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#future state: Superman of metropolis
lilies-are-azules · 1 year
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I could make a whole essay about why Future State! Jon is the best version of Jon. Like, nothing can top him
[Maybe Jay... But that's not what we are talking about]
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wiccantwav · 2 years
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Future State: Superman of Metropolis - Icons
Don't repost, that's not cool.
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DPXDC prompt: Valentine's day spirit. Superbat edition.
When Phantom sets foot on the Justice League base many years later, he expects anything but not Flash pointing finger at him and screaming about "legendary child who made Superbat canon".
~~~~
Being in Metropolis because of a ghost hunt right in the middle of a battle between Lex Luthor and Superman was not the best outcome, especially considering that Jack had his three-year-old son with him. But without such a combination of circumstances, they would never have found out that "Ghost!" "Daddy, no!" Ectoblast that Jack shot at the target of their hunt touches Superman and..really hurts him.
There were two sides to Danny-the ghostbuster's son and the astronerd. It is clear which half of him did not have a chance to win.
Danny threw his space rocket toy aside and grabbed father's arm. In the next second, boy had already sunk his teeth into Jack's fingers, forcing him to drop weapon. Youngling quickly jumped off and picked up ectoblast and then ran towards Superman. "Fly away! I'll hold him!" Danny stood up to try to cover up ghost (or alien?) in case Dad took not one but a whole bunch of shooting things with him again.
Jack: Get away from my son, ghost. Superman: Sir, I'm sure this is some kind of misunderstanding, I'm not a ghost. Jack: Danny, come to me, he's trying to hide his identity and manipulate us. Danny: No. If the heroes are being attacked, then someone must protect them too. Jack: But he's a ghost.. Danny: Alien or ghost is not so important, Daddy. He's in pain, and he's protecting this city, not haunting it. It's wrong to try to catch him for experiments. I forbid you to do that. Jack: Danny, champ, you're wrong.
Lex: Hah, what an interesting substance. Despite the other aggregate state, or rather its absence, it is so similar to kryptonite. Superman: Lex, is this a portable lab? Now is not the time, in case you haven't noticed. Lex: There is always time for science. I think my colleague will agree, right? "Similar to kryptonite?" Jack muttered to himself.
Jack: So Superman wasn't my target. And we are not colleagues. There is only one insanely rich man with questionable moral values with whom I am ready to do work, and your surname is clearly not Masters. Lex: It's a pity, but still, if you want to carry out the delivery of your wonderful weapons or exchange experiences, then call this number. Luther quickly shoves a business card into Fenton's hand. Jack*throws it away*: Come on, son, let's go back to the hotel, you've skinned your knees.
~~~The Evening. The Roof of the mentioned hotel~~~
"My friend Sam is also very frightening. And she also likes dark.“ The boy paused for a minute of thinking. “You want to kiss your goth friend?" "W-What makes you think that, kid. We’re colleagues, I respect him very much and.." "So you want to. It’s okay, I’d like to kiss Sam too but I’m afraid she’s gonna hit me. You have the same problem?" "It’s a little more complicated for adults." Kal begins to explain but stumbles upon Danny’s completely unimpressed look. Yeah, this boy apparently has heard 'kids would understand when they grow up' lectures at least thousand times. "But you’re basically right."
~~~~
When Batman himself comes to their hotel the next day as a representative of the Justice League to make sure that Mr. Fenton has no desire to harm Superman in the future and to tell that Superman is not going to press charges because of the ectoblast that injured him, Danny refuses to leave the room.
Jack: Oh, Danny, I thought you dropped your space rocket yesterday, it's a good that Alicia's Christmas present isn't lost. Danny: Well, dad, I left it on the roof of a bad bad man, yeah, but Uncle Kal returned it last night and we talked for a while. Jack: About what? Space, my little star? *Father immediately assumes that Danny would like to ask about everything real alien*. Boy*blushes and shakes his head negatively*: No, not about it.
Jack: Then what it was about? Danny: Secret superhero things. I can't tell you. I agreed to withhold that information as part of a pinky swear. Batman: And what about me, young man? You can tell me, right? Batman couldn't resist talking with such a cute kid. The boy thinks only for a second before hurriedly trying to push his father out of the room. Danny: Dad, come out for a minute and don't eavesdrop. I'll tell you when you can come in. The big man laughingly obeys. Lil child checks the reliability of the closed door and runs up to Batman. Danny: And so, Mr. Batman, first promise not to laugh or hit Uncle Kal. Batman: I promise? Danny: Good. This is very important information. Batman: I'm listening.
Danny: He thinks you're terrifying and wants to kiss you. And since he is afraid that you will hit him for this, I recommended him to appease you with a pie cooked according to his mother's recipe. Well, you know, since you love sweets and his parents' farm has the most wonderful apples in all states. He rarely cooks himself, but he will try for you, so even if he doesn't succeed, pretend that you liked it, please. Batman:...
Batman: Would you like to work in intelligence for the Justice League when you grow up? Danny: Actually, I want to be an astronaut. Batman: Our base is located in space. Danny:
Danny: Hmm, then I'll think about your offer.
Batman: Great. It's a pleasure doing business with you, Mr. Fenton. You can count on a job recommendation from me. Do you want anything as compensation for your consultation? Danny: Actually, yes. Mr. Batman, tell me honestly, are you a bat on a frugivorous diet like Giant golden-crowned flying fox or you are a Vampire Bat? Sam says that such a big bat can only be a vegetarian and uncle Kal said your son was more than happy to steal strawberries from his garden with Superboy but..
~~~
Batman tries to behave naturally for a week. However, the sweet tooth inside him still makes him clamp Superman in the corner and question him. "Where the hell are the pies you promised to cook for me, Clark?"
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satoshy12 · 1 year
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Medic Danny + DC
Danny doesn't to Phantom , as it would stand out that while Fenton is gone Phantom is at same place. And he doesn't want to fight.
While on a vacation in the States, Danny utilized his ghost ice to freeze his parents' portal, ensuring the safety of Amity Park during his absence. Just to make sure Amity Park is okay while he is gone.
With the help of Wulf's teachings, he traveled around the world using a portal, eliminating the need for a plane or expensive travel costs.
However, his travels were interrupted by the constant need to provide first aid to injured individuals in cities such as Gotham, Metropolis, Star City, Coast City, and Detroit.
Danny had to perform first aid on many people while visiting the cities.
He could say he had helped more than 200 people already. He stopped to count after helping so many people that it kind of happen so many times while the summer vacation. But was happy to be able to help them all.
Upon returning to the border of Amity Park using his portal, Danny discovered that the entire town was at peace, as the ghosts had stopped causing trouble.
As he returned home, he noticed the whole town was doing a Ba Sing Se.
Although his parents were irritated with their frozen portal, Amity Park was happier. And while his parents were angry and didn't give up trying to melt the ice. Amity Park was happier, and Danny could use his own portal to visit the zone. So he left the portal and lab on ghost ice.
However, when Danny suddenly vanished, people began to search for the small but skilled first-aid provider.
+++
After Danny was suddenly out of the radar, people noticed and started to search for the tiny, thin boy.
The people who had met Danny were really distressed by the amount of first-aid skill he possessed. It spoke of experience that someone so young shouldn't have.
Amanda Waller was pretty interested in him. After all, the boy had helped her and her daughter when they almost became casualties of a Superman vs. Brainiac fight. So she called her agents to search for the boy.
JL meeting
Green Arrow called DIBS on him, and he would sponsor him for the future when he wants to study.
Bruce himself said the same as he noticed they all talked about the same boy. Superman wanted to thank Danny because he saved many lives while Kal was busy fighting against Brainiac.
Flash only met him once, and because of how fast Barry was, he just brought the wounded to the hospital because it was much faster.
The few heroes who didn't meet him listened to them argue.
Having no idea that few villains who Danny helped too, as civilians were having a similar moment.
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luxaofhesperides · 2 months
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Post-Apocalypse + Soulmate AU ; requested by @burr-burr!
When Danny was a kid, he used to imagine how the world would end. It was never a zombie apocalypse or the fallout of a nuclear war, but the death of the sun, the expansion of their star in death that would swallow their planet whole, leaving no survivors.
It would have been nicer than the post-apocalyptic world he stands in now, knowing that it’s his fault the world has ended. 
He’s still struggling to wrap his head around it. To understand that all of this is his fault because he cheated on one test, desperate to pass after being unable to study for it with how exhausting and time consuming fighting ghosts is. Everywhere he looks, there’s more destruction. His own home is rubble, with only the partially untouched Ops Center remaining to let him know that this is where he once lived.
The rest of Amity Park is in worse shape. Buildings are hollowed out, the skeletons of their foundations visible, if they still remain standing. Most homes have been burned to the ground, leaving blackened corners of walls and nothing else. The roads are cracked and difficult to walk through, as if an earthquake tore through the city. Cars are scattered along the road, overturned or left abandoned, doors still open.
Danny has yet to find any bodies. He doesn’t know if that’s a good sign or not. 
He’s only caught a few glimpses of his future self, the cause of all this, and can’t bring himself to chase after that monster. He feels sick to his stomach knowing what he’ll become. 
That monster has to be stopped. The world has already ended, but that doesn’t mean his future self can be allowed to go on like this. If there are any survivors, they need protection. They need to know they’ll be safe to try to start rebuilding, and that can only happen if his future self is dead.
Danny knows what he has to do; he has a responsibility to protect what little remains of Amity Park, and to do that, he needs to kill himself. 
