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#fic printing tutorial
musashi · 1 year
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I’d LOVE to talk about it!!!! There is NOTHING like holding a physical copy of a fanfic you love in your hands, whether it is yours or someone else’s. Though I do recommend you get a physical copy of your own work first and foremost, it really cements the fact that you wrote a whole ass novel, or a collection of short stories. The first few fics I ordered were ones I wrote myself and I still go out into my living room to pull them off the bookshelf and just hold them, sometimes.
There are a lot of websites that exist where you can print books without publishing them. The website I use to print fic is Lulu. There are other websites but this one is my fave. Some people have probably written beautiful guides on book binding but I would rather just have a service do it for me.  i thought it might be fun to make a whole ass tutorial on my process, if anyone is interested? Because I really think this should be something more people do, I am telling you it'll change your LIFE. Wanna re-read that old fave in your bookmarks? Cut down on screentime! go GRAB IT OFF YOUR SHELF and settle in all cozy :3
SO: HERE IS A WHOLE ASS TUTORIAL ON HOW TO ORDER PRINT BOOKS OF YOUR FAVE FICS.
I use google docs. There are probably ways to do this in other word processing software but google docs is my friend. So this is how I do it. Google is also your best friend when figuring out how to make these adjustments in other word processors fghdg.
So you kinda want to set up the skeleton of your physical fic first. You wanna make a blank document, go to file > page setup and change the paper size to A5. This’ll put it in peak book format! Hurray. You’ll notice things are a bit cramped here but don’t worry, the margins are supposed to be like that. I like single spacing with the typical indent (.50) so thats what I do. I know some people prefer double spacing, so if that’s your jam do it! Just keep in mind it’ll make your book a lot thicker, it really depends on how you want to condense things. Font size is also a factor here. Personally, I LOVE to condense–12 point times new roman font and single spacing is my jam, heres what that looks like:
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But again, depending on how long of a story/collection you want to make, you can space things out too. 
Make a nice title page! Mine are pretty simple, just the title and the username. Sometimes I’ll put the fandom name like ‘a [fandom] fanfiction’ but for the most part thats just for PDFs i share of my own fic. When it comes to my own fic I also like to put little dedications at the beginning for flair. Again, that’s just for me.
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this is from my sicktember anthology, which is just all my sicktember fics in a neat little book. here's Down's:
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this is my favourite part of printing my own books. i like to get sappy with it.
Add page numbers! This is something you can do automatically in most word processors. You can put em anywhere, I always put mine as footers ‘cause I really just like my fic to feel like a real book. This is under 'insert' in gdocs.
If you’re doing an anthology collection or a lot of fics in one book, a table of contents is good to have! If you apply a heading effect to each story/chapter in google docs, you can automatically insert a table of contents. I usually have to play around with mine a little (and edit it after, pin in that for later) but it’s a good thing to have. But in order to make a table of contents you have to actually have the fic in the doc, so let me teach you how to do that.
Congrats @pictureswithboxes, you are hereby my guinea pig. Because your fic is a good length and it’s the first one that isn’t my own that I’ve turned into a physical copy. Everyone please watch as I turn Turnabout Substitution into a book.
There are many ways and many formats you can download an AO3 fic in. Personally I prefer the HTML format–don’t ask me why, it’s just the best one I’ve seen for keeping things easy to edit and intact. If you work better in PDF or EPUB feel free to download those, but it’s my tutorial so you get HTML.
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I drop the HTML file into docs. When you open it, you get this nonsense:
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'cause that's a whole ass webpage, obviously. so open it AGAIN, this time using this button up top:
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And that gives us… well, a lot more nonsense–it drops all the tags in, authors notes, whatever. You’re welcome to keep author’s notes if you like, personally I do without them (i love to read them digitally! I just keep them out of my physical copies) and everything is in 11 pt times font. The first thing I do is highlight the body of the fic and ONLY the body of the fic. I do this chapter by chapter.
Once I have chapter 1 highlighted, i change the font to my preferred size and typeface–in this case, 12 point times new roman. And then, with the body of the chapter still highlighted, i fix the margins/indent–left to 0, first line to .50, and right to 6.50. Then, with all of that highlighted, I paste it into my ‘book’ doc and all the indents/font choices carry over. Easy peasy.
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I go ahead and make a chapter header. I think when doing a proper manuscript a chapter is supposed to start at the mid-point of the page, but i usually have the title at the top and the body text starting halfway down.
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(my doc is in grey to avoid eye strain. if you do this, make sure it's white when you save it xD)
After a chapter–or any time you want to move onto the next section–use a page break! These are under the ‘insert’ tab. They will automatically jump you to the next page, and they will be necessary, for many reasons, but also because!!!
