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thewidowsghost · 1 month
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Kinda late to the party, but I just started watching Young Royals
It’s pretty good :)
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thewidowsghost · 4 months
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Sorry to bit of a bother but I wanted to re-read your piper mclean book (on wattpad) and wanted to ask what the number of the chapter where Hera accidentally blinds/knocks out Y/n?
You’re not a bother! It’s Chapter 16!
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thewidowsghost · 4 months
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This Is Me Trying - Two - (A Y/N Parker Spider-Woman X Kate Bishop Story)
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Summary: The Hawkeyes and you seem to be on the same track...
Word Count: 3.5K
Content: College stress, Flirty Kate Bishop, Clint being a dad
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"Kate Bishop! Your crush! Asked you that!? No way!" Ned, of course, couldn't believe it. But this was the same man who didn't realize he was going out with Betty Brant for two weeks
"What did you say after she asked?" MJ questioned when she looked up from behind her laptop on the couch.
"I said, "yeah!" and "that's awesome." Was that good?"
MJ shook her head. "Truly a wordsmith." Sarcastic as ever. MJ went back to her screen to basically ignore you and Ned.
"Well, anyways, congrats," Ned said, getting up from the dining room table where his and Peter's LEGO Death Star was kept. Why was it in your dorm and not there's you had no idea. But MJ helped from time to time, so you figured it was okay.
Ned and you walked into your room and closed the door.
"You know it's a good thing everyone knows you're gay, or else the amount of time we go to your room alone would be suspicious." You froze and thought about Ned's words. "Yeah, I guess... I wonder what MJ thinks we do?"
"I think Peter said we watch movies that she'd disapprove of."
That made sense. "Hmm, alright." You walked over to your bed and flopped onto it while you waited for Ned to do what he needed to do.
3...2...1. "Okay, got it." He said as your fingers formed into a 0. "Alright, what am I looking at?" Ned had pulled up security footage from a traffic light from three weeks ago.
"Okay, this was when that building on 10th in Hell's Kitchen burned down." Ned played the video, and it showed a group of guys in Tracksuits fleeing from the building as they piled into a black SUV moments prior to the building going up.
"Okay. So the Tracksuits are back.." You thought out loud as Ned moved his cursor to another video.
"This was from last week on 3rd in Harlem." The video played and was almost identical to the third one. Except the SUV and the plates on the car were different.
You stood in thought as the last video started. "This was last night."
You recognized the building immediately as you remember zipping past it last night. Just like the other two videos, it played out the same. When the video stopped, Ned looked at you.
"Okay, so as bad as their fashion choice is, they're not idiots. They have different cars and plates every time. Their faces are covered, and let me guess, if we follow the cars light by light, they end up at a chop shop?"
Ned nodded.
"So... it's gotta be the buildings." Ned tilted his head. "What do you mean? It's not the chop shops?" You shook your head. "Chop shops are easy to bust. It's like they want you to follow them there. The buildings. The ones they burn. That's the real money."
Ned looked from you to the screen.
"So you think these tracksuit guys are burning the buildings for insurance money?" You shook your head and entered your closet to change into your Spidey Suit.
Just because you're gay doesn't mean you want guy your friend Ned to see you.
"No, I think someone is hiring these guys to do it." You huffed as you remembered who had the tracksuit mafia in his pocket last time.
Wilson Fisk. The Kingpin.
He was a roach you could never squash just right.
If he owned the buildings, that means there was a lot more at play.
"Okay." You stepped out of the closet and quickly scarfed down a leftover slice of pizza Ned had. "Do you think you could find out who owns these buildings?" Ned nodded. "It's probably a bunch of shell companies, but I can do my best." You patted him on the shoulder. "Thanks, man." You hurried across your room and grabbed your mask.
"Oh, and when Peter comes over, could you maybe not tell him I went patrolling? Tell him I overheard something on the radio." Ned gave a flat smile.
Lying was not his strong suit.
"If you do, I'll-"
"Hey, Y/N, are you still in there?" You gave a panicked look to Ned before putting on your mask and twhiping away before MJ wildly opened the door.
She looked from the open window to Ned.
"Where's Y/N?"
"Uhhh..." Ned was really bad at lying. "She left..ago- a while ago!" He was in trouble. "Yeah?" MJ crossed her arms and leaned against the doorframe. "How come I didn't see her leave?"
Ned's brain scrambled.
"Blindness?" Ned said, making MJ stand up straighter. "I turn a blind eye to many things, Ned, but this won't be one of them." She uncrossed her arms and stretched her arm out to grab the door handle to the room. "By the way, nice camera footage, totally not suspicious at all." She thinned her eyes and hummed as she closed the door.
After swinging for what felt like a good enough distance away from campus, you stood on the roof of an old pizzeria.
Your phone chimed, and you had a text from Ned. "Did my best. Sorry. 😭😭😭"
You laughed and reassured him that he wouldn't be fired from his guy-in-the-chair duties.
"Keep me posted on the buildings." You sent your final text and put your phone away.
You then stared out into the boro you find yourself in. In the distance, you can see what remains of a shootout you helped rescue people from two months ago. You think about a girl you saved who said she wanted to be like you when she grew up.
Your heart warmed, and you told her to stay in school and that she'd be better than you.
Which was looking more and more accurate by the day as you leaped off the pizzeria, ignoring a text from your brother about the essay you still needed to do.
At the same time, Kate Bishop entered her dorm room, walking past her blonde roommate and fast friend Cassie Lang at her desk before Kate collapsed facedown onto her bed.
"What's wrong?" The slightly shorter of the two, Cassie, turned around and asked. "Tired." Kate's muffled voice spoke.
"How late were you out last night?" Cassie asked as she stood up, approaching her friend's bed. "Past 3," Kate said, making Cassie go wide-eyed. "Kate Bishop! The rule was 2:30 at the latest!"
Kate rolled over and lifted herself up. "I'm sorry." She pouted at her friend, who instantly pulled her into a comforting hug that turned into Kate leaning on Cassie's shoulder. "What else is wrong?" Cassie asked as she saw how exhausted Kate looked.
"Nothing," Kate said, but Cassie wasn't so sure. "Are you doing some overthinking?" Kate froze eventually before nodding. "What about?"
"Clint and the Tracksuits."
Kate spoke freely about her other life to Cassie.
Kate used to tell people openly about how she was working with an Avenger, but after what happened with her mom and Kingpin last year, she toned it down.
Now, the only people who know are Cassie, Pizza Dog, and a rouge assassin for hire. Plus, Clint and his family.
Cassie only found out when she woke up in the middle of the night to see Kate in her Hawkeye outfit on the floor.
Kate tripped, falling through the window, and busted her chin.
Kate wanted to tell more people like you. But as previously mentioned. She liked you and didn't want you to get hurt because of her.
So, she kept her Hawkeye circle small.
However, Kate couldn't get the idea out of her head... what if she told you?
"Kate?" Cassie poked the forehead of her dorm mate. "Where'd you go?" She asked.
Kate sat up and cracked her neck, ignoring the question. Cassie noticed as she raised her eyebrows and returned to her desk. Choosing schoolwork, Chemistry in particular, over prying answers from Kate.
"Do you think I should tell Y/N?" Kate spoke up and waited for Cassie to turn around. But she didn't.
"Cass?" Kate asked as she stepped off her bed and walked next to her friend. "Cass?" She asked again before realizing Cassie had put in her AirPods.
Cassie turned to her left and jumped, startled, before pulling them out. "Oh shit. What's up?!" Kate opened her mouth. "I..- nothing. I just was going to tell you that I.. wanted to.."
She couldn't do it.
"I wanted to invite Y/N to my archery practice!" Kate put on a smile and watched her friend's face light up.
"Oh my God, I love that! Please do it! Ugh, she's so pretty!" Cassie was happy for her friend finally doing something about her crush. "She is," Kate replied with a blush. "Think she'll show?" Kate then asked.
"Why wouldn't she?" Cassie tilted her head, entirely focused on the conversation.
Cassie and you had hung out briefly when your friend group and Kate's got together, but she has never witnessed how your superhero life affects you.
Kate shrugs. "Lately, Y/N has been... flaky isn't the right word.. but not here? I guess? She's always tired too. She bails on plans with her and Peter sometimes."
Cassie raised an eyebrow. "How do you know?"
"I've seen it at the library. Their study block is next to mine." Cassie nodded. "Plus, MJ's told me."
"Michelle Jones?" Cassie questions, making Kate nod. "She's roommates with Y/N, right?" Kate nods again. "Well, what does she think." Kate folds her lips into her mouth and raises her eyebrows.
"She thinks Y/N is The Spider."
Cassie's mouth drops before forming into a smile of laughter. "What?!" Kate nods with her own smile. "It's true. She's convinced."
Cassie laughs, making Kate giggle. "She took pictures of The Spider over a summer once. That doesn't mean she's THE Spider." Kate nodded as her smile naturally faded. "That would be funny," Kate said, making Cassie laugh again.
"Well, good luck with having your crush at practice tomorrow." Kate waved Cassie off as she went to the bathroom to shower and change. "Going out?" Cassie yelled through the closed bathroom door.
"Not till later. Why?" Kate replied as she took her top off. Her eyes finding a yellow bruise on her chest. "Looks like it's gonna snow."
And snow it did.
It started to come down after you stopped an armed robbery. Armed being used lightly as the men committing the crime were carrying toy guns.
Plus, the bank they chose to hit was a block down from a police station.
So, as you swung back up onto a nearby roof, snow hit your mask. You smiled and lifted up the mask to expose your mouth and nose. You inhaled and exhaled, watching your breath hang in the air.
The snow touched your face and melted against your warm pink cheeks.
It was cool and calming.
A few seconds of much-needed peace.
"I love snow." You whispered to yourself as the wind blew, making you shiver, but you remained now sitting on the roof with your smiling face to the darkened sky.
After enough time, you pulled out your phone.
"I should see if anyone needs any help." But before you could check the Friendly Neighborhood Spidey App, you were receiving a call from an unknown number.
"Ew, who calls anyone after 7?"
You weighed the options of answering it due to your fear of talking on the phone, but after three rings, you caved. "Hello?"
"Yes, hello, I'm calling for a Y/N Parker." The male voice on the other end sounded familiar.
"This is she." You said, standing up. "Ah, Y/N! Nice to put a voice to a list of your academic achievements." The male chuckled. "This is Dr. Otto Octavius." You physically stopped pacing and smiled. Holy crap! You were speaking to THE Dr. Octavius!
"Dr. Octavius! Hello! Wow, I can't believe you called. I take it Dr. Connors passed along... well, my life." You sent a small laugh Otto's way. "He did." He replied with a smile. "And I must say he was right; you're a bright student, Y/N."
You made a "yeah!" gesture with your arm.
"But-" Oh no! "I agree with Connors when he says you've been struggling. I can see just by looking at your grades and past reports that you're lazy. Brilliant but lazy."
"I- I'm trying to do better." You paved around the empty rooftop. "I've just had a lot of personal stuff happening lately."
The other side of the line went quiet.
"Parker, intelligence is not a privilege. It's a gift."
You opened your mouth to defend yourself, butDr. Octavius stopped you. Do you think you'll be free after the holidays?" You perked up at that and stood on your tiptoes.
Was he saying what you thought he was saying?
"Uh yes- yes sir! You'll have my undivided attention!"
Dr. Octavius hummed.
"On the second Monday after the new year, I'd like to speak with you face to face. From there, we can see how we'll proceed with one another. That's about a month away, Parker. That should give you time to get your other affairs in order."
You nodded your head. "Yes, sir. Thank you!"
"I'll email you the information and where to meet me two weeks from now. Happy Holidays."
The line went dead, and you cheered. You just got an interview with Dr. Otto Octavius. He called you lazy, but he also said you were brilliant!
You put your phone away and jumped off the roof of the building with an aloud cheer that you were certain people did not appreciate.
Meanwhile, Kate was unlocking the door to her aunt's place to meet up with Clint. What she wasn't expecting was for Clint to be there already.
"Trust me, I don't plan on missing two Christmas' in a row."
Clint was on the phone.
Kate quietly closed the door, dropped her bag, and quiver on the floor.
"Laura..." Clint sounded tired. "With Kingpin back, I'd feel awful if I left and something happened." Kate's lips formed into a flat line. "Yeah, no, she's great. Kicking ass on her own." Clint said and laughed when his wife replied back.
Kate tried to remain quiet, but a floorboard creaking under her left foot gave her away. Lucky's head shot up from Clint's lap, making the archer turn around. "Hey, babes, Hawkeye just arrived, so I gotta go. Yeah. Yeah. I'll be safe. Love you too."
Clint smiled before hanging up. "She says hi." Kate nodded and told Clint to tell Laura hi the next time they spoke.
Kate grabbed a spot on the loveseat next to the couch.
"I didn't hear you come in," Clint spoke up as he put his phone away. "Don't know if that's my old age or..." He tapped his ear. "Maybe I'm just getting better at sneaking around," Kate replied with a smile.
Clint nodded his head with a chuckle. Kate was saving him from embarrassment.
Clint was still struggling with his hearing loss.
"Yeah, well... maybe it's all three," Clint said as he looked away from Kate. His hand still petting the dog.
Something in the room always shifted when talks like these happened. It reminded the two archers that time and missions with one another were limited.
Clint couldn't do this forever.
He didn't want to do this forever. He had a family and a life outside of being Hawkeye.
But damn, if he wasn't going to miss someone, he considers family—an annoying girl who was somehow more skilled than him but clumsy as hell, Kate Bishop.
Clint kicked his tongue and scooted Lucky off his lap before getting up and grabbing a water from the ridge and a laptop from his bag. "While you were at school. I got a friend to do a little research."
Clint returned, sitting at the edge of the couch closest to Kate. He opened the laptop and clicked on a folder of files. Blueprints. Bank records. Phone calls and messages all popped up on the screen.
"A friend?" Kate asked with a knowing smirk.
Clint ignored her as he took a sip of water. Clicking on the map of the city. Certain buildings highlighted in red. Others in grey. "What am I looking at?"
"The red ones are the burned-down buildings." Kate took a look at the map again. "And the grey... Potential targets?" Clint nodded before clicking on another file. It was a picture taken by Clint last night. "This is a zoomed-in photo of the blueprint on the Tracksuits wall."
"Their next target?" Kate asked. "I think so. We find one of the grey buildings that matches this blueprint." He pointed to the screen. "We can stop them."
Stop them, hurt them, make them confess, give us the details and whereabouts of Wilson Fisk.
You know, that kind of stop them.
Kate looked at the screen again. She moved pieces of her hair behind her ears before leaning into the screen. "How do we know they'll target one of the grey ones?"
Clint moved the cursor on the screen and clicked on an open tab. Finical records. "The ones burned down and these ones." The ones highlighted grey. "Are all owned by different shell companies, but when you really start digging deep, you find that they all go to the same place. Red Lion National Bank."
"Kingpin," Kate said.
Clint nodded. "He owns them all."
"So what he uses these buildings as cash houses and then burns them down when they aren't needed?" Clint shrugged. "It's a working theory. I'm sure there's more involved than money." Kate agreed.
"This one looks like the blueprint. But... but so does this one." Kate said as she clicked between two different buildings.
"It's probably built by the same company that's why they're not so different." Clint thought. "We could go stake out one and see how much movement happens."
"Sounds good to me. Doesn't look that far away. I mean it's far but- you get what I mean." She flopped her hand at Clint.
He laughed.
"Alright well, let me go get changed and we'll be off." Clint stood up and clapped his hands. "Oh, I also already fed Lucky and took him out so no need to worry."
Pizza Dog perked his ears up.
"Awww did Uncle Clint already take care of you?" Kate turned on her baby voice as she leaned over to kiss and pet the dog. "You're such a good boy!" Lucky's tail started wagging. Clint playfully rolled his eyes as he walked to the bathroom.
As she waited Kate's mind started to wander.
"Alright, we just about ready?" Clint asked as he zipped up his vest and grabbed his bow. Kate stood up putting her phone into her pocket and nodded. "My stuff's by the door."
"Great." Clint and Kate made their way to the front door to finish gathering what they needed. "Oh, here." Clint tossed Kate a purple beanie.
She smiled and looked at Clint. "Occasion?"
"It's cold and snowing outside. Can't have you getting sick." Kate's heart warmed at that whether it was sarcastic or not. "Thanks. Where'd you get it?" She asked a she released her hair from its ponytail
"Stopped by my place in the city earlier. Found it in the closet."
What Clint failed to tell Kate is that the beanie wasn't store-bought.
It was handmade.
And before you ask. God, no Clint didn't spend hours crocheting a hat together.
Natasha Romanoff did.
"Looks better on you kid." Clint smiled as Kate dawned it with pride. "Hawkeye and Hawkeye. One with a beanie the other with a hearing aid!" Kate posed as if she was shooting an arrow and exaggerated her voice.
"Had to ruin it didn't you?" Clint teased as he opened the door.
"Bye, Lucky!" Clint waved to the dog before entering the hall. "Bye, Pizza Dog! Be good!" Kate flipped all but one light switched off and locked the door.
As the two archers made their trek to the location marked on Clint's phone he spoke up simply because he couldn't help himself.
"So... who were you texting earlier?"
Kate looked to her right confused. However, she knew what Clint was talking about. "Come on. Don't give me that look. I may be deaf at times but I'm never blind." Clint bumped into Kate as they kept waking. "Don't forget I'm also the father of a teenage daughter."
Kate had him there.
"A friend." She said. "Oh, a friend! Are they nice?" Kate nodded. "She's nice." Clint smiled. She. "Does she know about this?" Clint pointed to the arrows on Kate's back.
Kate shook her head. "She knows I do archery but that's it." Clint looked at Kate's side profile. "But you want to tell her?" Kate looked up. "How'd you know?"
Clint exhaled.
"Because Kate you like this friend of yours. You're young. Oh, and you're terrible at keeping secrets."
"Am not."
She was.
In Clint's eyes, it was a miracle the whole world didn't know the real identity of the "new" Hawkeye.
"Regardless, are you going to tell them?"
Kate shrugged. "I don't know."
Clint patted her shoulder. "That's alright." Kate smiled. "I invited her to my archery practice tomorrow and to study afterward. The text was about her coming over."
Clint raised his eyebrows. "Oh well as long as you're safe."
Kate furrowed her eyebrows and tilted her head. But before she could reply her phone buzzed.
It was a text from you.
"Sounds great! 🎯"
You smiled as you hit send.
Your fingers remained tightly gripped around your phone as you twhiped yourself through an alleyway.
You thought about double-texting Kate. Asking her how she was or what she was doing. Or why the sudden invite to her archery practice?
Was it just for fun? The want to hang out with you? Or did Kate truly just want to show off her toned arms and skills with a bow?
Could it be all of the above?
You closed out your messages app before you could accidentally send a double text and focused on your tingling.
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thewidowsghost · 4 months
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This Is Me Trying - One - (A Y/N Parker Spider-Woman X Kate Bishop Story)
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Summary: The Winter semester is challenging as you fall behind on exams and essays all while an old threat emerges.
Word Count: 3.3K
Content: College stress, cutie Kate Bishop
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You, Y/N Parker, loved Christmas time.
You loved how it changed the city from a smelly concrete jungle into a smelly concrete jungle but with snow!
Lights went up with trees covered in decorations. Lattes got better, and so did the cookies.
The air got colder, and sometimes the people got warmer. Whether it was buying things for strangers or for a lifelong friend. Random acts of kindness increased, but on the flip side, so did the rate of crime.
Plus, swinging in the cold was awful, but with some insulation in the suit, it helped.
All of this to say you still loved this time of the year.
"You know, since you love it so much, how about you let me go? You know, like you said, kindness of strangers and all that!"
You looked at the guy webbed to a pole who just mugged a woman coming home from work and tilted your head.
"You know what you're right. Tis the season!" The man nodded as you took a few steps closer. "However, on second thought!" The man's eyes widened before you webbed his mouth shut.
"Marv, how many times are we gonna do this, buddy?" You patted the man's head as the sirens were approaching.
"Happy Holidays!" You yelled as you swung up to the nearby rooftop, looking for the woman whose purse was in your hand.
As you stay perched on the corner, your phone starts to ring. It was Peter—your best friend and brother. You debated whether to answer it or not, but eventually, you gave in and pressed the side of your mask.
"Hey man, what's up?"
"Not much... I know it's late, but I- I was just wondering if you started on Dr. Ohnn's paper yet? I'm completely lost. H-He knows we're sophomores, right?!"
You chuckled and sighed.
You haven't started on the paper yet.
"Sorry, Pete. I've been busy..." You heard Peter let out a disappointed sigh.
"Y/N... you're out, aren't you?" You felt bad. For the last couple of weeks, Peters has been asking you to take it easy with your after-school duties due to the number of exams these previous few weeks have had and, as mentioned before, the crime rate, but you haven't. If anything, you tacked on more. "Y/N, you know how dangerous I still think this is."
You rolled your eyes. "Yes, Peter, I know, but-" Before you could finish, you saw a person jump from one rooftop to another two blocks down from you. "Hey Pete, I gotta go..."
"Wait Y/N... Y/N!"
The line went dead as you tapped the side of your mask and took off, swinging purse in hand to the stranger on the rooftop.
As you front-flipped from your webbed, you laughed. "Well, if it isn't the purple bird!" You said when you got up from your landing pose, scaring the crap out of the archer. He jumped and drew his bow on you before realizing who it was.
With an exaggerated groan, he withdrew his weapon.
"What do you want, Spider!?" He sounded annoyed. You put your hands over your heart. Purse still in hand. "Ouch! I just wanted to check up on the man who destroyed 30 Rock last year."
Clint Barton rolled his eyes.
"It was a tree and a skating rink. Get over it." You raised your hand and mocked the archer as you stepped onto the roof's ledge.
"Where's the youngster?" You asked switching topics. Clint raised an eyebrow. "What are you spying on me now?" You put your hands up. "As if! Just curious. Making conversation. It's not my fault you two happen to fall into my patrol area."
Clint looked at you. "Your patrol area?" You nodded. "It's called New York. Ever heard of it?" Clint rolled his eyes again. "You can be a pain in the ass sometimes, you know that."
"I've been told."
"By friends?" You laughed. "No by enemies. Wait..? Why did you hear something?"
Clint cracked a smile. "Maybe." He hadn't, but he enjoyed this back-and-forth you two played. Like his protege, it was nice to have someone around who reminded him of the heroes of the past. People that brought hope for the future.
"So is that purse yours or?" Clint looked up from his binoculars at you. "No. It's not my color." When Clint didn't laugh, you continued. "Lady got mugged, and I don't know where to find her."
Clint looked from the purse to you and did it two more times. "What?" You asked when no words were spoken. Clint huffed. "You have her purse. It probably has her ID." You tilted your head before your eyes got wide. "Oh! Her address!"
Clint nodded yes and grumbled about you before looking into his binoculars again.
"Thanks, bird man!" You said as you looked at the address. It wasn't far. "Same time tomorrow?" You asked as you twhiped away.
Clint sent you a thumbs-up even though he wasn't paying attention. But you didn't know that. You saw a thumbs up and smiled.
You were getting through to the old man.
As you twhiped to the woman's place to return her purse, a bright-eyed Kate Bishop saw you.
"It's the Spider!" She very awkwardly whispered to no one else before running to the building; she had no idea you had just left from.
And when she got to the top: "Clint!" She shouted, making the archer jump before realizing who it was. "What!?" He said, looking at her as she smiled with excitement. "The spider! I just saw her!" He nodded like a dad would. "And?" He said. "And! And! And isn't that cool!" Clint shrugged. "I guess. She was here. She actually asked about you." Clint held in a smile.
It was a not-so-secret that Kate had a slight crush/admiration for the web-slinging hero.
"And!?" Kate took the binoculars from Clint and awaited his answer. "And... that was it. Nothing else. She joked around. I rolled my eyes. That was it."
Kate was going to press for my information, but Clint was useless when it came to details so mundane.
"Ugh. Fine. Here." Kate tried to hand the binoculars back, but Clint shook his head. "Look and tell me what you see." Kate looked through them and into the window of a known wheelman. "Tracksuits." She said, making Clint nod.
"See the guy with the awful chops?" Kate shifted her focus to a guy with bad facial hair. "Yeah."
"Look past him on the wall." Kate did just that and smiled. "I thought people only drew on blueprints in the movies?!"
"Our guys must watch a lot of movies," Clint said as he chuckled.
Kate put the binoculars down and looked at Clint. "After last year, do you still think Kingpin and these guys are connected? I mean..." Kate made a gesture that said, "really, these guys??" while pointing in the direction of the Tracksuits.
Clint shrugged. "I think it's best to believe they're connected than to not. Plus.. drugs and money still need to be run for guys like Kingpin. Any disposable person that's easy to pay is like Christmas to these guys."
Kate thought about it and nodded as she looked through the binoculars again. "Remember when we destroyed 30 rock."
Clint groans and closes his eyes. "It was a tree and an ice rink. Not the whole city!"
While Kate was busy trying to figure out what annoyed Clint and what Kingpin was planning next, you were busy climbing into your dorm through the window.
You tore your mask off as your feet landed on the floor. You ran your covered hand through your freshly shortened hair and took a deep breath before frowning. You sniffed the air before lifting your suit close to your nose. "Ah, man.."
The city really got to it tonight.
You tossed your mask into the hamper in your closet as you started wrangling out of your suit. You've been meaning to make adjustments to your suit since your arm muscle has only grown, but you hadn't, which left it a bit tight to get out of sometimes.
Lucky for you, you never had people drop by unannounced, so you could always take your time-
"Y/N is that you- OH MY GOD!"
You turned towards the voice of your brother as the top half of your suit fell, showing off you in your black sports bra and toned abdomen.
"Peter!" You yelled as he threw his hands over his eyes. "I didn't know. I'm sorry!" He shouted as he went to run out the door but hit your wall instead, causing him to fall to the floor, knocked out.
An hour later, as you moved your clothes from the wash to the dryer, Peter woke up. And after scolding him about not knocking, you and him got to work on Dr. Ohnn's paper.
But with your exhausted brain and body. Plus Peter's... mild concussion, you two didn't get far. So, just as you were about to suggest calling it for the night, your roommate came home.
Where she was or who she was with was always a mystery to you.
"Hey, losers!" Michelle-Jones, aka MJ, greeted you and Peter as she ran to grab the TV remote sitting on the table. She clicked it on and found the local news channel. "MJ, what are you-" She held up a finger and shushed your brother. "Look!" She pointed to the screen as a reporter was standing in front of a run-down apartment building that was on fire. "It's the fifth one this month!" MJ stated. "Everything thinks I'm crazy, but I know insurance fraud when I see it."
You and Peter weren't sure how to continue.
