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#hamburg era
get-back-homeward · 9 months
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Anyway, we got back to Liverpool, and all the groups there were doing the sort of Shadows type of stuff. And we came back, leather jackets, and jeans and funny hair, 'mach-ing schau,' which went down quite well. —George Harrison
From the Beatles interview in The Mersey Sound, filmed August 28, 1963 at BBC's Dickenson Road studio in Manchester
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ceofjohnlennon · 2 years
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The Beatles' first pet: George Harrison's vomit. ㅡ From the book "One, Two, Three, Four: The Beatles In Time" by Craig Brown.
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nevereverywhere · 1 year
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Drawn by Paul for Klaus
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anyways heres this shitty little poem i wrote about the beatles in hamburg, theres no title because who cares. Enjoy=)
you are a drop of britain in that german sea
your english flesh still too raw, virgin
but the baltic wind will toughen it up.
the playing might give you callouses on your fingertips
but those streets will build callouses over your inhibitions
it will open your eyes
but close your mind
tighten your shoulders
but loosen your groin.
the Union Jack is your blanket
and the crumbling of the old empire
fuels your rabid youth.
the ink well in your mind
will make the world lucky for you.
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heartsinthebasement · 5 months
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Twenty years apart - Hamburg 1960 & New York 1980
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throughtheseasons · 11 months
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U-Bahn Shots
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eidennon · 2 years
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Animated Hamburg era John Lennon because I can’t keep it for myself
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theworldatwar · 3 months
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A British Royal Airforce Avro Lancaster seen above the German city of Hamburg - Jan 1943
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smeagles · 11 months
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Grosse Freiheit, Hamburg 3.14.2011 | manuanya
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its-tortle · 2 months
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eras tickets trade!!
halli hallo german swifties (or swifties attending eras in germany) <3 my friends and i have managed to get eight pit tickets for the eras tour in hamburg — but four of these are for night 1, and four are for night 2. we are thus looking to trade with anyone else who has pit tickets for either night, so that the six of us can go together!!
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*obviously willing to trade only matching numbers of tickets (e.g. three for three) and across the dates (trading 23rd tickets for 24th tickets)
dm me if interested!!!
boosts are appreciated :)
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get-back-homeward · 9 months
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Davidwache Police Station | Painting by Klaus Voormann Prior to being deported, Paul McCartney spends a night in the Davidwache police station.
In the meantime, the final four could start playing [at the Top Ten club] now, and move themselves into the bunk-bed accommodation at the top of the building.c Tony Sheridan was already here, possibly others too, and the Beatles were welcome to shoehorn themselves in. It was neither the Ritz nor the pits. John was the first to move. Then Paul and Pete went back to the Bambi to grab their gear.
The place was in near darkness, as usual. They had to strike a match to see their way about … and then they decided to leave Koschmider a little gift. Pete had a few “spunk bags,” and he and Paul had the idea to hang them on nails in the wall in the long concrete passageway and set light to them. “The place was dank and dark,” says Pete. “They spluttered, they stank, and OK, maybe they singed a tiny bit of tapestry on the wall. It caused nothing but a little smoke and a few scorch marks and then they went out.”41 It was the ultimate fuck you, Bruno, or so they thought.
They got to play one night in the Top Ten, and it seems to have been a good one, pulling business away from the Kaiserkeller, but it was just this one night. Having been shafted once by Eckhorn, when he’d prized away the Jets and Tony Sheridan from the Kaiserkeller, Koschmider wasn’t going to sit back and let it happen again. He might also have guessed the Beatles would make some grand gesture for his “benefit”—they could even have hinted of it—because an inspection was made of the Bambi’s rooms very quickly. When the stinkende qualmende Piedeltüten were found, he decided to form the view it was an attempt to burn down his cinema, and informed the police.