A new chapter should always start on the right page. In order to keep this correct, I take note of if my right pages are evens or odds in page number. Your first page will always be on the right. If you add a table of contents, it should also start on the right–so add a couple page breaks between the two to make a fully blank filler page. In my experience, because page 1 is always right, this usually means your right page will always be an odd number, but for some reason I'm having some weird mandela effect where i swear it wound up evens one time. huh. never hurts to double check! and triple check.
I ignore this all while I’m pasting the chapters in, but then at the end I go through all of them using google docs’ outline feature. Which is honestly NECESSARY for something like this, if you aren't already using it:
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(anything marked as a heading will show up here! or you can highlight something, right click, and add it to outline manually. It's great!)
If my right page is odd-numbered, i check each of them one by one to make sure they all start on odd pages. I add an additional page break in the chapter before if they’re not, to make a filler page. it might feel weird to have all these blank pages in your doc but trust me you will appreciate them when you are actually holding the book.
As I am doing this, I also scroll up to the end of the previous chapters to look for orphans/widows. These are single lines that wind up on their own on the page and look kind of awkward and personally irritate me. Most word processors also have a feature to get rid of these, in google docs you just have to highlight the whole paragraph the line is in (or the paragraph before it, if it’s dialogue or a single line on its own) and apply a heading to it. You can highlight it and click ‘update heading to match’ to do this without changing the font. Good as new! It’ll show up on your outline on the side, but you can delete it by hitting the x beside the lines.
Another thing I do with the body text is i scroll through the whole doc and look for line breaks. AO3 has built-in ones you can insert, and you’re welcome to keep those if they are in a fic you like. Personally i prefer the look of a space to separate, though, so I actually edit them out and replace them with 3 line breaks. Literally just hit the enter key 3 times.
TS here is a case fic, told in the style of the ace attorney vn, which means each chapter has a few locations and timestamps displayed. I do 3 blank line breaks before these, and two after. Because it’s what looks nicest to me. You can play around with aesthetics and see what you like.
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Once everything looks good, I scroll back up to update the table of contents if I have it. Google docs has a feature where you can ‘refresh’ it, but… I do not recommend this, because if you formatted your table (which you most likely did, it looks kinda terrible on its own) this will reset the formatting, and that will more than likely space out things or add unnecessary things (like those widows and orphans you marked before) which will add to your page count which means your TOC will be wrong ANYWAYS. So what’s the alternative?
Open your doc in two tabs. Same doc, two tabs. In one tab, stay on your TOC. In the other, click through your outline and input the new page numbers yourself. A little painstaking, but less prone to error. Easy peesy! Here's a bit of my finished TOC for my sicktember book:
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Like all things, you can play with fonts and margins.
Your book is READY TO GO. Save it as a PDF, you can do this by hitting the print button in docs and most other word processors. Then instead of choosing a printer hit ‘save as PDF.’ Scuttle on over to Lulu and make an account. Yes it is worth it. Fic!
Lulu is awesome because it has lots of customization options. If you wanna get fancy with it, you could insert images into your PDF and get a colour book! But I just order print books, basic black and white. Once you name and upload your PDF, you can choose EVERYTHING. What kind of paper you want. If you want hardcover or paperback. The world is your oyster. Lulu will then give you a template for your cover, fitted to the dimensions of your fic book based on page number and what options you choose. They technically have a guide that lays this all out for you, but I find it incredibly confusing, so here is the streamlined wendy version:
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There are a lot of options for how to make this cover. You can use an image editor, like photoshop, or you can draw fanart, or you can simply go into MSpaint and add some shitty little text to a solid colour if you don’t feel like anything fancy. A lot of people also use canva, which has tons of templates and assets you can throw together. I use canva so much i actually paid for a pro subscription lmao fsdghfgh but I also use photoshop a good deal. I made DTE’s covers in photoshop:
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And Down’s cover in canva:
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When I’m doing canva covers, I always just save the PDF, pop the template into photoshop, and then paste the images over it and rearrange them to my liking. I think Lulu also has an in-site canva editor but I don’t like learning new software. Photoshop is easy gfhfhg.
WHEN YOU ARE SAVING YOUR COVER. LISTEN TO ME. LISTEN THIS IS IMPORTANT ESP IF YOU NEVER TOOK GRAPHIC DESIGN OR HAVEN’T PROFESSIONALLY PRINTED ANYTHING. When you are saving your cover. SWITCH YOUR COLOUR PROFILE TO CMYK!!! Do not save it as RGB! RGB is good for digital graphics, but if you EVER print something you need to switch it to CMYK. I FORGOT TO DO THIS SOMEHOW when I printed my first two fic books, so their covers look a little washed out. When you do this in your photo editing software, they will look washed out there too–this is normal. They will print SO much better. Just trust me. 