"Okay..." You started. "What's your point?" You questioned, hoping your roommate and friend was going somewhere with this. "Obviously, someone is doing something very illegal."
"Okay..." Peter said. "What can we do about it?"
"We can't do anything about it. But someone here can." MJ started motioning her head towards you, making you sigh. "MJ. I've told you multiple times. The pictures were a summer thing. I don't take their pictures anymore!" MJ rolled her eyes. Clearly not believing you. "Whatever you say..." She narrowed her eyes at you. "Spider!"
Before you could argue back, MJ got up and went to the fridge before taking a box of pizza to her room. "I'm gonna crash. Night."
"I brought that pizza..." Peter quietly said as you collapsed onto the couch. "You were gonna give it to her anyways." You turn your head to Peter. "Was not!" He defends, but you see through him. "You've had a crush on her for the last year, so please let's be honest here."
Peter closed his mouth and then said: "You're the one not being honest with her."
"Dude."
"Sorry," Peter mumbled. "It's just she's going to find out on her own if you don't tell her." He whispered. You nodded. "I know. I know. But you and I both know that the fewer people that know, the less I have to worry about. The less people get hurt."
Peter wore a sad smile on his face. "You're right. I.. I just hate lying to her."
You looked at Peter as he brought his knees close to his chest on the other end of the couch. "I'm sorry, Pete." He nodded. He knew it was easier for you to do this if the less people knew about your other life, but he wasn't sure how much longer he could lie to MJ.
The following morning, after Peter returned to his dorm, you woke up late.
Apparently, in your sleepy daze, you hit 730 into your calculator app and not your alarm clock application. On top of that, you forgot to charge your phone, so as you panicked to get ready for the day, you quickly put in the cable to charge.
You grabbed your closest pair of jeans and threw on your school sweater, all while grabbing the textbooks scattered on your desk.
You ran into the kitchen and grabbed your last pair of pop tarts before heading to the door and slipping on your vans. You zipped up your bag and bolted out the door.
However, you immediately reentered your dorm, ran into your room, snatching your glasses and phone, now on 16%.
_
The lecture hall was full by the time you entered. The booming of the door attracted the attention of everyone.
Your brother included. Your eyes found his, and he gave you a weak smile as you sat at the first seat you could find.
When you pulled out your textbook and looked up, you saw Dr. Connors sigh before he continued speaking. "As I was saying. Yes, just because the holidays are upon us doesn't mean we won't have our test on Friday. I want something fun to grade over the break, people." He gave an awkward chuckle that few students, including you, gave back. "Oh, and don't forget. Your papers on physics are still due by the end of the school year. If you've forgotten... well, there's a reason I'm tenured, and this class lasts all year." He smiled and proceeded to dismiss everybody.
Everybody but you.
"Y/N Parker. A moment."
You knew it was coming, but you kept your head up high. You look to Peter, and he nods. He'd see you after class.
"Dr. Connors, look, I'm sorry about being late-"
"Late?" He cut you off. "You missed the whole dang class." You sighed and adjusted the bag around your shoulder. "Look..." Dr. Connors started. "You're a bright student. I've seen it firsthand, but lately... it's like you're not even here. Your grades have been steadily declining. You always appear exhausted."
You nodded. "I'm trying. I wanna be here!"
"Then be here." He said before he sighed. "You still haven't told me what your physics paper is on."
You perked up at that. "I plan on doing it about fusion and Dr. Otto Octavius."
Dr. Connors sighs. "Well, planning is not a major at this university." He walks past you and goes to the giant board in the middle of the room. He then stops. "Octavius is a friend of mine. Better do your research, Parker." You nod. "I'd really hate to see you fail."
"I don't want to, sir." You say, making Connors look at you with a sad smile on his face. "I can pass along your information to Octavius. Whether he contacts you or not is up to him. After that..." He looks at you. "It's up to you, Parker."
When you exited the lecture hall, you found Peter talking to your mutual friend Ned. The closer you got, the more you saw Peter panic and tell Ned to "shut up."
"What's going on?" Peter shook his head as if nothing was wrong. You looked to Ned, who sheepishly looked away. "Ned." You drug his name out.
Ned took one look at you and broke. "I think I might know about the fires around the city!" He smiled and looked excited. It paid to have Ned be the guy in the chair.
You looked at Peter. "You didn't want him to tell me?" Peter sighed. "Y/N, you have so much going on already we don't need you." He gestures with his hand as if he was shooting a web. "Right now. Besides, you haven't even started on your essay, and you just got in trouble with Connors!"
Before you could defend your lack of action, you get interrupted.
"Hey guys!"
Immediately, your stress melted away as you looked down at Kate Bishop. Captain of the Archery Team. Your friend and study partner.
Oh, and your crush.
Katherine Elizabeth Bishop.
"Hey Kate!" You said a little too excitedly, something that everyone caught on to. Thankfully, they chose not to make a big deal out of it. "Hey, Y/N." She looked at you and smiled.
There goes the butterflies.
"So what are you three amigos talking about?" She bounced on her heels as she looked away from you and to the other two. "Oh, nothing!" Peter said. "I don't think you're allowed to say that?" Ned added with a confused face.
"Doesn't sound like nothing," Kate said, making Peter glance at you. "Sounds like Y/N is getting in trouble with Connors." She replied as she turned to you with a teasing smile. "Let me guess..." She made a thinking face. "Too busy studying for our History test?"
History test!! Oh crap, that is Friday!
"Okay, based on the look I just gained, you forgot." You nodded. Kate made a hmm noise but kept her head towards you as she thought.
"Shit," Ned spoke up. "Peter, we gotta go, or we'll be late!" Peter looked at his watch and came to the same conclusion. "Gotta go! See you, Y/N! Bye, Kate!" Peter and Ned took off running down the hall and out the doors before they sprinted across the courtyard.
"What class do they have?" Kate asked.
"Robotics."
"Sounds about right." She said. "We should probably get going." Kate smiled and gestured her head in the general direction of your History class with Kate. "Don't worry about the test," Kate said as you two walked side by side. "You always do just fine." You shrugged her compliment off.
Kate noticed. "But I was thinking if you want..." You looked at Kate and noticed her fingers interlocking with one another. "Maybe you could come to my dorm to study some more. Besides, I still need help on the laws and how they changed once the Sokovian Accords were ratified."
You and Kate had always hung out in mutual gatherings and settings. You two were good friends, but you had never been to her dorm.
On top of that. Alone.
You suddenly felt very warm and wary of your every move.
"That sounds great!" You managed to say. "When were you thinking?"
Kate thought. If it were up to her, you'd come over tonight, but Kate wasn't sure what her roommate Cassie was doing. Plus, she and Clint had a hot new lead to follow up on. "Ummm, is it cool if I text you?"
You nodded. "Sounds great." You smiled widely and pushed the door to your History class open. Letting Kate walk in first. You and Kate walked to your seats and sat beside one another.
"Shit." You heard Kate mumble when she opened her bag. "You okay?" You asked. "Uh yeah.." She bit her lip. A habit you noticed that she only got when she was embarrassed. "What's wrong?" You asked when you tore your eyes away from her chewed-on pink lips.
Kate sighed when her lips parted. "I forgot my textbook. I thought I packed after Clint- Clint-on Clinton and I got back from Archery, but I guess I didn't." Kate didn't look your way.
She was now warm and aware of every move she made.
"Hey, I surprisingly remembered mine." You pulled yours out. "We can share." You moved it in between the two of you. "Really?" She charmingly lifted her eyebrows. "Really." You said.
Kate let out a little cheer and wrapped an arm around you. "You're a lifesaver!"
If only she knew.
Kate didn't remove her arm from around you as quick as she usually would have; instead, you could feel her hand slide up your muscles to your shoulder.
Kate had been noticing your muscle growth as of late but didn't know where it came from...
Eventually, Kate removed her touch from you.
Yet you still felt her.
"It's no big deal." You said about sharing the textbook. But you and Kate both knew that based on your actions recently, you remembering to bring your book or not falling asleep in class was a miracle.
This was Kate's first time forgetting a book, and she could sense Clint's disappointed sigh.
Kate smiled as she watched your fingers turn the corners of the page in the textbook. Her eyes lifted to your fingers, to your sweater, and up to your face. She watched your side profile as you silently read a paragraph to yourself. She only stopped when you looked her way and hid a smile when you pushed up your glasses. "What's up?" You quietly asked.
"Do you want to come to my archery practice tomorrow?" Kate whispered back.
Kate wasn't sure what you had going on in your life. You and her were close but not close, like with Peter, Ned, and MJ. So she never pushed.
Plus, she liked you and didn't want to ruin what you two might have.
But when you said, "Yeah! That sounds awesome!" Like a dork, Kate smiled.
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dividers by @/benkeibear
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thewidowsghost · 4 months
Text
The Sky (Annabeth Chase x Jackson!Reader)
After hearing Annabeth gripe about her father for the last two years, (Y/n) had expected him to have devil horns and fangs. She had not expected him to be wearing an old-fashioned aviator’s cap and goggles. He looks so strange, with his eyes bugging out through the glasses, that she, her brother Percy, Thalia, and Zoe take a step back on the back porch. 
“Hello,” he says in a friendly voice, “Are you delivering my airplanes?”
Thalia, Zoe, Percy, and (Y/n) look at each other warily. 
“Um, no, sir,” Percy says. 
“Drat,” he says. “I need three more Sopwith Camels.”
“Right,” (Y/n) says, though she has no idea what he’s talking about. “We’re, uh, friends,” - not exactly - “of Annabeth’s.”
“Annabeth?” he straightens, as if (Y/n) had just given him an electric shock. “Is she all right? Has something happened?”
None of the demigods answer, but their faces must’ve told him that something was very wrong. He takes off his cap and goggles. He has the same sandy-colored hair as Annabeth, and intense brown eyes. He’s handsome, for an older guy, but it looks as though he hadn’t shaved in a couple of days, and his shirt is buttoned wrong, so one side of his collar sticks up higher than the other side. 
“You’d better come in,” Dr. Chase says grimly. 
The Chase’s house smells like fresh-baked chocolate chip cookies and jazz music is coming from the kitchen. It seems like a messy, happy kind of home – the kind of place that someone had lived in forever.
“Dad!” a little boy screams. “He’s taking apart my robots!”
“Bobby,” Dr. Chase calls absently, “don’t take apart your brother’s robots.”
“I’m Bobby,” the little boy protests. “He’s Matthew!”
“Mathew,” Dr. Chase calls, “don’t take apart your brother’s robots.”
“Okay, Dad!”
Dr. Chase turns to us. “We’ll go upstairs to my study. This way.”
“Honey?” a woman calls. Annabeth’s stepmother appears in the living room, wiping her hands on a dish towel. “Who are our guests?” she asks. 
“Oh,” Dr. Chase says. “This is . . .” He stares blankly at the demigods.
“Frederick,” she chides. “You forgot to ask them their names?”
The demigods introduce themselves a little uneasily, but Mrs. Chase seems nice to (Y/n). She asks if the demigods were hungry, and they admit that they were, and she lets them know she’d bring up some cookies, sandwiches, and sodas. 
“Dear,” Dr. Chase says. “They came about Annabeth?”
(Y/n) half expects Mrs. Chase to turn into a raving lunatic at the mention of her stepdaughter, but she just purses her lips and looks concerned. “All right. Go on up to the study, and I’ll bring you some food.” Her gaze rests knowingly on (Y/n), and she smiles at the daughter of Poseidon. “Nice meeting you, (Y/n). I’ve heard a lot about you.”
Upstairs, they walk into Dr. Chase’s study, and a gasp of amazement escapes from (Y/n)’s lips. 
The room is wall-to-wall books, but what really catches (Y/n)’s attention are the war models. There is a huge table with miniature tanks and soldiers fighting along a blue painted river, with hills and fake trees and stuff. Old-fashioned biplanes hang on strings from the ceiling, tilted at crazy angles like they were in the middle of a dogfight.
Dr. Chase smiles. "Yes. The Third Battle of Ypres. I'm writing a paper, you see, on the use of Sopwith Camels to strafe enemy lines. I believe they played a much greater role than they've been given credit for."
He plucks a biplane from its string and sweeps it across the battlefield, making airplane engine noises as he knocks down little German soldiers. 
(Y/n) smiles slightly, looking up at her girlfriend’s father. 
Zoe comes over and studies the battlefield. “The German lines were farther from the river.”
Dr. Chase stares at her. “How do you know that?”
"I was there," she says matter-of-factly. "Artemis wanted to show us how horrible war was, the way mortal men fight each other. And how foolish, too. The battle was a complete waste."
Dr. Chase opens his mouth in shock. “You –”
“She’s a Hunter, sir,” Thalia says. “But that’s not wy we’re here. We need –”
"You saw the Sopwith Camels?" Dr. Chase says. "How many were there? What formations did they fly?"
“Sir,” (Y/n) breaks in this time. “Annabeth, sh-she’s in danger.”
That gets his attention. He sets the biplane down.
“Of course,” he says. “Tell me everything.”
It isn’t easy, but they try. Meanwhile, the afternoon light is fading outside. 
The demigods were running out of time.
When they'd finished, Dr. Chase collapses in his leather recliner. He laces his hands. "My poor brave Annabeth. We must hurry."
"Sir, we need transportation to Mount Tamalpais," Zoe says. "And we need it immediately."
"I'll drive you. Hmm. it would be faster to fly in my Camel, but it only seats two."
"Whoa, you have an actual biplane?" Percy asks.
"Down at Crissy Field," Dr. Chase says proudly. "That's the reason I had to move here. My sponsor is a private collector with some of the finest World War I relics in the world. He let me restore the Sopwith Camel—"
Sir," (Y/n) says. "Just a car would be great. And it might be better if we went without you. It's too dangerous."
Dr. Chase frowns uncomfortably. “Now wait a minute, young lady. Annabeth is my daughter. Dangerous or not, I . . . I can’t just –”
"Snacks," Mrs. Chase announces. She pushes through the door with a tray full of peanut-butter-and-jelly sandwiches and Cokes and cookies fresh out of the oven, the chocolate chips still gooey. Thalia and Percy inhale a few cookies while Zoe says, "I can drive, sir. I'm not as young as I look. I promise not to destroy your car."
Mrs. Chase knits her eyebrows. "What's this about?"
“Annabeth is in danger,” Dr. Chase says. “On Mount Tam. I would drive them . . . but apparently it’s no place for mortals.”
It sounds to (Y/n) like it was really hard for him to get that last part out.
(Y/n) waits for Mrs. Chase to say no, but to her surprise, Mrs. Chase just nods. “Then they’d better get going.”
“Right!” Dr. Chase jumps and starts patting his pockets. “My keys . . .”
His wife sighs. "Frederick, honestly. You'd lose your head if it weren't wrapped inside your aviator hat. The keys are hanging on the peg by the front door."
“Right!” Dr. Chase says. 
Zoe and (Y/n) each grab a sandwich. “Thank you both,” Zoe says. “We should go. Now!”
The four hustle out the door and down the stairs, the Chases right behind them. 
“(Y/n)” Mrs. Chase calls as they’re leaving, “tell Annabeth . . . tell her she still has a home here, will you? Remind her of that.”
(Y/n) takes one last look at the messy living room - Annabeth’s half brothers spilling LEGOs and arguing, and the smell of cookies filling the air. Not a bad place, she thinks. 
“I’ll tell her,” (Y/n) replies, smiling slightly at her girlfriend’s stepmother. 
They run out to the yellow Volkswagen convertible parked in the driveway. The sun is going down, and (Y/n) figures they have less than an hour to save Annabeth.
. . . 
At the top of the mountain are ruins, blocks of black granite and marble as big as houses. Broken columns. Statues of bronze that look as though they’d been half melted. 
“The ruins of Mount Othrys,” Thalia whispers in awe. 
“Yes,” Zoe says. “It was not here before. This is bad.”
“What’s Mount Othrys?” Percy asks, feeling like a fool as usual.
“The mountain fortress of the Titans,” Zoe explains. “In the first war, Olympus and Othrys were the two rival capitals of the world. Othrys was –” she winces and holds her side. 
“You’re hurt,” (Y/n) says, ignoring her own possibly cracked ribs. “Let me see.”
“No!” Zoe protests. “It is nothing. I was saying... in the first war, Othrys was blasted to pieces.”
“But . . . how is it here?”
Thalia looks around cautiously as they pick their way through the rubble, past blocks of marble and broken archways. "It moves in the same way that Olympus moves. It always exists on the edges of civilization. But the fact that it is here, on this mountain, is not good."
“Why?”
"This is Atlas's mountain," Zoe says. "Where he hold s—" She freezes. Her voice is ragged with despair. "Where he used to hold up the sky."
They had reached the summit of the mountain. A few yards ahead of them, gray clouds swirl in a heavy vortex, making a funnel cloud that almost touches the mountaintop, but instead rests on the shoulders of a twelve-year-old girl with auburn hair and a tattered silvery dress: Artemis, her legs bound to the rock with celestial bronze dreams. This is what (Y/n) had seen in her dream - though it hadn't been a cavern roof that Artemis was forced to hold. 
It was the weight of the world.
"My lady!" Zoe rushes forward. 
But Artemis says, "Stop! It is a trap. You must leave now." Her voice is strained, and she is drenched in sweat. (Y/n) had never seen a goddess in pain before, but the weight of the sky is clearly too much for Artemis.
Zoe is crying. She runs forward, despite Artemis’s protests, and tugs at the chains. 
A booming voice speaks behind them: “Ah, how touching.”
They turn. 
The General is staging there in his brown suit. At his side are Luke - and half a dozen dracaenae bearing the weight of the golden sarcophagus of Kronos. 
Annabeth stands at Luke’s side - her hands cuffed behind her back, a gag in her mouth, and Luke is holding the point of his sword to her throat. 
(Y/n) meets her girlfriend’s gaze, her sword, Tsunami, still in pen form in her hand, a thousand questions running through her head. There is one message Annabeth is sending her, however: RUN!
(Y/n)’s face hardens. “Luke,” (Y/n) snarls. “Let her go.”
Luke’s smile is pale and weak. “That is the General’s decision, (Y/n). But it’s good to see you again.”
(Y/n) spats at him. 
The general chuckles. “So much for old friends. And you, Zoe. it’s been a long time. How’s my little traitor? I will enjoy killing you.”
“Do not respond,” Artemis groans. “Do not challenge him.”
“Wait a second,” Percy says. “You’re Atlas?”
The General glances at him. "So, even the stupidest of heroes can finally figure something out. Yes, I am Atlas, the general of the Titans and terror of the gods. Congratulations. I will kill you presently, as soon as I deal with this wretched girl."
“You’re not going to hurt anyone,” Percy says, and (Y/n) grunts her agreement. “We won’t let you.”
The General sneers. “You have no right to interfere, little heroes. This is a family matter.”
Percy frowns. “A family matter?”
“Yes,” Zoe says bleakly. “Atlas is my father.”
The terrible thing is: (Y/n) can see the resemblance. Atlas has the same regal expression as Zoe, the same cold proud look in his eyes that Zoe sometimes got when she was mad, though on him, it looks a thousand times more evil. The Titan was all the things (Y/n) had originally disliked about Zoe, with none of the good she’d come to appreciate in her friend. 
"Let Artemis go," Zoe demands.
Atlas walks closer to the chained goddess. "Perhaps you'd like to take the sky for her, then? Be my guest."
Zoe opens her mouth to speak, but Artemis says, "No! Do not offer, Zoe! I forbid you."
Atlas smirks. He kneels next to Artemis and tries to touch her face, but the goddess bites at him, almost taking off his fingers.
"Hoo-hoo," Atlas chuckles. "You see, daughter? Lady Artemis likes her new job. I think I will have all the Olympians take turns carrying my burden, once Lord Kronos rules again, and this is the center of our palace. It will teach those weaklings some humility."
(Y/n) looks at Annabeth. She is desperately trying to tell (Y/n) something. She motions her head towards Luke. But all (Y/n) can do is stare at her. (Y/n) hadn't noticed before, but something about her had changed. Her beautiful blond hair was now streaked with gray - but that didn’t make Annabeth look less beautiful in (Y/n)’s eyes. 
"From holding the sky," Thalia mutters, as if she'd (Y/n)’s mind. "The weight should've killed her."
"I don't understand," Percy says. "Why can't Artemis just let go of the sky?"
Atlas laughs. "How little you understand, young one. This is the point where the sky and the earth first met, where Ouranos and Gaia first brought forth their mighty children, the Titans. The sky still yearns to embrace the earth. Someone must hold it at bay, or else it would crush down upon this place, instantly flattening the mountain and everything within a hundred leagues. Once you have taken the burden, there is no escape." Atlas smiles. "Unless someone else takes it from you." He approaches the group, studying Thalia, (Y/n), and Percy. "So these are the best heroes of the age, eh? Not much of a challenge."
"Fight us," (Y/n) spits. "And let's see."
"Have the gods taught you nothing? An immortal does not fight a mere mortal directly. It is beneath our dignity. I will have Luke crush you instead."
"So you're another coward," (Y/n) snickers.
Atlas's eyes glow with hatred. With difficulty, he turns his attention to Thalia. "As for you, daughter of Zeus, it seems Luke was wrong about you."
"I wasn't wrong," Luke managed. He looked terribly weak, and he spoke every word as if it were painful. If (Y/n) didn't hate his guts so much, she almost would've felt sorry for him. "Thalia, you still can join us. Call the Ophiotaurus. It will come to you. Look!"
He waves his hand, and next to us a pool of water appears: a pond ringed in black marble, big enough for the Ophiotaurus. Percy can imagine Bessie in that pool. In fact, the more I thought about it, the more he was sure he could hear Bessie mooing.
Don't think about him! Suddenly Grover's voice is inside my mind—the empathy link. Percy could feel his emotions. He is on the verge of panic. I'm losing Bessie. Block the thoughts!
Percy tries to make his mind go blank. He tries to think about basketball players, skateboards, and the different kinds of candy in my mom's shop. Anything but Bessie.
"Thalia, call the Ophiotaurus," Luke persists. "And you will be more powerful than the gods."
"Luke . . ." Her voice is full of pain. "What happened to you?"
"Don't you remember all those times we talked? All those times we cursed the gods?
Our fathers have done nothing for us. They have no right to rule the world!"
Thalia shakes her head. "Free Annabeth. Let her go."
"If you join me," Luke promises, "it can be like old times. The three of us together. Fighting for a better world. Please, Thalia, if you don't agree . . ."His voice falters. "It's my last chance. He will use the other way if you don't agree. Please."
(Y/n) doesn’t know what he means, but the fear in his voice sounds real enough. She could believe that Luke was in danger.
His life depends on Thalia's joining his cause. And (Y/n) is afraid Thalia might believe it, too.
"Do not, Thalia," Zoe warns. "We must fight them."
Luke waves his hand again, and a fire appears. A bronze brazier, just like the one at
camp. A sacrificial flame.
"Thalia," (Y/n) mutters. "No."
Behind Luke, the golden sarcophagus begins to glow. As it did, (Y/n) sees images in the mist
all around us: black marble walls rising, the ruins becoming whole, a terrible and beautiful
palace rising around them, made of fear and shadow.
"We will raise Mount Othrys right here," Luke promises, in a voice so strained it is hardly his. "Once more, it will be stronger and greater than Olympus. Look, Thalia. We are not weak."
He points toward the ocean, and (Y/n)’s heart falls. Marching up the side of the mountain, from the beach where the Princess Andromeda was docked, is a great army. Dracaenae and
Laestrygonians, monsters and half-bloods, hellhounds, harpies, and other things (Y/n) can’t even name. The whole ship must've been emptied, because there are hundreds, many more than (Y/n) had seen on board last summer. And they are marching toward the mountain. In a few minutes, they would be there.
"This is only a taste of what is to come," Luke says "Soon we will be ready to storm Camp Half-Blood. And after that, Olympus itself. All we need is your help."
For a terrible moment, Thalia hesitates. She gazes at Luke, her eyes full of pain, as if the only thing she wants in the world is to believe him. Then she levels her spear. "You aren't Luke. I don't know you anymore."
"Yes, you do, Thalia," he pleads. "Please. Don't make me . . . Don't make him destroy you."
There is no time. If that army gets to the top of the hill, we would be overwhelmed. (Y/n) meets her girlfriend’s eyes again. Annabeth nods.
(Y/n) looks at Percy, Thalia, and Zoe, and she decides it wouldn't be the worst thing in the world to die fighting with friends like this.
"Now," (Y/n) says, and together, they charge.
Thalia goes straight for Luke. The power of her shield is so great that his dragon- women bodyguards flee in a panic, dropping the golden coffin and leaving him alone. But despite his sickly appearance, Luke is still quick with his sword. He snarls like a wild animal and counterattacks. When his sword, Backbiter, met Thalia's shield, a ball of lightning erupted between them, frying the air with yellow tendrils of power.
As for (Y/n), she does the stupidest thing in her life - which is saying a lot. She attacks the Titan Lord Atlas.
He laughs as (Y/n) approaches, her sword Tsunami springing to life in her hands. A massive javelin appears in Atlas’s hands and his silk suit melts into full Greek battle armor. “Go on, then!”
“(Y/n)!” Zoe calls. “Beware!”
(Y/n) knows what Zoe is warning her about. Chiron had told her a long time ago: Immortals are constrained by ancient rules. But a hero can go anywhere, challenge anyone, as long as she has the nerve. Once (Y/n) attacked, however, Atlas would be free to attack back directly with all his might. 
(Y/n) swings her sword, but Atlas knocks her aside with the shaft of his javelin. (Y/n) flies through the air, and slams into a black wall. It isn’t Mist anymore. The palace is rising, brick by brick. It’s becoming real.
“Fool!” Atlas screams gleefully, swatting aside one of Zoe’s arrows. “Did you think, simply because you could challenge that petty war god, that you could stand up to me?” 
The mention of Ares sets a jolt through (Y/n), and, ignoring her throbbing ribs, she shakes off her daze and charges again. 
The javelin’s point slashes towards (Y/n) like a scythe. She raises Tsunami, planning to cut off the Titan’s weapon at the shaft, but her arm feels like lead. Suddenly, the sword weighs a ton. 
And then (Y/n) remembers Ares's warning, spoken on the beach in Los Angeles so long ago:
When you need it most, your sword will fail you.
Not now! (Y/n) pleads. But it is no good. She tries to dodge, but the javelin catches her in the chest and sends (Y/n) flying like a rag doll. (Y/n) slams into the ground, her head spinning. (Y/n) looks up and finds herself at the feet of Artemis, still straining under the weight of the sky.
“Run, girl,” she tells (Y/n). “You must run!”