But his head it spinning from the horror of the situation and his throat is tightening up the way it only does when he’s about to have a panic attack.
He needs to stop his future self, but he also can’t stay another second in the ruins of Amity Park without destroying himself.
The guilt sits heavy in his chest as he goes ghost and takes to the sky, flying blindly towards the setting sun. Danny doesn’t know where he’s going, and he doesn’t really care. He just needs to get away for a bit, until he can calm down and put together a plan of attack so he can take out his future self in one go.
He just…
He never thought he’d be a monster. But here they are.
Flying away from Amity Park reveals the truly harrowing extent to which this world has suffered under his future self’s hands. There are no intact cities or towns. Roads are broken beyond repair, highways littered with empty cars, most bridges crumbling into the rivers below them, and everything is covered in overgrowth. All signs of humanity’s careful cultivation of the world has been erased. The earth takes back what humans took from it, covering everything in green. 
There is no movement. No people. Barely any birds flying beneath him. 
What remains of the world is silence.
Danny is terrified that there’s no one left. That his future self has so thoroughly destroyed the earth that no human survivors remain. 
That gives his guidance, some idea of where to go: a big city. Any big city, really. 
He flies lower, searching for some sort of landmark, or a sign that will tell him where he’s going. A rusted over green sign farther down the road tells him that he’s 50 miles from Gotham.
Oh, Danny thinks, Maybe Batman can help me.
If anyone could survive the end of the world, it would be the superheroes, right? If anyone stands a chance at defeating his future self, it would be a superhero. Superman might have been a better choice, but Metropolis is the opposite direction and multiple states away; Danny’s not sure he can make it before his future self catches wind of him and hunts him down. 
Danny has no doubt about what would happen to him if he’s caught; there’s a reason he hasn’t seen any ghosts around, after all.
Gotham is a city of secrets and rumors. What little he’s heard of it is baffling and, frankly, insane. There’s no city in the country like it and Gothamites prefer it that way, stubbornly loving the home that will kill them. For all the manmade horrors they survive on the daily, they would be more prepared for the end of the world than anyone else. 
Gotham may be another casualty of his future self’s destruction, but it also offers him hope.
Danny follows the broken road towards Gotham, pushing himself to fly faster than he ever has before. What should have been a half hour flight is completed in fifteen minutes. 
As soon as the towering buildings of Gotham, dark and semi destroyed, come into view, Danny drops from the sky and returns to human form. The strain from pushing himself has exhausted him and he feels it like an ache in his chest, his heart twisting and trying to burst from how hard it’s beating. 
He collapses to his hands and knees and gasps for breath on the outskirts of Gotham. 
It takes a good few minutes to calm down and breathe normally, then another to gather his strength to stand up and begin walking. 
The world is eerily quiet as he enters the city, feeling the chill fall upon him as he is consumed by the shadows of tall buildings. It’s much more intact that Amity Park, but there’s no denying the destruction that still surrounds him. Buildings are empty and worn down, decaying and slowly being consumed by new growth. Burnt out husks of overturned cars fill the street, leaving Danny to carefully pick his way around them, unable to walk in a straight line. 
He feels like the only person in the world. He feels like he’s being watched by a hungry eyes. 
Danny shivers and walks faster. 
The deeper he goes into the city, the more he starts to hope that he’s not alone in this world. There’s small signs of life: the smell of smoke, recently burned, certain streets cleaned up, makeshift walls constructed from rubble to block access to certain areas of each block.
He swears he can see people move above his head, but anytime he looks up, the windows of every building are empty. 
“Batman,” he whispers to himself, “I just need to find Batman.”
He turns a corner and continues walking. Apartment buildings give way to stores and businesses, all with their windows broken and nothing on the shelves. Then the buildings end abruptly and he’s left staring at an overgrown park that resembles a jungle more than it does a part of the city.
The scent of something sweet lingers in the air. Fruit, perhaps, or flowers. 
If he was left in the aftermath of an apocalypse, he would go to where he could find growing food. If there’s anyone left in Gotham, he’s willing to bet they’re in here, surviving off of what food can be grown in the confines of the park. 
Danny crosses the road and takes three steps onto the grass before someone appears beside him and points an electrified baton at him.
“Who are you?” they demand, eyes hidden behind a cracked helmet, but the bottom half of their face is visible, revealing scars crossing on dark skin. 
Danny takes a step back, eyeing the electric baton warily, and lifts his hands to show he means no harm. “Danny. I came from out of town. I was hoping to find people here.”
“You don’t look like you’ve been traveling.”
His clothes are clean and intact and he has none of the world-weariness that weighs down this Gothamite. Danny winces, and says, “My situation is kinda complicated. But I did just get here. I’m looking for help, actually. Do you know where I could find Batman?”
There’s a long moment of tense silence, then he hears a quiet sigh and the helmet comes off. An exhausted looking man looks at him with one blind eye, turned a milky white, and his voice is low and stricken as he says, “Batman’s dead. But maybe I can help you.”
“Batman’s dead?!” Danny repeats, shocked.
“Yeah. Sacrificed himself in one of the last times Phantom attacked Gotham. Got me and Nightwing out of that encounter alive. We’re really the only heroes left in Gotham, not that there’s much need anymore with everyone trying to survive.”
Phantom killed Batman. His future self killed Batman. 
Danny feels sick to his stomach.
“Oh,” he manages to say. 
The man’s expression softens. “Don’t worry, we’ll help you as much as we can. Why don’t you come on in? Ivy can get you some food if you’re hungry.”
Danny nods numbly as he follows the man deeper into the park. He walks with ease, taking paths that only become visible when he walks them, leaving Danny to follow close behind. It takes some time before he realizes that the plants are moving out of their way just enough that they don’t trip, and when he looks back, the path is covered again, hidden from sight.
He’s taken to the heart of the forest, where the trees shift to the side to reveal a large encampment of survivors all living together. Beds are strung up as hammocks between trees and rope ladders dangle from branches to help people move up and down. The ground is full of small fire pits, a few in use to make make food, and sections in the back full of vegetable and herb patches, separated by berry bushes. 
The people here all look tired and worn down, but they still smile and speak in light voices, adjusted to a new life after surviving so much horror and destruction. He even spots a few people using powers, or just looking different, including one large man who looks like a crocodile. 
“Pick up another stray?” a raspy voice asks, humor lighting the tone. They both turn to see a woman with long red hair and a green tint to her skin be lowered to the ground by a vine. She’s also heavily scarred and her right arm is completely gone, replaced by a wooden limb covered in moss that moves as if it’s always been a part of her body.
“Hey Ivy,” the man greets, “I don’t think this one is staying. He came to Gotham looking for Batman.”
The words make Ivy’s gaze sharpen, and Danny feels a trickle of dread go down his spine. She’s dangerous and standing before her feels as if he’s in the mouth of a hungry beast.
“Is that so,” she says, voice flat. “How interesting. I’ll let you two talk somewhere more private.” Her gaze flicks to the side, and when Danny turns to look, he can see some of the people in the encampment observing them warily, bodies tense and poised to either flee or attack.
Ivy turns and the plants part for her. Danny waits for the man to begin walking before he follows, trying not to feel trapped as the plants close the path behind him. She takes them to a small pond full of water lilies, gives the man a careful look, then leaves, swallowed up by the plants.
“Is everything okay?” Danny asks hesitantly. “I didn’t mean to cause any trouble.”
“Nah, you’re good,” the man replies, “It’s just that people don’t trust me much.”
“Why? You’ve been really nice.”
The man shrugs. “My soulmate is Phantom. He’s the one responsible for doing all this and killing almost everyone we love. I didn’t know until the first time I fought him, but they hate anything to do with Phantom, including me.”
Danny’s heart stutters in his chest. This is his soulmate.
Most people don’t subscribe to the belief that they’re meant to be with their soulmate. Meeting your soulmate is rare enough that most people don’t try, and plenty of people have spoken of how important it is to have a variety of relationships, to not close yourself off for the slightest chance of meeting your soulmate. 
Danny never looked for his; he didn’t want to subject them to his parents, and then he became a halfa and gave up on all dreams of having a normal life or any relationship with someone who didn’t know he was Phantom.
And now he’s here, in a ruined future, standing before his soulmate who understandably hates him for destroying the world. 
“You’re Phantom’s soulmate,” Danny breathes. His hands are shaking. He wants to cry.
The man sighs. “Yeah. I am. Not that it’s stopped him from trying to kill me. Don’t worry, kid, I’m not working with him. I swear.”
“He’s your soulmate and he hurt you.”
“He hurt everyone,” he says, then gestures at his blind eye. “This is barely a thing compared to what he did to other heroes.”
Danny can’t find the words to expression his horror at seeing the damage he did to his own soulmate. His future self is heartless and cruel and bloodthirsty. He has to be stopped.
He doesn’t want to kill his soulmate. 
“I came here for Batman,” Danny says, “Because I thought he could help me stop Phantom.”
“That’s rough, kid. Batman couldn’t beat Phantom. I don’t think anyone can. We’ve tried, but most heroes are dead and we can’t just go out there and risk the lives of everyone here. We gotta focus on survival, not revenge.”
“I have to stop Phantom.”
“Sorry kid, but that’s a terrible idea. Don’t go out there trying to be a hero. You can stay here, alright? Ivy will get you set up and the others will help you settle in.”
Danny takes a step back and shakes his head. “No. I have to stop him. It has to be me.”
“And why is that?”
“Because I’m Phantom,” Danny whispers. 
The man immediately reaches for his electric batons again, taking a step back. “Not funny, kid,” he says with a tense voice. 