Make sure you save your cover as a PDF and pop it onto Lulu! It’ll show you a preview of your book and cover which you can go by page by page to look for mistakes or anything you may want to change. In this preview the cover will ALWAYS look like a shitty, jpeggy mess. IT DOES NOT LOOK LIKE THAT IRL. I was so concerned fghfg but they print fine the preview just sucks.
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wow so cool. this is for Down's hardcover which has a lot of margin. the closest summation of what your book will be like is to turn everything here off but the folds:
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so cool. thats my book.
And you’re good to go! Enjoy your fic!!! PHYSICAL FIC IN YOUR HANDS!!! I got to experience the most magical thing recently: my friend bought a copy of Down, and then SHIPPED IT TO MY HOUSE, and i got to SIGN IT. I got to SIGN a copy of a BOOK I WROTE. They loved it that much. And I had the PDFs. PDFs I need to update, because I didn’t know half the shit I just wrote here when I made them. BUT I GOT TO SIGN MY FIC!!! SOMEONE LIKED IT ENOUGH TO BUY IT, AND THEN SEND IT TO ME, TO SIGN!!!
All the money here goes to printing costs, if that wasn’t obv. Paperbacks on Lulu can be under ten bucks depending on how thick they are, and hardcovers are usually under 25. It’s insane to me how cheap it is to print fanfic, and once you try, you WILL be addicted.
I tried to make this tutorial easy to follow, i hope it was! If anyone has any questions about the process, I am always happy to answer. Or, um, if you just want me to do all this formatting FOR you… I might be open to doing it for free. Mutuals get first dibs but I genuinely LOVE formatting docs for printing. I can’t help you with covers (i flounder even making them for stories I love) but I’ll always format a fic or several fics for you. Just HMU ghfghgf
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pleasantboatpress · 5 months
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so, you wanted to start bookbinding?
so @princetofbone mentioned on my post for "factory settings" about wanting to know more about the binding style that i used for it. so i thought i might make a post about it.
i was as terrible as i always am for taking in progress shots, but i can link you to the resources i used in order to make my book. i would also like to point out that "factory settings" is my 120th bind, and i have been doing bookbinding as a hobby for just over 3 years now. unfortunately this means some of the methods that i used for that bind aren't particularly beginner friendly, just in terms of the tools and methods i have used, but i would love to point you in the right direction when it comes to resources. i dont say this to sound pretentious which i fear i might come across, just so that youre fully informed. getting into this hobby is fun and rewarding, but it can definitely be intimidating.
with that caveat, heres a list of links and resources that i have used for bookbinding in general, with additional links to methods i used specifically in regards to this bind.
ASH's how to make a book document. it gives you a great introduction into typesetting fics (where you format the text of fics to look like a traditionally published books) and then turning them into a case-bound book (the style i used for "factory settings"). it is comprehensive, and explains how to use microsoft word to do your bidding. it was invaluable to me when i was just starting out! currently i use affinity publisher to typeset/format my fics for printing, but i only bought and learned how to use that after i had been binding books for a year and a half. i made some beautiful typesets with word, and some of my close friends use it still and design stuff that i never would be able to in my wildest dreams (basically anything by @no-name-publishing)
DAS Bookbinding's Square Back Bradel Binding. a great style to do your first bind in! this method requires, when making the case, to attach the cover board and the spine board to a connecting piece of paper, which makes it so much easier to match the size of the case to the size of the text block (your printed out and sewn fic). using this method is what allowed me to get much more accurately fitting cases, and made me much more confident with the construction of the books i was making. a well-made book is something that is so wonderful to hold in your hands!
DAS Bookbinding's Rounded and Backed Cased Book. This is the specific method that i used to create my bind for "factory settings"! even before i could back my books, i found that watching DAS's videos in particular helped me see how books were traditionally made, and i was able to see different tips and tricks about how to make nicer books.
Book Edge Trimming Without... i trim the edges of my text block using my finishing press and a chisel i have sharpened using a whetstone and leather strop with buffing compound on it. i follow the method for trimming shown in this video!
Made Endpapers. i follow this method for my endpapers, as i used handmade lokta endpapers, and they can be quite thin, but they look beautiful! i used "tipped on" endpapers (where you have your endpaper and then put a thin strip of glue on the edge and attach it to your text block) i used for a very long time before this, but these feel like they are much more stable, as they are sewn with your text block.
Edge Sprinkling. this is the method that i used for decorating the edges of my text block. but the principle is basically clamping your text block tight and then sprinkling the edges. i do not believe you need to trim the edges in order to do sprinkles on the edges, and that's what makes it accessible! i personally just use really cheap acrylic paint that i water down and then flick it onto the edges with my thumb and a paint brush.