Atlas is taking his time coming towards (Y/n). My sword is gone. It had skittered away over the edge of the cliff. It might reappear in her pocket—maybe in a few seconds—but it doesn’t matter. (Y/n) would be dead by then. Luke and Thalia are fighting like demons, lightning crackling around them. Percy is fighting the dracaenae, and Annabeth is on the ground, desperately struggling to free her hands.
“Die, little hero!” Atlas says. He raises his javelin to impale (Y/n). 
“No!” Zoe yells, and volley of silver arrows sprout from the armpit chink in Atlas’s armor. 
“ARGH!” he bellows and turns back towards his daughter. 
(Y/n) reaches down and feels Tsunami back in her pocket. She couldn’t fight Atlas, even with a sword. And then a chill goes down her back. She remembers the words of the prophecy: The Titan’s curse must one withstand. (Y/n) couldn’t hope to beat Atlas, but there is someone who might stand a chance. 
“The sky,” (Y/n) tells the goddess. “Give it to me.”
"No, girl," Artemis says. Her forehead is beaded with metallic sweat, like quicksilver. "You don't know what you're asking. It will crush you!"
"Annabeth took it!"
"She barely survived. She had the spirit of a true huntress. You will not last so long."
"I'll die anyway," (Y/n) replies. "Give me the weight of the sky!"
(Y/n) doesn’t wait for her answer. She takes out Tsunami and slashes through her chains. Then she steps next to her and braces herself on one knee—holding up her hands—and touches the cold, heavy clouds. For a moment, Artemis and (Y/n) bare the weight together. It was the heaviest thing she'd ever felt, as if (Y/n) was being crushed under a thousand trucks. She wanted to black out from the pain, but (Y/n) breathes deeply. I can do this.
Then Artemis slips out from under the burden, and (Y/n) holds it alone. 
Every muscle in (Y/n)’s body turns to fire. Her bones feel like they’re melting. She wants to scream, but she doesn’t have the strength to open her mouth. She begins to sink, lower and lower to the ground, the sky’s weight crushing her.
(Y/n) concentrates on breathing. (Y/n) thinks about Bianca, who’d given her life so they could get to this moment. If she could do that, then (Y/n) could hold the sky.
(Y/n)’s vision turns fuzzy. Everything is tinged with red. She catches glimpses of the battle, but she isn’t sure if she is seeing anything clearly. There is Atlas in full battle armor, jabbing with his javelin, laughing insanely as he fights. And Artemis, a blur of silver. She has two wicked hunting knives, each as long as her arm, and she slashes wildly at the Titan, dodging and leaping with unbelievable grace. She seems to change form as she maneuvers. She is a tiger, a gazelle, a bear, a falcon. Or perhaps that was just (Y/n)’s fevered brain. Zoe shoots arrows at her father, aiming for the chinks in his armor. He roars in pain each time one finds its mark, but they affect him like bee stings. He just gets madder and keeps fighting.
Thalia and Luke go spear on sword, lighting still flashing around them. Thalia presses Luke back with the aura of her shield. Even he is not immune to it. He retreats, wincing and growing in frustration. 
"Yield!" Thalia yells. "You never could beat me, Luke."
He bares his teeth. "Well see, my old friend."
Sweat pours down (Y/n)’s face. Her hands are slippery. Her shoulders would've screamed with agony if they could. (Y/n) feels like the vertebrae in her spine are being welded together by a blowtorch.
In her daze, (Y/n) can’t place Percy’s or Annabeth’s positions. She watches, however, as Artemis advances. The goddess was fast, but the Titan’s strength is impossible. His javelin slammed into the earth where Artemis had been a split second before, and a fissure opens in the rocks. He leaps over it and keeps pursuing her. The goddess was leading him back towards (Y/n). 
Get ready, the goddess speaks in her mind. 
(Y/n) is loosing the abulity to think through the pain in her ribs. Her responce is somthing like agggghh-owwwww.
“You fight well for a girl,” Atlas laughs. “But you are no match for me.”
He feints with teh tip of his javelin and Artemis dodges. (Y/n) sees the trick coming. Atlas’s javelin sweeps around and knocks Artemis’s legs off the ground. She falls, and Atlas brings up his javelin tip for the kill. 
"No!" Zoe screams. She leaps between her father and Artemis and shoots an arrow straight into the Titan's forehead, where it lodges like a unicorn's horn. Atlas bellows in rage. He sweeps aside his daughter with the back of his hand, sending her flying into the black rocks.
(Y/n) wasnts to shout her name, or run to her friend’s aid, but she can’t speak or move. She couldn’t even see where Zoe had landed. Then Atlas turns on Artemis with a look of triumph in his face. Artemis seems to be wounded. And she doesn’t get up. 
"The first blood in a new war," Atlas gloats. And he stabs downward.
As fast as thought, Artemis grabs his javelin shaft. It hits the earth right next to her and she pulls backward, using the javelin like a lever, kicking the Titan Lord and sending him flying over her, (Y/n) sees him coming down on top of her and she realizes what would happen. (Y/n) loosened her hold on the sky, and as Atlas slams into her, she doesn’t try to hold on. (Y/n) lets herself be pushed out of the way and she rolls.
The weight of the sky drops onto Atlas’s back, almost smashing him flat until he manages to get to his kness, strugging to get out from under the crushing weight of the sky. But it is too late. 
"Noooooo!" He bellows so hard it shakes the mountain. "Not again!"
Atlas is trapped under his old burden. (Y/n) tried to stand and fell back again, dazed from pain. Her body feels like it was burning up.
Thalia backs Luke to the edge of a cliff, but still they fought on, next to the golden coffin. Thalia has tears in her eyes. Luke has a bloody slash across his chest and his pale face glistened with sweat.
He lunges at Thalia and she slams him with her shield. Luke's sword spins out of his
hands and clatters to the rocks. Thalia puts her spear point to his throat.
For a moment, there is silence. 
“Well?” Luke asks. He tries to hide it, but (Y/n) can hear the fear in his voice. 
Thalia trembles with fury.
Behind her, Annabeth comes scrambling, finally free from her bonds. Her face is bruised and streaked with dirt. "Don't kill him!"
"He's a traitor," Thalia says. "A traitor!"
In her daze, (Y/n) realizes that Artemis is no longer with her, and Percy had taken the goddess’s place at her side. The goddess had run off toward theblack rocks where Zoe had fallen.
"We'll bring Luke back," Annabeth pleads. "To Olympus. He . . . he'll be useful."
"Is that what you want, Thalia?" Luke sneers. "To go back to Olympus in triumph? To please your dad?"
Thalia hesitats, and Luke makes a desperate grab for her spear.
"No!" Annabeth shouts. But without thinking, Thalia kicks Luke away. He looses his balance, terror on his face, and then he falls.
"Luke!" Annabeth screams.
Percy helps (Y/n) as they rush to the cliff’s edge. Below them, the army from the Princess Andromeda had stopped in amazement. They are staring at Luke’s broken from from teh rocks. Despite how much (Y/n) hated him, she couldn’t stand to see it. She wants to belive the son of Hermes is still alive, but that is impossible. The fall is at least fifty feet, and he isn’t moving.
One of the giants looks up and growls, "Kill them!"
Thalia is stiff with grief, tears streaming down her cheeks. (Y/n) pulls her back as a wave of javelins sail over their heads. They run for the rocks, ignoring the curses and threats of Atlas as they pass.
"Artemis!" Percy yells.
The goddess looks up, her face almost as grief-stricken as Thalia's. Zoe lies in the goddess's arms. She is breathing. Her eyes are open. But still . . .
"The wound is poisoned," Artemis says.
"Atlas poisoned her?" Percy asks.
"No," the goddess says. "Not Atlas."
Artemis shows them the wound in Zoe’s side. (Y/n) had almost forgotten her scrape with Ladon the dragon. The bite is so much worse than Zoe had let on. (Y/n) can barely look at the wound. Zoe had charged into battle against her father with a horrible cut already sapping her strengh. 
(Y/n) feels a hand lacing through her’s. She glances over to find Annabeth standing beside her. 
“The stars,” Zoe murmurs. “I cannot see them.”
“Nectar and ambrosia,” Percy says. “Come one. We have to get her some.”
No one moves. Grief hangs in the air. Even Artemis is too shocked to stir. The demigods may have met their doom right there, but then (Y/n) hears a strang buzzing noise. 
Just as the army of monsters come over the hill, a Sopwith Camel swoops down out of the sky. 
“Get away from my daugther!” Dr. Chase calls down, and his machine guns burst to life, peppering the groud with bullet holes and startling the whole group of monsters into scattering.
“Dad?” yells Annabeth in disbelief.
“Run!” he calls back, his voice growing fainter as the biplane swoops by. 
This shakes Artemis out of her grief. She stares up at teh antique plane, which is now coming back for another strafe. 
"A brave man," Artemis says with grudging approval. "Come, We must get Zoe away from here." She raises her hunting horn to her lips, and its clear sound echoes down the valleys of Marin. Zoe's eyes are fluttering.
"Hang in there!" Percy tells her. "It'll be all right!"
The Sopwith Camel swoops down again. A few giants threw javelins, and one flew straight between the wings of the plane, but the machine guns blazed. I realized with amazement that somehow Dr. Chase must've gotten hold of celestial bronze to fashion his bullets. The first row of snake women wailed as the machine gun's volley blew them into sulfurous yellow powder.
"That's . . . my dad!" Annabeth says in amazement.
They don’t have time to admire his flying. The giants and snake women are already recovering from their surprise. Dr. Chase would be in trouble soon.
Just then, the moonlight brights, and a silver chariot appears from the sky, drawn by the most beautiful deer (Y/n) had ever seen. It lands right next to them.
"Get in," Artemis says.
Annabeth helps (Y/n) get Thalia on board, and Percy helps Artemis with Zoe. They wrap
Zoe in a blanket as Artemis pulls the reins and the chariot sped away from the mountain,
straight into the air.
"Like Santa Claus's sleigh," (Y/n) murmurs, still dazed with pain.
Artemis takes time to look back at her. "Indeed, young half-blood. And where do you think that legend came from?"
Seeing them safely away, Dr. Chase turns his biplane and follows like an honor guard. It must have been one of the strangest sights ever, even for the Bay Area: a silver flying chariot pulled by deer, escorted by a Sopwith Camel.
Behind them, the army of Kronos roars in anger as they gather on the summit of Mount Tamalpais, but the loudest sound is the voice of Atlas, bellowing curses against the gods as he struggles under the weight of the sky.
. . . 
Annabeth and (Y/n) fly along side by side on the back of the pegasai. 
“Your dad seems cool,” (Y/n) tells Annabeth. 
It was too dark to see her girlfriend’s expression. She looks back, though California is far behind them now. 
“I guess so,” Annabeth replies. “We’ve been arguing for so many years.”
“Mhmm,” (Y/n) hums. “You mentioned that.”
“You think I was lying about that?” It sounds like a challenge to (Y/n), but a pretty half-hearted one, like she is asking it of herself.
"I didn't say you were lying. It's just . . . he seems okay. Your stepmom, too. Maybe they've, uh, gotten cooler since you saw them last."
She hesitates. "They're still in San Francisco, Percy. I can't live so far from camp."
(Y/n) doesn’t want to ask her next question. She is scared to know the answer. But I asks it anyway. "So what are you going to do now?"
They fly over a town, an island of lights in the middle of the dark. It whisks by so fast they might've been in an airplane.
"I don't know," she admits. "But thank you for rescuing me."
"Hey, you’re my girlfriend. I would go through Tartarus to rescue you."
"You didn't believe I was dead?"
"Never."
She hesitates. "Neither is Luke, you know. I mean . . . he isn't dead."
(Y/n) stares at her. She doesn’t know if Annabeth is cracking under the stress or what. "Annabeth, that fall was pretty bad. There's no way —"
"He isn't dead," she insistas. "I know it. The same way you knew about me."
Word Count: 5630 Words
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thewidowsghost · 4 months
Text
The Sky (Annabeth Chase x Jackson!Reader)
After hearing Annabeth gripe about her father for the last two years, (Y/n) had expected him to have devil horns and fangs. She had not expected him to be wearing an old-fashioned aviator’s cap and goggles. He looks so strange, with his eyes bugging out through the glasses, that she, her brother Percy, Thalia, and Zoe take a step back on the back porch. 
“Hello,” he says in a friendly voice, “Are you delivering my airplanes?”
Thalia, Zoe, Percy, and (Y/n) look at each other warily. 
“Um, no, sir,” Percy says. 
“Drat,” he says. “I need three more Sopwith Camels.”
“Right,” (Y/n) says, though she has no idea what he’s talking about. “We’re, uh, friends,” - not exactly - “of Annabeth’s.”
“Annabeth?” he straightens, as if (Y/n) had just given him an electric shock. “Is she all right? Has something happened?”
None of the demigods answer, but their faces must’ve told him that something was very wrong. He takes off his cap and goggles. He has the same sandy-colored hair as Annabeth, and intense brown eyes. He’s handsome, for an older guy, but it looks as though he hadn’t shaved in a couple of days, and his shirt is buttoned wrong, so one side of his collar sticks up higher than the other side. 
“You’d better come in,” Dr. Chase says grimly. 
The Chase’s house smells like fresh-baked chocolate chip cookies and jazz music is coming from the kitchen. It seems like a messy, happy kind of home – the kind of place that someone had lived in forever.
“Dad!” a little boy screams. “He’s taking apart my robots!”
“Bobby,” Dr. Chase calls absently, “don’t take apart your brother’s robots.”
“I’m Bobby,” the little boy protests. “He’s Matthew!”
“Mathew,” Dr. Chase calls, “don’t take apart your brother’s robots.”
“Okay, Dad!”
Dr. Chase turns to us. “We’ll go upstairs to my study. This way.”
“Honey?” a woman calls. Annabeth’s stepmother appears in the living room, wiping her hands on a dish towel. “Who are our guests?” she asks. 
“Oh,” Dr. Chase says. “This is . . .” He stares blankly at the demigods.
“Frederick,” she chides. “You forgot to ask them their names?”
The demigods introduce themselves a little uneasily, but Mrs. Chase seems nice to (Y/n). She asks if the demigods were hungry, and they admit that they were, and she lets them know she’d bring up some cookies, sandwiches, and sodas. 
“Dear,” Dr. Chase says. “They came about Annabeth?”
(Y/n) half expects Mrs. Chase to turn into a raving lunatic at the mention of her stepdaughter, but she just purses her lips and looks concerned. “All right. Go on up to the study, and I’ll bring you some food.” Her gaze rests knowingly on (Y/n), and she smiles at the daughter of Poseidon. “Nice meeting you, (Y/n). I’ve heard a lot about you.”
Upstairs, they walk into Dr. Chase’s study, and a gasp of amazement escapes from (Y/n)’s lips. 
The room is wall-to-wall books, but what really catches (Y/n)’s attention are the war models. There is a huge table with miniature tanks and soldiers fighting along a blue painted river, with hills and fake trees and stuff. Old-fashioned biplanes hang on strings from the ceiling, tilted at crazy angles like they were in the middle of a dogfight.
Dr. Chase smiles. "Yes. The Third Battle of Ypres. I'm writing a paper, you see, on the use of Sopwith Camels to strafe enemy lines. I believe they played a much greater role than they've been given credit for."
He plucks a biplane from its string and sweeps it across the battlefield, making airplane engine noises as he knocks down little German soldiers. 
(Y/n) smiles slightly, looking up at her girlfriend’s father. 
Zoe comes over and studies the battlefield. “The German lines were farther from the river.”
Dr. Chase stares at her. “How do you know that?”
"I was there," she says matter-of-factly. "Artemis wanted to show us how horrible war was, the way mortal men fight each other. And how foolish, too. The battle was a complete waste."
Dr. Chase opens his mouth in shock. “You –”
“She’s a Hunter, sir,” Thalia says. “But that’s not wy we’re here. We need –”
"You saw the Sopwith Camels?" Dr. Chase says. "How many were there? What formations did they fly?"
“Sir,” (Y/n) breaks in this time. “Annabeth, sh-she’s in danger.”
That gets his attention. He sets the biplane down.
“Of course,” he says. “Tell me everything.”
It isn’t easy, but they try. Meanwhile, the afternoon light is fading outside. 
The demigods were running out of time.
When they'd finished, Dr. Chase collapses in his leather recliner. He laces his hands. "My poor brave Annabeth. We must hurry."
"Sir, we need transportation to Mount Tamalpais," Zoe says. "And we need it immediately."
"I'll drive you. Hmm. it would be faster to fly in my Camel, but it only seats two."
"Whoa, you have an actual biplane?" Percy asks.
"Down at Crissy Field," Dr. Chase says proudly. "That's the reason I had to move here. My sponsor is a private collector with some of the finest World War I relics in the world. He let me restore the Sopwith Camel—"
Sir," (Y/n) says. "Just a car would be great. And it might be better if we went without you. It's too dangerous."
Dr. Chase frowns uncomfortably. “Now wait a minute, young lady. Annabeth is my daughter. Dangerous or not, I . . . I can’t just –”
"Snacks," Mrs. Chase announces. She pushes through the door with a tray full of peanut-butter-and-jelly sandwiches and Cokes and cookies fresh out of the oven, the chocolate chips still gooey. Thalia and Percy inhale a few cookies while Zoe says, "I can drive, sir. I'm not as young as I look. I promise not to destroy your car."
Mrs. Chase knits her eyebrows. "What's this about?"
“Annabeth is in danger,” Dr. Chase says. “On Mount Tam. I would drive them . . . but apparently it’s no place for mortals.”
It sounds to (Y/n) like it was really hard for him to get that last part out.
(Y/n) waits for Mrs. Chase to say no, but to her surprise, Mrs. Chase just nods. “Then they’d better get going.”
“Right!” Dr. Chase jumps and starts patting his pockets. “My keys . . .”
His wife sighs. "Frederick, honestly. You'd lose your head if it weren't wrapped inside your aviator hat. The keys are hanging on the peg by the front door."
“Right!” Dr. Chase says. 
Zoe and (Y/n) each grab a sandwich. “Thank you both,” Zoe says. “We should go. Now!”
The four hustle out the door and down the stairs, the Chases right behind them. 
“(Y/n)” Mrs. Chase calls as they’re leaving, “tell Annabeth . . . tell her she still has a home here, will you? Remind her of that.”
(Y/n) takes one last look at the messy living room - Annabeth’s half brothers spilling LEGOs and arguing, and the smell of cookies filling the air. Not a bad place, she thinks. 
“I’ll tell her,” (Y/n) replies, smiling slightly at her girlfriend’s stepmother. 
They run out to the yellow Volkswagen convertible parked in the driveway. The sun is going down, and (Y/n) figures they have less than an hour to save Annabeth.
. . . 
At the top of the mountain are ruins, blocks of black granite and marble as big as houses. Broken columns. Statues of bronze that look as though they’d been half melted. 
“The ruins of Mount Othrys,” Thalia whispers in awe. 
“Yes,” Zoe says. “It was not here before. This is bad.”
“What’s Mount Othrys?” Percy asks, feeling like a fool as usual.
“The mountain fortress of the Titans,” Zoe explains. “In the first war, Olympus and Othrys were the two rival capitals of the world. Othrys was –” she winces and holds her side. 
“You’re hurt,” (Y/n) says, ignoring her own possibly cracked ribs. “Let me see.”
“No!” Zoe protests. “It is nothing. I was saying... in the first war, Othrys was blasted to pieces.”
“But . . . how is it here?”
Thalia looks around cautiously as they pick their way through the rubble, past blocks of marble and broken archways. "It moves in the same way that Olympus moves. It always exists on the edges of civilization. But the fact that it is here, on this mountain, is not good."
“Why?”
"This is Atlas's mountain," Zoe says. "Where he hold s—" She freezes. Her voice is ragged with despair. "Where he used to hold up the sky."
They had reached the summit of the mountain. A few yards ahead of them, gray clouds swirl in a heavy vortex, making a funnel cloud that almost touches the mountaintop, but instead rests on the shoulders of a twelve-year-old girl with auburn hair and a tattered silvery dress: Artemis, her legs bound to the rock with celestial bronze dreams. This is what (Y/n) had seen in her dream - though it hadn't been a cavern roof that Artemis was forced to hold. 
It was the weight of the world.
"My lady!" Zoe rushes forward. 
But Artemis says, "Stop! It is a trap. You must leave now." Her voice is strained, and she is drenched in sweat. (Y/n) had never seen a goddess in pain before, but the weight of the sky is clearly too much for Artemis.
Zoe is crying. She runs forward, despite Artemis’s protests, and tugs at the chains. 
A booming voice speaks behind them: “Ah, how touching.”
They turn. 
The General is staging there in his brown suit. At his side are Luke - and half a dozen dracaenae bearing the weight of the golden sarcophagus of Kronos. 
Annabeth stands at Luke’s side - her hands cuffed behind her back, a gag in her mouth, and Luke is holding the point of his sword to her throat. 
(Y/n) meets her girlfriend’s gaze, her sword, Tsunami, still in pen form in her hand, a thousand questions running through her head. There is one message Annabeth is sending her, however: RUN!
(Y/n)’s face hardens. “Luke,” (Y/n) snarls. “Let her go.”
Luke’s smile is pale and weak. “That is the General’s decision, (Y/n). But it’s good to see you again.”
(Y/n) spats at him. 
The general chuckles. “So much for old friends. And you, Zoe. it’s been a long time. How’s my little traitor? I will enjoy killing you.”
“Do not respond,” Artemis groans. “Do not challenge him.”
“Wait a second,” Percy says. “You’re Atlas?”
The General glances at him. "So, even the stupidest of heroes can finally figure something out. Yes, I am Atlas, the general of the Titans and terror of the gods. Congratulations. I will kill you presently, as soon as I deal with this wretched girl."
“You’re not going to hurt anyone,” Percy says, and (Y/n) grunts her agreement. “We won’t let you.”
The General sneers. “You have no right to interfere, little heroes. This is a family matter.”
Percy frowns. “A family matter?”
“Yes,” Zoe says bleakly. “Atlas is my father.”
The terrible thing is: (Y/n) can see the resemblance. Atlas has the same regal expression as Zoe, the same cold proud look in his eyes that Zoe sometimes got when she was mad, though on him, it looks a thousand times more evil. The Titan was all the things (Y/n) had originally disliked about Zoe, with none of the good she’d come to appreciate in her friend. 
"Let Artemis go," Zoe demands.
Atlas walks closer to the chained goddess. "Perhaps you'd like to take the sky for her, then? Be my guest."
Zoe opens her mouth to speak, but Artemis says, "No! Do not offer, Zoe! I forbid you."
Atlas smirks. He kneels next to Artemis and tries to touch her face, but the goddess bites at him, almost taking off his fingers.
"Hoo-hoo," Atlas chuckles. "You see, daughter? Lady Artemis likes her new job. I think I will have all the Olympians take turns carrying my burden, once Lord Kronos rules again, and this is the center of our palace. It will teach those weaklings some humility."
(Y/n) looks at Annabeth. She is desperately trying to tell (Y/n) something. She motions her head towards Luke. But all (Y/n) can do is stare at her. (Y/n) hadn't noticed before, but something about her had changed. Her beautiful blond hair was now streaked with gray - but that didn’t make Annabeth look less beautiful in (Y/n)’s eyes. 
"From holding the sky," Thalia mutters, as if she'd (Y/n)’s mind. "The weight should've killed her."
"I don't understand," Percy says. "Why can't Artemis just let go of the sky?"
Atlas laughs. "How little you understand, young one. This is the point where the sky and the earth first met, where Ouranos and Gaia first brought forth their mighty children, the Titans. The sky still yearns to embrace the earth. Someone must hold it at bay, or else it would crush down upon this place, instantly flattening the mountain and everything within a hundred leagues. Once you have taken the burden, there is no escape." Atlas smiles. "Unless someone else takes it from you." He approaches the group, studying Thalia, (Y/n), and Percy. "So these are the best heroes of the age, eh? Not much of a challenge."
"Fight us," (Y/n) spits. "And let's see."
"Have the gods taught you nothing? An immortal does not fight a mere mortal directly. It is beneath our dignity. I will have Luke crush you instead."
"So you're another coward," (Y/n) snickers.
Atlas's eyes glow with hatred. With difficulty, he turns his attention to Thalia. "As for you, daughter of Zeus, it seems Luke was wrong about you."
"I wasn't wrong," Luke managed. He looked terribly weak, and he spoke every word as if it were painful. If (Y/n) didn't hate his guts so much, she almost would've felt sorry for him. "Thalia, you still can join us. Call the Ophiotaurus. It will come to you. Look!"
He waves his hand, and next to us a pool of water appears: a pond ringed in black marble, big enough for the Ophiotaurus. Percy can imagine Bessie in that pool. In fact, the more I thought about it, the more he was sure he could hear Bessie mooing.
Don't think about him! Suddenly Grover's voice is inside my mind—the empathy link. Percy could feel his emotions. He is on the verge of panic. I'm losing Bessie. Block the thoughts!
Percy tries to make his mind go blank. He tries to think about basketball players, skateboards, and the different kinds of candy in my mom's shop. Anything but Bessie.
"Thalia, call the Ophiotaurus," Luke persists. "And you will be more powerful than the gods."
"Luke . . ." Her voice is full of pain. "What happened to you?"
"Don't you remember all those times we talked? All those times we cursed the gods?
Our fathers have done nothing for us. They have no right to rule the world!"
Thalia shakes her head. "Free Annabeth. Let her go."
"If you join me," Luke promises, "it can be like old times. The three of us together. Fighting for a better world. Please, Thalia, if you don't agree . . ."His voice falters. "It's my last chance. He will use the other way if you don't agree. Please."
(Y/n) doesn’t know what he means, but the fear in his voice sounds real enough. She could believe that Luke was in danger.
His life depends on Thalia's joining his cause. And (Y/n) is afraid Thalia might believe it, too.
"Do not, Thalia," Zoe warns. "We must fight them."
Luke waves his hand again, and a fire appears. A bronze brazier, just like the one at
camp. A sacrificial flame.
"Thalia," (Y/n) mutters. "No."
Behind Luke, the golden sarcophagus begins to glow. As it did, (Y/n) sees images in the mist
all around us: black marble walls rising, the ruins becoming whole, a terrible and beautiful
palace rising around them, made of fear and shadow.
"We will raise Mount Othrys right here," Luke promises, in a voice so strained it is hardly his. "Once more, it will be stronger and greater than Olympus. Look, Thalia. We are not weak."
He points toward the ocean, and (Y/n)’s heart falls. Marching up the side of the mountain, from the beach where the Princess Andromeda was docked, is a great army. Dracaenae and
Laestrygonians, monsters and half-bloods, hellhounds, harpies, and other things (Y/n) can’t even name. The whole ship must've been emptied, because there are hundreds, many more than (Y/n) had seen on board last summer. And they are marching toward the mountain. In a few minutes, they would be there.