“I’m not joking. I am Phantom, just from the past. I’m not supposed to be here.”
“You’re Phantom?” the man repeats. “You. You’re just a kid, and you’re going to destroy the world one day?”
“I don’t want this to happen! That’s why I need to go back, so I can stop the event that will set me down this path. And to go back, I need to defeat the Phantom that exists here.”
“He’ll kill you, kid.”
“That still solves the problem, doesn’t it? If I die here, then he’ll never live long enough to destroy the world. He’ll die too.”
The man stares at him with cold eyes, then turns away, dropping his hands away from the batons. “Don’t turn this into a suicide mission, kid,” he says. “The Phantom who’s here isn’t you. You don’t have to pay for his crimes. Just… stay here and I’ll go fight Phantom.”
“He already hurt you,” Danny says. 
“What’s a little more hurt? I can handle it.”
“No,” Danny says firmly. He shoves away the fear and hurt in his heart and finds his strength in determination. No more running away. No more hiding. 
The timeline should not exist. He can’t hesitate at the thought of erasing this version of his soulmate from existence; he’s tired and injured and an outcast in the only community that still exists in Gotham. He deserves better. Everyone here does.
And to give them a better life, Danny needs to stop this one from ever happening.
“This is my future. It’s my responsibility. I’ll stop it and make sure this never happens. And… I’m sorry for everything I did.”
“It’s not your fault, Danny. You’re not this version of Phantom.”
That’s not at all true, since Danny’s actions lead to the end of the world, but he’s not going to argue when he’s preparing to fight a stronger, more ruthless version of himself. He takes a deep breath, then goes ghost and floats into the air. 
“Before I go,” he begins, hesitantly, “What’s your name? Since you’re apparently my soulmate.”
The man smiles sadly and answers, “Duke. If we ever meet in your time, tell that version of me to look for my mom’s favorite book.”
It’s an odd request, but if it’s important enough to be asked for, then Danny will do it. “Your mom’s favorite book,” he repeats, “Got it.”
“Take care, Danny. Good luck out there.”
Danny nods and takes one last look at his soulmate, older and worn down, stubbornly getting through each long day, and swears to make things better.
Then he flies off, ready to fight his future self and make things right again. 
. . .
He thinks of his soulmate for years after he’s back in the present. The timeline where his future self exists is gone and the world is safe, but he still remembers the pain he caused Duke. 
When the time comes to apply to universities, Danny sets his sights on Gotham. His parents take him on a trip during spring break to tour the campus, and it’s after the tour, as he wanders around on his own, that he bumps into a student walking out of a building.
“Sorry,” they both say at the same time, reaching for each other to help each other keep their balance. 
As soon as their hands meet, it’s as if lightning runs through him. From the look on the other guy’s face, he felt it to. 
This is his soulmate.
“Duke,” Danny says, amazed and disbelieving all at once. And the request crosses his mind, something he wondered about almost every night since he returned to his time. “Look for your mom’s favorite book.”
“How—?”
“I met you in the future. You asked me to take back a message for the you that’s here. So: look for your mom’s favorite book. What does that mean, by the way? I never asked.”
Duke blinks, then slowly retracts his hands from Danny’s. “My mom’s favorite book was a hand bound journal from my dad. They were soulmates and he wrote about their first year in a relationship together. It’s full of pictures, and she loved it more than anything. That message is to remind me to have faith in soulmates, to believe that something good can happen to me.”
“Oh! That’s… wow, sorry, I didn’t mean to pry into something so personal.”
Duke shrugs. “It’s fine. I needed the reminder. I would have already run away by now if you didn’t say that. You already know my name, but I think now’s a good time to introduce ourselves.”
“Right!” Danny says, flustered. He sticks his hand out, which Duke shakes with an amused smile. “I’m Danny. Fenton. I’m coming here next semester.”
“Duke Thomas. I’m a freshman here and I’d really love to get your number.”
He’s not hitting on Danny, not really, but it still makes him blush. The way Duke looks at him is full of light and laughter, so different from the exhausted and wary way he looked in the future now rewritten. 
This is what the future version of himself tried to kill. He doesn’t understand how anyone could ever hurt Duke when he’s so full of life. 
But he’s safe now. Everyone is; Danny changed the future and what lies ahead is wholly unknown to him.
The world is safe and full of promise. 
No matter what comes, Danny is sure he and Duke are going to be just fine.
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batfamilies · 1 year
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Supergirl ✨💙
❖ Future State: Superman of Metropolis (2021) #1
❖ Future State: Superman of Metropolis (2021) #2
༺❖༻
Feel free to use as a header/icon. No need for credit but please drop a like or reblog! ❤️
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jonkentt · 1 year
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Jon Kent reading order
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Key: Run Title (total # of issues in the run) “Storyline Title”. Bold are either important to Jon’s character or just especially good.
Convergence: Superman (2) - #2 Baby Jon’s first appearance. Later, Superman: Son of Kal-El #1 provides a somewhat less dramatic version of Jon’s birth.
Superman: Lois and Clark (8) - Jon grows up on the Kent farm (visually referenced in Son of Kal-El #16).
Superman, 2016 (45) - #1 Jon discovers the dangers of his powers uncontrolled (referenced in Son of Kal-El #11). #2 Jon fears the Justice League will take him away, then Clark shows Jon that he isn’t dangerous. “Trial of the Super Sons” collects #10-11, Jon and Damian Wayne/Robin survive high-stakes team building.
Jon as Superboy ✮
Super Sons, 2017 (16) - #1 Jon sneaks off to join Robin’s detective-ing as Superboy. #6 Jon’s first parent-approved night of crime-fighting in with Robin. #7 Jon and Damian’s first off-world adventure without their dads.
Adventures of Super Sons (12) & Challenge of the Super Sons (14)
“Super Sons of Tomorrow” collects Superman #37, Super Sons #11, Teen Titans #15 (2016), Superman #38, and Super Sons #12 in that order - Tim Drake from the future puts Jon through some trauma, then Jon gets rejected from joining the Teen Titans.
The Man of Steel, 2018 (6) - #6 Jon leaves with his grandfather Jor-El to spend the summer exploring space (it doesn’t work out that way at all).
Superman, 2018 (32) - Jon comes back on the last page of #6. “The Unity Saga” collects #7-15, Jon's been gone for 3 weeks but has aged 7 years, this arc explains what happened with Jor-El in space. #9 Jon is captured by Ultraman and trapped in a volcano (referenced in Son of Kal-El #9 and Adventures of Superman: Jon Kent #1). #15 Jon has a universe-saving idea later dubbed Unity Day. #16 Jon accepts the invitation of the Legion of Superheroes to spend time 1,000 years in the future.
Legion of Super-Heroes, 2019 (12) - #9-10 Jon and Saturn Girl have a moment.
“The One Who Fell” collects Superman #30-32 - Jon feels like he won’t measure up to his father’s legacy as Superman, then Clark recounts one of their earlier adventures to prove Jon wrong (referenced in Son of Kal-El #16).
Jon as Superman ✮
Superman: Son of Kal-El (18) - #1 Jon seeks Damian’s advice about the kind of hero he wants to be. #2 Jon tries the whole secret identity thing for a hot second, meets Jay, and questions why his dad hasn’t done more for the world as Superman (referenced in Action Comics #1051) #3 Jon has some big moments defining the kind of Superman he’s going to be, then Clark leaves the planet and passes the Superman mantel to Jon. #5 Jon overworks himself as Superman, then he and Jay have their first kiss. “World’s Finest Sons” collects Nightwing #89 and Son of Kal-El #9, this arc illustrates Nightwing as Jon’s personal hero. #10 Jon comes out to Lois.
DC Pride, 2022: “Super Pride” - Jon makes an appearance at a Pride parade as Superman.
Superman: Son of Kal-El (cont.) - #16 Clark and Jon reunite. #17 Jon comes out to Clark. #18 Jon gains an arch-nemesis.
Future State: Superman of Metropolis (2) - Jon pushes the limits of using his powers to protect Metropolis.
Future State: Superman/Wonder Woman (2) & Future State: Justice League (2)
Dawn of the DCU ✮
Adventures of Superman: Jon Kent, 2023 (current)
Action Comics, 2023 (current)
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thewidowsghost · 1 year
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Agent Danvers - Chapter 8
Series Masterlist
Main Masterlist
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Kara and Alex are sitting beside (Y/n)'s hospital bed.
(Y/n) was asleep, exhausted after the strain her body had just gone through.
There is a soft knock on the doorframe and the Danvers sisters turn, their gazes softening as Yelena and Melina push their heads in the door.
"Do you mind if we trade out?" Melina asks, her eyes glancing to the window before they dart back onto (Y/n)'s sleeping form. "You two should get some rest."
Both Alex and Kara nod. Alex leans over, pressing a kiss to her baby sister's forehead. Kara gives (Y/n)'s hand a squeeze before she and Alex leave (Y/n) with Yelena and Melina.
"I wish you'd wake up," Melina murmurs, taking (Y/n)'s hand and brushing her thumb across her late daughter's girlfriend's hand. Poor girl, Melina thinks, a tear trickling down her cheek. First Natasha, and now her baby.
. . .
A few months had passed, and the two concerned older sisters had convinced (Y/n) to take up a job at the DEO - totally not their way of keeping track of their youngest sister.
(Y/n)'s back hits the mat, and she just lies there for a moment, staring up at her eldest sister.
Alex smiles down at (Y/n), offering her a hand.
