I was less deathly neutral on Rudy I'd def ship it myself. Have some doodles of them
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idk why i didnt figure out my dad was nb earlier. like, he was the one who told me "you know what you need? a boyfriend AND a girlfriend" when i was a young, barely fledged bisexual-bigender and has always amended my bday cards to "daughter(/son)"
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i’m just thinking about how, particularly once he leaves school and starts experimenting and discovering himself properly ( because the thing about Jack is that, in his canon, he’s a bit of a “late bloomer” even though i hate using that phrase. he doesn’t really “find himself” until the age of 25 which isn’t late by any means, but goes against the whole ‘oh i knew exactly who i wanted to be from the age of 17′ narrative that we frequently get in media ), he starts wearing eyeliner ( not all the time, but frequently ), he occasionally wears eyeshadow too, he has both of his ears pierced and wears jewellery, he wears nail polish, he grows his hair out to shoulder length and experiments with different colour highlights, he gets some tattoos, and it’s all quite a gradual process that starts primarily once Jack has left school and is hanging around with Christophe and his friends, and then only improves from there once Jack is away from Christophe and able to figure stuff out about himself away from that controlling influence
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