"This is only a taste of what is to come," Luke says "Soon we will be ready to storm Camp Half-Blood. And after that, Olympus itself. All we need is your help."
For a terrible moment, Thalia hesitates. She gazes at Luke, her eyes full of pain, as if the only thing she wants in the world is to believe him. Then she levels her spear. "You aren't Luke. I don't know you anymore."
"Yes, you do, Thalia," he pleads. "Please. Don't make me . . . Don't make him destroy you."
There is no time. If that army gets to the top of the hill, we would be overwhelmed. (Y/n) meets her girlfriend’s eyes again. Annabeth nods.
(Y/n) looks at Percy, Thalia, and Zoe, and she decides it wouldn't be the worst thing in the world to die fighting with friends like this.
"Now," (Y/n) says, and together, they charge.
Thalia goes straight for Luke. The power of her shield is so great that his dragon- women bodyguards flee in a panic, dropping the golden coffin and leaving him alone. But despite his sickly appearance, Luke is still quick with his sword. He snarls like a wild animal and counterattacks. When his sword, Backbiter, met Thalia's shield, a ball of lightning erupted between them, frying the air with yellow tendrils of power.
As for (Y/n), she does the stupidest thing in her life - which is saying a lot. She attacks the Titan Lord Atlas.
He laughs as (Y/n) approaches, her sword Tsunami springing to life in her hands. A massive javelin appears in Atlas’s hands and his silk suit melts into full Greek battle armor. “Go on, then!”
“(Y/n)!” Zoe calls. “Beware!”
(Y/n) knows what Zoe is warning her about. Chiron had told her a long time ago: Immortals are constrained by ancient rules. But a hero can go anywhere, challenge anyone, as long as she has the nerve. Once (Y/n) attacked, however, Atlas would be free to attack back directly with all his might. 
(Y/n) swings her sword, but Atlas knocks her aside with the shaft of his javelin. (Y/n) flies through the air, and slams into a black wall. It isn’t Mist anymore. The palace is rising, brick by brick. It’s becoming real.
“Fool!” Atlas screams gleefully, swatting aside one of Zoe’s arrows. “Did you think, simply because you could challenge that petty war god, that you could stand up to me?” 
The mention of Ares sets a jolt through (Y/n), and, ignoring her throbbing ribs, she shakes off her daze and charges again. 
The javelin’s point slashes towards (Y/n) like a scythe. She raises Tsunami, planning to cut off the Titan’s weapon at the shaft, but her arm feels like lead. Suddenly, the sword weighs a ton. 
And then (Y/n) remembers Ares's warning, spoken on the beach in Los Angeles so long ago:
When you need it most, your sword will fail you.
Not now! (Y/n) pleads. But it is no good. She tries to dodge, but the javelin catches her in the chest and sends (Y/n) flying like a rag doll. (Y/n) slams into the ground, her head spinning. (Y/n) looks up and finds herself at the feet of Artemis, still straining under the weight of the sky.
“Run, girl,” she tells (Y/n). “You must run!”
Atlas is taking his time coming towards (Y/n). My sword is gone. It had skittered away over the edge of the cliff. It might reappear in her pocket—maybe in a few seconds—but it doesn’t matter. (Y/n) would be dead by then. Luke and Thalia are fighting like demons, lightning crackling around them. Percy is fighting the dracaenae, and Annabeth is on the ground, desperately struggling to free her hands.
“Die, little hero!” Atlas says. He raises his javelin to impale (Y/n). 
“No!” Zoe yells, and volley of silver arrows sprout from the armpit chink in Atlas’s armor. 
“ARGH!” he bellows and turns back towards his daughter. 
(Y/n) reaches down and feels Tsunami back in her pocket. She couldn’t fight Atlas, even with a sword. And then a chill goes down her back. She remembers the words of the prophecy: The Titan’s curse must one withstand. (Y/n) couldn’t hope to beat Atlas, but there is someone who might stand a chance. 
“The sky,” (Y/n) tells the goddess. “Give it to me.”
"No, girl," Artemis says. Her forehead is beaded with metallic sweat, like quicksilver. "You don't know what you're asking. It will crush you!"
"Annabeth took it!"
"She barely survived. She had the spirit of a true huntress. You will not last so long."
"I'll die anyway," (Y/n) replies. "Give me the weight of the sky!"
(Y/n) doesn’t wait for her answer. She takes out Tsunami and slashes through her chains. Then she steps next to her and braces herself on one knee—holding up her hands—and touches the cold, heavy clouds. For a moment, Artemis and (Y/n) bare the weight together. It was the heaviest thing she'd ever felt, as if (Y/n) was being crushed under a thousand trucks. She wanted to black out from the pain, but (Y/n) breathes deeply. I can do this.
Then Artemis slips out from under the burden, and (Y/n) holds it alone. 
Every muscle in (Y/n)’s body turns to fire. Her bones feel like they’re melting. She wants to scream, but she doesn’t have the strength to open her mouth. She begins to sink, lower and lower to the ground, the sky’s weight crushing her.
(Y/n) concentrates on breathing. (Y/n) thinks about Bianca, who’d given her life so they could get to this moment. If she could do that, then (Y/n) could hold the sky.
(Y/n)’s vision turns fuzzy. Everything is tinged with red. She catches glimpses of the battle, but she isn’t sure if she is seeing anything clearly. There is Atlas in full battle armor, jabbing with his javelin, laughing insanely as he fights. And Artemis, a blur of silver. She has two wicked hunting knives, each as long as her arm, and she slashes wildly at the Titan, dodging and leaping with unbelievable grace. She seems to change form as she maneuvers. She is a tiger, a gazelle, a bear, a falcon. Or perhaps that was just (Y/n)’s fevered brain. Zoe shoots arrows at her father, aiming for the chinks in his armor. He roars in pain each time one finds its mark, but they affect him like bee stings. He just gets madder and keeps fighting.
Thalia and Luke go spear on sword, lighting still flashing around them. Thalia presses Luke back with the aura of her shield. Even he is not immune to it. He retreats, wincing and growing in frustration. 
"Yield!" Thalia yells. "You never could beat me, Luke."
He bares his teeth. "Well see, my old friend."
Sweat pours down (Y/n)’s face. Her hands are slippery. Her shoulders would've screamed with agony if they could. (Y/n) feels like the vertebrae in her spine are being welded together by a blowtorch.
In her daze, (Y/n) can’t place Percy’s or Annabeth’s positions. She watches, however, as Artemis advances. The goddess was fast, but the Titan’s strength is impossible. His javelin slammed into the earth where Artemis had been a split second before, and a fissure opens in the rocks. He leaps over it and keeps pursuing her. The goddess was leading him back towards (Y/n). 
Get ready, the goddess speaks in her mind. 
(Y/n) is loosing the abulity to think through the pain in her ribs. Her responce is somthing like agggghh-owwwww.
“You fight well for a girl,” Atlas laughs. “But you are no match for me.”
He feints with teh tip of his javelin and Artemis dodges. (Y/n) sees the trick coming. Atlas’s javelin sweeps around and knocks Artemis’s legs off the ground. She falls, and Atlas brings up his javelin tip for the kill. 
"No!" Zoe screams. She leaps between her father and Artemis and shoots an arrow straight into the Titan's forehead, where it lodges like a unicorn's horn. Atlas bellows in rage. He sweeps aside his daughter with the back of his hand, sending her flying into the black rocks.
(Y/n) wasnts to shout her name, or run to her friend’s aid, but she can’t speak or move. She couldn’t even see where Zoe had landed. Then Atlas turns on Artemis with a look of triumph in his face. Artemis seems to be wounded. And she doesn’t get up. 
"The first blood in a new war," Atlas gloats. And he stabs downward.
As fast as thought, Artemis grabs his javelin shaft. It hits the earth right next to her and she pulls backward, using the javelin like a lever, kicking the Titan Lord and sending him flying over her, (Y/n) sees him coming down on top of her and she realizes what would happen. (Y/n) loosened her hold on the sky, and as Atlas slams into her, she doesn’t try to hold on. (Y/n) lets herself be pushed out of the way and she rolls.
The weight of the sky drops onto Atlas’s back, almost smashing him flat until he manages to get to his kness, strugging to get out from under the crushing weight of the sky. But it is too late. 
"Noooooo!" He bellows so hard it shakes the mountain. "Not again!"
Atlas is trapped under his old burden. (Y/n) tried to stand and fell back again, dazed from pain. Her body feels like it was burning up.
Thalia backs Luke to the edge of a cliff, but still they fought on, next to the golden coffin. Thalia has tears in her eyes. Luke has a bloody slash across his chest and his pale face glistened with sweat.
He lunges at Thalia and she slams him with her shield. Luke's sword spins out of his
hands and clatters to the rocks. Thalia puts her spear point to his throat.
For a moment, there is silence. 
“Well?” Luke asks. He tries to hide it, but (Y/n) can hear the fear in his voice. 
Thalia trembles with fury.
Behind her, Annabeth comes scrambling, finally free from her bonds. Her face is bruised and streaked with dirt. "Don't kill him!"
"He's a traitor," Thalia says. "A traitor!"
In her daze, (Y/n) realizes that Artemis is no longer with her, and Percy had taken the goddess’s place at her side. The goddess had run off toward theblack rocks where Zoe had fallen.
"We'll bring Luke back," Annabeth pleads. "To Olympus. He . . . he'll be useful."
"Is that what you want, Thalia?" Luke sneers. "To go back to Olympus in triumph? To please your dad?"
Thalia hesitats, and Luke makes a desperate grab for her spear.
"No!" Annabeth shouts. But without thinking, Thalia kicks Luke away. He looses his balance, terror on his face, and then he falls.
"Luke!" Annabeth screams.
Percy helps (Y/n) as they rush to the cliff’s edge. Below them, the army from the Princess Andromeda had stopped in amazement. They are staring at Luke’s broken from from teh rocks. Despite how much (Y/n) hated him, she couldn’t stand to see it. She wants to belive the son of Hermes is still alive, but that is impossible. The fall is at least fifty feet, and he isn’t moving.
One of the giants looks up and growls, "Kill them!"
Thalia is stiff with grief, tears streaming down her cheeks. (Y/n) pulls her back as a wave of javelins sail over their heads. They run for the rocks, ignoring the curses and threats of Atlas as they pass.
"Artemis!" Percy yells.
The goddess looks up, her face almost as grief-stricken as Thalia's. Zoe lies in the goddess's arms. She is breathing. Her eyes are open. But still . . .
"The wound is poisoned," Artemis says.
"Atlas poisoned her?" Percy asks.
"No," the goddess says. "Not Atlas."
Artemis shows them the wound in Zoe’s side. (Y/n) had almost forgotten her scrape with Ladon the dragon. The bite is so much worse than Zoe had let on. (Y/n) can barely look at the wound. Zoe had charged into battle against her father with a horrible cut already sapping her strengh. 
(Y/n) feels a hand lacing through her’s. She glances over to find Annabeth standing beside her. 
“The stars,” Zoe murmurs. “I cannot see them.”
“Nectar and ambrosia,” Percy says. “Come one. We have to get her some.”
No one moves. Grief hangs in the air. Even Artemis is too shocked to stir. The demigods may have met their doom right there, but then (Y/n) hears a strang buzzing noise. 
Just as the army of monsters come over the hill, a Sopwith Camel swoops down out of the sky. 
“Get away from my daugther!” Dr. Chase calls down, and his machine guns burst to life, peppering the groud with bullet holes and startling the whole group of monsters into scattering.
“Dad?” yells Annabeth in disbelief.
“Run!” he calls back, his voice growing fainter as the biplane swoops by. 
This shakes Artemis out of her grief. She stares up at teh antique plane, which is now coming back for another strafe. 
"A brave man," Artemis says with grudging approval. "Come, We must get Zoe away from here." She raises her hunting horn to her lips, and its clear sound echoes down the valleys of Marin. Zoe's eyes are fluttering.
"Hang in there!" Percy tells her. "It'll be all right!"
The Sopwith Camel swoops down again. A few giants threw javelins, and one flew straight between the wings of the plane, but the machine guns blazed. I realized with amazement that somehow Dr. Chase must've gotten hold of celestial bronze to fashion his bullets. The first row of snake women wailed as the machine gun's volley blew them into sulfurous yellow powder.
"That's . . . my dad!" Annabeth says in amazement.
They don’t have time to admire his flying. The giants and snake women are already recovering from their surprise. Dr. Chase would be in trouble soon.
Just then, the moonlight brights, and a silver chariot appears from the sky, drawn by the most beautiful deer (Y/n) had ever seen. It lands right next to them.
"Get in," Artemis says.
Annabeth helps (Y/n) get Thalia on board, and Percy helps Artemis with Zoe. They wrap
Zoe in a blanket as Artemis pulls the reins and the chariot sped away from the mountain,
straight into the air.
"Like Santa Claus's sleigh," (Y/n) murmurs, still dazed with pain.
Artemis takes time to look back at her. "Indeed, young half-blood. And where do you think that legend came from?"
Seeing them safely away, Dr. Chase turns his biplane and follows like an honor guard. It must have been one of the strangest sights ever, even for the Bay Area: a silver flying chariot pulled by deer, escorted by a Sopwith Camel.
Behind them, the army of Kronos roars in anger as they gather on the summit of Mount Tamalpais, but the loudest sound is the voice of Atlas, bellowing curses against the gods as he struggles under the weight of the sky.
. . . 
Annabeth and (Y/n) fly along side by side on the back of the pegasai. 
“Your dad seems cool,” (Y/n) tells Annabeth. 
It was too dark to see her girlfriend’s expression. She looks back, though California is far behind them now. 
“I guess so,” Annabeth replies. “We’ve been arguing for so many years.”
“Mhmm,” (Y/n) hums. “You mentioned that.”
“You think I was lying about that?” It sounds like a challenge to (Y/n), but a pretty half-hearted one, like she is asking it of herself.
"I didn't say you were lying. It's just . . . he seems okay. Your stepmom, too. Maybe they've, uh, gotten cooler since you saw them last."
She hesitates. "They're still in San Francisco, Percy. I can't live so far from camp."
(Y/n) doesn’t want to ask her next question. She is scared to know the answer. But I asks it anyway. "So what are you going to do now?"
They fly over a town, an island of lights in the middle of the dark. It whisks by so fast they might've been in an airplane.
"I don't know," she admits. "But thank you for rescuing me."
"Hey, you’re my girlfriend. I would go through Tartarus to rescue you."
"You didn't believe I was dead?"
"Never."
She hesitates. "Neither is Luke, you know. I mean . . . he isn't dead."
(Y/n) stares at her. She doesn’t know if Annabeth is cracking under the stress or what. "Annabeth, that fall was pretty bad. There's no way —"
"He isn't dead," she insistas. "I know it. The same way you knew about me."
Word Count: 5630 Words
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thewidowsghost · 4 months
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Percy Jackson and the Olympians is already out on my Disney+
US EST check yours!!!!!
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thewidowsghost · 5 months
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Lovestruck (Lena Luthor x Fem!Danvers!Reader)
@sashawalker2 asked:
I'd like to request this. Fem Reader X Lena Luthor Prompt: “You are my best friend” Idea: Reader is Lena Luthor's best friend. A sweet fluffy fic. Imagine the two going off on holiday and just being very sweet to each other.
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"It's so cute that you're going on vacation with Lena," Alex comments, nudging her sister with a shoulder.
(Y/n) looks up from the new suit she was making for Kara – stitching the new emblem into the fabric.
"Of course, Lena and I do everything together. She's my best friend," (Y/n) replies.
"You're so oblivious," Alex replies, (Y/n) going back to her stitchwork.
"What?" (Y/n) replies, distractedly.
"Oblivious," Alex says.
"About what?" (Y/n) asks, looking up at her sister.
"Lena likes you," Alex says.
"Haha," (Y/n) turns back to her work again. "You're funny Alex, she's just my friend."
. . .
"I'm so glad you've decided to join me on holiday," Lena says, her and (Y/n) settling down on their shared couch in their shared apartment. Lena props her head up with her hand as she gazes at (Y/n), her ginger cat, Apollo, sleeping in her lap.
(Y/n) takes a sip from her glass of water. "It'll be fun," she smiles warmly.
(Y/n)'s puppy, a golden retriever named Cosmo, bounds over to the couch. Both (Y/n) and Cosmo look at Lena, pulling off very similar puppy-dog eyes.
Lena's expression softens as she meets (Y/n)'s gaze. "Fine," Lena finally gives in.
"Up, Cosmo," (Y/n) calls the dog up onto the couch.
Cosmo jumps up onto the couch, lying his head in Lena's lap.
"I still can't believe I let you get a dog in our apartment," Lena strokes Cosmo's ears.
"He's our dog," (Y/n) replies, allowing her head to tilt slightly, something that Lena finds very cute. "And you already had a cat before I even moved in."
"Hey, would you mind –" Lena begins.
"I gotcha," (Y/n) replies. She pats Cosmo's back, and gets off the couch.
This was a common occurrence in the household – Cosmo would beg to be let onto the couch, Lena would complain affectionately about Cosmo wanting to get on the couch, Lena would let Cosmo up, the dog would rest his head on Lena's knee, and then Lena would request a glass of wine.
"Cabernet?" (Y/n) asks and Lena grins slightly.
"You know me so well," Lena replies.
(Y/n) moves to the kitchen, reaches into the wine cabinet, and pulls out a bottle of Cabernet. "This one?" (Y/n) asks, lifting the bottle high enough for Lena to see.
"The other one," Lena replies.
(Y/n) hums grabbing the other bottle and pouring a glass, bringing it over to Lena.
. . .
Soft snores escape (Y/n)'s slightly open mouth.
"So oblivious," Lena mutters, running her fingers through (Y/n)'s hair.
Cosmo lifts his head from his place in (Y/n)'s lap, letting his tongue loll out of his mouth.
"I think you know it too, boy," Lena reaches over and scratches behind the retriever's ears.
. . .
(Y/n) stumbles sleepily down the hall, yawning as she heads towards the coffee maker.
"Already made," Lena appears at (Y/n)'s shoulder holding a mug of coffee, and (Y/n) jumps.
(Y/n) takes the mug from Lena, and sips from the coffee. (Y/n) makes a murmur of contentment, taking another sip of the coffee. "It's perfect," (Y/n) says. "How'd you know –"
"I like you!" Lena blurts out, and (Y/n) stops, her eyes widening.
"What?" (Y/n) asks. "I thought Alex was joking."
"Excuse me," Lena looks confused.
"I was working on Kara's suit, and she said something about you liking me," (Y/n)'s cheeks begin to feel hot. "I thought she was just messing with me."
"I do like you! A lot!" Lena says. "You just never seemed to notice."
There is a silence before Lena looks up at (Y/n), watching her cheeks darken.
"I, uh, like you too," (Y/n) says softly. "And like," she scrambles for the words, "not just in a friend way."
Lena lets out a laugh of relief.
"So," (Y/n) looks up from her mug of coffee. "What do we do now? I've never done this before."
Lena snorts with amusement. "I think we go on our vacation, and have fun. And then we come back and tell our friends."
"Tell them what?" (Y/n) asks cluelessly.
Lena lets out a 'pfft' noise and just shakes her head fondly. "Nothing you should worry your cute little head about," Lena replies. "Now, let's go. We're going to be late."
"Isn't it your private jet?" (Y/n) says.
Lena just holds back her chuckle as Apollo follows her down the hall to her bedroom.
Word Count: 807 words
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thewidowsghost · 5 months
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Seeing the Beauty (Piper McLean x Fem!Jackson!Reader) - Chapter 14
Series Masterlist
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Piper dreams she's back in Medea's department store. "Please let this be a dream," she mutters, "and not my eternal punishment."
"No, dear," says a woman's honey-sweet voice. "No punishment."
Piper turns, afraid she'd see Medea, but a different woman stands next to her, browsing through the fifty-percent-off rack.
The woman is gorgeous — shoulder-length hair, a graceful neck, perfect features, and an amazing figure tucked into jeans and a snowy white top.
Piper had seen her share of actresses — most of her dad's dates were knockout beautiful — but this lady is different. She's elegant without trying, fashionable without effort, stunning without makeup. After seeing Aeolus with his silly face-lifts and cosmetics, Piper thinks this woman looked even more astonishing. There's nothing artificial about her.
As Piper watches, the woman's appearance changes. Piper can't decide the color of her eyes, or the exact color of her hair. The woman becomes more and more beautiful, as if her image is aligning itself to Piper's thoughts — getting as close as possible to Piper's ideal of beauty.
"Aphrodite," Piper says. "Mom?"
The goddess smiles. "You're only dreaming, my sweet. If anyone wonders, I wasn't here. Okay?"
"I —" Piper wants to ask a thousand questions, but they all crowd together in her head.
Aphrodite holds up a turquoise dress. Piper thinks it looked awesome, but the goddess makes a face. "This isn't my color, is it? Pity, it's cute. Medea really does have some lovely things here."
"This — this building exploded," Piper stammers. "I saw it."
"Yes," Aphrodite agreed. "I suppose that's why everything's on sale. Just a memory, now." The goddess gestures around the department store. "You have other trials to face, my sweet. Medea will be back, along with many other enemies. The Doors of Death have opened."
"What do you mean?"
Aphrodite winks at her. "You're a smart one, Piper. You know."
A cold feeling settles over her. "The sleeping woman, the one Medea and Midas called their patron. She's managed to open a new entrance from the Underworld. She's letting the dead escape back into the world."
"Mmm. And not just any dead. The worst, the most powerful, the ones most likely to hate the gods."
"The monsters are coming back from Tartarus the same way," Piper guesses. "That's why they don't stay disintegrated."
"Yes, their patron, as you call her, has a special relationship with Tartarus, the spirit of the pit." Aphrodite holds up a gold sequined top. "No . . . this would make me look ridiculous."
Piper laughs uneasily. "You? You can't look anything but perfect."
"You're sweet," Aphrodite says. "But beauty is about finding the right fit, the most natural fit. To be perfect, you have to feel perfect about yourself — avoid trying to be something you're not. For a goddess, that's especially hard. We can change so easily."
"My dad thought you were perfect." Piper's voice quavers. "He never got over you."
Aphrodite's gaze becomes distant. "Yes . . . Tristan. Oh, he was amazing. So gentle and kind, funny and handsome. Yet he had so much sadness inside."
"Could we please not talk about him in the past tense?"
"I'm sorry, dear. I didn't want to leave your father, of course. It's always so hard, but it was for the best. If he had realized who I actually was —"
"Wait — he didn't know you were a goddess?"
"Of course not." Aphrodite sounds offended. "I wouldn't do that to him. For most mortals, that's simply too hard to accept. It can ruin their lives! Ask your friend Jason. His poor mother was destroyed when she found out she'd fallen in love with Zeus. No, it was much better Tristan believed that I was a mortal woman who left him without explanation. Better a bittersweet memory than an immortal, unattainable goddess. Which brings me to an important matter . . ." She opens her hand and shows Piper a glowing glass vial of pink liquid. "This is one of Medea's kinder mixtures. It erases only recent memories. When you save your father, if you can save him, you should give him this."
Piper can't believe what she was hearing. "You want me to dope my dad? You want me to make him forget what he's been through?"
Aphrodite holds up the vial. The liquid casts a pink glow over her face. "Your father acts confident, Piper, but he walks a fine line between two worlds. He's worked his whole life to deny the old stories about gods and spirits, yet he fears those stories might be real. He fears that he's shut off an important part of himself, and someday it will destroy him. Now he's been captured by a giant. He's living a nightmare. Even if he survives . . . if he has to spend the rest of his life with those memories, knowing that gods and spirits walk the earth, it will shatter him. That's what our enemy hopes for. She will break him, and thus break your spirit."
Piper wants to shout that Aphrodite was wrong. Her dad is the strongest person she knew. Piper would never take his memories the way Hera had taken (Y/n)'s.
But somehow she can't stay angry with Aphrodite. She remembers what her dad had said months ago, at the beach at Big Sur: If I really believed in Ghost Country, or animal spirits, or Greek gods . . . I don't think I could sleep at night. I'd always be looking for somebody to blame.
Now Piper wants someone to blame, too.
"Who is she?" Piper demands. "The one controlling the giants?"
Aphrodite purses her lips. She moves to the next rack, which holds battered armor and ripped togas, but Aphrodite looks through them as if they were designer outfits.
"You have a strong will," she muses. "I'm never given much credit among the gods. My children are laughed at. They're dismissed as conceited and shallow."
"Some of them are."
Aphrodite laughs. "Granted. Perhaps I'm conceited and shallow, too, sometimes. A girl has to indulge. Oh, this is nice." She picks up a burned and stained bronze breastplate and holds it up for Piper to see. "No?"
"No," Piper said. "Are you going to answer my question?"
"Patience, my sweet," the goddess says. "My point is that love is the most powerful motivator in the world. It spurs mortals to greatness. Their noblest, bravest acts are done for love."
Piper pulls out her dagger and studies its reflective blade. "Like Helen starting the Trojan War?"
"Ah, Katoptris." Aphrodite smiles. "I'm glad you found it. I get so much flack for that war, but honestly, Paris and Helen were a cute couple. And the heroes of that war are immortal now — at least in the memories of men. Love is powerful, Piper. It can bring even the gods to their knees. I told this to my son Aeneas when he escaped from Troy. He thought he had failed. He thought he was a loser! But he traveled to Italy —"
"And became the forebear of Rome."
"Exactly. You see, Piper, my children can be quite powerful. You can be quite powerful, because my lineage is unique. I am closer to the beginning of creation than any other Olympian."
Piper struggles to remember about Aphrodite's birth. "Didn't you . . . rise from the sea? Standing on a seashell?"
The goddess laughs. "That painter Botticelli had quite an imagination. I never stood on a seashell, thank you very much. But yes, I rose from the sea. The first beings to rise from Chaos were the Earth and Sky — Gaea and Ouranos. When their son, the Titan Kronos, killed Ouranos —"
"By chopping him to pieces with a scythe," Piper remembers.
Aphrodite wrinkles her nose. "Yes. The pieces of Ouranos fell into the sea. His immortal essence created seafoam. And from that foam —"
"You were born. I remember now. So you're —"
"The last child of Ouranos, who was greater than the gods or the Titans. So, in a strange way, I'm the eldest Olympian god. As I said, love is a powerful force. And you, my daughter, are much more than a pretty face. Which is why you already know who is waking the giants, and who has the power to open doors into the deepest parts of the earth." Aphrodite waits, as if she can sense Piper slowly putting together the pieces of a puzzle, which makes a dreadful picture.
"Gaea," Piper says. "The earth itself. That's our enemy."