(Y/n) shakes her head, taking her sister's hand with a grin.
. . .
"This thing is like state of the state of the art," Winn says, leaning over the table, (Y/n) at his side. "Kind of looks like something my dad might have built in one of his more murdery moments."
(Y/n) glances at her best friend, her lips twitching slightly in a smile.
"I pulled a partial print from the wreckage," (Y/n) says, removing her gloves. "Belongs to John Corben. International assassin for hire. Been linked to Intergang, Kasnian terrorists, and the genocide in Corto Maltese." Jo'on, Alex, and Clark - Superman - all look at the screen while (Y/n) explains. "If you want somebody high-profile killed, this is the guy you hire."
"But who would want Lena Luthor dead?" J’oon asks.
"Hey, where's Kara?" Winn asks.
"She's trying to talk Lena out of going through with the renaming ceremony," Clark replies.
"Something tells me Miss Luthor will be going on with it either way," (Y/n) says with a frown.
"I'll have on the case. This Corben doesn't seem like he cares who gets hurt so long as he gets his target," J'oon says.
"Kara and I will be there, too," Clark says.
. . .
"My brother's serving thirty-two consecutive life sentences," Lena Luthor and Kara walk down the sidewalk. "I guess I shouldn't be surprised there isn't a bigger turnout."
"You're taking an awful risk," Kara says, looking over at Lena, "going ahead with the renaming ceremony with your life in danger."
"I won't have a life if I can't make this company into something positive," Lena replies. "All it will be remembered for is Lex's madness."
. . .
(Y/n) and Alex are standing on opposite sides of the stage, Kara standing at the back of the crowd.
"I want to thank you all for coming," Lena's voice booms through the speakers.
"I'm in the main plaza. No sign of Corben," (Y/n) murmurs into her COMMs.
"My brother hurt a lot of good, innocent people," Lena continues and (Y/n)'s gaze falls on the woman at the podium. "My family owes a debt, not just to Metropolis, but to everyone. I intend to pay that. By renaming my company L-Corp, we will usher in a new age of cooperation and community. Together, we will chart a brighter future."
An explosion rocks the ground, and blows up some of the building as well as the new L-Corp sign.
People scream as they run away from the fire and explosion.
(Y/n) catches sight of Corben walking down the street and follows. "I've got eyes on Corben," (Y/n) says into her COMMs.
"Officer, thank God," Lena says as Corben walks towards her.
Corben lifts his handgun to shoot Lena.
Lena falters, staking a step back.
(Y/n) grabs Corben's arm, lowering it so when he pulls the trigger, it shoots into the sidewalk.
Lena watches with wide eyes as (Y/n) flips over Corben's shoulder, pinning his arm against his back and ripping the handgun out of his hand and the gun hits the ground.
(Y/n) elbows Corben in the face and the man staggers back.
Corben sneaks up behind (Y/n), pulling her into a chokehold.
(Y/n) chokes, straining against the man. She lifts up her legs and rocks herself over, pinning Corben under her.
Corben throws (Y/n) off, and she hits the ground with a pained grown before rising unsteadily to her feet.
Corben pulls out a knife and lunges for (Y/n).
"You do not quit," (Y/n) mutters, dodging the knife and grabbing Corben's shoulder.
(Y/n) knocks Corben to the ground and he rolls, picking up his gun that had fallen to the ground.
Corben picks up the gun, pulling (Y/n) into another chokehold and pressing the gun to her chin.
Kara - now dressed as Supergirl - lands in front of the two. "Let her go," Kara says,
"You're gonna let me out of here," Corben says, moving the barrel of the gun to point at the side of (Y/n)'s head.
"Lex Luthor hired you to kill his sister, didn't he?" Kara asks, leaning forward a little.
(Y/n) struggles in Corben's arms.
"Luthor still has resources and reach," Corben replies, "even rotting in maximum security lockdown." (Y/n) shoots a fearful look at Kara and then at Alex, who had popped up behind Kara. "Now, I'm leaving and there's nothing you can do . . ."
The sound of a gun firing makes (Y/n) flinch violently, but Corben is the one to drop to the ground, dead.
Alex crouches over Corben, inspecting him. "Bullet went through-and-through. But he needs a hospital."
(Y/n) looks behind her, meeting the green eyes of Lena Luthor. (Y/n) swallows thickly, before glancing over at Alex, who had let her concerned gaze rest on (Y/n).
"Nice work, Supergirl," Alex says.
"I had help," Kara nods to Lena and then up to Clark hovering in the air above her.
. . .
Kara and Clark are standing in Lena's office, looking at a paper with the headline "A New Hope for L-Corp."
"Thank you, Mr. Kent," Lena gets up from her office chair and rounding the desk. "This is exactly the kind of press my company needs after yesterday's attack. And thank you for including that part about me shooting the guy. That'll teach Lex to mess with me." Kara and Clark chuckle. "He'll be the laughing stock of Cell Block X."
"Well, that's not exactly why I wrote it," Clark says with a slight smile. "I wrote it because it was the truth. I was wrong about you, Ms. Luthor." He gives her a nod. "I'm sorry."
Lena smiles to herself for a moment before looking up to meet Clark's eyes, "Well, if I can make a believer out of Clark Kent, there's hope yet."
Kara looks down at the ground.
"What about you, Ms. Danvers?" Lena questions, looking over at the blonde. "I didn't see your name on the byline."
"Uh . . ." Kara pauses. "Well, like I said, I'm not a reporter."
"You could have fooled me," Lena replies, studying Kara. Lena moves back around the desk to sit down. "I hope this isn't the last time we talk."
"I hope not either," Kara smiles.
. . .
"Welcome to the DEO, Mr. Schott," J’oon shakes Winn's hand.
"Thank you, Hank, or Director Henshaw. Or was it J'oon, or Martian Manhunter? What's the protocol here?" Winn questions.
(Y/n) smacks Winn gently on the back of the head.
"'Sir' will do just fine," J'oon replies, looking amused.
"Yes, sir, Hank. J’oon, no . . ." Winn says and (Y/n) grins.
"Congratulations, Winn," Kara smiles, dressed in her Supergirl suit.
"It's good to have you officially on the team," Alex approaches from the other side of the room.
"Oh, I was just wondering . . ." Winn says and (Y/n) has an idea what Winn is going ask about, "And this is not a deal-breaker whatsoever, but I had a pretty sweet IRA over at CatCo. Does that transfer over?"
(Y/n) laughs, clapping her best friend on the shoulder.
. . .
"You promised Kara you'd be nice to Clark while he was here," (Y/n) says, leaning against her and Winn's shared desk; Alex makes a grunt in agreement into her coffee.
"I said I would try," Jo'on replies.
"'Do or do not. There is no try'," Winn says and (Y/n) snickers.
"Exactly how bad did you want this job, Mr. Schott?" J’oon questions Winn.
"He'll be leaving town soon, I'm sure," Alex says, walking over to stand beside her boss. "So until then . . ."
(Y/n) sighs with exhaustion as she hears Supergirl whooping through the COMMs.
"I'll be in the armory shooting at something," J'oon says.
"That sounds relaxing," Winn says and (Y/n) giggles.
. . .
(Y/n) is throwing on her bulletproof vest, as she, Alex, and other DEO agents walk through the halls.
"Supergirl," Alex says in her angry sister voice and (Y/n) winces. "We haven't heard from you. We were just leaving to catch the Kigori."
"Oh, we just dropped that little guy in containment," Clark says, exchanging a smile with Kara.
"Yeah," Kara agrees with a grin.
There is an awkward silence and (Y/n) unzips her vest.
"Stand down, guys," Alex says, waving the other soldiers off.
"I'm sorry," Kara says. "Team Krypton was just having hashtag-too-much-fun," both Clark and Kara laugh. (Y/n) raises an eyebrow. "I mean, I've always loved being Supergirl. But today . . ."
"Next time, it would be nice if you followed protocol," Jo'on growls, "and alerted us that an alien combative was no longer a threat. Your cousin may not work for the DEO, but you still do."
Kara pauses. "Sorry," Kara says, shrugging. "We were . . . We were just having . . .
"Hashtag-too-much-fun. Yeah, we know." J’oon replies.
The whole building powers down and everyone looks around, their eyes wide with surprise.
"Uh, energy drain coming from the holding area," Winn appears behind (Y/n). "Again."
The agents, J’oon, Kara, and Clark walk into the holding area, observing the man inside. A green glow making all of them looking sickly pale.
"It started happening last night," (Y/n) tells the other, she - not wanting to return to her empty apartment - had stayed late with Winn to watch over the man recovering in the room.
"All energy resources at the DEO suddenly diverted to him," Alex says, her gaze questioning.
"You're exposing him to Kyrptonite?" Clark asks, turning to Jo'on, but Kara look at her youngest sister, who doesn't meet her gaze. "He's a survivor, not a prisoner."
"It's a precaution," J'oon replies. "We don't know anything about him."
There is a whirring sound and the lights in the patient's room flicker before the power comes back completely.
"Ooh, power is back at one-hundred percent," Winn says, checking his tablet.
"His vitals have jumped again," Alex says, peering over Winn's shoulder. "It's at the same rate as the power drain."
"He's repairing himself at a cellular level?" Clark asks.
"It's like photosynthesis," Alex says, moving to stand in front of the glass. "His cells are absorbing the electrical energy and converting them into chemical energy."
"You should test his levels again. Now that he's . . ." Clark begins but J'oon cuts him off.
"We've got this, Superman," Jo'on says, frowning at the Kryptonian.
