p53
during shadowkeep through season of the dawn the now *insanely* relevant 'Unveiling' lorebook was released. one of the lorebooks is titled p53.
p53 is a protein of proton weight 47,000 and it is responsible for the cessation of potentially cancerous cells. the voice in the darkness/ winnower posits that it is necessary for life to function, but is also a bomb waiting to detonate:
"Would you tolerate a bomb in your body, waiting to detonate if you deviated from the needs of society?
However, without p53 as an enforcer, the body's utopian surplus of energy becomes a paradise for cancer. Cells cannot resist the temptation to steal from that surplus. Their genetic morality degrades as tumor suppressor genes fail. The only way to stop them is by punishment."
the voice ends the tab positing the question
"Is p53 an agent of the Darkness, or the Light?"
this is a very interesting way to look at p53. and poses to us a concept-- that a thing must necessarily inhibit life in order for more, greater life to continue to exist. now allow me to bring in another, separate concept.
In the 9th entry, "The Wager" , the voice in the dark/winnower states the insanely raw line "You are the gardener's final argument." But more importantly, it states "That wandering refugee [Traveler/Gardener]* chose to make a stand, spend their power to say: "Here I prove myself right. Here I wager that, given power over physics and the trust of absolute freedom, people [you, guardian] will choose to build and protect a gentle kingdom ringed in spears."
i posit that the voice is incorrect, or rather incomplete. it is not that p53 exists as an agent of darkness' will; i instead posit that p53 exists as the aforementioned "ring of spears" against the *true* darkness: cancer. Cancer, by virtue of existence, kills. It is the only thing it knows how to do (though this is framed incorrectly perhaps; cancer only knows how to duplicate, but by duplicating it drains necessary resources, which result in death. to say a cancerous cell is birthed to kill and then die is merely skipping the middle of the syllogism). That sounds, familiar! In "The First Knife" the voice states "And I had only one purpose and one principle in the game. And I could do nothing but continue to enact that purpose, because it was all that I was and ever would be." Seems a little damning, no? But I do not disagree with p53's classification as an element of darkness. It is a bomb. But am I not a bomb? Do I not kill? Have I never snuffed out a consciousness? Contained within my cellular structure is indeed p53.
I posit that the ring of spears is necessarily darkness.
In the final page of the lorebook, I think the Queen of the Reef describes heaven (or at least some place akin to it), and not here. She states, "
Given the choice to live in any world, any world at all… we would need a little Darkness in it, I think, to keep the balance true. But not so much as we would need the Light…"
Understanding this as an ideal, and not a description of reality as fact, the point comes into focus. The light in its current form, exists. To exist is to prove your existence to use the words of another. I think, understanding this ring of spears as a concept of darkness, the Gardener makes its argument. necessarily we must prove that we exist. because to not do so equates to death.
it means that you must prove your right to live against forces who are very eager to demand proof.
That ring of spears, it is starting to drip with epistemological proof.
The final shape is the paring back of all that can be. That which remains when all that can be removed, has been removed. That which remains after it has been winnowed; after the garden has been tended to. That beautiful, final shape of the garden. Of the flowers and the hedges, the full completion, perfected. In layman's terms, it is the extermination of all life that cannot prove its existence. That cannot prove its *right* to live | exist. That is the philosophy of the final shape. Of the Darkness. or at the very least, all of our enemies right now :)c .
Let us pare back of the darkness what we need. That epistemological proof. That right to exist. That ring of spears.
p53, nuclear weight of 47000, is an element of the darkness;
however, to understand p53 as an *agent* of the darkness is to misunderstand its purpose. That is why I believe the voice is incorrect.
To understand the ring of spears as an agent of the darkness is to misunderstand its purpose.
~~~~~~~
*[the familiarity conjured by 'wandering refugee' seems to directly refer to the Traveler, as opposed to the ideological Gardener which really makes me doubt if this is the winnower, and not some force beyond (maybe this is the witness speaking?). then again the nonchalance the voice brings to the table, "my man oryx", for example, suggests power, almost? i dont know how to properly describe it. the way that this voice speaks to us is this bizarre realm of nonchalance and it almost even feels like condescension at points which feels almost like the point but i dont understand the point that it is trying to make]
...is the name of this lore book supposed to be a pun on 'the veil'...?
also on the wikipedia page for p53 it says
and that feels pretty on the nose
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🕯️ sup
send me 🕯️to hear my character's inner thoughts about your character.
He really doesn't get it.
Sun Wukong isn't new to forgiveness, having granted it many times and occasionally (though not very often) being offered it in turn. And he's not... new to the concept of forgiving someone you loved who hurt you greatly either.
(But there is a wide gap between being forgiven and having what they once had.)
But he just can't see why Macaque keeps coming back to him. Back in their world, he could always assume it was mostly because of MK, since the kid was first to make an offer of friendship. Amidst the constant threats to the realm's stability, the safest place to be is among the people you could trust to protect you.
(And if Macaque can trust MK but not him, that's fine.)
But why does he still cling to Monkey King's side here? In this place that seems to thrive on change and new experiences, where none of their (his, mostly) enemies were trying to end the world and death was temporary, why would Macaque need to trail him all over the city, spend so much time in his house and sleep in his bed?
That's what he doesn't get.
Macaque is strong, smart and capable. He is handsome and charming and, once you get used to his acerbic sense of humor, quite funny. He can dazzle any audience and get himself out of any situation, death included. He is (despite whatever image he is trying to project) a kind, brave and extremely loyal person. He doesn't need to be anyone's shadow anymore. He can be anywhere he wanted, doing anything he wanted.
So why would he want to be here? With him?..
Wukong doesn't know if Macaque wants to be friends (he doesn't even dare to wish for anything more, not in a thousand years at least). He doesn't know if he just wants to pretend none of that ever happened (they are not going to do that). He doesn't know what he can say or do or give to make things between them better.
...He does know that they need to talk about it. All of it. Except every time he opens his mouth he says something wrong and Macaque scowls at him or fires back with one of his favourite cutting remarks or leaves. So he backs down (like a coward), because Wukong would rather keep them in this weird neither here nor there place than risk actually hurting Macaque again.
(It scares him to think that maybe he just doesn't know how to not hurt him again. Sometimes he wishes Macaque would really just leave so he doesn't have this hope that maybe-)
...
It's not his place to push or to rush things, not this time. Sun Wukong is a patient man, these days. If there is one thing he can do it's to let Macaque figure it out on his own terms. And if he needs to stay close while he does that, that's fine too. He can wait for Macaque to make up his mind even if takes another five hundred years. And he will. He will be right here, always, waiting for it.
Because someone you love is always worth waiting for.
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