She hopes Aphrodite would say no, but the goddess keeps her eyes on the rack of tattered armor. "She has slumbered for eons, but she is slowly waking. Even asleep, she is powerful, but once she wakes . . . we will be doomed. You must defeat the giants before that happens, and lull Gaea back into her slumber. Otherwise the rebellion has only begun. The dead will continue to rise. Monsters will regenerate with even greater speed. The giants will lay waste to the birthplace of the gods. And if they do that, all civilization will burn."
"But Gaea? Mother Earth?"
"Do not underestimate her," Aphrodite warns. "She is a cruel deity. She orchestrated Ouranos's death. She gave Kronos the sickle and urged him to kill his own father. While the Titans ruled the world, she slumbered in peace. But when the gods overthrew them, Gaea woke again in all her anger and gave birth to a new race — the giants — to destroy Olympus once and for all."
"And it's happening again," Piper says. "The rise of the giants."
Aphrodite nods. "Now you know. What will you do?"
"Me?" Piper clenches her fists. "What am I supposed to do? Put on a pretty dress and sweet-talk Gaea into going back to sleep?"
"I wish that would work," Aphrodite replies. "But no, you will have to find your own strengths, and fight for what you love. Like my favored ones, Helen and Paris. Like my son Aeneas."
"Helen and Paris died," Piper says.
"And Aeneas became a hero," the goddess counters. "The first great hero of Rome. The result will depend on you, Piper, but I will tell you this: The seven greatest demigods must be gathered to defeat the giants, and that effort will not succeed without you. When the two sides meet . . . you will be the mediator. You will determine whether there is friendship or bloodshed."
"What two sides?" Piper's vision begins to dim.
"You must wake soon, my child," says the goddess. "I do not always agree with Hera, but she's taken a bold risk, and I agree it must be done. Zeus has kept the two sides apart for too long. Only together will you have the power to save Olympus. Now, wake, and I hope you like the clothes I picked out."
"What clothes?" Piper demands, but the dream faded to black.
. . .
Piper wakes a table at a sidewalk café.
For a second, she thinks she's still dreaming. It's a sunny morning and the air is brisk but not unpleasant for sitting outside. At the other tables, a mix of bicyclists, business people, and college kids sit chatting and drinking coffee.
She can smell eucalyptus trees. Lots of foot traffic passes in front of quaint little shops. The street is lined with bottle-brush trees and blooming azaleas as though winter was a foreign concept.
In other words: they're in California.
Her friends sit in chairs around her — all of them with their hands calmly folded across their chests, dozing pleasantly. And they all have new clothes on. Piper looks down at her own outfit and gasps. "Mother!"
She yells louder than she meant. Jason flinches, bumping the table with his knees, and then all of them are awake.
"What?" Hedge demands. "Fight who? Where?"
"Falling!" Leo grabs the table. "No — not falling. Where are we?"
(Y/n) blinks, trying to get her bearings. She focuses on Piper and makes a little choking sound. "What are you wearing?"
Piper probably blushed. She's wearing the turquoise dress she'd seen in her dream, with black leggings and black leather boots. She had on her favorite silver charm bracelet, even though she'd left that back home in L.A., and her old snowboarding jacket from her dad, which amazingly goes with the outfit pretty well. She pulls out Katoptris, and judging from the reflection in the blade, she'd gotten her hair done, too.
"It's nothing," she says. "It's my —" She remembers Aphrodite's warning not to mention that they'd talked. "It's nothing."
Leo grins. "Aphrodite strikes again, huh? You're gonna be the best-dressed warrior in town, beauty queen."
"Hey, Leo." Jason nudges his arm. "You look at yourself recently?"
"What . . . oh."
All of them had been given a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat.
"God, Leo." Piper tries not to laugh. "I think my dad wore that to his last premiere, minus the tool belt."
"Hey, shut up!"
"I think he looks good," says Coach Hedge. "'Course, I look better."
The satyr is a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffs and then eats.
Jason is wearing a baby blue collared, short sleeved dress shirt, tucked into khaki slacks, a pair of black dress shoes, and a navy blue tie.
"Well," (Y/n) says, "at least your mom overlooked me."
Piper knows that isn't exactly true. Looking at her, Piper's heart does a little tap dance. (Y/n) is dressed simply in black skinny jeans, a clean sea-green t-shirt, a black leather jacket. She has new track shoes on, her hair is newly trimmed, and she is wearing her bead necklace – four beads for four completed summers at camp, and on the necklace, is two wedding rings and Piper wonders if they're hers, or her parents. (Y/n)'s eyes are the same color as the sea in the distance. Aphrodite's message is clear: This one needs no improvement.
And Piper agrees.
"Anyway," she says uncomfortably, "how did we get here?"
"Oh, that would be Mellie," Hedge says, chewing happily on his carnation. "Those winds shot us halfway across the country, I'd guess. We would've been smashed flat on impact, but Mellie's last gift — a nice soft breeze — cushioned our fall."
"And she got fired for us," Leo says. "Man, we suck."
"Ah, she'll be fine," Hedge replies. "Besides, she couldn't help herself. I've got that effect on nymphs. I'll send her a message when we're through with this quest and help her figure something out. That is one aura I could settle down with and raise a herd of baby goats."
"I'm going to be sick," Piper fake gags. "Anyone else want coffee?"
"Coffee!" Hedge's grin was stained blue from the flower. "I love coffee!"
"Urn," Jason said, "but — money? Our packs?"
Piper looks down. Their packs are at their feet, and everything seems to still be there. She reaches into her coat pocket and feels two things she hadn't expected. One is a wad of cash. The other is a glass vial — the amnesia potion. She leaves the vial in her pocket and brings out the money.
Leo whistles. "Allowance? Piper, your mom rocks!"
"Waitress!" Hedge calls. "Six double espressos, and whatever these guys want. Put it on the girl's tab."
It doesn't take them long to figure out where they are. The menus say "Café Verve, Walnut Creek, CA." And according to the waitress, it is 9 a.m. on December 21, the winter solstice, which gives them three hours until Enceladus's deadline.
They don't have to wonder where Mount Diablo is, either. They can see it on the horizon, right at the end of the street. After the Rockies, Mount Diablo doesn't look very large, nor is it covered in snow. It seems downright peaceful, its golden creases marbled with gray-green trees. But size is deceptive with mountains, Piper knows. It's probably much bigger up close. And appearances are deceptive too. Here they are — back in California — supposedly her home — with sunny skies, mild weather, laid-back people, and a plate of chocolate chip scones with coffee. And only a few miles away, somewhere on that peaceful mountain, a super powerful, super-evil giant is about to have her father for lunch.
Leo pulls something out of his pocket — the old crayon drawing Aeolus had given him. Aphrodite must've thought it was important if she'd magically transferred it to his new outfit.
"What is that?" Piper asks.
Leo folds it up gingerly again and puts it away. "Nothing. You don't want to see my kindergarten artwork."
"It's more than that," Jason guesses. "Aeolus said it was the key to our success."
Leo shakes his head. "Not today. He was talking about . . . later."
"How can you be sure?" Piper asks.
"Trust me," Leo says. "Now — what's our game plan?"
Coach Hedge belches. He'd already had three espressos and a plate of doughnuts, along with two napkins and another flower from the vase on the table. He would've eaten the silverware, except Piper had slapped his hand.
"Climb the mountain," Hedge says. "Kill everything except Piper's dad. Leave."
"Thank you, General Eisenhower," Jason grumbles.
"Hey, I'm just saying!"
"Guys," Piper says. "There's more you need to know."
It's tricky, because she can't mention her mom; but she tells them she'd figured some things out in her dreams. She tells them about their real enemy: Gaea.
"Gaea?" Leo shakes his head. "Isn't that Mother Nature? She's supposed to have, like, flowers in her hair and birds singing around her and deer and rabbits doing her laundry."
"Leo, that's Snow White," Piper looks amused.
"Okay, but —"
"Listen, cupcake." Coach Hedge dabs the espresso out of his goatee. "Piper's telling us some serious stuff, here. Gaea's no softie. I'm not even sure I could take her."
Leo whistles. "Really?"
Hedge nods. "This earth lady – she and her old man the sky were nasty customers."
"Ouranos," Piper says. She can't help looking up at the blue sky, wondering if it has eyes.
"Right," Hedge says. "So Ouranos, he's not the best dad. He throws their first kids, the Cyclopes, into Tartarus. That makes Gaea mad, but she bides her time. Then they have another set of kids — the twelve Titans — and Gaea is afraid they'll get thrown into prison too. So she goes up to her son Kronos —"
"The big bad dude," Leo said. "The one they defeated last summer."
(Y/n) lets out an annoyed grumble, and Piper wonders if she'd remembered anything else – Piper makes a mental note to ask her about it later. Well, Piper's brain betrays her, if we live long enough for me to ask.
"Right. And Gaea's the one who gives him the scythe, and tells him, 'Hey, why don't I call your dad down here? And while he's talking to me, distracted, you can cut him to pieces. Then you can take over the world. Wouldn't that be great?"'
Nobody says anything. Piper's chocolate chip scone doesn't look so appetizing anymore. Even though she'd heard the story before, she still can't quite get her mind around it. She tries to imagine a kid so messed up, he would kill his own dad just for power. Then she imagines a mom so messed up, she would convince her son to do it.
"Definitely not Snow White," she decides.
"Nah, Kronos was a bad guy," Hedge agrees. "But Gaea is literally the mother of all bad guys. She's so old and powerful, so huge, that it's hard for her to be fully conscious. Most of the time, she sleeps, and that's the way we like her — snoring.''
"But she talked to me," Leo says. "How can she be asleep?"
Gleeson brushes crumbs off his canary yellow lapel. He's on his sixth espresso now, and his pupils are as big as quarters. "Even in her sleep, part of her consciousness is active — dreaming, keeping watch, doing little things like causing volcanoes to explode and monsters to rise. Even now, she's not fully awake. Believe me, you don't want to see her fully awake."
"But she's getting more powerful," Piper adds. "She's causing the giants to rise. And if their king comes back—this guy Porphyrion —"
"He'll raise an army to destroy the gods," Jason puts in. "Starting with Hera. It'll be another war. And Gaea will wake up fully."
Gleeson nods. "Which is why it's a good idea for us to stay off the ground as much as possible."
Leo looks warily at Mount Diablo. "So . . . climbing a mountain. That would be bad."
Piper's heart sinks. First, she'd been asked to betray her friends. Now they are trying to help her rescue her dad even though they know they are walking into a trap. The idea of fighting a giant had been scary enough. But the idea that Gaea is behind it — a force more powerful than a god or Titan . . .
"Guys, I can't ask you to do this," Piper says. "This is too dangerous."
"You kidding?" Gleeson belches and shows them his blue carnation smile. "Who's ready to beat stuff up?"
. . .
Leo had hoped the taxi could get them all the way to the top.
No such luck. The cab makes lurching, grinding sounds as it climbs the mountain road, and halfway up they find the ranger's station closed, a chain blocking the way.
"Far as I can go," the cabbie says. "You sure about this? Gonna be a long walk back, and my car's acting funny. I can't wait for you."
"We're sure." Leo is the first one out. He has a bad feeling about what is wrong with the cab, and when he looks down he sees he was right. The wheels are sinking into the road like it is made of quicksand. Not fast — just enough to make the driver think he had a transmission problem or a bad axle — but Leo knows different.
The road is hard-packed dirt. No reason at all it should have been soft, but already Leo's shoes are starting to sink. Gaea is messing with them.
While his friends get out, Leo pays the cabbie. He's generous — heck, why not? It was Aphrodite's money. Plus, he has a feeling he might never be coming off this mountain.
"Keep the change," he says. "And get out of here. Quick."
The driver doesn't argue. Soon all they can see is his dust trail.
The view from the mountain is pretty amazing. The whole inland valley around Mount Diablo is a patchwork of towns — grids of tree-lined streets and nice middle-class suburbs, shops, and schools. All these normal people living normal lives—the kind Leo had never known.
"That's Concord," Jason says, pointing to the north. "Walnut Creek below us. To the south, Danville, past those hills. And that way . . ."
He points west, where a ridge of golden hills holds back a layer of fog, like the rim of a bowl. "That's the Berkeley Hills. The East Bay. Past that, San Francisco."
"Jason?" Piper looks at the son of Zeus. "You remember something? You've been here?"
"Yes . . . no." He gave her an anguished look. "It just seems important."
"That's Titan land." Coach Hedge nods towards the west. "Bad place, Jason. Trust me, this is as close to 'Frisco as we want to get."
But Jason looks towards the foggy basin with such longing that Leo feels uneasy. Why did Jason seem so connected with that place — a place Hedge said was evil, full of bad magic and old enemies? What if Jason came from here? Everybody kept hinting Jason is an enemy, that his arrival at Camp Half-Blood was a dangerous mistake.
No, Leo thinks. Ridiculous. Jason was their friend.
Leo tries to move his foot, but his heels are now completely embedded in the dirt. "Hey, guys," he says. "Let's keep moving."
The others notice the problem.
"Gaea is stronger here," Hedge grumbles. He pops his hooves free from his shoes, then hands the shoes to Leo. "Keep those for me, Valdez. They're nice."
Leo snorts. "Yes, Coach. Would you like them polished?"
"That's varsity thinking, Valdez." Hedge nods approvingly. "But first, we'd better hike up this mountain while we still can."
"How do we know where the giant is?" Piper asks.
(Y/n) points towards the peak. Drifting across the summit is a plume of smoke. From a distance, Leo had thought it was a cloud, but it wasn't. Something is burning.
"Smoke equals fire," Jason agrees. "We'd better hurry."
The Wilderness School had taken Leo on several forced marches. He thought he was in good shape. But climbing a mountain when the earth is trying to swallow his feet is like jogging on a flypaper treadmill.
In no time, Leo had rolled up the sleeves on his collarless shirt, even though the wind is cold and sharp. He wishes Aphrodite had given him walking shorts and some more comfortable shoes, but he is grateful for the Ray-Bans that keep the sun out of his eyes. He slips his hands into his tool belt and starts summoning supplies — gears, a tiny wrench, some strips of bronze. As he walks, he builds — not really thinking about it, just fiddling with pieces.
By the time they near the crest of the mountain, Leo is the most fashionably dressed sweaty, dirty hero ever. His hands are covered in machine grease.
The little object he'd made is like a windup toy — the kind that rattles and walks across a coffee table. He isn't sure what it could do, but he slips it into his tool belt.
He misses his army coat with all its pockets. Even more than that, he misses Festus. He could use a fire-breathing bronze dragon right now. But Leo knows Festus would not be coming back — at least, not in his old form.
Finally Jason crouches behind a wall of rock. He gestures for the others to do the same. Leo crawls up next to him. Piper has to pull Coach Hedge down.
"I don't want to get my outfit dirty!" Hedge complains.
"Shh!" Piper says.
Reluctantly, the satyr kneels.
Just over the ridge where they are hiding, in the shadow of the mountain's final crest, is a forested depression about the size of a football field, where the giant Enceladus had set up camp.
Trees had been cut down to make a towering purple bonfire. The outer rim of the clearing is littered with extra logs and construction equipment — an earthmover; a big crane thing with rotating blades at the end like an electric shaver — must be a tree harvester, Leo thinks — and a long metal column with an ax blade, like a sideways guillotine — a hydraulic ax. A lake sits about fifty feet to the right of the bonfire.
Why a giant needs construction equipment, Leo isn't sure. He doesn't see how the creature in front of him could even fit in the driver's seat. The giant Enceladus is so large, so horrible, Leo doesn't want to look at him.
But he forces himself to focus on the monster.
To start with, he is thirty feet tall — easily as tall as the treetops. Leo is sure the giant could've seen them behind their ridge, but he seems intent on the weird purple bonfire, circling it and chanting under his breath. From the waist up, the giant appears humanoid, his muscular chest clad in bronze armor, decorated with flame designs. His arms are completely ripped. Each of his biceps are bigger than Leo. His skin is bronze but sooty with ash. His face is crudely shaped, like a half-finished clay figure, but his eyes glow white, and his hair is matted in shaggy dreadlocks down to his shoulders, braided with bones.
From the waist down, he is even more terrifying. His legs are scaly green, with claws instead of feet — like the forelegs of a dragon. In his hand, Enceladus hold a spear the size of a flagpole. Every so often he dips its tip in the fire, turning the metal molten red.
"Okay," Coach Hedge whispers. "Here's the plan —"
Leo elbows him. "You're not charging him alone!"
"Aw, c'mon."
Piper chokes back a sob. "Look." Just visible on the other side of the bonfire is a man tied to a post. His head slumped like he was unconscious, so (Y/n) couldn't make out his face, but Piper doesn't seem to have any doubts. "Dad," she says.
Leo swallows. He wishes this was a Tristan McLean movie. Then Piper's dad would be faking unconsciousness. He'd untie his bonds and knock out the giant with some cleverly hidden anti-giant gas. Heroic music would start to play, and Tristan McLean would make his amazing escape, running away in slow motion while the mountainside exploded behind him.
But this wasn't a movie. Tristan McLean is half dead and about to be eaten. The only people who can stop it — four fashionably dressed teenaged demigods and a megalomaniac goat.
"There's four of us," Hedge whispers urgently. "And only one of him."
"Did you miss the fact that he's thirty feet tall?" Leo asks.
"Okay," Hedge asks. "So you, me, (Y/n), and Jason distract him. Piper sneaks around and frees her dad."
They all look at Jason.
"What?" Jason asks. "I'm not the leader."
"Yes," Piper replies. "you are."
They'd never really talked about it, but no one disagrees, not even Hedge, and not (Y/n), who could've pulled the 'I've been at camp longer' card or the 'I was offered immortality by the gods' card. Coming this far had been a team effort, but when it comes to a life-and-death decision, Leo knew Jason is the one to ask. Even if he has no memory, Jason has a kind of balance to him. He can just tell Jason been in battles before, and he knows how to keep his cool. Leo wasn't exactly the trusting type, but he trusts Jason with his life.
"I hate to say it," Jason sighs, "but Coach Hedge is right. A distraction is Piper's best chance."
Not a good chance, Leo thought. Not even a survivable chance. Just their best chance.
They can't sit there all day and talk about it, though. It has to be close to noon — the giant's deadline — and the ground is still trying to pull them down. Leo's knees had already sunk two inches into the dirt.
Leo looks at the construction equipment and gets a crazy idea. He brings out the little toy he'd made on the climb, and he realizes what it can do — if he's lucky, which he almost never is. "Let's boogie," he says. "Before I come to my senses."
. . .
Piper scrambles along the ridge, trying to keep her head down, while Leo, Jason, (Y/n), and Coach Hedge walk straight into the clearing.
(Y/n) and Jason summon their magic weapons – Jason's coming up as a lance. (Y/n) brandishes her sword over her head and yells, "Giant!" which sounds pretty good and a lot more confident than Leo could've managed. He is thinking more along the lines of "We are pathetic ants! Don't kill us!"
Enceladus stops chanting at the flames. He turns towards them and grins, revealing fangs like a saber-toothed tiger's.
"Well," the giant rumbles, "What a nice surprise."
(Y/n) doesn't like the sound of that; Leo's hand closes on his windup gadget. He steps sideways, edging his way towards the bulldozer.
Coach Hedge shouts. "Let the movie star go, you big ugly cupcake! Or I'm gonna plant my hoof right up you –"
"Coach," Jason deadpans. "Shut up."
Enceladus roars with laughter. "I've forgotten how funny satyrs are. When we rule the world, I think I'll keep your kind around. You can entertain me while I eat all the other mortals."
"Is that a compliment?" Hedge frowns at Leo. "I don't think that was a compliment."
Enceladus opens his mouth wide, and his teeth begin to glow.
"Scatter!" Leo yells.
Jason, (Y/n), and Hedge dive to the left as the giant blows fire — a furnace blast so hot even Festus would've been jealous. Leo dodges behind the bulldozer, winds up his homemade device, and drops it into the driver's seat. Then he runs to the right, heading for the tree harvester.
Out of the corner of his eye, he sees Jason and (Y/n) rise in unison and charge the giant. Coach Hedge rips off his canary yellow jacket, which is now on fire, and bleats angrily. "I liked that outfit!" Then he raises his club and charges, too.
Before they can get very far, Enceladus slams his spear against the ground. The entire mountain shakes.
The shockwave sends Leo sprawling. He blinks, momentarily stunned. Through a haze of grassfire and bitter smoke, he sees (Y/n) and Jason staggering to their feet on the other side of the clearing. Coach Hedge was knocked out cold. He'd fallen forward and hit his head on a log. His furry hindquarters sticking straight up, with his canary yellow pants around his knees — a view Leo really doesn't need.
The giant bellows, "I see you, Piper McLean!" He turns and blows fire at a line of bushes to Leo's right. Piper runs into the clearing like a flushed quail, the underbrush burning behind her.
Enceladus laughs. "I'm happy you've arrived. And you brought me my prizes!"
Leo's gut twists. This is the moment Piper had warned them about. They'd played right into Enceladus's hands.
The giant must've read Leo's expression, because he laughs even louder. "That's right, son of Hephaestus. I didn't expect you all to stay alive this long, but it doesn't matter. By bringing you here, Piper McLean has sealed the deal. If she betrays you, I'm as good as my word. She can take her father and go. What do I care about a movie star?"
Leo can see Piper's dad more clearly now. He wears a ragged dress shirt and torn slacks. His bare feet are caked with mud. He isn't completely unconscious, because he lifts his head and groans — yep, Tristan McLean all right. Leo had seen that face in enough movies. But he has a nasty cut down the side of his face, and he looks thin and sickly — not heroic at all.
"Dad!" Piper yells.
Mr. McLean blinks, trying to focus. "Pipes . . .? Where . . ."
Piper dares her dagger and faces Enceladus. "Let him go!"
"Of course, dear," the giant rumbles. "Swear your loyalty to me, and we have no problem. Only these others must die."
Piper looks back and forth between Leo and her dad.
"He'll kill you," Leo warns. "Don't trust him!"
"Oh, come now," Enceladus bellows. "You know I was born to fight Athena herself? Mother Gaea made each of us giants with a specific purpose, designed to fight and destroy a particular god. I was Athena's nemesis, the anti-Athena, you might say. Compared to some of my brethren – I am small! But I am clever. And I keep my bargain with you, Piper McLean. It's part of my plan!"
(Y/n) is on her feet now, sword ready; but before she can act, Enceladus roars — a call so loud it echoes down the valley and is probably heard all the way to San Francisco.
At the edge of the woods, half a dozen ogre-like creatures rise up. Leo realizes with nauseating certainty that they hadn't simply been hiding there. They'd risen straight out of the earth.
The ogres shuffle forward. They are small compared to Enceladus, about seven feet tall. Each one of them has six arms — one pair in the regular spot, then an extra pair sprouting out the top of their shoulders, and another set shooting from the sides of their rib cages. They wear only ragged leather loincloths, and even across the clearing, Leo can smell them. Six guys who never bathe, with six armpits each. Leo decides if he survives this day, he'd have to take a three-hour shower just to forget the stench.
"What the hell are those?" (Y/n) asks.
Piper's blade reflects the purple light of the bonfire. "Gegenees."
"In English?" Leo questions.
"The Earthborn," Piper replies. "Six-armed giants who fought Jason — the first Jason."
"Very good, my dear!" Enceladus sounds delighted. "They used to live on a miserable place in Greece called Bear Mountain. Mount Diablo is much nicer! They are lesser children of Mother Earth, but they serve their purpose. They're good with construction equipment —"
"Vroom, vroom!" one of the Earthborn bellows, and the others take up the chant, each moving his six hands as though driving a car, as if it were some kind of weird religious ritual. "Vroom, vroom!"
"Yes, thank you, boys," Enceladus says. "They also have a score to settle with heroes. Especially anyone named Jason."
"Yay-son!" the Earthborn screams. They all pick up clumps of earth, which solidify in their hands, turning to nasty pointed stones. "Where Yay- son? Kill Yay-son!"
Enceladus smiles. "You see, Piper, you have a choice. Save your father, or ah, try to save your friends and face certain death."
Piper steps forward, her eyes blazing with such rage, even the Earthborn back away. She radiates power and beauty, but it has nothing to do with her clothes or makeup. "You will not take the people I love," she says. "None of them." Her words ripple across the clearing with such force, the Earthborn mutter, "Okay, okay, sorry," and begin to retreat.
"Stand your ground, fools!" Enceladus bellows. He snarls at Piper. "This is why we wanted you alive, my dear. You could have been so useful to us. But as you wish. Earthborn! I will show you Jason."
Leo's heart sinks, but the giant doesn't point to Jason. He points to the other side of the bonfire, where Tristan McLean hangs helpless and half-conscious.
"There is Jason," Enceladus says with pleasure. "Tear him apart!"
The biggest surprise: one look from Jason, and all four of them know the game plan. When had that happened, that they can read each other so well?
(Y/n) and Jason charge Enceladus, while Piper rushes towards her father, and Leo dashes for the tree harvester, which stood between Mr. McLean and the Earthborn.
(Y/n)'s instincts kick in, and her gut tells her she'd dueled opponents almost this big before. Size and strength equaled slowness, so (Y/n) just has to be quicker – pace herself, wear out her opponent, and avoid getting smashes or flame-broiled.
(Y/n) rolls away from the giant's first spear thrust and jabs Enceladus in the ankle. Jason's javelin manages to pierce the giant's hyde on the other ankle, and golden ichor – the blood of immortals – trickle down the giant's clawed feet.
Enceladus bellows in pain and blasts (Y/n) with fire. She scrambles away, rolling behind the giant, and strikes again behind his knee.
It goes on like that for seconds, minutes — it was hard to judge. (Y/n) hears combat across the clearing — construction equipment grinding, fire roaring, monsters shouting, and rocks smashing into metal. She hears Leo and Piper yelling defiantly, which meant they were still alive. (Y/n) tries not to think about it. She can't afford to get distracted.
Enceladus's spear misses her by a millimeter. (Y/n) keeps dodging, but the ground stuck to her feet. Gaea is getting stronger, and the giant is getting faster. Enceladus might be slow, but he isn't dumb. He begins anticipating (Y/n)'s and Jason's moves, and they're attacks are only annoying him, making him more enraged.
"I'm not some minor monster," Enceladus bellows. "I am a giant, born to destroy gods! You're little toothpick can't hurt me!"
Neither (Y/n) or Jason waste energy replying. Jason is already tired. The ground clings to his feet, making him feel like he weighed an extra hundred pounds. The air is full of smoke that burned his lungs. Fires roars around him, stoked by the winds, and the temperature is approaching the heat of an oven.