"Sure you do," Clark replies, returning the Martian's frown. "I should go," he turns to his cousin.
Kara nods slightly and Clark walks away.
When the Kryptonian is out of earshot, Kara takes a step towards J'oon. "I know you aren't the best of friends, but you promised you'd be nice to him while he's here."
"Yeah, actually he said he would try," Winn says and (Y/n)'s lips twitch.
"How . . . How is it hard to be nice to Superman?" Kara asks, looking between her sisters, Winn, and J'oon. "He's Superman."
"If it means so much to you, we will get along," J'oon replies before he turns, walking out of the lab.
"Thank you," Kara replies. She sighs, and Winn follows his boss out of the room.
"We still on for sister night?" Alex asks her sisters and (Y/n) smiles. "Veep and Chinese?"
"Yeah. Of course," Kara replies.
"I can still bring Liho, right?" (Y/n) asks.
"Yes," Alex smiles.
"Do you know it's Clark's favorite show, too?" Kara asks brightly, looking up at Alex.
"Is Clark coming to sister night?" Alex asks, blinking with surprise.
"Yeah. I mean, he's in town," Kara says. "And he is family."
Alex scoffs, smiling at Kara. "The more the merrier."
(Y/n) doesn't know whether her thoughts are selfish or not, but she felt kind of upset that she wouldn't have her sisters to herself.
Word Count: 2178 words
Taglist:
@imapotatao
@confusinggemini612
@marrymemcgrath
@yeahthatsmelolz
@softballaikido916
@dopeyouth
@maria-403​
@babyfaberrylove27​
@unexpected-character​​
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ALL THE COMIC RUNS IVE 💯ED
(A list because I am insane)
Adventures of the Supersons (2018)
Amazons Attack (2007)
Another Castle (2016)
Aquaman/Green Arrow: Deep Target (2021)
Arsenal (1998)
Avatar: The Promise (2012)
Avatar: The Search (2013)
Batgirl (2009)
Batgirl by Gail Simone (2011) [1-42]
Batgirl: Year One (2003)
Batgirls (2021)
Batman/Superman/Wonder Woman: Trinity (2003)
Batman and Robin (2009)
Batman and the Signal (2018)
Batman Eternal (2014)
Batman Incorporated (2012)
Batman Secret Files (2021)
Batman Vs Robin (2022)
Batman: Battle for the Cowl (2009)
Batman Cataclysm Event (1999)
Batman No Mans Land Event (1999)
Batman Fear State Event (2021)
Batman Knightfall Event (1993)
Batman Knightquest The Crusade (1993)
Batman Knightquest The Search (1993)
Batman The Cult (1988)
Batman The Detective (2021)
Batman The Knight (2022)
Batman Urban Legends (2022)
Birds of Prey: Manhunt (1996)
Birds of Prey: Sirens of Justice (2020)
Black Canary (1991)
Black Canary (1993)
Black Canary (2007)
Black Canary (2015)
Boxers and Saints (2013)
The Brave and The Bold: Batman and Wonder Woman (2018)
Challenge of the Super Sons (2020)
Checkmate (2021)
Convergence: Batgirl (2015)
Convergence: Batman and Robin (2015)
Convergence : Justice League (2015)
Convergence: Nightwing and Oracle (2015)
Convergence: Superboy (2015)
Convergence: Superman (2015)
Convergence: The Question (2015)
Dark Crisis On Infinite Earths (2022) {Also the event lol}
Dark Crisis: Young Justice (2022)
Extraordinary (2021)
The final Night (1996) {Also the event}
The Flash (2011)
Flash and Green Lantern: The Brave and the Bold (1999)
Forever Evil (2013) {Also the event}
Forever Evil A.R.G.U.S. (2013)
Forever Evil Arkham War (2013)
Forever Evil Rogues Rebellion (2013)
Future State: Batman/Superman (2021)
Future State:Catwoman (2021)
Future State: Dark Detective (2021)
Future State: Gotham (2021)
Future State: green Lantern (2021)
Future State: Harley Quinn (2021)
Future State: Immortal Wonder Woman (2021)
Future State: Justice League (2021)
Future State: Kara Zor El Superwoman (2021)
Future State: Legion of Superheroes (2021)
Future State: Nightwing (2021)
Future State: Eternal Robin (2021)
Future State: Shazam! (2021)
Future State: Suicide Squad (2021)
Future State: Superman/Wonder Woman
Future State: Superman of Metropolis (2021)
Future State: Superman vs Imperious Lex (2021)
Future State: Superman World of War (2021)
Future State: Swamp Thing (2021)
Future State: Teen Titans (2021)
Future State: The Flash (2021)
Future State: The Next Batman (2021)
Future State: Wonder Woman (2021)
GCPD: The Blue Wall (2022)
Ghost-Spider (2019)
Gotham Academy (2014)
Green Arrow (1983)
Green Arrow by Mike Grell (1988)
Green Arrow the longbow Hunters (1987)
Green Arrow Year One (2007)
Harley Quinn: The Animated Series The Eat Bang Kill Tour (2021)
Identity Crisis (2004)
Infinite Frontier (2021)
Infinite Frontier Secret Files (2021)
Injustice: Gods Among Us Year One (2013)
Injustice: Gods Among Us Year Two(2014)
Injustice: Gods Among Us Year Three (2014)
Injustice: Gods Among Us Year Four (2015)
Injustice: Gods Among Us Year Five (2015)
Jane Foster and the Mighty Thor (2022)
Joker: Last Laugh (2001) {Also the event}
Justice League of America (2013)
Justice League vs The Legion of Superheroes (2022)
Justice League Trinity War event (2013)
Kingdom Come (1996)
Knight Terrors: Action Comics (2023)
Knight Terrors: Batman (2023)
Knight Terrors: Green Lantern (2023)
Knight Terrors: Nightwing (2023)
Knight Terrors: Robin (2023)
Knight Terrors: Superman (2023)
Lazarus Planet Event (2023) {NOT WE WERE GODS}
The Mighty Thor (2015)
Monkey Prince (2022)
Naomi (2019)
Nightwing (2011)
Nightwing/Huntress (1998)
Nubia and the amazons (2021)
Nubia Queen of the amazons (2022)
Red Hood and the Outlaws (2011)
Robin (1991)
Robin II The Jokers Wild (1991)
Robin III Cry of the Huntress (1992)
Robin (2021)
Robin & Batman (2021)
Robin Year One (200)
Robins (2021)
Sensational Wonder Woman (2021)
Shadow War Event (2022)
Shazam! (2021)
Spider-Gwen: Gwenverse (2022)
Spider-Gwen: Shadow Clones (2023)
Spider-Gwen: Smash (2023)
Spirit World (2023)
StarFire (2015)
Stargirl: The Lost Children (2022)
Stars and S.T.R.I.P.E. (1999)
Steelworks (2023)
Suicide Squad (2021)
Suicide Squad Get Joker (2021)
Super Sons (2017)
Superboy The Man of Tomorrow (2023)
Supergirl (1994)
Supergirl Woman of Tomorrow (2021)
Superman: Death and Return of Superman event (1993)
Superman/Shazam! First Thunder (2005)
Superman and the Authority (2021)
Superman Smashes The Klan (2019)
Superman Day of Doom (2003)
Superman: Lois and Clark (2015)
Superman Lost (2023)
Superman Son of Kal El (2019)
Superman Up in the Sky (2019)
Task Force Z (2021)
Teen Titans (2011)
Teen Titans Academy (2021)
Teen Titans Year One (2008)
Thor (2014)
Tim Drake Robin (2022)
Titans United (2021)
Titans United Bloodpact (2022)
Trial of the Amazons (2022) {also the event}
Trial if the Amazons: Wonder Girl (2022)
Trinity of Sin (2014)
Our Worlds At War Event (2001)
The War for Earth 3 (2022) {Also the event }
Wonder Girl (2021)
Wonder Woman: Challenge of Artemis Event (1995)
Wonder Woman Gods of Gotham Event (2000)
Wonder Woman Paradise Lost and Found (2001)
Wonder Woman Agent if Peace (2020)
Wonder Woman Black and White and Gold (2021)
Wonder Woman Come Back to me (2019)
Wonder Woman Dead Earth (2019)
Wonder Woman Evolutions (2021)
Wonder Woman The Hiketeia (2002)
Worlds Finest (2009)
Worlds Finest Teen Titans (2023)
Young Justice (2011)
Zero Hour Crisis in Time (1994) {Also the event}
Zodiac Starforce (2015)
Zodiac Starforce Cries of the Prince (2017)
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mdhwrites · 10 months
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Idea Pitch: A Teenage Clark in Metropolis
“What are you doing up so late, honey?” “Oh, just running some numbers. The crops haven’t really recovered since the drought last year and prices for things are going up and... And...” “We’ll make it through. We always do.” “I know. I know. Just... Well, we probably won’t be able to spend the money for Clark to really join any clubs or the like, let alone a new, good camera after he broke the last one and that has me thinking about those fliers...” “John...” “I know! It’d be best to have him at home but if Luthor Corp can give him a place in Metropolis, with a better education, than maybe that’s what’s best for him, at least for a year. And let’s face it, our little man is too super to just end up in a little town like ours. Not when he has such big dreams.”
“I’m not going to say you’re wrong but...”
Clark stood just out of sight, tears in his eyes as he balled his hands into fists. It wasn’t out of anger though. No, it was out of determination. He remembered how lean things had gotten last year and felt bad every time his strength caused his parents problems. Every time they needed new hinges or nails to deal with a mistake of his. The idea of leaving home, of going off to the big city like this, did scare him but if it helped his folks breathe than he had to be ready.