Double-Core Endbands. i sew my own endbands, which i followed this tutorial for. that being said, it's kind of confusing, and this video is a bit easier to follow, but it is a slightly different type of endband.
Case decoration. i used my silhouette cameo 4 to cut out my design for "factory settings" in htv (heat transfer vinyl). i also used my cameo 4 to cut out the oval of marbled paper on the front, as i honestly didn't want to try my hand at cutting an oval lol. i also glued some 300 gsm card with an oval cut out of the centre of it onto the cover before covering it with bookcloth, to get a kind of recess on the cover. i then glued the oval of marbled paper onto the top of the recessed area once it was covered with bookcloth, so that it was protected. the images i used were sourced from a mix of rawpixel, canva and pixabay. a more accessible way to get into cover decoration is by painting on a design for your cover as described in @a-gay-old-time's tutorial just here. or even doing paper labels, which look classy imo.
physical materials. sourcing these will depend on your country. i am located in australia, and have compiled a list with some other aussie bookbinders of places to buy from. here is a great post describing beginning materials for getting started binding.
@renegadepublishing. this tumblr is great! its what got me started bookbinding, and being in the discord has been inspiring, motivating, and honestly just one of the best online experiences i have ever had. it is full of resources, and most people in there are amateur bookbinders, with a couple of professionals thrown in. the discord is 18+, and anyone can join!
i'm sorry this post got so long, but i hope that this has a lot of information for you if you would like to get started bookbinding. its one of the best hobbies ive ever had, and i genuinely believe i will have it for the rest of my life.
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greaseonmymouth · 7 months
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As you've asked for asks!:
Do you have any quick-and-dirty book/fic binding methods a terrified-of-failure novice could use to bang something out to get over the first collywobbling step of Actually Doing The Thing? (this may be something I've been meaning to ask for ages)
yes! I absolutely do! in my opinion the best quick-and-dirty bookbinding method is a no-glue pamphlet: you don't have to mess with glue or measuring or cutting anything, all you need is your text, some paper, a needle and thread. you can use the same needle to punch holes if you don't have an awl.
this is going to be a little long but that's because I'm going to write out some fairly detailed instructions for an A5 sized pamphlet. If you don't want detailed instructions and think you can glean the necessary info from photos, just skip to the photos! I've also linked tutorials.
for preparing the text to printing, in whatever software you use (word, libreoffice, gdocs, whatever) make sure your document is set to page size A5. make it look readable. then save as/export that document as a straight-paged PDF. now go to the bookbinder JS tool (https://momijizukamori.github.io/bookbinder-js/), and upload the PDF. source manipulation: none printer paper size: A4 display unit (you can ignore, or choose cm if it gives you anxiety that it automatically displays points) printer type: select single-sided or duplex accordingly* rotate paper: ignore flip on long side: check if you are printing duplex and if your duplex printer flips the paper on the long side page layout:  tick folio page scaling: original page positioning: centered ignore the rest flyfleaf: ignore signature format tick: standard signatures. in the length drop down, this depends on the type of pamphlet you are doing. for folio i generally find 4-5 pages per signature a comfortable thickness. if you have 6 whole A4 pages you can still do that as a single signature or you can split it into two signatures 3 pages each. wacky small layouts: ignore this signature info click the generate preview button to see what your PDF looks like imposed! I love this step especially when I'm doing quarto (A6) or octavo (A7) sized books generate output - click this to generate an imposed PDF
for A6 and A7 sized books the instructions are much the same, except for these you make sure the page size is A6 or A7 in your software, and then you choose quarto or octavo instead of folio. for signature length drop down I keep signature length to 1 for octavos typically and 2 for quartos, as this still refers to sheets of paper, and for octavo 1 sheet of A4 paper will turn into 4 smaller sheets in one signature once folded and cut.
*if you don't have a duplex printer you will have to manually turn the paper to print on the other side. I cannot be arsed with this so I bought a printer capable of duplex printing (I didn't have a printer anyway). if you already have a printer check what it can do as you might be surprised and go from there.
now to the pamphlets! you don't need a cover - I have one for the long stitch pamphlet but for the saddle stitch one I didn't bother and just made sure the first page had a title on it. you can always take a different piece of paper and print a cover on or or just use coloured cardstock and create a simple cover, but a cover is not necessary unless you're doing a long stitch pamphlet. all you need to do is to punch holes and start sewing. there are a few different stitch types below, I wouldn't say any of them are more difficult or easier than others, but they do look different so...pick one you like the look of and go from there?