Jason raises his javelin to block the giant's next strike — a big mistake. Don't fight force with force, a voice chides him — the wolf Lupa, who'd told him that long ago. He manages to deflect the spear, but it grazes his shoulder, and his arm goes numb. He backs up, almost tripping over a burning log. He has to delay — to keep the giant's attention fixed on him while his friends deal with the Earthborn and rescue Piper's dad. He can't fail. He retreats, trying to lure the giant to the edge of the clearing. Enceladus can sense his weariness. The giant smiles, baring his fangs.
"The mighty Jason Grace," he taunts. "Yes, we know about you, son of Jupiter. The one who led the assault on Mount Othrys. The one who single-handedly slew the Titan Krios and toppled the black throne."
Jason's mind reels. He doesn't know these names, yet they makes his skin tingle, as if his body remembers the pain his mind doesn't.
"What are you talking about?" he asks. He realizes his mistake when Enceladus breathes fire.
Distracted, Jason moves too slowly. The blast misses him, but heat blisters his back. He slams into the ground, his clothes smoldering. He is blinded from ash and smoke, choking as he tries to breathe.
He scrambles back as the giant's spear cleaves the ground between his feet.
Jason manages to stand.
(Y/n) moves in front of Jason, and Jason can feel the power radiating off her.
"Ah, the sea god's brat!" Enceladus bellows.
"Piece of shit," (Y/n) replies, and she charges the giant on her own.
Jason can only watch, his body dragging with exhaustion, as (Y/n) advances on the giant.
A lake about fifty feet to (Y/n)'s right explodes, dousing the bonfire, and putting it out, making the clearing darker, and suddenly, Leo, Jason, and Piper feel a strength wash over them as water laps at their shoes.
(Y/n) dodges the first strike, and then stabs the giant in the kneecap, and then jumps off her sword, ripping it out of the giant's knee and scrambles up and stabs him in the ear.
Enceladus lets out a roar so loud, it distracts Piper from her dad. She stares at (Y/n) atop the giant's shoulder, watching as (Y/n) stabs her sword into his neck.
Jason takes a deep breath and charges.
Enceladus shakes (Y/n) off and she rolls, landing on her feet, though she staggers with the momentum.
Jason fakes a strike and rolls between the giant's legs. He comes up quickly, thrusting with all his might, ready to stab the giant in the small of his back, but Enceladus anticipates the trick. He steps aside with too much speed and agility for a giant, as if the earth is helping him move.
He sweeps his spear sideways, meets Jason's javelin – and with a snap like a shotgun blast, the golden weapon shatters.
The force knocks (Y/n) off her feet and squeezes the breath out of her chest.
When she regains her focus, she and Jason are sitting side by side at the rim of a crater. Enceladus stands at the other side, staggering and confused. The javelin's destruction had released so much energy, it had blasted a perfect cone-shaped pit thirty feet deep, fusing the dirt and rock into a slick glassy substance.
Neither Jason or (Y/n) are sure how they'd survived, but their clothes are steaming. Both demigods are out of energy, and Tsunami had skittered across the clearing at Leo's feet.
Both demigods try to get to their feet, but their legs are like lead. Enceladus blinks at the destruction and laughs, "Impressive! Unfortunately, those were your last tricks, demigods.
Enceladus leaps the crater in a single bound, planting his feet on either sides of the demigods. The giant raises his spear, its tip hovering six feet over (Y/n)'s chest.
"And now," Enceladus laughs, "my first sacrifices to Gaea!"
. . .
Time seems to slow down, which was really frustrating since (Y/n) still can't move. She feels herself sinking into the earth like the ground is a waterbed – comfortable, urging her to relax.
(Y/n) can't feel her arms. She can see the tip of the spear coming towards her chest in slow motion. She knows she should move, but she can't. Funny, she thinks. All that effort to stay alive, and then, boom. I'll just lie here helplessly while a fire-breathing giant impales me.
Leo's voice yells, "Heads up!"
A large black metal wedge slammed into Enceladus with a massive thunk! The giant toppled over and slid into the pit.
"Jason, (Y/n), get up!" Piper calls. Her voice energizes (Y/n), shaking her out of her stupor. She sits up, her head groggy, while Piper grabs her under his arms and hauls her to his feet. And then Leo grabs Jason.
"Don't die on me," Piper orders. "You are not dying on me."
"Yes, ma'am." (Y/n) feels light-headed, but Piper is about the most beautiful thing she'd ever seen. Her hair is smoldering, and her face is smudged with soot. She has a cut on her arm, her dress is torn, and she is missing a boot. Beautiful.
(Y/n) looks down in the crater and sees Enceladus struggling to rise, an ax blade the size of a washing machine stuck in his breastplate.
Amazingly, the giant manages to pull the ax blade free. He yells in pain and the mountain trembles. Golden ichor soaked the front of his armor, but Enceladus stands.
Shakily, he bends down and retrieves his spear.
"Good try." The giant winced. "But I cannot be beaten."
As they watch, the giant's armor mends itself, and the ichor stops flowing. Even the cuts on his dragon-scale legs, which Jason and (Y/n) had worked so hard to make, are now just pale scars.
Leo curses. "What is it with this guy? Die, already!"
"My fate is preordained," Enceladus says. "Giants cannot be killed by gods or heroes."
"Only by both," Jason says. The giant's smile falters, and Jason sees in his eyes something like fear. "It's true, isn't it? Gods and demigods have to work together to kill you."
"You will not live long enough to try!" The giant starts stumbling up the crater's slope, slipping on the glassy sides.
"Anyone have a god handy?" Leo asks.
Jason's heart fills with dread. He looks at the giant below them, struggling to get out of the pit, and he knows what has to happen. "Leo," he says, "if you've got a rope in that tool belt, get it ready." He leaps at the giant with no weapon but his bare hands.
"Enceladus!" Piper yells. "Look behind you!"
It's an obvious trick, but her voice is so compelling, even Jason buys it. The giant says, "What?" and turns like there is an enormous spider on his back.
Jason tackles his legs at just the right moment. The giant loses his balance. Enceladus slams into the crater and slides to the bottom. While he tries to rise, Jason puts his arms around the giant's neck. When Enceladus struggles to his feet, Jason is riding his shoulders.
"Get off!" Enceladus screams. He tries to grab Jason's legs, but Jason scrambles around, squirming and climbing over the giant's hair.
Father, Jason thought. If I've ever done anything good, anything you approved of, help me now I offer my own life — just save my friends.
Suddenly he can smell the metallic scent of a storm. Darkness swallows the sun. The giant freezes, sensing it too.
Jason says to his friends, "Hit the deck!"
And every hair on his head stands straight up.
Crack!
Lightning surges through Jason's body, straight through Enceladus, and into the ground. The giant's back stiffens, and Jason is thrown clear. When he regains his bearings, he is slipping down the side of the crater, and the crater is cracking open. The lightning bolt had split the mountain itself. The earth rumbles and tears apart, and Enceladus's legs slide into the chasm. He claws helplessly at the glassy sides of the pit, and just for a moment manages to hold on to the edge, his hands trembling.
He fixes Jason with a look of hatred. "You've won nothing, boy. My brothers are rising, and they are ten times as strong as I. We will destroy the gods at their roots! You will die, and Olympus will die with —"
The giant loses his grip and falls into the crevice.
The earth shakes. Jason falls toward the rift.
"Grab hold!" Leo yells.
Jason's feet are at the edge of the chasm when he grabs the rope, and Leo, (Y/n), and Piper pull him up.
They stand together, exhausted and terrified, as the chasm closes like an angry mouth. The ground stops pulling at their feet.
For now, Gaea is gone.
Word Count: 8931 words
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thewidowsghost · 5 months
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Hiii, just stumbled upon your ‘Seeing the beauty’ Piper fic and I loved it!! 🫶🏻 just wanted to let you know that, and not to pressure you or anything but I was just wondering when could we expect an update?🤭
Hope you’re having a great day!
Hey,
I'm so sorry about my lack of updates recently, but I can have a couple more chapters posted in the next couple days <3
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thewidowsghost · 5 months
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Happy Holidays (Kate Bishop x Romanoff!Reader) - Epilogue
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A/N: I'm so sorry for the lack of updates. I've been occupied with all of my classes in college, but I figured I'd try to get some things updated as quick as I could for you guys.
I hope you enjoy the last chapter of this story.
Also, please send in requests so I can get a lot better about keeping up with stories and fics :)
Thank you guys!
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(Y/n) staggers towards Fisk and Kate, pain radiating all throughout her body.
"Please, not her," (Y/n) rasps, putting herself between Kate and Fisk.
"Kill the little Widow," Fisk says thoughtfully. "Sounds good to me."
And he strikes.
"Get the fuck away from my kid!" Natasha shoots at the arrows with her handgun.
(Y/n) grunts in pain as Kate pulls her down, covering (Y/n)'s head with her arms.
The arrows all activate at once, and all the reactions create a small explosion, knocking Fisk into the farthest wall.
Kate pulls (Y/n) more into herself, turning to protect (Y/n)'s already battered body from the explosion.
. . .
(Y/n) lies limply in her mother's arms – yes Natasha's muscles had softened in her retirement, but she could still support the weight of her daughter.
"Is this what heroes do?" Eleanor asks as an officer pushes her head down to get her into the police car. "Arrest their mothers on Christmas?"
"I'm sorry," Kate says through gritted teeth. "I love you, mom."
The police car drives away, and Kate turns to where Natasha is carrying (Y/n) towards an ambulance.
Kate glances at Clint. "C'mon," Clint says. Yelena remains behind, and Clint turns to her. "You too, kid."
. . .
Kate leans against the doorframe of (Y/n)'s hospital room. She both didn't want to interrupt, but also wanted to be at (Y/n)'s side.
"You don't have to stand in the doorway, Bishop," Natasha says softly from (Y/n)'s bedside, not wanting to wake her daughter.
Kate pads softly into the room, sinking into one of the chairs and taking one of (Y/n)'s hands and playing with her girlfriend's fingers.
"It's nice to meet you," Natasha says, looking over at the young archer.
"You as well, Miss Romanoff," Kate pulls her eyes off (Y/n)'s face.
"Please, Natasha," Natasha replies. Kate doesn't reply, her gaze falling back down to (Y/n)'s face. "She'll be alright," Natasha reassures the young archer. "It's just a sprained ankle and bruising around her neck."
"I–" Kate's voice falters. "She's here because of me."
Natasha snorts. "Yeah, don't think that's right, kid," she says.
"But like -" Kate says.
"Shut up, Bishop," (Y/n) rasps, her throat sore from bruising. "Mama?" her gaze falls onto her mother, sitting beside Kate. "Так приятно тебя видеть!" It's so good to see you! (Y/n) says. "Мне жаль, что я заставил тебя выйти из пенсии" I'm sorry for making you come out of retirement.
"Don't worry about that, honey," Natasha tells her daughter. "It was time for me to come out of the shadows."
"You deserve quiet," (Y/n) rasps.
"You too, kiddo," Natasha replies, studying her daughter's face.
(Y/n) lets her gaze fall on Kate once more, studying the scratches and bruising on her face and neck.
Natasha pats her daughter's hand before she gets up, leaving Kate and (Y/n) alone.
"Hi," Kate whispers, studying (Y/n)'s face.
"Hi," (Y/n) rasps.
"I'm sorry," Kate wails softly, keeping her eyes on (Y/n)'s cut face.
"I'm just glad you're safe, Katie," (Y/n) murmurs, reaching over to take Kate's hand.
"But you're hurt," Kate protests.
"But I'm alive, and you're safe," (Y/n) replies, looking into Kate's shattered blue gaze. "What happened with your Mom?" (Y/n) asks, and Kate seems to deflate even more.
"Um, I reported her to the police," Kate mutters, playing with (Y/n)'s fingers again.
"I'm sorry, Kate," (Y/n) replies, her expression softening even more. "You could come home with me," (Y/n) says. "I already know that my mom approves of you."
Kate looks utterly surprised, but she nods. "Okay," she murmurs.
. . .
Clint, Natasha, Yelena, Kate, and (Y/n) get out of Barton's car, letting Bolt, Fanny, and Lucky out of their places at (Y/n)'s, Kate's, and Yelena's feet.
Bolt's tongue lolls out of his mouse, bouncing excitedly in place at the familiar sight of his home.
"Boltie, you excited to be home?" (Y/n) kneels down and scratches behind the dog's ears.
"His paws are probably cold," Yelena says, studying her 'new' niece.
"Pfft," (Y/n) grins at her dog. "Could never be that, huh?" she asks, her voice raising an octave.
"Yelena's right," Natasha says out of the corner of her mouth. "My paws are freezing."
(Y/n) breathes out a laugh, moving over to help Clint grabs a few duffle bags and bags of gifts.
"Are you sure this is okay?" Kate asks, grabbing one of (Y/n)'s bags, and Lucky's leash.
"Oh, I'm telling you, they're very excited to meet you," Clint replies, glancing mischievously at (Y/n), and then at Kate.
"Daddy!" Nathaniel shrieks. "(Y/n)!"
"Hey, there he is!" Clint says, kneeling down to hug his son. "Hey, buddy, Merry Christmas."
"You made it," Lila appears in the doorway. "You kept your promise."
"Here, take something," Clint says, handing both Nate and Lila a bag and some gifts.
"What's your names?" Nate asks, looking between Kate and Yelena.
"This is Kate," Clint gestures at Kate, who was looking down at Nate and Lila over (Y/n)'s shoulder.
"And this is my sister, Yelena," Natasha ruffles her sister's hair with a free hand.
"Come on in, let's go," Clint herds his children into the house, gesturing for the others to follow.
Laura hugs her husband as he enters the kitchen of their home.
"I missed you," Clint murmurs.
"I missed you too," Laura replies.
"Ah! The dogs are so cute!" Nate exclaims as Kate stumbles in the doorway. "What are their names?"
"That's Lucky," Nate and Lila crowd around the golden retriever.
Cooper looks at Fanny, and then up at Yelena. "That's Fanny. She, uh, likes being scratched behind the ears."
Cooper, taking that as permission, scratches behind Fanny's ears.
"Right, yeah," Clint gestures to Kate and then Yelena. "Brought home a couple of strays."
Kate turns around from where she'd closed the door.
"Hi," Kate says shyly.
"This is Kate," Clint says.
"Welcome, Kate. So good to have you," Laura says.
Kate flushes, moving to stand at (Y/n)'s side.
Laura chuckles, moving over to hug the young raven-haired woman.
"And this is my sister, Yelena," Natasha rests a hand on her sister's shoulder.
Yelena smiles shyly. "Uh, hello." And Laura smiles widely at the blonde woman.
. . .
"No way! I've always wanted one of these!" Nate exclaims as (Y/n) sits down, handing Kate a mug of hot chocolate.
Kate smiles slightly, pressing a quick kiss to (Y/n)'s cheek.
Yelena sits next to Natasha at the dining table with Clint and Laura, just watching the kids and (Y/n).
"Kate. Hey, will you help me with somethin' real quick?" Clint asks, and she looks over.
"Yeah, sure," Kate replies after exchanging a look with (Y/n).
. . .
Kate returns to the Barton's living room a few minutes later, trying to hide a grin, but failing miserably.
"What's got you so smiley?" (Y/n) leans backwards, against Kate's legs once she'd settled down on the couch again.
"Oh, nothing," Kate replies. "I'll tell you later." (Y/n) chuckles.
"Maybe you'll feel better after you open my Christmas present?" (Y/n)'s eyes twinkle.
"What?" Kate asks.
"Here," (Y/n) reaches over, pulling a gift over by the purple ribbon she'd tied around the gift in black paper.
"What is this?" Kate asks.
"Open it and you'll find out," (Y/n) replies, and Kate rolls her eyes fondly.
Kate carefully unties the bow and drapes it across (Y/n)'s shoulders like a scarf.
(Y/n) lets out a 'pfft' sound, and Natasha watches her daughter and Kate fondly from the dining table.
(Y/n) rests her head on the side of the couch as Kate carefully pulls the black paper off the small box.
"What in the world?" Kate looks confusedly at the contents of the box. "A key? To what?"
(Y/n) blinks, looking amused. "It's a spare key. To my apartment. Because I figured you didn't really have anywhere to stay," her tone shifts to one of concern.
Kate blinks, but then her expression softens. "Thank you," she says.
"And I think Lucky and Bolt are too attached to separate," (Y/n) comments, looking over at the dogs cuddled together on the floor below the Christmas tree.
"I feel like you're also talking about two others," Kate says, winking at (Y/n).
"You could say that," (Y/n) replies.
The End!
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thewidowsghost · 6 months
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When the girl you like knits you a beanie because she doesn’t want your ears getting cold in the winter
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thewidowsghost · 6 months
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Happy Holidays (Kate Bishop x Romanoff!Reader) - Chapter 18
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"Well, there's uh . . ." Kate begins from the back of the cab, "one more thing we should worry about."
"Yeah? What's that?" Clint asks.
"Um . . . Do you remember the girl from last night, the one in the mask?" Kate asks.
"Uh huh," Clint says, looking across (Y/n) and at Kate.
"Um, we spoke to her," Kate goes on, and she and (Y/n) exchange a look. "She said she's Natasha's sister."
"Yelena?" Clint mutters.
"Yeah," Kate says.
"I – okay," Clint says, looking forward in the cab and looking out the front window.
The car stops and all three exit the car.
"Okay," Clint says again.
"You all right?" (Y/n) asks, focusing on where Clint is holding his shoulder.
"Yeah," he replies.
. . .
Kate's phone buzzes on the kitchen table, where the four are eating the breakfast Grills the Firefighter had prepared, Bolt's head resting affectionately on the young archer's knee.
"Kate," (Y/n) looks over at her companion. "What's wrong?"
"Kate Bishop, I found out who hired me," Kate reads off her phone. "E-eleanor Bishop. Thought you deserved to know."
Kate's breathing stutters, and (Y/n) places a hand on Kate's thigh. Kate, honey, you gotta breathe," (Y/n) murmurs.
"Look at this," Kate tosses her phone on the table and slides it towards Clint. "Who's that with my mom?"
"Well," Clint glances uncomfortably at Kate, "that's the guy I've been worried about this whole time. Kingpin."
Kate grabs the phone and taps on the screen. "In the spirit of the holidays, I'm gonna give you a minute to think about what you're starting right now," Wilson Fisk / Kingpin's voice comes from the phone.
"I don't need a minute," Eleanor Bishop replies.
"Who sent this?" Clint asks, and (Y/n) shakes her hand on Kate's thigh gently, pulling Kate out of her thoughts.
"Yelena," Kate replies, almost in a daze. "Apparently my mom is the one who hired her to kill you."
"Oh wow," Clint breathes.
"It doesn't make any sense," Kate says, bringing her unoccupied hand to her head. "My mom doesn't even, she doesn't even jaywalk. And now she's working with the mob? She killed Armand?" she whispers in disbelief. "My God," Kate stands up, throwing (Y/n)'s hand off her thigh in her anxiousness to get up from the table, "I need to talk to her."
"Kate, wait," (Y/n) gets up, stepping over to Kate and resting a hand gently on her arm. "You gotta calm down, okay?"
"Let's talk this out," Clint agrees.
Kate, who had already dialed her mother's number, listens to the answering machine, "This is Eleanor. I can't answer the phone right now . . ."
"She didn't answer," Kate starts pacing the kitchen, trying the number again.
"(Y/n)'s right. Just take a breath, okay?" Clint advises. "But your mom needs our help."
Kate's breathing stutters in her chest again, and she meets (Y/n)'s gaze, who had followed her pacing with her eyes and stepped forward. "Kate," she cups the girl's face in effort to keep the archer from beginning to pace the floor again, "that video, it's not good. The Kingpin will not take this lightly. He is going to react," Kate looks deep into (Y/n)'s eyes, and nods, her face still cupped in (Y/n)'s hands, "and he's gonna do it in a big way."
"(Y/n)," Kate pulls away, and (Y/n)'s arms drop uselessly to her side, "this is my mess to clean up. You," she glances at Clint, "both of you, should go home. You should be with your family. You can still make it in time for Christmas –"
"Kate, you're my partner," Clint interrupts her. Kate pulls her gaze from (Y/n)'s to look at Clint.
"And I'm not going to leave you behind," (Y/n) says fiercely, taking a step forward. "We're not going anywhere until this is finished."
Kate breathes out, and a sob escapes her lips.
(Y/n)'s expression softens and she wraps Kate in a hug.
"I'm not leaving you," (Y/n) murmurs, drawing patterns on Kate's back with her fingers. "You hear me?"
Another sob leaves Kate's mouth and she buries her face into (Y/n)'s neck.
. . .
"Kate," Clint says, and the young archer turns to him, "I'm really sorry how this has all turned out for you."
Kate looks out the window as the subway zips along underground.
"Well," Kate looks at Clint. "Can't think about it right now. We've gotta focus on tonight."
Clint exhales. "You're right," he says simply. "We need a ton of gear. Like a whole batch of way-too-dangerous trick arrows."
Kate's eyes widen with a child-like excitement. "You can make more?"
The Avenger shakes his head with amusement.
. . .
Bolt and Lucky push through the door to Kate's aunt's apartment, sniffing the couch and then jumping up. They curl up together on the couch, Bolt's head resting on Lucky's back.
"Hey, Kate," Clint calls from the workroom, welding some parts to an arrow shaft, "you seen that pepper spray?"
"Yeah, I've got it here," she enters the workroom, a can of pepper spray in hand.
"All right," Clint mutters.
. . .
"So, this, uh, this holiday party tonight," Clint says, (Y/n) in the other room changing her clothes, "is it a fancy thing?"
"Yeah. Formal," Kate replies.
"You know, you don't have to do this," Clint says. "(Y/n) and I can handle it ourselves. It's part of the job. It's always inconvenient. It's," he pauses, "lonely. You will get hurt. Heroes have to make some tough decisions. So, if you're gonna do this . . . I just wanna know you're ready."
"When I was younger, aliens invaded," Kate replies. "And I was alone. And I was terrified. But then I saw you, fighting aliens with a string and a stick. I saw you jump from that building even though you can't fly, even though you don't have superpowers. And I thought, 'If he could do that, then I didn't have to be scared.' You showed me that being a hero isn't just for people who can fly or shoot lasers out of their hands, it's for anyone. Anyone who's brave enough to do what's right, no matter the cost." Clint exhales, sharply. "I'm ready," Kate promises.
"Natasha is going to love you," Clint says, smiling slightly.
"I'd hope so," (Y/n) jokes, walking into the workroom clad in a plum purple suit, with a white buttoned shirt and a lighter, lavender colored tie.
Kate stares at (Y/n), her eyes wide. "You look -" Kate falters. "I mean -"
Clint chuckles, patting (Y/n) affectionately on the shoulder before exiting the room, leaving the two young women alone.
"You -" Kate tries again, her mouth hanging open.
(Y/n), amused, reaches over and closes Kate's mouth with her hand.
"Great," Kate finishes, tilting her head so that (Y/n)'s hand now cups her cheek.
"Smooth, Bishop," (Y/n) teases, but she allows her thumb to brush across a cut on Kate's cheek.
"Willyoubemygirlfriend?" Kate says.
"Excuse me?" (Y/n) looks bewildered.
"Will you be my girlfriend?" Kate says slower.
(Y/n) pauses, her gaze twinkling mischievously. "I think that can be arranged."
"Aww, screw you, Romanoff," Kate says, smacking (Y/n)'s arm gently.
"You'd want to do that, huh?" (Y/n) replies,and Kate's cheeks flush.
"S-s-shut up!" Kate splutters and (Y/n) laughs.
. . .
(Y/n), Kate, and Clint walk towards the entrance of the massive building to join Eleanor Bishop's Christmas Gala.
Clint separates from the two young women, leaving the two girlfriends to themselves to scout around.
"No sign of my mom yet," Kate says to (Y/n), pretending to fix (Y/n)'s collar.
"Okay, tell me what you do see," (Y/n) replies. "What are our assets, what are our threats?"
"Mmm," Kate hums, scanning the scene before her. "Threats? That guy. That's Gary. He fired me from one of the only jobs I ever had."
(Y/n) glances over her shoulder at the man, and she snorts – recognizing him. "Don't know if you could call that a job, sweetheart."
Kate flushes, but continues, "Assets? Well, we have those all over the party." She gestures around to some of the LARPers from the park.
"Chip. So good to see you," Kate looks around at the sound of Jack's voice.
"Wow, Jack's out of jail already. Nothing phases that guy," Kate voices.
"So Jack, wielding a sword, just out of jail for allegedly murdering somebody with one," Clint comments quietly into the COMMs.
"Maybe it's his way of proving he really is innocent?" (Y/n) says, hiding it behind a sip of vodka.
"Weird flex, but okay," Clint says, and (Y/n) almost chokes on her alcohol. "You see her yet?"
"I haven't seen her yet," Kate replies from (Y/n)'s side.
. . .
"Found her," (Y/n) catches sight of Eleanor as she walks through the main door. "Wait," (Y/n) laces her arm with Kate's as her girlfriend tries to move.
"Kate, (Y/n), hi . . ." Eleanor moves over.
"Mom, come with us," Kate says, and (Y/n) unlaces her arm with Kate's.
"Farther," (Y/n) says, glancing over her shoulder at the window. "Good."
Kate leads the way through the party, to a concealed room with no windows.
"What're you two doing?" Eleanor asks her daughter.
"We're saving your life," Kate replies.
"Your business partner wants you dead," (Y/n) adds.
"What're you talking about?" Eleanor splutters.
Kate scoffs. She pulls her phone out of the pocket of her suit jacket. ". . . which is why I'm a little confused where you're headed with this." Kate plays the video.
"How could you do this?" Kate asks softly.
"I handed Armand like you asked," the video continues.
"All these years," Kate hisses.
"You don't understand," Eleanor says, looking at (Y/n) and her furrowed brown.
"Then explain," (Y/n) replies.
"When your father died, I was blindsided," Eleanor turns back to her daughter. "He owed that monster money."
"There you are!" Jack enters the room. "Sorry to interrupt, darling –" (Y/n) slides her hand into her pocket, closing it around the handle of her switchblade, "but I really need to have a word with you . . ."
"Jack, not now," Eleanor says, taking a step away from her fiance. She turns back to her daughter. "Sweetheart, Kate, don't worry, I have everything under control."
Suddenly, (Y/n) hears the sound of gunshots.
"What the hell was that?" Kate asks.
"Shots fired. We're workin' on gettin' these people outta here," Clint says in to the COMMs.
"Kate, take her and go," (Y/n) says.
"Fuck no," Kate says. "Mom and Jack, stay here."
"Kate, do not go out there, it's too dangerous," Eleanor orders her daughter.
"You're the reason it's dangerous out there, Mom," Kate says. "Just stay put and stay out of this."