And so Clark enters a set of dorms in the heart of Metropolis for those who are without and need a jump start on their future, all provided by Luthor Corp. Kids from all over the state are picked by income, grades and merit to be a part with them all going to Metropolis High School as freshman. Amongst them is a kid chosen for his photography submission, Jimmy Olsen who bunks just above Clark, a girl with so much gumption that she spent two weeks hounding the people running the program before showing a potential future in journalism with a piece on the program that went viral, even if an exporting error made it so her name wasn’t actually on it. The program leads had gotten the file though and so Lois Lane joined.
There was one oddity amongst them though. One person who seemed genuinely angry to be there and at least at first regards Clark’s overtures of kindness with suspicion. He knows how people really are after all. Corporate flunkies are always trying to get close to him after all, hoping to curry favor with his father. And now he’s been banished here for ‘perspective’.
But just maybe, Lex might manage to get some, especially since other kids here seem to be interested in taking down this ‘Superman’ who rises up not long after they all move in. At bare minimum, they’ll make good pawns, especially with how naive Clark is about the world.
=========
This idea came to me because of family stuff that really isn’t mine to share. I don’t even think I’d claim this to be MAWS related but I tagged it anyways because if I did do it, I’d be using the dynamics and characterizations set by that but making them probably almost a decade younger than they are in the show. Admittedly, just due to my strengths, “Teenage Superman” is an idea that had floated into my head for this show already, this just theoretically gave it an initial hook and premise.
Do I plan to actually do it? Probably not anytime soon. Probably never. But that’s what these idea pitches are for. To share that which I won’t get to. I hope you all liked it.
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.
And finally a Twitter you can follow too!
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lilies-are-azules · 2 years
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Little boys grow up either wanting to be their father or wanting to beat their father.
Yesterday, was Father's Day and I think there's no better way to honor that day than with this panel.
This is the funniest panel ever with Jon and nothing would change my mind.
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Year in Review: 2022
Damn what a year. Not his best but definitely one that we will probably look back on as the defining year of the 2020s for the character. Held off on posting this until practically the last minute just to avoid any final surprises for Superman in a year that's been full of them.
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Comics
On the comics side this was another great year. PKJ brought the Warworld Saga to an overall satisfying conclusion, wrapping up a storyline that brought the character to one of his lowest points ever at the start, and ended with Superman ascending triumphantly to new levels of power. While he fell short of his stated goal in differentiating Mongul from Darkseid, he did successfully create a Warworld brimming with future storytelling potential, and his Mongul is an entertaining foil for Superman regarding parental influence shaping their character. The post Warworld Saga issues have been solid, and I thought he, Williamson, and Taylor handled the restoration of the secret identity in Action Comics #1050 as best as they could have. Sad to see Federeci go but he gave us some all time great Superman covers and interiors regardless, and there's always a chance he and PKJ might reunite for a Superman BL book.
Mark Waid managed to actually live up to the hype surrounding his return to DC, with his World's Finest series being easily the best thing he's written since Daredevil. Convinced me to care about Magog outside of Kingdom Come for the first time ever, no mean feat. Champions had made me want to keep Waid far, far away from any teen characters ever again, but his writing for Dick, Kara, and the Teen Titans has been shockingly great, to the point calls for Waid to write a Titans book no longer strike me as utterly insane. Dan Mora of course is a key part of the book's success, his visuals being critical to selling the Neo-Silver Age atmosphere, and he managed to do the impossible: make Composite Superman cool. Many artists have tried to modernize that design, Mora finally succeeded by tossing everything out but the basic concept of a Superman/Batman merger. Starting from that simple idea he created a new design that captured everyone's interest.
Tom King stands out as someone who did excellent work with both Superman and Supergirl. His Dark Crisis Superman tie-in was a powerful exploration of Clark regaining the lost years with Jon. Burnham as always was the perfect fit for showing both characters wrestling with deep seeded emotional issues, and plenty of gore filled fisticuffs. Meanwhile he gave Kara her first standalone "classic", which has proved quite popular in trade sales judging both from King's own words and the Amazon sales list that I've seen. Bliquis Evely's art is for Supergirl what Frank Quietly is for Superman, scenes like the one where Supergirl takes red kryptonite to go fight space monsters are permanently seared into my brain due to sheer beauty and spectacle.
Elseworlds wise we had Venditti and Torres giving us the Superman III that never was with Superman '78. An entertaining execution of the standard "Brainiac shows up and tries to bottle Superman/Metropolis" plotline with a few twists that wrapped up this year, it had a few genuinely novel ideas that shaped my perception of Brainiac. Venditti also did a World of Krypton mini that retold the story of Krypton’s final days. Writing was mediocre but Oeming’s art is beautiful and was enough to keep me from dropping the book. Russel is doing a great job with a "Life Story" for Superman in Space Age, even if I wish he didn't give Batman as many pages as he does. Would buy an Absolute just for all that Allred art regardless, Allred is a vital component in my enjoyment of that series. Over at the Marvelous Competition, Gaiman and Buckingham are at last giving us the resolution to their Miracleman run. Unsurprisingly I am greatly enjoying it and very excited to read where it goes.
Sadly while Clark had a great year, and Kara didn't do bad herself, there were a number of crashes and burns too. Jon and Kon had a horrible year. Not since Byrne has a new Superman been given such a totally broken foundation, with Taylor doing his damndest to smother any potential Jon ever had. At this point I no longer care about Jon until they get him out of Taylor's clutches, which thankfully may be soon judging by his words in some recent interviews. Only bright spot for me regarding Jon was that, terrible as Dark Crisis was, Williamson wrote a really enjoyable and scrappy Jon there that reminded me of why I was interested in him being Superman in the first place. Kon meanwhile was in a garbage event tie-in that did zero of worth with him. 2022 ends as one of Conner's worst years ever easily.
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Outside of comics the simplest word to summarize Superman's treatment would be chaotic. Cavill makes his shocking return to the role for film, greeted by joyous fans!... who don't show up for Black Adam which bombs hard. Yet word is released that Man of Steel 2 is in the works, to much anticipation and speculation!... until Gunn and Safran get hired to run DC and promptly cancel MoS2, with Cavill acknowledging that his time wearing the cape has come to an end. Paired with this announcement is word that Gunn is writing the script for a new Superman reboot, and that Coates/Abrams project continues to be worked on as an Elseworld project. Other than Clark being already established as Superman, we know absolutely nothing about the proposed film, which didn't stop meltdowns across the Internet as the Cult finally realized that the Snyderverse was well and truly over. Momoa may be switching to Lobo for the DC cinematic universe, and if they're already talking to him about playing the role, it's a safe bet the first place he'll show up is the new Superman movie. The new DCU "Gunnverse" therefore is betting it's future on Gunn being the first one to succeed since Donner in adapting Superman, which means that the new head of DC is personally invested in ensuring Superman succeeds because it's his job on the line. At least he mentioned on Twitter that he loves Morrison's Superman, and he's been posting Andy Kubert art from Up in the Sky! which is very encouraging to say the least. Going from Snyder to Gunn might end up being the best upgrade Superman has gotten since Donner took over the first movie.
Another live action Superman got his second season this year and it was judged to be a step down from the first. Hoechlin, Tulloch, and Parks all did excellent with what they were given, and the actress playing Parasite tried her best with the flimsy characterization and lines she had to deliver. Jon's actor departed the show and was recast, whether that will cause a change in direction for the character is up in the air.
Animation was the best medium for the Supers outside of comics. Young Justice S4, while retreading old ground regarding Conner being reduced to a weapon, at least treated him better this year than the comics did. He got his happy ending with M'gann, and the show's take on the Zods was the best since Shannon. The season ending on a post credit tease for Kara becoming one of Darkseid's Furies, which is never getting followed up on unless that deal with Amazon bails the show out again, is hilarious. Fucking Weisman chooses to end the series on another big Darkseid tease despite knowing that it wasn't renewed for more seasons! If YJ is finished for good this time then I am at least satisfied with how Conner's story ended, and don't mind if that is the end. Jon and Krypto got entertaining animated movies too with Battle of the Super-Sons and League of Super-Pets, neither of which was anything special, but certainly worth a watch for anyone craving more Superman content. Whether either will see a sequel remains to be seen.
Video game wise we got the first WB cross-property brawler in Multiversus, with Superman in the starting line-up. Found the game fun enough, although it did nothing to diminish my craving for a proper Superman solo game. There were also multiple Superman Easter Eggs in Gotham Knights that referenced him directly or members of his family. Perhaps teases for future DC projects, perhaps not. Not sure I even want WB Montreal to attempt a Superman game after the Wattpad fanfic tier bullshit they submitted for Gotham Knights. Outright Games is also making a fun looking JL: Cosmic Chaos game that has the team dealing with Mxy.
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Future
Next year is Superman's 85th and it looks like it will be a milestone anniversary indeed. First up we have PKJ's Action book switching to be more Superfamily focused starting in January, pitting them against a revamped Metallo. He's teased that after the Metallo arc is done, coming up the next arc will feature another revamp of a Superman fan favorite Rogue, a Multiversial Supermen team up is happening, Superman and Constantine may end up working together, and revealed he has ideas for Maxima, Toyman, Mxy, and Bizarro. Then in February Williamson is on a new Superman ongoing with art by Campbell and Dragotta, with a tone aiming to be reminiscent of the STAS cartoon. Finally we have Taylor launching a new Jon mini where he teams up with Val-Zod to stop Ultraman from killing variants of his dad across the Multiverse. Totally on board with PKJ, interested in Williamson, skipping Taylor entirely. Waid is continuing on World's Finest for now, and has teased there may be more spinoffs coming out of that series. I expect something involving Magog to come at some point in the future.