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pamphlet stitch (uneven number of holes) I haven't ever done a pamphlet stitch but here's a tutorial for how to do it: https://www.starpointestudio.com/simple-pamphlet-stitch-book-step-by-step/
saddle stitch (uneven number of holes) I realised that what I was thinking of as a pamphlet stitch is actually saddle stitch, as in this A7 pamphlet:
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here's a tutorial for how to sew saddle stitch: https://www.bookbindingworkshopsg.com/saddle-stitch-bookbinding-tutorial/ here's a video tutorial: https://www.youtube.com/watch?v=aWHkY5jOoqM (sealemon has a lot of bookbinding tutorials and I know many people who like her videos, I used her tutorial for coptic binding way back when I first made a book but I can't otherwise vouch for the quality as I haven't used her videos)
french link stitch (even number of holes) in this one I used french link stitch which I typically use for thicker textblocks that i'm not planning to use tapes with as the french link gives it some robustness, I used it here because I had never done it before and wanted to try it out. I am planning to take these stitches out and re-sew this pamphlet with a cover now that I've found a suitable piece of transformer fanart to use as a cover:
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french link tutorial. it's quite long but it has a colour coded bit towards the end that shows how the thread is supposed to link which i find very helpful to visualise: https://www.handmadebooksandjournals.com/bindings/french-link-stitch-binding/
here's a video tutoral from DAS bookbinding (he is my go to for techniques and he has the most soothing Australian accent as well, though fair warning not all of his videos are for beginners): https://www.youtube.com/watch?v=O4ZPdbaM-Ws
long stitch (even number of holes) for this one I used long stitch and I had a cover. this one is my favourite variation because I can make these pretty and simple covers and the stitch looks nice on the outside as well, so this one scratches the 'i want to make a book' itch for me.
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here's a tutorial that also includes a how to on a cover that is different from my cover: https://lccprintmaking.myblog.arts.ac.uk/files/2020/06/Long-Stitch-Tutorial-A4.pdf DAS also has a video tutorial for long stitch but it's like three videos long, maybe watch it later :'D  here's one I haven't watched but seems decent: https://www.youtube.com/watch?v=XnignTL_wDQ
you can use saddle stitch for this kind of pamphlet as well, that's what I did for dozens of ships and hundreds of souls (https://ashmouthbooks.tumblr.com/post/681587080267202560).
I hope this helped!!
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deuterium51614 · 2 years
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Me: I'm gonna finish the Support Group fic and then arrange a countdown where I post stuff I've been drawing for it before posting the final two chapters!
Also me: What if I just finish it and immediately post it tonight or tomorrow after proofreading it cause my hype is real? Ha ha, jk... unless? 😏🤔
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haxkattpress · 2 months
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The Bolthole by aideomai, Tepre, and GallaPlacidia
I'm absolutely thrilled to finally share my first fic bind here on Tumblr! I completed this bind back in November, and it introduced me to so many wonderful people.
You can find pictures and detailed explanations of my process under the cut.
This is "The Bolthole" by Aideomai, Tepre, and (formerly) GallaPlacidia on Ao3. The cover design is adapted from "The Little Brother" (1902) by Josiah Flynt. The typeset is my own.
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I fell in love with this cover the moment I saw it, and wanted to try to recreate it with book cloth. As a hobbyist book binder, I like to try to revitalize older designs from the public domain. There are so few copies of this book left in the world, so I thought it would be fun to give it new life as the cover of a contemporary story.
The cover is made out of three different colors of book cloth from the Allure and Verona lines. The book cloth and endpapers were bought from Hollander's.
I used my Cameo 4 and a strong tack mat to cut the design out of each color of book cloth. I then assembled the pattern like a puzzle. It was MUCH harder than it sounds! Some of the pieces were incredibly thin and fragile, and they were difficult to keep track of.
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For the foiling, I used my Cameo 4 and the We R Memory Keepers fine tip foil quill for everything but the spine, which I did by hand. I foiled immediately after I cut, without removing my mat from the machine. This helped me line everything up. It did not, however, prevent me from sweating bullets as my machine worked.
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This method was, frankly, torture, but I'm really glad that I tried it. Now that I've had a nice long break, I'd like to try it again soon. I love running my hands over this book, and the texture of the book cloth feels wonderful under my fingertips. I do, however, have a few words of caution. Do not try this out unless you have book cloth to burn! Here are some pictures of just a few of my failures.
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The Cameo 4 is not your friend. Your cut-outs can and will get fucked up for no reason. If the mat isn't sticky enough, or the blade isn't sharp enough, or the fabric doesn't adhere properly, your design could get completely shredded. I strongly recommend that you avoid Verona book cloth, or anything with a paper backing and loose fibers. It was absolute hell to work with. When it wasn't shredded by the machine, it was fraying like crazy. Acrylic coated cloth is the way to go if you want clean lines. And, you know, your sanity intact.