"Damn, babe," (Y/n) mutters following Kate out of the room. "That was hot."
"Not the time," Kate says, though her cheeks darken.
"Oh, God. Clint, who's shooting?" Kate asks.
"I have no idea," Clint replies. "I'm gonna head downstairs, draw the fire away."
"Going position two, guys. Missy, Kenney, cut the lights," Grills says.
The lights go off, the only source of light coming from the battery powered Christmas lights.
"Oh shit," Kate sees Yelena run after Clint.
Kate runs after Yelena, (Y/n) close behind. "So, I know you're chummy with my mom, I just didn't think you'd make the cut for the Christmas party."
(Y/n) snorts.
"Kate Bishop. Random person. I'm not here to ruin anything. I'm just going to kill Barton, have some appetizers, and then I'll go."
"I hope you enjoy the bruschetta, 'cause it looks like you already lost him," Kate says.
"He's in the elevator," Yelena deadpans.
"Yeah, what, out of sixty-five floors, you think you're just gonna magically guess which one he's on?" Kate asks.
"Twelfth floor," Yelena replies, looking over to see the opposite elevator's floor number displayed in bright red.
"Damn it," Kate mutters.
"Enjoy the party," Yelena says, and the elevator doors in front of her open. Yelena and Kate try to enter the elevator at the same time. "No, no, Kate, stay."
Yelena steps into the elevator, and as the doors slide shut, both (Y/n) and Kate slide into the elevator next to Yelena.
"Ahh," Yelena complains.
The doors slide shut.
Kate looks over at the button panel. She reaches out to press one of the buttons, but Yelena smacks her hand away. "No," Yelena deadpans.
(Y/n) behind the two, holding back a laugh.
Kate reaches over again to press the buttons, and Yelena grabs the back of her dress, spinning her around, and shoving her back in her space.
Kate frowns and (Y/n) swallows back a laugh. The raven haired girl tries once again, and Yelena judo-flips Kate onto the floor.
Kate stands up and does the first thing she can think of – smacking Yelena in the face.
"Fuck," (Y/n) breathes, her eyes wide.
"What was that?" Yelena asks, looking bewildered.
"I don't know," Kate swallows thickly. She looks over at (Y/n). "I –"
"No! No. No, no, no!" Yelena protests. She grabs Kate's sleeve, pulling off the dress, revealing Kate in a purple archer's suit with black and silver accents. "Did you plan that?" Yelena asks, looking over at (Y/n), who'd dawned her own suit, a lot like her mother's white suit, but purple, with pink and gray trim.
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"Yes," Kate says. Yelena stares at her. "No, no, I . . ." she turns around and presses all of the elevator buttons.
"Oh, no, no no!" Yelena says. "Come on, that is so annoying. Suka," she mutters in Russian, untying her green trench coat and revealing her own suit. She forces the coat into Kate's hands, and steps out of the elevator on the next floor.
Kate and (Y/n) look at each other for a moment, before Kate throws the coat to the floor and the two charge after Yelena.
Yelena rolls over a table, dodging one of Kate's punches and (Y/n) tackles her, forcing the former assassin to her feet.
The two trained Widows trade blows, but Yelena dodges one of (Y/n)'s and slams the pad of her palm into (Y/n)'s nose.
Yelena runs towards the door frame where she finds Kate standing in the way.
"What're we doin'?" Kate asks. "I mean, it's Christmas Eve. Let's grab a drink, huh?"
"Authentic Russian vodka, on me?" (Y/n) offers, shaking her head to clear it.
"Okay, yeah, sure," Yelena replies.
"Cool," Kate sighs, forcing a smile.
"After I kill Barton," Yelena adds.
"No, no that's not what . . ." Kate complains. "Come on. You don't need to . . ."
Yelena kicks Kate in the stomach to push her through the door frame, and the archer cries out in pain.
She grabs Kate by the arm, and smushes her face against the glass walls.
"Kate, (Y/n), where are you?" Clint asks.
"Yep, give us a minute."
"Everyone here at 107.6 Lite FM," a radio hums to life as Yelena body throws (Y/n) into a desk.
Kate grabs a rope with balls on the top and throws it at Yelena's hand, knocking her red Widow's baton from her hand and shattering the window.
"Oww!" Yelena complains, shaking her hand. "That really hurts!"
"Yeah, yeah, well, so did the kick to the ribs," Kate replies, breathless.
"And the body throw into the desk," (Y/n) deadpans.
"Oh, yeah, that was a good one," Yelena says cheerfully. "That was good form. But you did the really cool trading blows thing," she looks at (Y/n). "And you did the really good throw."
"Yeah? Thank you," Kate says. "Thank you."
"Yeah," Yelena replies.
Then the slight grin slides off Kate's face. "Stop making me like you," she whines.
"I'm sorry. I can't help it. That was really fun," Yelena comments and a laugh escapes (Y/n)'s lips. "But bye." She shoots a grapple at the floor and jumps out the window.
Kate and (Y/n) stick their heads out the window to watch as (Y/n)'s aunt runs down the side of the building.
"Clint!" Kate yells, warning the man.
"Was that you?" the old archer asks, watching the flash of shadow pass across his window.
"It's Yelena! Watch out!" Kate says, and as she says so, Yelena passes the window where Clint is standing, shooting at him with her handgun.
"Careful," (Y/n) warns her girlfriend. As she grabs a rope and wraps it around Yelena's grapple rope.
"It's supposed to be scary, it's supposed to be scary. Okay," Kate murmurs to herself before she jumps down the side of the building, screaming all the way down. She lands on a knee, Yelena having disappeared into the crowd.
"Holy shit, Kate, you okay?" (Y/n) asks quickly, readying her own rope to join her girlfriend at the bottom of the building.
"Fine!" Kate replies, breathless. "But the Tracksuits are here."
(Y/n) descends the building, slower – but safer – than Kate had.
"Gotcha, babe," (Y/n) replies from beside her girlfriend once she'd safely reached the ground.
"Look, it's Kate Bishop," one of the Tracksuits comments.
"And the Widow's brat," another adds.
"Offensive," (Y/n) mutters.
The Tracksuits attack the young women, and they attack right back, Kate firing arrows to help (Y/n) as she attacks with her Widow's batons.
Kate, deciding she'd used enough arrows for the moment, turns and grabs one of the Tracksuits by the wrist, forcing his handgun to point towards the ground.
"I know it's not the best moment right now," Tomas says, facing the purple dressed archer, "but I want to thank you, you know. For your advice, how I should speak to my girlfriend." Kate glances at (Y/n), who was whalloping Tracksuits in the back of the heads with her batons, sending them sprawling, dazed, onto the ground.
"Did it work?" Kate asks Tomas, still putting pressure on his wrist.
"It worked, bro," Tomas replies, "we went to Maroon 5 instead."
"Valid, honestly," (Y/n) comments.
"That's so great," Kate says, swallowing back a laugh at (Y/n)'s words. "So, what's with the gun?"
"I'm sorry, but . . . I wanted to thank you," Tomas says. She kicks him in the private area, and he collapses to the ground.
"Harsh," (Y/n) comments, sending two more Tracksuits to the ground. "And hot."
"Hehe, got you now, bro," a Tracksuit points a handgun at Kate.
Before she can do anything, Jack kicks the man out of the way, sending the man's handgun flying out his hand with a quick flick of his sword.
"Jack!" Kate exclaims.
"Hello, dears," Jack says. "I'm glad you two are doing well."
"That's actually so sweet," (Y/n) says, punching a Tracksuit in the face, sending him stumbling back, clutching at his now broken nose.
"Behind you!" Kate warns as another Tracksuit advances on her mother's fiance. He turns calmly, and slices at him with his sword.
"Jack. Jack, I am, I am so sorry my mom got you put in jail. Are you okay?" Kate asks.
"Never been better," Jack answers, smiling slightly. He defeats about four more Tracksuits calmly. "But I'm afraid I've lost track of your mother."
"Yeah. You and us both," Kate replies.
. . .
"Clint!" Kate says, she, Jack, and (Y/n) still battling the hordes of Tracksuits. "Where are you?
"Right here!" Clint replies.
"Where's here, Clint?" Kate rolls her eyes.
"In the tree," the Avenger replies.
"What tree?" (Y/n) asks, not bothering to look up at the massive Christmas tree she and her companions were fighting under.
"THE tree!" Clint replies.
Kate turns to look up at the massive tree. "What're you doing up there?" she asks, amused.
"I'm just hanging out, what do you think?" Clint asks.
. . .
"Clint, I need you to hang on tight," Kate orders, keeping an eye on (Y/n) and Jack battling Tracksuits back to back below her.
"Yeah, you think?" Clint asks.
"No time for sarcasm," (Y/n) comments.
"You know, dear," Jack says to (Y/n) over his shoulder. "I like you for my Kate. Should've told you that before."
"That's really sweet," (Y/n) says, whacking a Tracksuit in the head, and another in the groin. "You're a good stepdad."
"Wait, what do you mean?" Clint asks.
"I'm gonna get you out of that tree," Kate replies.
"No, no, don't do anything. Kate? Kate!" Clint yells into the COMMs.
"Yo, Uncle Clint, you're gonna blow our eardrums if you keep yelling into the COMMs," (Y/n) says and Kate laughs.
The purple archer fires two arrows, and the massive tree falls, spilling the Avenger into the ice rink below.
"Nice, Kat," (Y/n) comments as she and Kate join Clint in the ice rink.
"Oh my god, you wore it!" Kate looks delighted as Clint removes his dress shirt to reveal the suit Kate had designed for him.
"Yeah, yeah, yeah," Clint grumbles, but he smiles at the delighted look on the younger archer's face.
"Oh, my god, it looks so good. I told you," Kate starts to fangirl.
"Yeah," Clint replies. "Okay. Listen to me. We need to get off this ice, okay? The only way off this ice is up those stairs."
"Great," Kate deadpans. "There's only about a thousand of them, and three of us."
"Here, take these," Clint grabs a handful of special arrows and puts them into Kate's quiver.
"No way," Kate exclaims. "Is it time?"
"It's time," Clint tells his protege. "All right," he knocks an arrow. "Let's give 'em hell."
"Yo, what's going on here," a figure in blue and red spandex drops out of the sky, webbing up a few of the Tracksuits.
"A battle before Christmas," (Y/n) replies, turning to the Spider-Man. "Yo man, good to see you again."
"Back at you, Widow," Spider-Man replies.
The four heroes charge at the Tracksuits, Kate and Clint, and (Y/n) and the Spider-Man.
"It's so cool that there's another archer Avenger," Spider-Man comments as he and (Y/n) knock about two dozen Tracksuits.
"Proves anyone can be a hero," (Y/n) replies. "Ain't that right, Spidey."
Spider-Man chuckles, and (Y/n) estimates he's probably about eighteen, just from the sound of his voice.
After a few short minutes, all the remaining tracksuits lie on the ground, either with webbing, arrow, or bruising wounds.
"Kate, your mom just walked out of a side door," Grills says.
"Copy," Clint replies.
"I have to go find her," Kate says.
"I'm coming," (Y/n) demands, and from the look on her face, Kate knows there is no point in trying to argue. (Y/n) turns to Spider-Man, "See you 'round, dude." They fist bump, and Spider-Man uses two of his webs and slingshots himself through the New York skyline.
"What's with you and spider-themed people?" Kate voices, turning to Clint, who simply shrugs. "Let's go," Kate turns to her girlfriend. She sighs heavily.
. . .
A figure tackles Clint, and he sprawls on the ice, Yelena Belova standing over him.
"Before I kill you," Yelena towers over the injured archer, "I need to ask you one question."
"It's nice to finally meet you, Yelena," Clint says, opening his eyes and facing Natasha's sister for the first time.
"I need to know what happened," she says, looking down at the archer, who'd gotten to his knees.
"Look, Yelena," Clint mutters, "if I told you what really happened, you'd never believe me. But what you need to know is that Natasha sacrificed herself. She saved the world. I-" his voice cracks. "I'm sorry."
"You're lying," Yelena replies.
"What?" Clint asks in disbelief.
"You're pathetic. You're so pathetic," Yelena steps forward. "She wouldn't sacrifice herself for you. You murdered my sister."
"That's right," Clint murmurs. "It wasn't just for me. She wanted to bring back her friends, her family, you. Keep her kid safe."
Yelena narrows her eyes. "Kid?"
"You met her," Clint rasps. "Earlier tonight. Purple suit, pink and black accents. Green eyes like hers."
"Shut up!" Yelena's voice rips from her throat. "You pathetic" punch "little" another punch "liar!" she kicks Clint in the ribs, and he skids backwards on the ice.
. . .
The door is ripped off Eleanor Bishop's car, and she shrieks.
The massive figure of Wilson Fisk leans over the woman in the car. "Don't leave, Eleanor," he rasps. "Come here, let's talk."
"Get away from my mom," Kate screams.
Fisk moves away from the car, to watch Kate, her bow pointed at his chest, and (Y/n) beside her, leveling her handgun at Fisk's face. "What are you going to do with those?"
Kate lets her arrow fly, and it sinks into his chest, but he simply just removes the arrow calmly.
"What?" Kate splutters. She shoots a grapple arrow, but Fisk simply grabs it, pulls Kate to him, and pouches her square in the ribs.
Fury burns in (Y/n)'s emerald green eyes. And she runs at Fisk, wielding both of her Widow's batons.
He strikes her in the face, and she flies backwards into the brick wall, collapsing onto the ground next to her injured girlfriend.
Fisk moves towards the two injured warriors, but a car careens into Fisk, sending him into the toy store.
Fisk turns towards the car, Eleanor Bishop at the wheel, but both Kate and (Y/n) get to their feet, sliding over the hood.
"Where you goin', big guy?" Kate rasps.
She attacks first, but Fisk grabs her bow, spinning her around, and sinking his massive fist into her stomach. Pain washes through Kate, but she fires an arrow behind (Y/n), and a web of electric webs spread across it, keeping the mob-boss from attacking her mother.
(Y/n) attacks, but Fisk grabs her by the neck. "You're in over your head!" he roars, slamming (Y/n) Romanoff into the ground.
She writhes, pain radiating through her entire back and into her arms and legs.
Fisk towers over (Y/n), and panic ripples through Kate, she staggers to her feet and charges at Fisk again, but he grabs her by her quiver, throwing her into one of the cement walls of the toy store. He grabs a handful of arrows and raises them over Kate's chest.
A pained sob escapes (Y/n)'s mouth as she gets uneasily to her feet.
. . .
"You should have fought harder!" Yelena snarls, striking Clint across the face.
She discards her baton, pulling out her handgun. A soft whistle escapes from Clint's mouth – Natasha and Yelena's whistle.
A pained gasp escapes from Yelena's throat as she lowers her handgun. "How do you know that?" Yelena asks.
"Your secret whistle with Nat," Clint gets to his knees again. "She talked about you all the time, Yelena."
"She did?" Yelena whispers, broken. "What did she say?"
Before Clint can answer, a familiar voice replies. "That I loved you more than life itself," Natasha emerges from the stairs. "Sorry I'm late, I couldn't catch an earlier flight."
A sob escapes Yelena's throat, she runs for her sister, tackling her in a desperate hug, and grasping at the back of Natasha's jacket.
. . .
(Y/n) staggers towards Fisk and Kate, pain radiating all throughout her body.
"Please, not her," (Y/n) rasps, putting herself between Kate and Fisk.
"Kill the little Widow," Fisk says thoughtfully. "Sounds good to me."
And he strikes.
Word Count: 4583 words
A cliffhanger hehe
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thewidowsghost · 7 months
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All of the Air Bud movies are on US DisneyPlus now
Suddenly watching all of them today while working on fics lol
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thewidowsghost · 7 months
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Hi, do you write for Kara Danvers?
I do!
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thewidowsghost · 7 months
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Running Out of Time (Maggie Sawyer x Danver!Reader)
Main Masterlist
Anonymous asked:
hi if you still write for maggie sawyer, would write a fic about the episode Alex gets kidnapped but it's r instead of Alex thanks
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"You don't have to hurt anyone," a police officer says into her phone. A line of police cars is lined up outside a bank. "No one is making you do this. You're choosing to do this. You and your friend chose to go into that bank. You chose to take those people hostage. But you know what? You can choose to put your guns down. You can choose to let those people go. You can choose not to hurt anyone."
"Look up!" a man yells. "Up in the sky!"
There is a sound of glass smashing and the crowd behind Detective Maggie Sawyer.
"Hey, not even Pretty Boy Floyd got to meet Supergirl," Kara Danvers says, hauling two of the goons out of the bank. "It'll be a fun story to tell your roommates in jail!"
Maggie walks up to Kara, tucking her phone into her back pocket. "Supergirl . . ." Maggie says and Kara rests her hands on her hips, exhaling sharply. "I almost had him . . . "
"And I got you over the finish line!" Kara says brightly. "And just in time for dinner. I'll see you later."
. . .
The smoke alarm beeps and (Y/n) Danvers waves a towel around. "Thanks," her older sister says, handing the delivery man a twenty.
"(Y/n), the first time I tried to microwave macaroni and cheese," Mon-El says, "they had to evacuate three city blocks."
(Y/n) glances amusedly at her older sister's boyfriend.
"That's an exaggeration, but Ihave seen less terrifying nuclearing explosions.
"Well, I like pizza better than paella anyway," Maggie says, opening a box of pepperoni, glancing affectionately at (Y/n).
"Yes, me too," (Y/n) agrees.
Kara opens a box of Hawaiian pizza. "I love ham and pineapple!"
"Thank you. It totally shouldn't work, but it totally does," Mon-El agrees with Kara. "How's my girlfriend, guys, huh?"
Kara chuckles. "What?"
"Bank robbers, zero," Mon-El talks through a mouthful of pizza. "Supergirl, two. What do you even need cops for in this city?" he chuckles.
A dangerous look lights in Maggie's eyes, and Alex and her girlfriend Lena exchange a glance.
"He's from a different planet," (Y/n) says, resting a hand on Maggie's knee. "He doesn't even know what he's saying."
"No, he's right," Maggie says, her eyes narrowing slightly. "Why bother trying to talk a guy down when Supergirl can just swoop right in and force him down?" she looks over at Kara. "Seventeen hours of 'What do you want, how can I help you?' good old-fashioned hostage negotiation wasted."
"You're not upset that I caught the bad guys and got everyone out safely, are you?" Kara chuckles, pushing her glasses back up onto her face. No, Kara didn't have to wear her glasses, everyone - even Lena knew because Alex did not want to start her relationship off with the Luthor on a lie.
"I would've gotten them to free the hostages," Maggie says.
"Maybe," Kara shrugs. "But they're in jail now, where they can't hurt anyone. That's all that matters."
Lena glances over at (Y/n), whose eyes had widened slightly.
"Unless they use the Supergirl defense," Maggie says, leaning forward.
"The what?" Kara asks.
"It's a think some criminals use to get their charges dropped," Lena offers.
Maggie nods. "It's a perfect storm for a defense attorney. Excessiveforce, evidence contaminated by debris, vigilante justice . . ." Maggie trails off, meeting Kara's gaze.
"'Vigilante justice?'" Kara echoes. "I stand for hope, and help, and compassion! I did what I had to do to get those people out of there."
"I think what Maggie's trying to say is that what you do is amazing when we're up against . . ." (Y/n) begins.
"A giant purple monster or a half-cyborg murderer, sure," Maggie interupts, and (Y/n)'s hand falls to Maggie's knee again. "But, most of the time, police work requires a more delicate touch."
"Delicate?" Kara echoes again.
"Yeah," Maggie replies. "You broke one guy's arm and you gave another one a concussion. And that was after you knocked in the roof of a National City landmark." (Y/n) stops trying to interrupt when Maggie scoffs, "And now, it has a big, Supergirl-sized hole in it."
"A thousand things could've happened from the time of your call to the hostages walking out," Kara says, glaring at Maggie from across the table. "Maybe, yeah, sure, I broke some walls, but I got everyone out of there safely, and that is a win."
"Well, you should've asked. But you never look before you leap," Maggie replies, a tight frown spreading across her lips.
"Because I can fly," Kara replies, leaning back in her chair.
"Okay," Maggie scoffs again, looking away. Maggie meets Lena's gaze, and Lena flashes her what seems to be a sisterly glare.
Mon-El clears his throat. "Well, as being something of a superhero myself, I can say that sometimes it's better to punch, than, than to talk."
(Y/n) lets out an inaudible groan, pressing her hand to her forehead, trying to quell her quickly growing headache.
"Sometimes," Kara throws her napkin on her empty plate, "talking is more hurtful than punching. Obviously, I've upset you, Maggie. I'm gonna go."
"No, Kara, don't do that . . ." (Y/n) says, Kara having stood up from the table.
"No, it's fine." Kara says, pushing (Y/n)'s comment aside. "Than/k you. Thanks for dinner."
(Y/n) gets up from the table to follow Kara, Mon-El in front of (Y/n).
"We're gonna go," Alex says, she and Lena also getting up from the table. Alex gives her youngest sister a hug before she and Lena Luthor leave (Y/n) and Maggie's apartment.
(Y/n) turns to face Maggie. "I know you're upset about earlier, but I really . . . " she pauses. "I just really want you and Kara to get along."
"Kara and I get along great," Maggie says, meeting (Y/n)'s tired gaze. "It's Supergirl that I sometimes have trouble with."
"Okay, just keep trying," (Y/n) takes a step forward. "Okay?"
"Okay, for you," Maggie replies. "Wait, where are you going?" she asks as (Y/n) strides towards the door.
"To catch up with Kara and tell her to try too," (Y/n) throws on her jacket. "But she's just as stubborn as you." (Y/n)'s (E/c) eyes gleam with affection for a moment.
. . .
"Kara. Hi," Maggie walks up to Kara at Catco.
"Maggie," Kara nods. "Is everything okay?" she asks, the two walking towards Kara's desk.
"Yeah, I was just looking for (Y/n)," Maggie replies, "wondering if she checked in with you."
"Didn't you crash at her place last night?" Kara asks Maggie.
"I did," Maggie replies, "but she left to catch up with you after you left. What, she didn't stay with you?"
"She never caught up with me," Kara answers, turning to look at Maggie with a concerned look on her face. "Maybe she went to the DEO?"
Maggie shakes her head, "Alex said she didn't check in last night or report this morning."
"Huh . . ." Kara's eyebrows knit and her phone rings. "Ah. Mystery solved," Kara shows Maggie her phone, which had (Y/n) as the caller ID. "(Y/n)?" Kara answers the phone.
"Hello, Kara Danvers," a man, definitely not (Y/n), answers.
"Who is this?" Kara asks, stopping in her tracks.
"Well, the real question is, who are you?" the man replies. "Everyone around you thinks you're just a mild-mannered reporter. But I know the truth."
"What do you want?" Kara questions.
"I have your sister," the man replies.
"You're lying," Kara says, terror spiking in her.
"I'm not," Kara's phone vibrates and she pulls her phone from her ear. Maggie comes to stand at Kara's shoulder. The two look down to see the image of the body of a motionless figure lying on the floor of what seems to be a glass box.
"A man named Peter Thompson is serving a life sentence in Albatross Bay Supermax. You will free him within the next thirty-six hours or your precious baby sister will die. And I know you can, because I know . . . You're Supergirl."
. . .
(Y/n) blinks dazedly, weakly raising her head.
Noticing her surroundings, (Y/n) pushes herself to her feet.
"Hello?" she calls.
Electricity buzzes around her, and (Y/n) presses her head to the glass of her enclosure, breathing heavily.
"I knew I recognized you from the elevator," she croaks. "I know who you are. The people that I work with, they will find me." (Y/n) glares up into the camera at the corner of the cell. "And when they do, you will be in a world of hurt." (Y/n) totters slightly on weak legs. "So, I am giving you one chance. Free me, now."
Fear spikes in (Y/n) when she looks around the container. Three of the walls and the floor are made of cinder blocks, the ceiling of a chain-length fence, and the front wall made of glass.
. . .
"So, this person who says they've kidnapped (Y/n)," J'oon says, everyone gathered in the main debriefing room of the DEO, "what did he say on the call."
"H-he said he would kill (Y/n)," Kara says, pacing back and forth in front of the round table, "if I didn't break PeterThompson out of Albatross Bay."
Maggie and Alex are leaning heavily against the table. Lena and Winn Schott are standing off to the side, talking in whispers.
"He said he knows Kara Danvers is Supergirl," Kara goes on, and Lena and Winn stop their conversation, their widened eyes falling on Kara. "He's targeting (Y/n) because she's my sister," Kara goes on.
"But why (Y/n)?" Alex questions, straightening herself. "He could've also chosen me. Why go for her?"
"I don't know," Kara replies, shaking her head.
"This might be stating the obvious here, but why don't we just spring Peter Thompson and bring (Y/n) home?" Mon-El questions.
"The DEO does not negotiate with terrorists," J'oon replies.
"But this is (Y/n)," Mon-El faces J'oon.
"If we do this once, we'll open the floodgates," J'oon argues, a pained look in his eyes. "Every bad guy will know Supergirl can be controlled."
"And even if we do what he wants, it doesn't guarantee he'll release her," Maggie says. It was the first time she'd spoken since she'd learned (Y/n) had been kidnapped. "She's his insurance."
"All right, people,let's get to work!" J'oon booms, and everyone scrambles around. He walks over to Winn, who had sat down at his computer. "Winn, any luck with Alex's subdermal tracker?" he questions.
"No," Winn shakes his head, "it's been offline since ten'o'clock last night." Winn shakes his head, furiously typing on his keyboard. Whoever took her must have found some way to power it down."
"Where are we triangulating the signal from the phone calls?" J'oon asks Lena.
"We're nowhere," Lena plops down into a spare computer. "The caller used four different arrays to scramble the signal." Her accent had thickened with her worry for the youngest Danvers.
"You guys listen, we gotta move," Winn turns around to address all the agents.
"All right, let's start with what we know," Alex says, rising from her chair.
J'oon nods, "If this guy knows you're Supergirl, we just that to our advantage."
"That's gotta be a short list," Mon-El says. "Who knows your secret?" he questions.
"Jeremiah, Eliza, Clark, Alex, Lois, Lucy, the DEO, James . . ." Kara trails off, trying to think of a few more. "Lillian Luthor," she glances unsteadily at Lena, but Lena meets her gaze steadily.
"Does Peter Thompson have ties with Cadmus?" Lena asks, coming to stand around the table.
"No, I already checked," Winn replies. "There's nothing."
"Then you're asking the wrong question," Maggie supplies, and the others look at her. "We don't know where (Y/n) was taken, we don't have a crime scene, we don't have any physical evidence. They've clearly been planning this for a while. Whoever took (Y/n) is a ghost who doesn't want to be found."
Kara's head rests in her hands. "Then what's the right question?" she questions.
