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#genre artist
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Aurora 🌅 Triumphing over🌛 Night, c. 1755-1756, Jean-Honoré Fragonard (1732 - 1806).
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mightyflamethrower · 9 months
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Angelo Morbelli
Divisionist Genre painter
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lionofchaeronea · 2 months
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Morning Awakening, Eva Gonzalès, 1876
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Ramon Casas (1866-1932) "A Decadent Girl" (1899) Located in the Museum of Montserrat, Barcelona, Spain
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canisalbus · 10 months
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When you're secretly a woebegone victorian lady and languishing is your second nature.
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sualne · 1 year
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have some trans swan lake barbies
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abnormes · 19 days
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Lovers in the Small Boat, Maximilian Pirner (1884)
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pagansphinx · 3 months
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John Koch (American, 1909-1978) • Telephone Call • Unknown date • Whitney Museum of American Art, New York City
John Koch was an American painter, and an important figure in 20th century realist painting. His early work may be considered Impressionist. He is best known for his light-filled realist paintings of urban interiors, often featuring classical allusions, and set in his own Manhattan apartment. – Beautiful Paintings blog
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tk-sketches · 11 months
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Sharing some footage from my little robot murder mystery game - there’s been a MURDER and YOU gotta solve it!! Gather clues! Compare witnesses! Yell at people!! That’s right - we’ve got it all! 
(gonna try to get a demo out when i can!)
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rapace-mordace · 11 months
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Just some Griddlehark in a band AU setting!
Where are the instruments, you say? Are those J'S fake? Good questions!
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This is an outfit study, I made sure to give Gideon and Harrow the sluttiest and the sleepiest of the looks, respectively >:D
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Also, Harrows skelly hoodie :3
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suashii · 6 months
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"give them back," tsukishima grumbles, harshly rubbing his tired, golden eyes with the heels of his palms. his already blurred vision is even more bleary when he pulls his hands away.
"mm, no," you refuse, resting the stolen frames on the top of your head. "i don't think i will."
the lines of a frown are etched into the skin between his eyebrows as he stares at you from his desk chair. you're sure his aim is to look intimidating or at least annoyed, but you can't take him seriously knowing that he probably sees you as nothing more than an indiscernible blob of colors without his glasses.
"come on, i need to finish this." he points to the intricate yet unfinished drawing sitting on the table in front of him. you're sure your eyes would cross just attempting to pick out all of the details; you can't imagine how strained tsukki's eyes must be from staring at and adding on to it for hours.
"what you need to do is rest your eyes," you scold him. "this little artist gig is going to be over before it even begins if you keep this up."
he doesn't respond because he can't argue with you; you're right. late nights spent working under nothing more than a soft, dim lamp have become the norm for him. he's grown accustomed to the irritation burning at his eyes and the need to squint in order to focus on whatever project sits in front of him. before now, he would have excused his irresponsibility as hard work—dedication. thanks to you, he's willing to acknowledge it as a bad habit.
tsukki sighs. you're nervous that your words were too harsh, worried that they bordered discouraging. you open your mouth, readying to apologize for your brashness when the man clears his throat. "fine. i'll be done for tonight."
"good." you curtly nod. if you’re being completely honest, you weren't sure that you'd be able to convince him. you tell him as much, too. "if you said otherwise, i would have dragged you out of here myself."
for the first time since you barged into his studio, a smile breaks out on the blonde's face. "is that so?"
"mhm." you hum in confirmation. seeing his lips curled upward makes you grin as well. you jerk your head in the direction of the door, stretching your open hand out to him. you wiggle your fingers and ask, "shall we go?"
he takes your hand in his, gently squeezing it as he stands up from the chair. "can i have my glasses back now?"
"nope," you pop the 'p'. you almost forgot about the lenses perched on the top of your head, but, even so, he isn’t getting them back. tsukishima is stubborn and you wouldn't put it past him to end up browsing his phone for inspiration if he got a hold of his glasses again. "you should keep your eyes closed. i'll lead you down the hall and get you comfy in bed all on my own."
he clicks his tongue, shaking his head. he can't say he's seeing clearly at the moment, but the thought of being blindly guided down the hallway keeps him from closing his eyes. "you have way too much faith in yourself."
you scoff, "take it back or your sleeping in your studio tonight."