This was my most challenging bind to date, but I learned a lot! Aside from experimenting with book cloth, automated foiling, and my Cameo 4, it was also my first time formatting, printing, and sewing a text block. I'm incredibly grateful for all of the online tutorials and wonderful people who helped me make this bind a reality!
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Angel p.2
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Summary: You and Charlie go on your first date.
A/N: I need more Charlie Swan fics, so I've resorted to writing them.
Warnings: Smut 18+, p in v sex,
Word Count: 3.1k
Throughout the day you were taking time to get ready for your and Charlie’s date later. Thankfully you had the day off so you took full advantage of sleeping in till noon. Picking your outfit wasn’t hard, a mini floral sundress with pink accents paired with straw platforms. 
Next up on your agenda was getting the perfect make-up look, precisely one that looked natural. A tutorial on puppy-dog eyeliner catches your eye. Upon completing both eyes you try it with a red lip stain, solidifying your look for the evening. You head into the bathroom to scrub it all off before fixing yourself a snack.
Your parents were going out for their semi-regular date night so you wouldn’t have to explain your absence to them. The clock nears 7:00 and you know Charlie is arriving around 8:30, you gather your step-by-step routine and start the process with a hot shower. Your counter is an array of skincare and makeup products, and your styled hair is packed away in your shower cap. 
The water helps relax you and your thoughts about the date. You take your time exfoliating your entire body before shaving. You decide to leave your vagina alone hoping that’ll keep you from giving it up. Stepping out the the shower you wipe the mirror and check your phone seeing two texts from Charlie.
Getting off work now. - Charlie 7:40
Getting ready now. -Charlie 7:46
Looking at the messages makes you laugh, his personality shines through the texts. Since he was giving you updates it only seems fair you return the favor. You raced to your room to find a tank top and some lounge shorts, but not before lotion and baby oil. You place yourself in front of the mirror in your room, making sure the sliver of skin below your tank is showing. Turning your phone around you smile up at your camera waiting for the click.
Halfway done I promise. -You 7:53 
It took you a little longer than you would’ve liked but the picture turned out great. You head back into your bathroom to make up for lost time. Carefully you begin concealing your under-eyes, the finished product gives you the natural glow you were looking for. The puppy-dog eyeliner from earlier is easy to put back on, and it suits your eyes more. The last two steps are your brows and lips but you decide to put on your dress first.
You check your phone and see 3 texts from Charlie along with the time. 8:20. The dress you picked out was a floral print with pink accents, and the neckline scrunches around your breast allowing you to forgo a bra. The sleeves went off your shoulder and stopped at your wrists, you decided it was best to also take a cardigan in case. The fit was close to your body but not skin-tight, allowing for a flowy bottom. Walking back to your bathroom, you finish your lip with a deep burgundy stain and brush your eyebrows with hairspray. You finally check your text messages, pleasantly surprised. 
You look beautiful. -Charlie 7:53
On my way to you. - Charlie 8:10
The third and final message is an awkward photo of Charlie standing in what you guess is his foyer. You are almost sure that Bella was the poor soul taking the photo, you wonder how that conversation went. But you check what time he left again and realize you might have miscalculated your prep time. Your window faces the street so you check for his car and see nothing and there aren’t any new messages. Quickly you grab your perfume to spritz all over. Your platform sandals are easy to slip on before you make your way downstairs. 
The mirror by the front door of your house is occupied by you checking for last-minute touch-ups. The doorbell sounds and you almost sprint to the door with your purse in hand before turning the knob. Charlie stands in front of you with a beautiful bouquet made of violets and daffodils. You weren’t expecting him to get you flowers, but you step back and motion for him to come inside. After you close the door behind him he hands you the flowers.
“Thank you, Charlie. They’re gorgeous.” You stand on your toes to peck his cheek. 
“Of course Angel.” Charlie smiles down at you with flushed cheeks, he is nervous about if the flowers would be too much.
“Let me just put these in some water and put them in my room.” You run quickly to the kitchen to find a vase to place them in. In your room, you decide to place the flowers next to your bed. You meet Charlie at the door and you take the time to look at what he put on. Gone is his usual uniform of flannel and jeans, instead, he stands before you in a grey knit sweater with dark jeans. It even looks like he trimmed up his mustache.
“You clean up nice Chief Swan.” You glide your hand up his arm and along his bicep caressing it. Charlie feels his heart speed up at your antics, but he rolls his eyes to cover his flushed cheeks.
“Not as nice as you,” His voice is low as he reaches out to play with the hem of your dress. “You ready to go?”