Waid and Yang are also overseeing Lazarus Planet which is an event that will shake up the status quo by giving characters new powers and changing the powersets of those who already have them (such as Jon getting the Electric Blue powerset). Hoping to see Waid and Yang use Clark, Jon, and Kenan in the event.
For upcoming Superman and Super adjacent characters comics that are for sure happening, first we have Steelworks by an unknown creative team (praying it's Pak writing) about John Henry Irons and Natasha working together to reshape Metropolis with their tech. Venditti is already writing a second season of Superman '78, no word on if Torres will return too. Porter's Superboy: Man of Tomorrow mini with Jahnoy Lindsay comes out next year. Premise is very similar to King's Supergirl series but this has been described as Superman meets DBZ which is definitely different tone wise from what King did. Christopher Priest is reuniting with his old Deathstroke team to make a Superman: Lost mini telling what happens when Superman is gone on a mission that's only a little while for everyone else, but centuries for him. Now's the perfect time to let Priest deconstruct Superman while the mainline books do more straightforward storytelling. While not officially announced, Waid and Hitch's Superman: Testament Black Label book is said to be coming out next year per Hitch himself.
More uncertainly there is Mark Millar saying he's having discussions regarding doing a Superman book for DC again, whether that's just typical Millar making a play for attention before announcing another Millarworld project remains to be seen. Geoff Johns may be working on a Legion book, his Flashpoint Beyond series teased a War of the Four Legions story that would doubtlessly result in the Retrobook ousting the Bendisboot from being the "canon" DC future. Would also no doubt restore Clark's childhood ties to the Legion and thus make Secret Origin canon in full. Scott Snyder talked about returning to DC in 2023 or 2024 for Metal 3 which he said before would be Superman focused, although given he described Death Metal as a "Wonder Woman" event he may not have the same definition on what constitutes that as the rest of us.
Live action wise, Gunn has said we will get more information about the coming slate, with Superman being one of the projects we'll learn more about no doubt, in Jan. S&L S3 promises a return to Metropolis, more journalism work for Lois, Intergang making moves, and a new Lex Luthor not played by Cryer complicating the status quo. John Henry Irons should remain a key character given Intergang killed his counterpart on the show's Earth, and is said to be involved going off of the solicit for S3. If the writers acknowledged the feedback on what worked and what didn't with S2 then I think the show can find it's footing again. If not I'll keep watching for as long as the Hoechlin/Tulloch/Parks trio keeps getting cool stuff to do.
Regarding animation we have two movies set in the "Tomorrowverse", Legion of Superheroes which stars Kara joining the titular team, and JL: Warworld which is our first movie following the Tomorrowverse incarnation of the JL. There's also a JL/RWBY movie which will have Superman in it, but having never watched any RWBY myself I plan on skipping it. Against all odds and in total defiance of what you would expect, WB chose to send the new Batman cartoon out to be shopped around and keep the new Superman cartoon for themselves as originally planned. A recent leak - which I won't share here - gave us some details on what the show has planned, and what I read has me eager as hell for MAWS to debut.
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Despite all the craziness of the past year I feel incredibly upbeat going into 2023. The uncertainty surrounding Superman's film future has at last been put to rest, his new animated cartoon survived the purges, he's got a comic for everyone either out now or coming soon, the Superfamily and his Rogues are getting focus, and Multiversus broke the trend of all the video game Supermen being evil (although there's still Rocksteady's Suicide Squad game to contend with). Quite the turn around compared to where he was a decade ago, even if it doesn't give me everything I want.
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argoscity · 2 years
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Hey! I used to be a huge fan of Supergirl but kinda got lost after New 52. Could you give a few ideas to quickly catch up to what Kara’s doing now? Maybe a reading guide? Thank you!
hi of course!!
so if you just want to quickly catch up on what shes doing currently, then you can go ahead and just read supergirl: woman of tomorrow. it doesn’t require prior reading of her rebirth series and it catches you up to where her character’s at right now.
but i’ll also go ahead and give you a full reading guide for rebirth if you’d like to fully catch up with her!
Supergirl: Rebirth (2016) #1 Supergirl (2016) #1-8 Batgirl (2016) Annual 1, Supergirl #9-12 Supergirl Annual 1, Supergirl #13-20 World's Finest: Batwoman and Supergirl #2 The Man of Steel (2018) #1-6, Supergirl #21-33 Supergirl #34-36, Annual 2, Supergirl #37-42 Action Comics (2016) #1024-1028 Future State: Superman of Metropolis (2021) #1-2 Future State: Kara Zor El, Superwoman (2021) #1-2 Action Comics 2021 Annual Action Comics #1031-1035 Supergirl: Woman of Tomorrow (2021) #1-8 Dark Crisis (2022) #1 Action Comics #1044-1045 (not in the main story but in the one tacked onto the end) World’s Finest (2022) #1-6 (ongoing)
everything bolded is required, italicized is recommended, and everything else is just there for you to read if you feel like it. and that encompasses what kara’s been doing in rebirth :) 
one quick thing i’ll add though: the first half of the list through supergirl #33 is fairly self contained and straightforward, supergirl #34 though is where the leviathan event and the batman who laughs shit starts to leak through and (imo) a pretty big drop in quality happens. also i just threw world’s finest: batwoman and supergirl in the least jarring spot i could put it bc it came out after kara’s series ended but also takes place in the middle of her series and i'm not even 100% sure its canon, other than that everything is listed in the order it came out in.
thank you for the ask!!
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buniyaad · 9 months
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lmao i have no idea how future state supes ties into the war world saga that happens during the main universe events while clark is away, but it is delightful to see my favorite cunt, midnighter, be deeply involved in his rescue bc earth needs superman and jon put metropolis in a bottle 😂😂😂
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spiderdreamer-blog · 1 year
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Superman: The Animated Series (1996)
It’s not always easy to appreciate how groundbreaking Batman: The Animated Series was. Much in the same way that The Simpsons revolutionized adult animated sitcoms, Batman completely changed the game for action cartoons in America. And as it wrapped up its initial run, the obvious question arose of what to do next. While creator/producer Bruce Timm wasn’t initially eager to do a Superman series, believing it would be much more difficult even with Batman under his team’s belt, he warmed to the idea and set forth on a series that would follow in those footsteps, but create its own identity. Gone were the gothic shadows of Gotham City, replaced by sunny Epcot-esque futurism. The heavy Max Fleischer influence on the character design would give way to a sleeker, streamlined look more reminiscent of Jack Kirby and Japanese anime (designer and art director Glen Murakami would take the latter influences even further on series like Batman Beyond and Teen Titans). And Superman himself would be a vastly different lead character, which trickled downwards. So how do things hold up?
As usual, we start off with a bang in my favorite rendering of the origin in the three-part pilot movie, “The Last Son of Krypton”. Jor-El desperately tries to warn the planet Krypton of its impending destruction, but they are unmoved, especially with Brainiac manipulating matters to the A.I.’s favor. Right out of the gate, we have smart decisions. I greatly dislike the depiction of Krypton as a cold, ultra-conformist state, and while it certainly has problems from what we see, there’s less of an implicit suggestion that they had this coming. Jor-El is portrayed as a nuanced figure, correct in his warnings and ultimately heroic in his dogged pursuit, but it doesn’t ring false when Lara and others chastise him for being so caught up in being right that it’s become obsessive. And tying Brainiac into Krypton’s origins immediately gives him character through his twisted logic and ego rather than “he’s a bottle city collector because wacky Silver Age” (and don’t get me wrong, I love me some Silver Age).
The tragedy comes as it must, and moving into Earth gives us more smart decisions with Jonathan and Martha Kent coming off as regular people rather than saintly. Then we segue into Metropolis with my favorite depictions of Lois Lane and Lex Luthor ever, as well as Superman’s first public showing and fight against John Corben. All wonderfully efficient and full of great character beats. I particularly enjoy Luthor’s smugness that turns to anger as he tries to talk a stonewalling Superman into working for him, or Martha observing that Superman could use good PR because she doesn’t want people to think he’s “like that NUT in Gotham City”.
We then move into the main body of the series, which is episodic but far more connected than what could be amorphous continuity in Batman. A lot happens step-by-step, such as the discovery of Kryptonite in “A Little Piece of Home” or Parasite’s energy-sucking powers in “Feeding Time” prompting Superman to create protections. Or how “Tools of the Trade” has a story that appears to be about crime boss Bruno Mannheim, then reveals itself at the end to have set a far grander stage with the introduction of Apokolips...and Darkseid. It’s certainly not as heavily serialized as series we have now or even some at the time like Gargoyles, but it’s an important step regardless. And we get the first inklings of a wider DCAU, with appearances by the Flash, Dr. Fate, Aquaman (albeit with his classic design rather than the Peter David mullet-and-hook-hand 90s look that would take hold later in Justice League), Kyle Rayner becoming Earth’s first Green Lantern, and of course, Batman fully folding in with “World’s Finest”, a 3-parter still so awesome I’m mad more adaptations haven’t taken inspiration from it. This is a smart approach creatively because it allows Timm and company to expand the scale and tone of stories that can be told with these characters, esp. because it can be so matter of fact in terms of Superman going “well I know this magic dude, he might be able to help”. Superman himself gets to be far more present in the narrative than Batman could be at times, which so often ceded the viewpoint to its villains. And we even explore his psychology in episodes like “The Late Mr. Kent”, where he has to consider both the effect he’s had and what might be lost if he has to give up his human identity.
