there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
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Hi mairon! I love the self insert comfort you did it was so cute! Would you be able to make some more? Possibly diluc taking care of someone like the girl you did in the last one — maybe putting them to bed because I’m suffering w my insomnia right now 😅 if you can’t dw!
oh, to be tucked snugly into bed by Diluc Ragnvindr
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GUT. PUNCHER. PLEASE. Ö
(also I see the Plo Coon WIP and I’m in the microwave)
In an instant CC-2224 sees the blue on the other clone and recognizes his enemy — knows it is CT-7567 and knows the name he took and the color of his hair.
All that is in him that is screaming — was (always?) screaming — quietens. His finger does not depress upon the trigger. His hand does not twitch towards the backup blaster on his hip.
An instant, a moment, a breath, and a single thought—
I’m no soldier.
CT-7567’s finger is as quick as he knew it would be. Between one moment and the next, Cody is free.
———
Re: Plo Coon — huehue, yess get microwaved (affectionate) (I’m very excited to show you)
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Actually: it frustrates me how with characters that have high intelligence or charisma, the player of said character is expected to also be able to be clever or charismatic or what-have-you in the moment. I wish I could elaborate my thoughts on this but alas, I cannot.
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I cant find the post which goes into how Astarion wouldnt want the player character to be their one source of blood because
1. Thats immediately entering a relationship of dependence again and he wants to be independent
2. Thats not enough blood
Let me add counterpoint 3: vampire astarion being joined by a player character to hunt animals large enough for a proper meal (and bring back drained and butchered for the others) is such a good mental image that I immediately want 10 fanarts
You may say, astarion can hunt big animals just fine on his own but I say cmon medieval boar hunting was a whole thing it was a sport it was a group activity because the animal was so dangerous in its death throes
Cant you just picture Wyll on a horse with a boar-spear like its a game of polo and Astarion running on the ground like his hunting dog?????
Halsin taking wolf form for a spin to hunt in a pack of two and when someone passes by they ignore the tableau of animals feeding until it dawns on them that one of those red muzzled creatures with their face in an elk was a humanoid not a beast???
There are some good ass images right here.
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Current workout motivation is to bulk up so I can be a big chew toy for doms.
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Alicent after her husband damns her children, the ones he forced onto her, the ones she carried and birthed and loved and spent her whole life protecting. after he leaves her, dying a pathetic death, leaving her and her children alone in the world, even more than he had before. after her children are robbed from her, meeting fates promised to them at birth, ones she tried so hard to change. after being left to roam an empty keep, the sounds of her children's antics now long gone. after hearing her own cries echo in the septs, but never reaching the gods, rattling the walls of her chambers, yet falling on deaf ears. Alicent after she decides she will be king, in her eldest's stead, she will weild her own sword in place of her most trusted friend and closest son, she will fill the world with her words like her daughter had, she will take revenge as she sees fit as her youngest had:
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is this one too controversial or
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for anon: carlos, with his life split into two halves. how life feels cut when a major event occurs — before and after — maybe before and after silverstone ‘22?
[x] // richard siken, ‘straw house, straw dog’ // richard siken, ‘unfinished duet’ // [x] // jenefer shute, life-size // [x] // liz bowen, sugarblood // ethel cain, ‘strangers’ // warsan shire, ‘to swim with god' // the smiths, ‘paint a vulgar picture’ // richard siken, ‘saying your names’ // [x] // [x] // [x] // rainer maria rilke in a letter to lou andreas-salomé // phoebe bridgers, ‘garden song’ // [x] // [x] // r/Games // bhanu kapil, the vertical interrogation of strangers // [x] // [x] // [x] // [x] // cota, 2022 // [x] // clementine von radics, 'the fear.’
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KHR timeline
I'm steadily working on my spreadsheet and I have now figured out the ages of the Executives! Hurray!
That's great and all, fantastic even, but now I'm trying to fit in the events. And people, my dudes, my beloved friends who are stuck in khr hell with me...
The KHR timeline is a shitshow.
It's a disgrace to timelines everywhere, in fact it should thank me that I will put it out of it's misery. Thanks to my lovely crew in the discord (aka @moonlit-mystery-writer @unwrathful and @soul-matter) I have a better grasp on the happenings of canon but that doesn't change the fact that I'm still struggling to fit said events into my AU in a way that makes sense to me.
In times like this I would have loved a better visual presentation of my data but alas Excel will need to do for now.
I will see you on the other side folks. Pray for my survival, for I am fighting a war against canon (that I'm planning to win).
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