You nod your head and he opens the door for you to step onto the patio. He waits as you lock the front door, When you turn around with a big smile his stomach jolts. As usual he opens the door and waits for you to settle before closing it. When he enters from his side he smells your perfume, and it gives him a reason to be extra close to you later. 
The drive to Port Angeles was smooth, you opted to play the radio rather than start a meaningless conversation. Although Charlie wasn’t a fan of listening to music he didn’t want to subject you to silence. The view kept you mostly occupied, you forgot how pretty the landscape here was. 
Charlie pulls the car into the parking lot of the Italian spot, at least for where you guys live. Surprisingly he places a hand on your thigh telling you not to move before he gets out to open your door. Excitement beats through your body when Charlie rounds the car, the date is already off to a great start. His hand stretches out towards you to take when he gets to your door and you gladly take it. You take the opportunity given and you keep your hand in his on the way inside. 
The hostess greets the both of you with a smile before asking how many. 
“I made a reservation under Swan for two.” Although it’s a small feat the fact that he made reservations in the first place makes you smile. As the hostess checks the books you bring your other arm to his bicep. Charlie sneaks a peek down at you only to see you look at him like he hung the star and moon. He’s worried you can hear his heart thundering. 
“Yes, Mr. & Mrs. Swan please follow me.” She grabs two menus before walking to the right. As you walk through the restaurant you’re happy you see no one from town. Not that you’d be embarrassed by Charlie, but the gossip was already bad enough when you two were having friendly lunches. The booth you’re led to is the perfect opportunity to find excuses to rub against Charlie. 
“Your server should be with you shortly.” You both thank the hostess before looking through the menu. You’re having trouble deciding between what you usually get or if you want to try something new. 
“You see anything you like? You do like Italian food right?” Charlie’s nervous line of questioning makes you giggle. 
“I love Italian.” You seal your admission with a kiss.
“Sorry I just don’t wanna mess anything up, it’s been a while.” Charlie scratches the back of his neck while looking away from you. 
“I can’t see why, you’re a catch. I mean you got me flowers and made reservations, even though you didn’t need them. It shows you are very thoughtful.” You rattle off wanting him to know how much you appreciate his little gestures. 
Charlie has no choice but to accept your compliments, and he’s glad you think so highly of him. Even if he can’t quite see it. 
“Have you thought about which wine we should go with?” Charlie leans over to where you’re looking at the drink menu.
“I thought you would order a Budweiser.” You can’t help but poke fun at him.
“Ha ha I’ll have you know I can be a man of fine dining, sometimes I get my steak medium well.” The laughter that falls from your lips has his heart skipping. 
“Well, then I think a merlot would be good.” You hear no objections from Charlie and go back to your meal options.
The dim lighting in the restaurant makes you feel at home, and Charlie doesn’t make you nervous. He makes you giddy and excited but you’re comfortable around him, despite your attraction.
“Good Evening, I’m Evan,” A teenage boy approaches your table with a smile and a basket of breadsticks. “I’ll be your server tonight. Are there any drinks I can get started for ya?”
“Yes, could we get a bottle of Merlot to start?” Charlie answers the waiter while you grab a breadstick. 
“Of course do you need more time for appetizers?” The server readies himself for Charlie’s answer.
“Could we get a house salad please, I think we still need time for the main course thank you.” You’ve successfully finished your breadstick and reached for another, but Charlie reaches for the same one. He playfully slaps your hand away to collect his first one. Your jaw drops at his audacity.
“So that’s how it is huh?” You playfully glare at him.
“You got the first one didn’t you?” He gripes before taking his first bite.
“What happened to ladies first? Chivalry?” After your rant, he places a breadstick onto your plate.
Throughout the dinner, you and Charlie’s conversation continued to be effortless. You ended up ordering a shrimp scampi and Charlie chose a lasagna. The bottle of wine was one glass away from being finished, and you could feel its effects coursing through you. Although you ate most of your food and had a sliver of Charlie’s, you still had some leftovers. Charlie took it upon himself to help you finish.
You found yourself playing with Charlie’s hand, tracing the prominent veins. The sight of him hounding your food is surprisingly something you’ve come to enjoy watching. 
“Did you want dessert?” Though Charlie’s question would get a ‘yes’ any other night, you had other ideas. 
“No,” You look him in the eye and lower your voice. “But I really don’t want our date to end yet.”
“Then what do you suggest we do Angel?” Charlie, oblivious as ever asks you.
“I think we should get the check and head to the car, I think I saw an ice cream parlor.”
Charlie picks up the check and you don’t even pretend to reach for it, he’d probably smack your hand for real. On the way out you lean into Charlie as he has his arm wrapped around your shoulder. When you get to the car you see Charlie reach for your door but you stop him. 