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Marchesa Luisa Casati (1881 - 1957) wearing an extravagant Paul Poiret gown with a greyhound by Giovanni Boldini, 1908.
Luisa, Marchesa Casati Stampa di Soncino (born Luisa Adele Rosa Maria Amman; 23 January 1881 – 1 June 1957), was an Italian heiress, muse, and patroness of the arts in early 20th-century Europe.
Giovanni Boldini (31 December 1842 – 11 January 1931) was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to a 1933 article in Time magazine, he was known as the "Master of Swish" because of his flowing style of painting.
Early Life:
Boldini was born in Ferrara, Italy on 31 December 1842. He was the son of a painter of religious subjects, and the younger brother of architect Luigi (Louis) Boldini. In 1862, he went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known.
Career:
Moving to London, Boldini attained success as a portraitist. He completed portraits of premier members of society including Lady Holland and the Duchess of Westminster. From 1872 he lived in Paris, where he became a friend of Edgar Degas. He became the most fashionable portrait painter in Paris in the late 19th century, with a dashing style of painting which shows some Macchiaioli influence and a brio reminiscent of the work of younger artists, such as John Singer Sargent and Paul Helleu.
He was nominated commissioner of the Italian section of the Paris Exposition in 1889, and received the Légion d'honneur for this appointment. In 1897 he had a solo exhibition in New York. He participated in the Venice Biennale in 1895, 1903, 1905, and 1912.
Boldini died in Paris on 11 January 1931.
In a write up in The New York Times in January 1931, his career was summed up as follows:
Boldini was a fashionable portrait painter. He 'did' all the grandes dames of Paris, and at a certain period to have a portrait painted by Boldini was a crowning event of social season. His style was racy and advanced for his time, and he believed that his décolleté paintings touched the extreme limit of convention. His work was the talk of numerous salons. And then he was superseded by Vandongens and Etcheverrys and Domergues and others whose daring shocked and discouraged Boldini. He had not painted for many years before his death. His body was taken to Ferrara, his native city, for burial.
After his death, his work continued to be exhibited around the world. An exhibition of his work was held in 1938, seven years after his death, at the Newhouse Galleries in New York City.
In popular culture:
Boldini is a character in the ballet Franca Florio, regina di Palermo, written in 2007 by the Italian composer Lorenzo Ferrero, which depicts the story of Donna Franca, a famous Sicilian aristocrat whose exceptional beauty inspired him and many other artists, musicians, poets and emperors during the Belle Époque.
A Boldini portrait of his former muse Marthe de Florian, a French actress, was discovered in a Paris flat in late 2010, hidden away from view on the premises that were unvisited for over 50 years. The portrait has never been listed, exhibited or published and the flat belonged to de Florian's granddaughter, who inherited the flat after her father's death in 1966 and lived in the South of France after the outbreak of the Second World War and never returned to Paris. A love-note and a biographical reference to the work painted in 1888, when the actress was 24, cemented its authenticity. A full-length portrait of the lady in the same clothing and accessories, but less provocative, hangs in the New Orleans Museum of Art.
The discovery of his painting in the 70-years-empty apartment forms the background to Michelle Gable's 2014 novel A Paris Apartment.
Thanks to @lamarchesacasati for extra details!
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mightyflamethrower · 5 months
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Jean-Baptiste Greuze
Rococo Era Genre Artist
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lionofchaeronea · 1 month
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Kitten's Game, Henriëtte Ronner-Knip, 1860s or 1870s
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Joseph-Marius Avy (1871-1939) "Bal Blanc"
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e-von-dahl · 1 year
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Wait so is it common knowledge that the name Käärijä is a pun or do some people have no idea?
Basically käärijä means like, a candy wrapper, and y’know, he’s a rapper
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