The chronology of events over the next twenty-four hours is rife with confusion and contradiction, but may have gone something like this. Paul was picked up by the police while walking along the Reeperbahn, taken by car to the Davidwache police station (two hundred meters from the Top Ten) and locked in a cell. Pete and John were also arrested. Koschmider didn’t know which of them was responsible for the “attempted arson,” so the Polizei rounded them all up. As Stuart wrote in a letter back to Liverpool a few days later:
I am living in the lap of luxury and contentment. Better than the cell I spent a night in last week. I was innocent this time though accused of arson—that is, setting fire to the Kino (cinema) where we sleep. I arrive at the club and am informed that the whole of Hamburg Police are looking for me. The rest of the band are already locked up, so smiling and very brave on the arm of Astrid, I proceed to give myself up. At this time I’m not aware of the charge. All my belongings, including spectacles, are taken away and I’m led to a cell where without food or drink I sat for six hours on a very wooden bench, the door shut very tight. I fall asleep at two in the morning. I signed a confession written in Deutsch that I knew nothing about a fire, and they let me go.42
John was also allowed to go. It was now clear who’d done the dirty deed, and for them the ordeal continued; Paul would always remember the little one-way peephole in the door of their detention room, through which he sensed they were watched. It seems he and Pete were then allowed to leave, but a few hours later—early the following morning—they were dragged out of their Top Ten bunk beds and interviewed a second time. Pete suggests they were taken to Hamburg’s main prison at Fühlsbuttel, Paul remembers it being “the Rathaus … it doesn’t mean rat house, it just felt like one.” They were interviewed by an official of the Bundeskriminalamt (Federal CID), one Herr Gerkins, and it was definitely inadvisable to snigger. Instead, they requested permission to contact the British Embassy, like people did in the films, and were refused; then they were taken for a car ride. “We tried our best to persuade him it was nothing,” Paul says, “and he said, ‘OK fine, well you go with these men.’ And that was the last we knew of it. We just headed out with these couple of coppers. And we were getting a bit ‘Oh dear, this could be the concentration camps’—you never know. It hadn’t been that long [since the war].”43
Criminal charges were not pressed, but Koschmider, inevitably, had the last laugh. It wasn’t a camp to which Paul and Pete were being taken, but the airport—and in handcuffs, according to Stuart. They were being deported, and banned from reentering Germany unless they lodged an appeal within a month. Auf Wiedersehen, Piedels! Handed their passports at the gate, they were put on the London plane, set to fly for the first time in their lives. It then got even tastier for Koschmider because Eckhorn was billed for at least part of the cost of the plane tickets. Bruno must have been rubbing his hands with joy.
—Tune In, Ch. 17 (Oct 1–Dec 31, 1960)
Sources: 41 Author interview, March 7, 1985. Pete says (Beatle!, p72) there were four rubbers and always speaks of them in plural, Paul speaks of one. 42 December 12, 1960, sent to Ken Horton. This letter provides the only suggestion that John was arrested in the roundup; he’s not mentioned in other accounts. 43 Interview by Paul Gambaccini, Rolling Stone, June 12, 1979. Rathaus means “city hall.” Instead of the main prison at Fühlsbuttel, it’s more likely Paul and Pete were taken to the remand prison near St. Pauli called Untersuchungsgefängnis (easier done than said).
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ceofjohnlennon · 2 years
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"John is an original. New ideas just come to him. Paul has great originality, but he's also an arranger. He can get things done, which John can't, or can't be bothered trying. They do need, and they don't need, each other. Either is true. Paul is as talented a composer as John. They would easily have done well on their own. The most amazing thing about them is that by coming together they haven't become the same, they haven't been influenced by each other. They are each still different, each is still himself. Paul still does sweet music, like "Michelle", that sort of melody. John writes bumpy music. Working so long together hasn't rubbed out the differences, which I think is amazing."
Astrid Kirchherr for Hunter Davies, 1967. ㅡ From the book "The Beatles: The Only Authorized Biography (Updated Edition)" by Hunter Davies.
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nevereverywhere · 2 years
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»ageless children, sexes indistinguishable, tight-trousered, stamping about, only the smell of sweat intimating animality. Long-haired; weird feminine faces; bashing their instruments, and emitting nerveless sounds into microphones. In conversation rather touching in a way, their faces like Renaissance carvings of saints or Blessed Virgins.«
Malcolm Muggeridge about his first encounter with The Beatles at the Top Ten Club in Hamburg, 1961
(From One Two Three Four by Craig Brown)
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justlikedylansmrjones · 2 months
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Seeing how much Paul managed to make in one night, John and Stu take to the streets but what happens when someone wants to pick them up… together.
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kinsfaun · 7 months
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Stu, Paul, George, John & Pete, Hamburg.
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eppysboys · 2 years
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Klaus Voormann’s drawings of Paul fucking screaming 🖤
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