Character, of course, is what these shows live or die on, as well as casting, and voice director Andrea Romano assembles another incredible team of actors to give life to these icons. In terms of our heroes, Tim Daly is an excellent Superman, bringing his sitcom bonafides from Wings to create a man of steel who’s very grounded rather than an unapproachable god, and without coming off as phony or bland. If I had one criticism, it’s that I think he’s not always up to the task of Superman’s righteous fury, occasionally coming off as flat in trying to work himself up; George Newbern is more natural and intimidating with these beats later on in Justice League/Unlimited. (I will say he’s an excellent Bizarro, mining a lot of comedy and tragedy out of the character in ways I rarely see) Dana Delany is an outstanding match for him as Lois Lane, a modern career woman who’s genuinely sexy and romantic to boot; she often gets the funniest lines in any given episode like a fast-talking sum-up that ends in aggravation towards an elevator. While George Dzundza and David Kaufman don’t get AS much to do as Perry White or Jimmy Olsen, they’re excellent archetypal depictions nonetheless, and Kaufman gets to show off the likability that would serve him well later on as Danny Phantom. I also like Mike Farrell and Shelley Fabares as the Kents; not only does their real-life marriage add a certain flavor, they come off as warm and down to earth. Joseph Bologna and Joanna Cassidy provide able support as SCU cops Dan Turpin and Maggie Sawyer, tough and credible at every step. And I’d be remiss if I didn’t mention Christopher McDonald as Jor-El; it’s a performance a million miles away from the likes of Kent Mansley or Shooter McGavin in its genuine heroism, and he gives real poignancy to Krypton’s final moments.
Of course, it wouldn’t be a superhero show without great villains, and Romano does this equally as well. The approach TO the villains is interesting in and of itself; even when there are hints of tragedy or sympathy, they’re far more straightforward in their villainy and motivations rather than the psychological Russian nesting dolls we could get on Batman. Lex Luthor is of course the pinnacle of all Superman’s foes, and Clancy Brown simply IS the man to me. There have been other good depictions of course, but none are so immediately arresting and iconic than his deep, overpoweringly egotistical tones. Though my favorite era of his performance might be Justice League/Unlimited, which sends him and us on an emotional rollercoaster compared to the relatively untouchable industry captain here. Just behind him is Corey Burton as Brainiac, who gives the A.I. a chilling intellectual tone that bolsters his logical-only-to-himself mindset, and Michael Ironside as Darkseid, who has never been matched in terms of seeming like a genuine personification of evil. Plus we get solid recurring threats like John Corben, who becomes Metallo, and even in lesser episodes, Malcolm McDowell’s sneering aristocratic villainy is always welcome; the late Brion James gives Parasite a working-class brutality; Brad Garrett is hysterically funny as Lobo, who I can never, ever take seriously and barely want to try; Gilbert Gottfried is just as comedically on point as the obnoxious Mr. Mxyzptlk; Bud Cort gives Toyman an arrested-development creepiness; and Ed Asner, he of the iconic grouchy grandpa voice, goes astonishingly against type as screaming queen Granny Goodness. If you ever wanted to hear Lou Grant himself try out an Ursula vibe, this is the show for you.
Animation-wise, one reason for the streamlining of both this and the accompanying New Batman Adventures episodes was to make things look more consistent rather than the peaks and valleys of how the original Batman run could look if you got a crappy studio that week. This is mostly successful. While Tokyo Movie Shinsha’s episodes still look the best in their fluidity and shading, only a few episodes at the tail end of the series look outright wonky, and both the character acting and action scenes evolve a lot. Musically, Shirley Walker is back to oversee things with a full studio orchestra and composers like Kristopher Carter, Lolita Ritmanis, and Michael McCuistion. They give things an upbeat, heroic sound and start mixing in flavors like electric guitar depending on the episode. I particularly like Darkseid’s doomy, foreboding theme that signals You Are Fucked in the most direct way possible.
The series isn’t without its flaws, of course. The upfront consistency is certainly appreciated compared to the early LOW lows of Batman. Even this series’ worst episodes, with the possible exception of the truly dreadful “Superman’s Pal”, feel better executed than the likes of “I’ve Got Batman In My Basement” or “Cat Scratch Fever”. But this can mean that there will be strings of episodes that are good but not necessarily exceptional, and many can become slugfests thanks to the nature of Superman’s powers; “Father’s Day” is a particularly apt example of this in starting at an interesting point, but devolving into a surprisingly dull, long fight between Superman and Kalibak. He gets to be clever, certainly, but there’s less chances for him to outright outwit an opponent in the ways Batman could. And while the female characters are still very well-portrayed, especially for the time, the unrelenting horniness of some of the designs is a little “oh wow, how did I not notice THAT back then”.
All in all, though, Superman is, on some days, my favorite DCAU series because of how rock solid the fundamentals are and how enjoyable it can be to really get in a groove. It was an important series for laying the tracks that would become Justice League, and compared to some of our more modern depictions of the big blue boy scout, it’s a breath of fresh air. Despite ending on a somewhat downer note with “Legacy”, the show kept hope alive. And that’s a nice sentiment to return to now and again.
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blorb-el · 2 years
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thinking about that steampunk/victorian/edwardian AU superbat vibes post again. tbqh i have read very little steampunk, so if i were to actually write anything in this setting it’d immediately turn into thinly-veiled modern labor critique
anyway. some Thoughts, please chime in if any of this seems interesting.
- the reason for so many scientific advancements: lex luthor. on his surface the brilliant inventor responsible for everything from airships (you’ll believe a man can fly!) to the complete infrastructure overhaul of metro-gotham, The City of Tomorrow. the public persona of the ultimate renaissance man; more money than ford, more inventions than edison, and twice as subtle about his bigotry and thieving nature than either of those two.
- (metro-gotham, the sprawling megapolis of three states, roughly encompassing northeast NJ [gotham], NYC, long island, and southwest connecticut [metropolis]. travel times are a lot easier to manage with privatized Lex-Transit elevated magtrains.)
- and at what cost does the future come? the people in his factories? well. if you catch him in a good mood in his gentleman’s club he’ll be happy to expound on  social darwinism and the gospel of wealth. would a side of phrenology be too on the nose?
- basically 60% pre-crisis the world’s maddest and most brilliant scientist, 30% post-crisis ruthless exploitative businessman, 10% [redacted for the Villain Scheme plot point of the fic that i’m trying to convince myself not to write]
- it’d be more interesting to have him work his way up from being a nobody born in suicide slum, however it would be far more on the nose for him to inherit ‘a small sum’ from the sale of his father’s plantation estate. probably split the difference; the propaganda/public persona is the first. carnegie eat your heart out, lex did it better
- bruce: lots of uncomfortable implications with being an industrialist especially if bruce needs to be one too. probably he is. the question of if ethical industrialism is possible in this world, what does it look like. this could turn out SO badly if I don’t do so much research lol. like batman 2022, inheriting his position and wealth but failing to understand at first what his responsibility is. did thomas wayne himself build the conditions under which so much of gotham labors, or was he attempting to triage the situation left by his father/bruce’s grandfather/ancestors? how old is the wayne money? from where did it come from, considering the history of wealth in this country? are there actual canon answers to any of these questions and/or stories in which they are addressed? sure he gets to punch people and glide from his bat-gyrocoptor onto the top of aforementioned elevated magtrains, but also give him problems he can’t solve with his fists, because the idea of dragging battinson-adjacent bruce into corporate maneuvering is very funny to me (especially since lex has probably succeeded in repealing or blocking the sherman antitrust act! monopolies ahoy!)
- clark: obvious play to fully take him to golden age Champion of the Oppressed/grant morrison t-shirt and jeans superman, just explicitly including the people left out of the original golden age stories (aka, there are Black people in metro-gotham now). starts out as a cryptid a la the radio show’s first series (radio clark my beloved), evolves into unifying solidarity, direct action, compassion as more than a platitude; figure out some way to not directly steal the emotional arc from superman smashes the klan. which is so goddamn good. explicitly raised in the great plains socialist tradition, his first job delivering copies of Appeal to Reason, maybe interning under Eugene Debs? what actual year is this set. who knows. this fic would be as fine an excuse as any to finally read The Jungle since i already hc that’s an influence on modern!clark. muckraking journalism is already immensely cool and sexy therefore the daily planet gang and lois are mostly unchanged.
- the irons family ought to play a significant part but right now i only have: john henry high up in the experimental R&D division of lexcorp, deciding how best to stop [redacted evil lex plan], even though it will cost him a social standing that is probably going to be nigh impossible to regain, considering the amount of companies that would hire a Black man in R&D in this time period. again. lots of research to do here
- literally 0 changes needed to dick’s backstory lol
- literally 0 changes needed to jay’s either lol
- the drakes... probably well meaning also-ran second tier industrialists pretending they aren’t lex hangers-on. maybe they can get socially ruined by something along the lines of the teapot dome scandal. as a treat. 95+% of the metro-gotham gilded industrialist robber baron social circle is full of hollow hearted complicit scumbags, and the only thing preventing tim from this fate is 1. his parents’ fall from grace 2. that he has enough braincells to look around.
- there would be SO much pollution in metro-gotham YIKES. easy fodder for any number of villain backstories. cool and understandable motive, ivy, still ecoterrorism
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