"Who is Peter Thompson and what does he mean to our ghost?" Maggie says, and the others nod.
. . .
Maggie, Alex, Kara and J'oon walk into the prison.
"Mr. Thompson," J'oon flashes his FBI badge. "Hank Henshaw and Alex Danvers, FBI. This is Detective Sawyer from NCPD, and Ms. Danvers from CatCo Magazine."
"The feds, a pig, and a journo," Thompson says, looking between the three. "To what do I owe this confusing pleasure?" he asks.
Maggie throws a manilla folder on the table between Thompson and J'oon. "Your jacket's a thrilling read. Three home invasions, two DUIs, two counts of felony murder."
"You all didn't come down here just to flatter me, did you?" Thompson asks, meeting Maggie's brown eyes. Maggie takes a breath, "This morning, we got a call from an anonymous source, asking that you be released from prison."
"Someone wants me out of jail?" Thompson laughs. "Not used to that. People usually want to keep me behind bars."
"A life sentence can't be all that easy," Alex says, "being in here all by yourself."
"You ever keep in contact with anyone on the outside?" J'oon questions.
"Just last week," Thompson replies, "Mr. JC Penney sent me a letter. He said there was a sale on galoshes." Kara's eyes burn and she steps forward as Thompson continues. "It's just that I don't have anywhere to wear them."
Kara slams her fist onto the metal table, startling Maggie a little. "Enough!" she orders. "My sister's been kidnapped, and her life is on the line until we find out who wants you out of prison."
"Ms. Danvers ..." J'oon says warningly.
"So save us the sarcasm! Who is it? Who has her?"
"Calm down," Alex says, her voice equally as warning as J'oon's and she places a hand on her sister's arm.
"Who has my sister?" Kara yells, ignoring Alex and J'oon.
"I don't know," Thompson says, meeting Kara's furious gaze.
"You're lying," Kara says angrily, her eyes narrowing.
"He's not," J'oon says. "We're done here."
The officer pulls Thompson to his feet and leads the fugitive out of the interrogation room.
"Why'd you let him go?" Kara asks J'oon.
"Because I read his mind," the Martian answers. "He's telling the truth." J'oon gets up from the table.
"Losing control is not gonna help us find (Y/n) faster," Maggie tells the superhero. "It's only going to get her killed."
Kara stares at Maggie for a moment, and then her phone rings. "Winn," she says, sounding almost defeated.
"Hey, we got something," Lena's voice comes from the speaker.
"What?" Kara asks.
"I scanned the visitor logs for Peter Thompson," Winn's voice comes from the speaker this time, "over the past three years. They're pretty sparse, except for one name that keeps popping up."
"Who?" Kara asks.
"Doesn't matter, it's a fake name," Winn replies. "I pulled some security footage and, baby, I ran that facial recognition software. Thompson has a son."
"But we checked, he doesn't have any relations," Kara replies.
"Well, apparently, there's a lot of family drama," Winn says. "Thompson's name isn't even on the kid's birth certificate. And I only figured this out after I cross-checked the name with the court transcripts. The kid spoke at Thompson's sentencing, and his name is . . . Rick Malverne. He has a house an hour outside the city."
"Malverne. Why does that sound so familiar?" Kara says aloud and Alex stares at her sister.
"He went to high school with us," Alex snaps her fingers.
. . .
Kara lands outside a house and busts down the door. "(Y/n)! (Y/n)!" she yells as she runs through the house.
Sticking her head in one of the rooms, Kara sees a set of computer screens with (Y/n) projected on them.
"(Y/n). (Y/n)!" Kara says softly, walking up the screens. "(Y/n)!"
"She can't hear you, Kara," comes a voice and Kara turns around to see a blonde man standing in the doorway.
"Rick?" Kara asks in disbelief.
"Jeez, I haven't seen you since graduation," is Rick's reply. "You look great."
Kara's eyes blaze and she grabs Rick, lifting him off the ground. "Where's my sister?" she demands.
"You break my father out of prison yet?" Rick asks, his teeth clenched.
"You know I can't do that," Kara murmurs.
"Can't or won't?" Rick questions.
Kara throws Rick back into a wall with a grunt.
"Tell me where she is," Kara growls.
That's not how this works," Rick answers. "Now, why don't you try and play nice, Kara?" he asks. "You were always the nice one."
Kara sighs, a hardened look on her face.
"Just let me talk to her," Kara breathes, looking over her shoulder at her sister on the monitors.
"Well, if that gets you to play ball, then I'm happy to help," Rick says, sliding around Kara to type on the keyboard.
The monitor chimes.
"(Y/n)!" Kara croaks. "(Y/n)!"
"Kara, is that you?" (Y/n) calls. "Rick Malverne from Midvale, he kidnapped me!" (Y/n) places her hand on the glass, facing the camera.
"I know," Kara replies. "I'm with him right now. Are you okay? Where are you?"
"My tracker. Can you use my tracker?" (Y/n) asks, and Kara can hear the frantic tone of her sister's voice.
"It's not working. We don't know -" Rick cuts Kara off.
"Okay, that's enough of a reunion, I think," Rick says.
"No, wait," Kara says.
Rick sighs, "It's simple. She's told you she's okay. And now we trade my father for (Y/n)."
"Your father is a murderer," Kara retorts.
"Manslaughter-er," Rick corrects.
"Tell me where she is," Kara demands again.
"Tick, tock. Tick, tock."
Kara's eyes burn red from her building heat-vision and Rick leans closer, "oh, wow, it's even cooler up close. You hurt me, you'll never find her. And she'll die. Slowly."
. . .
"He looks normal," Winn says, watching as two DEO agents lead Rick Malverne into the interrogation room.
"He was nice in school," Kara says, crossing her arms.
"He used to carry (Y/n)'s bookbag," Alex agrees. Lena raises an eyebrow and Alex shrugs.
"Why is he doing this to her?" Kara wonders aloud.
"I tried reading his mind, but he seems to be blocking me somehow," J'oon says.
"Let me in there," Maggie turns to J'oon. "I can talk to him."
J'oon considers Maggie for a moment before he nods. "All right."
. . .
Maggie sits down in a chair across from Malverne, Kara and Alex framed in the doorway.
"Detective Sawyer," Malverne considers Maggie, leaning forward slightly. "And they say there's never a cop around when you need one."
"So you know me?" Maggie crosses her arms.
"Of course," Malverne smiles, leaning back in his chair. "I took a whole year planning this. Watching (Y/n). Preparing. I know everything.
"How did you know I was Supergirl?" Kara asks, crossing her arms.
"The day at the beach," Malverne replies, meeting Kara's eyes. "Before you started wearing glasses.
"Hey, Rick," a young Alex greets a young Rick Malverne, Kara and (Y/n) standing behind her. (Y/n) was gently explaining things to Kara in a low voice.
"A bunch of us are heading to Swan Beach after school," Rick says, resturing towards the direction of the nearby beach. "You and (Y/n) wanna come?" Rick smiles over at the two year younger (Y/n).
"Back then," Rick says, pulling Kara and Alex from the memory, "I had no idea that (Y/n) would end up playing for the other team, so to speak."
"You're new sister is kinda weird," Rick says, gesturing to a young Kara who was looking up at the sky with wide, amazed eyes. A young (Y/n) rests her hand on Kara's shoulder, looking amused.
"Then there was a crash," Malverne goes on.
Kara charges to a car, pulling a woman and a baby from the burning wreckage.
The rest of the kids run up the hill to see a young woman hugging Kara with one arm and cradling her baby with the other.
"And her older sister walked away without a scratch. People at school said it was adrenaline, but, uh . . . "
"But you didn't believe that," Maggie finishes, meeting Malverne's gaze steadily.
"I saw Kara Danvers do something amazing," Malverne glances over at Kara. "And it stayed with me. I knew Kara was living in National City, and then Supergirl showed up in National City . . ." he chuckles. "I put two and two together. I knew it was you."
"What happened to you?" Alex asks, leaning forward. "I remember when (Y/n) and Alex had the chicken pox, and I was eating lunch by myself. You came and sat with me.
Rick chuckles. "I was fourteen. And I didn't have the nice house or the perfect family you three had." Maggie stands up from her seat.
"You think we had it easy?" Kara asks, unfolding her arms. "You have no idea what either of my sisters sacrificed for me. Or what I was going through!"
Malverne straightens in his seat, fixing his eyes on Kara. "Why, because you had to hide your superpowers? I was hiding bruises! Do you know what it's like to have your mother tell you you're garbage every single night? A belt whenever you had the wrong opinion? And then I found a lifeline. A dad my mom kept from me. And he saved me from her and he moved away from Midvale. And even though he was already struggling, he always made sure there was food on the table and he got me enough money to go to college. And then three years ago, the state took him from me."
"Your father killed two people," Maggie says, leaning against a wall, her arms crossed. "He confessed."
"They had it coming," Malverne replies, leaning back in his seat. "And now I'm gonna rescue him just like he rescued me. Alex shifts uncomfortably, leaving the room without another word. "I can't believe we're still talking about me! You have twenty-four hours and eleven minutes." Kara stiffens as Rick continues, "Come on, Kara, show us some of that rah-rah Midvale Junior High Spirit." Malverne is yelling now. "Free my dad! Or your sister dies."
Kara growls, zooms over, flips the table, and pins Malverne to the wall.
"Oh, you use half this much gusto in springing my dad, you'll have your sister back for game night."
"Kara! We're done here!" Maggie's voice cracks.
Kara lets go of Malverne and the man drops to the ground. "Hey. You know what'll be fun?" he asks. Maggie frowns, an eyebrow raising as she steps back from the man. "Finding out which of the three of you loves her more. "Honestly, I wouldn't know where to place my bet," he sneers and Maggie swallows thickly.
Kara frowns at the man and after a minute, the three women go to leave the room, Maggie pausing for a second.
"Go Stallions," Malverne grins.
Both Kara and Maggie leave the room. "I'm giving him one more minute, then I'm going back in there," Kara says.
"No," Maggie replies.
Alex straightens from where she'd slumped against the doorframe.
"Let him sweat it a little. We got what we wanted," Maggie reasons.
"What?" Kara questions, looking down into Maggie's eyes. "All we know i show he knows my identity."
"We know that Rick's pinned his whole sense of self-worth on Peter Thompson," Maggie says. "Thompson is the key to getting (Y/n) back."
Kara's angry eyes seems to extinguish as she considers Maggie's words.
. . .
An hour or so later, Maggie leads Peter Thompson into Malverne's interrogation room.
"Ricky," Thompson says, walking towards his son.
"Dad," Malverne gets up from his seat.
Thompson pauses before moving to hug his son. "All that time inspiration, I imagined a day when . . . I could talk to you without a pane of glass between us."
"The DEO moved heaven and Earth to free this man," Maggie says. "We did what you wanted. Now, tell us where (Y/n) is."
"No. No, not until my father and I are far from here," Malverne says.
"You think we're stupid?" Maggie questions. "I showed you mine. Your turn."
"So you can toss us in Gitmo?" Thompson asks. "Not gonna happen."
Maggie shakes her head in disbelief.
"Maybe he gives you a piece. A little token of goodwill," Thompson adds. "You gotta give them something, Ricky. That's how it works. Just tell them where she is." Thompson narrows his eyes at his son.
"Well, you really nailed his essence, I'll give you that," Malverne says.
"What?" Maggie asks, stepping forward, her arms crossing.
"I mean, that thing . . ." Malverne says, studying his father's face. "He couldn't decide whether to hug me or not. That's vintage Dad." Malverne sits back down in his metal chair.
"What are you talking about?" Thompson asks, walking up to stand beside the table.
"My father would never be playing these games. He'd be wanting to get the hell away from here and making sure that he never went back to prison," his expression is one of anger. "I've been planning this for a year. Do you really think I didn't prepare for you," Malverne pauses, looking up at Thompson, "Martian?"
Thompson walks over to Maggie and shifts back into himself.
"You're down to twenty-three hours and fourteen minutes," Malverne says as he gazes a Maggie and J'oon. "And counting."
Maggie closes her eyes, pressing her index finger and thumb to the bridge of her nose.
. . .
(Y/n) looks around her containment module. Her eyes narrow as she looks up at the camera.
(Y/n) pulls off her jacket and belt. She climbs up, pulling the camera off the wall.
"Okay," she breathes, having taken apart the camera.
(Y/n) bites down on the end of her belt, snaps a card from her wallet, and pulling down the shoulder of her shirt. She whimpers as she digs the sharp end of the card into her shoulder. (Y/n)'s teeth bare down on the belt, her chest heaving as she finally pulls her tracker from out of her shoulder.
(Y/n) spits out the belt, her chest heaving. "That sucked," (Y/n) grumbles, blinking back her tears. She connects her tracker to the camera after pulling out a few wires.
. . .
"I just got a software update request from one of our trackers," an agent says, peering at the computer screen. "System's not recognizing the IP address."
"She's a little genius!" Winn says. Winn runs down the hall. "Guys! We found (Y/n). I found her."
Kara - who is standing with Mon-El, Alex, and Lena - turns to face Winn. "You did?" Kara asks frantically.
"We got a ping from her subdermal tracker," Winn explains. "She's not far!"
Kara runs over to the door where she finds Maggie sitting at the table across from Malverne.
"Maggie. Winn found (Y/n)," Kara says, and Maggie turns to look at Kara. Alex is framed in the doorway, her eyes wide with hope.
"What? How?" Maggie asks, getting up from her chair.
"I guess you underestimated my sister," Kara says, glaring at Malverne. "Let's go," Kara turns and marches towards the door.
Maggie pauses, turning to study Malverne.
"I wouldn't do that if I were you," Malverne says, his gaze flicking between the Danvers' sisters and Maggie.
"You're delusional," Kara turns to face Malverne. "The second we get back here with (Y/n), you're going to prison with your dad."
Malverne shrugs, looking at the table in front of him. "Don't say I didn't warn you."
Kara strides the room, but Alex and Maggie study Malverne.
Maggie and Alex runs out of the room. "Watch him," Maggie tells the guard as she runs past him after Kara. "Hey, stop," Maggie tells Kara. "Malverne still thinks he's in control," she tells her.
Kara turns, looking highly annoyed with Maggie at this point.
"He's not acting like someone who just lost," Alex adds. "He didn't even flinch. It's like he expected this."
"No, no, no, we are not listening to that psycho," Kara says, walking closer to the two. "Every minute we wait for matters."
"I - I want to get her as badly as you do," Maggie retorts, "but we can't punch our way out of this. We've got to get this right."
"If the shoe were on the other foot, (Y/n) would already be out the door. I'm not waiting," Kara argues.
"You're not the only one who cares about her!" Maggie says, her voice rising.
"I'm going!" Kara yells over her shoulder as she strides out of the DEO, Alex running after her.
Maggie swallows thickly and looks at the ground.
. . .
Alex and Kara smash through the roof of a warehouse, and (Y/n) hears the thump on the ground. Kara lets go of Alex's arm.
(Y/n) scrambles to her feet. "Kara! Alex!" she shouts.
"(Y/n)!" both the sisters yell.
"I'm down here!"
Kara runs over, pulling a sheet of metal off the floor.
(Y/n) hears the noise and looks around hopefully, but she doesn't see anyone coming to her aid.
All Kara and Alex see is a laptop and a countdown clock. The words, NOW YOU HAVE FOUR is spray-painted onto the wall.
"Four? What . . ." Kara asks, but there is a rapid beeping from the clock and the time now reads 4:00:00.
There is a grinding noise, and water begins spraying in from one of the pipes.
The twoolders Danvers' sisters watch, terrified as their sister looks frantically around.
(Y/n) grabs her jacket from the floor and presses it to the pipe, hoping to stop the flow of the water.
. . .
Kara and Alex march through the door of the interrogation room, Kara's fists balled. Alex sets the laptop on the table, opening it and turning it towards Malverne.
"Where is she?" Kara crosses her arms.
Malverne shrugs. "I told you not to go down there . . ."
"Tell us where she is," Alex slams a fist on the table.
"I gave you thirty-six hours to break my father out of prison," Malverne relaxes in his chair. "But you didn't listen. So now, that room is gonna fill up with water in less than four hours. I think it's time you got moving."
Kara's lip quivers. "Let me talk to (Y/n)."
Rick leans forward and presses a few of the keys and there is a beep.
Kara turns the laptop around and leans down to talk to her sister through the computer.
"(Y/n)," Kara says, her voice quavering.
"Kara! Alex! I sent out a signal, I thought you were coming," (Y/n) says, the water up to her waist now.
"He re-routed the IP address. He sent us somewhere else. Do you have any idea where you are?" Alex asks, her eyes wide with worry.
"I was unconscious. I could be hours away or I could be in the city," (Y/n) replies, a frown spreading across her face. "I don't know." Despite how far (Y/n) was away from the camera, both Kara and Alex can see the fear on their little sister's face.
Rick leans forward. "(Y/n), it's Rick. I don't want to hurt you. I keep on telling your sisters that. Tell them to get my father, and this can all be over. You can come home and get dry."
"No. Alex. Kara. No," (Y/n) says, pointing at the camera. "You do not give that terrorist what he wants. You cannot let yourselves be blackmailed. You cannot open yourselves up to that, ever. Do you understand me? You're both better than me." Again, despite her words, her widened eyes display her fear and worry.
Maggie enters the room and, seeing (Y/n) on the screen, runs over. "(Y/n)!"
"Maggie!" (Y/n) calls.
"I'm right here," Maggie replies, her tone softening.
"Maggie, I need to speak to you alone," (Y/n) says, and Maggie immediately grabs the laptop and walks out of the room, cradling the laptop to her chest for a moment.
"Honey, everyone here is working hard and we're going to find you," Maggie says and her voice cracks. She sits down on the floor, her back against a wall.
"The water is rising fast and there are things that I need to say," (Y/n) says, looking up into the camera, her eyes softening as though she really was meeting her girlfriend's gaze.
"No," Maggie's voice cracks. "Don't start talking like this is the end."
"I don't want it to be, but in the case that it is . . ."
"It's not!" Maggie cuts her girlfriend off. "You're a badass, Danvers. And you're gonna figure out a way to get yourself out of there or you're gonna hold on until I find you." Maggie's voice quavers.
"Maggie, listen to me, please," (Y/n) tries again.
"No," Maggie interrupts, tears welling in her eyes. "W-we just started t-this, you and me, and i-it's not g-going to end. Not today. Not for a long time. We just had our first Valentine's Day and I wanna do more with you. I-I want more firsts." (Y/n) looks up into the camera again and she doesn't worry about wiping her tears. "I want to have a first vacation. We haven't even argued about where we're gonna go yet or how to load the dishwasher. Or what to name our first dog. Do you want to get a dog? A cat? Both?" The tears are falling freely down both women's faces now.
(Y/n) smiles slightly. "Both? Let's name the dog Gertrude." Her eyes sparkle with amusement.
"See," Maggie smiles, her expression watery, "there's a lifetime of firsts that we're going to do together. So, you hold on, okay? Hold on until I get to you. Promise. Promise me!"
"I . . ." (Y/n) starts but the video cuts off.
"What?" Maggie says, typing furiously on the keyboard. "(Y/n)!" Maggie, frustrated, throws the laptop to the ground.
"What happened?" Kara runs over where Maggie is sitting.
This distraught woman stands up. "I t-told you not to rush in. Now you've made things worse."
"I did what I thought was right," Kara retorts.
Alex, Lena, Winn, and Mon-El run into the hallway.
"I should have been heard," Maggie goes on, not noticing that the others had appeared. "I should have been listened to. I'm her girlfriend."
"I'm her sister," Kara snarls in return.
"And you think that trumps me?" Maggie questions, taking a step forward. "That you know what's right for her. I . . . I got her to be herself, Kara. I-I have j-just as much to lose as you. You should've listened to me."
Maggie turns around and storms away.
. . .
There is a beep as Maggie enters Malverne's interrogation room.
Malverne straightens, studying Maggie closely.
Maggie sits down at the other side of the table, crossing her arms and resting her elbows on the table.
"Under two hours," Malverne says, leaning back in his chair. "The clock is ticking fast," he comments.
"I know," Maggie replies, leaning forward in her chair. "And if it ticks down completely, we both lose. And I don't think you want to lose."
A ghost of a smile spreads across Malverne's face, "Neither do you." Malverne pauses. "I was wrong about Kara," he says. "She's too much of a Girl Scout to do what needs to be done. I misjudged her. Alex," he shrugs, "she can't do anything with Kara in her way. I may have discounted you. You're a cop. You could just walk into that prison and break my father free if you wanted to. You care for her."
Maggie simply blinks.
"I've seen that," Malverne goes on.
"Stalking us," Maggie says, leaning forward a bit more.
"The way you look at her," Malverne says, his expression softening a little. "The way your hand touches her hand when you're walking down the street."
Maggie's eyes water and she bites her bottom lip and looks down at the tabletop.
"Love can make people do things that they don't normally do," Malverne goes on. "So please, help us bring home the people we love.
. . .
(Y/n) could no longer touch the floor of her containment module, as so much water had flooded into it.
(Y/n) holds her breath, diving to the bottom to grab her belt.
She lets out a strangled yell as she tries to close the valve with the belt.
Her chest heaving, (Y/n) resurfaces, greedily gulping in air.
Wrapping the belt around her hand, she dives down and punches at the glass, trying to get it to break.
Getting desperate, (Y/n) pulls off her cargo pants, leaving her in a long-sleeved shirt and a pair of boxers.
Resurfacing again, (Y/n) uses the space left to tie the legs of her pants and fills the other end with air.
(Y/n) puts the makeshift life-vest over her head.
. . .
"Please tell me you have something," Alex says, emotion surging over her.
"We've literally tried everything, all right?" Winn says, his hair disheveled from the continuous motion of running his hands through it. "I've checked family holdings, bank accounts, call logs from the prison . . . There's nothing."
Alex lets out a suppressed sob, resting her head in her hands.
"I'm gonna talk to Maggie and see if she's got anything else out of him.
Kara looks at the computer monitor projecting the camera looking into Malverne's room, but (Y/n) isn't there.
"Where . . . where's Maggie?" Kara asks, and Winn and Mon-El turn to look at the screen.
. . .
Maggie glances around the corner of the prison wall but stops when she hears the guard's keys jingling together. She waits until the guard walks through a set of double doors to moves. She strides up to one of the metal pipes and places a projector in front of a camera so that the guards watching the cameras wouldn't see what she is about to do.
Maggie jogs through the projection, her face set in determined lines.
She blows the lock on Peter Thompson's door. "What the hell are you doing?" Thompson asks as Maggie grabs his upper arm.
"Taking you to your son," Maggie's voice cracks.
Maggie lifts (Y/n)'s raygun and shoots two cameras as she makes her way through the prison.
"Nice gun," Thompson comments.
"It's my girlfriend's," Maggie says shortly, pushing Thompson forward.
"Maggie, you know (Y/n) wouldn't want you to do this," Kara says in her Supergirl uniform.
"All I care about is getting her back alive," Maggie says, her eyes burning. "You were right, sometimes words don't work."
"Sometimes punching doesn't either," Kara counters. "She just came from your son. She was with him all day, trying to turn him," Thompson turns to look at Maggie, "make him understand. You know what kind of words your son's been using? Words like 'rescue' and 'love.' He says he wants to rescue you, like you rescued him," Kara steps forward, her arms crossed across her chest. But if he kills (Y/n) Danvers, he'll never be rescued. He'll have to live with that for the rest of his life. And that'll be his hell," Kara's voice softens. "Now, you've done a lot of bad things in your life, but you've done one thing you can be proud of. You were a father. A good one. You were there for your son during the toughest time of his life and that's what you need to do again now. If he kills her, you will have failed at the one good thing you've done with your life. Be a father now."
A timer beeps on Maggie's phone, and fear strikes through her. "She's out of time."
"Please, is there anywhere he would have taken her?" Kara asks.
"There's one place," Thompson says.
. . .
Maggie, Alex, and Kara open the garage door of the storage facility and they run in, Maggie freezing with horror at the sight of her girlfriend in the glass chamber.
Kara speeds over and puts a fist through the glass and all the water - as well as (Y/n) - flow through the hole in the glass.
(Y/n) coughs up water as she rolls onto her side.
"Thank God," Maggie says, pulling (Y/n)'s head into her lap. "She's okay. She's alright."
Maggie lifts (Y/n) head up as she chokes on the water, coughing it up. Maggie rests her chin on (Y/n)'s head, before pressing a few kisses to the same spot. (Y/n) grabs Maggie's hand and squeezes it weakly.
"You held on," Kara says, pressing her hands to her sister's pale cheeks; Alex grabs (Y/n)'s other hand,
"I-I h-eld on," (Y/n) stammers. Then she looks up into Maggie's eyes, which are soft with affection.
Maggie cradles (Y/n) head and presses her lips to her girlfriend's forehead.
. . .
The four women return to the DEO, (Y/n) asleep in the MedBay while Maggie stares out the window, relaxed by the soft patter of the rain and her girlfriend safe.
"Hey, you," (Y/n) says hoarsely and Maggie turns, relief evident on her face. "You okay?" she rasps.
A look of disbelief spreads across Maggie's face. "Am I okay?" (Y/n) asks softly, settling down in a chair and taking (Y/n)'s hands in her own, a look of tender affection on her face. "Are you kidding? That was really clever, with the whole Navy Seal thing with your pants. What was that?" Maggie smiles and (Y/n) laughs weakly.
"Well, I knew I just had to buy a couple of seconds," (Y/n) says, and a tear trails down her cheek. "I knew you were going to come."
Maggie' gaze softens.
"You didn't let me finish before, but I, um . . ." (Y/n) pauses.
"What?" Maggie murmurs.
"I just really have to say it now," (Y/n) continues.
"(Y/n) . . ."
"It's okay, it's okay," (Y/n) says as she sits up, Maggie shooting out a hand to help. Maggie tucks a strand of hair behind her ear and turns to gaze deeply into (Y/n)'s (E/c) eyes. "Those firsts that you talked about . . ." (Y/n) says, her voice a whisper because of how close her face is to Maggie's. Maggie nods, a soft smile on her face. "I want to have them all with you." (Y/n)'s eyes get watery. "I never want to stop having firsts with you. I love you, Maggie Sawyer.
"I love you, (Y/n) Danvers," Maggie murmurs, her eyes still watery.
Word Count: 7114 words
Taglist:
@procrastinatingsapphictrash​
@makegoodchoices​
@fanboy7794
@imtheflash
@theofficialzivadavid
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thewidowsghost · 7 months
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hi
if you still write for maggie sawyer, would write a fic about the episode Alex gets kidnapped but it's r instead of Alex
thanks
Hi!
I've done a fic like this before, but I'll totally write another one!
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