“What's wrong?” Charlie immediately questions when you grab his hand. 
“Nothing,” You try to find the words to express what you want, so you resort to physical touch. You wrap your arms around the back of his neck. “It’s just you look so good tonight, and I wanted to…” Your eyes trail to the backseat and back to him. 
“Angel, that’s illegal.” His words were chastising you but you knew with a little convincing he’d cave. 
“And who exactly is gonna arrest you Chief Swan?” After your declaration, you trail kisses up & down his neck. Charlie's knees almost buck from the feeling of your soft lips all over his neck. When you pull back he follows you to the back door of the cruiser. 
“Alright but absolutely no sex.” His finger pointing at you tells you he means business. He pulls out his key to unlock the back door.
“Of course Chief Swan.” You give him a peck before climbing in the backseat, Charlie opts to wait. He checks the area to make sure there’s no one to potentially catch you two.
When Charlie meets you in the back you waste no time straddling his lap. His hands are glued to your sides, while his head leans against the headrest. Your hands feel all over his chest like they’ve been itching to do all night. Charlie initiates the kiss this time, his lips languidly moving with yours. Your hips begin to move on their own, desperately rubbing against the growing bulge in Charlie’s pants. 
The feeling of Charlie’s tongue licking at your lips had you moaning into his mouth. He swallowed every sound you made and helped you rub yourself on him. He truly can’t believe he’s dry-humping in the backseat as if he was a horny teenager again. Charlie’s hands slip under your dress so he can cup your ass, skin to skin. He knows he said no sex but the way you grind on him has him seeing stars. 
One of Charlie’s hands slides to the front of your panties, rubbing you through the fabric. You break the kiss to throw your head back in bliss. Charlie takes the opportunity to bring his mouth to your neck, licking and sucking until he finds your sweet spot. He knows he’s got it when your hips stutter their steady motion against his crotch. 
“That feel good baby?” Charlie being a dirty talker was not on your bingo card. “You gotta tell me or I’ll stop.” He gently nips at your neck, prodding you.
“Yes,” You breathlessly let out. “Please don’t stop, don’t stop.” Charlie takes great satisfaction in you begging him. 
“You gonna let me slide in that pretty pussy?” His words awaken the memory of you not shaving your vagina before, in hopes of staying out of this situation. 
“I didn’t shave or prep for this actually,” You slightly pull away thinking he’ll want to stop. 
“That’s even better Angel,” His response has your eyes widening before he finishes. “I’m a grown man and I prefer my women to look that way too.” 
After his revelation, you go straight for his belt and zipper. You slowly unzip his jeans before reaching in to pull out his cock. You’re pleasantly surprised to find him fully hard and leaking. You swipe the pre-cum off his tip with your thumb to taste, the look he gives you has your pussy throbbing. He can’t contain his groans when you slide him back and forth between your wet pussy lips. Your poor panties have stretched to the limit. 
Once you’re satisfied with him being putty in your hands you line up his cock to your entrance. You look him in the eyes as you slide down on him, both of you gasping as you take him. Rocking your hips on him feels so much better, the stretch he gives you makes your eyes roll back in bliss. Your hands grip his shoulders to maintain your balance, while he circles back to your clit.
Charlie has you wildly bucking against him when he finds your spot again. Your walls clench harder with every circle he makes. His other hand snakes up to the back of your neck, cradling it. The mesmerizing sight of your tits bouncing as you rode him made his balls clench. Charlie felt your pussy leaking all over his lap, he loves it. From this point on he knows he’s not gonna be able to get enough of you. 
“That’s it baby,” His words bring you closer and closer to the edge. “That’s my good girl huh?”
“Yes yes, I’m your good girl.” You could not care less how desperate you sounded. All that mattered was the way Charlie’s cock rubbed against your walls and his thumb expertly moved in circles over your clit. The only thing on your mind was chasing your orgasm. The squelching and pants filling the car only spur you on in your quest. 
Almost as if he could sense it Charlie smashes his mouth against yours right before the chord in your belly snaps. Your body is no longer yours, instead moving only on primal urges. The flips in your stomach die down slowly, like a beautiful decrescendo. He soaks in all the noises you make, both for his pleasure and to make sure you don’t get caught. The feeling of you cumming around him has him fucking up into you while you ride your high. 
You feel the tell-tale twitch of his cock before you feel him release inside you, painting your walls with his cum. The heavy breathing coming from you two signals you won’t move for a while. His neck becomes a place of solace for you, his heart rate steadily coming down from your activities. Hands rub lovingly around your back, almost putting you to sleep. 
“You know I wouldn’t mind ice cream.” You mumble into his neck.
“Whatever you want Angel.” Charlie’s low timbre soothes you.
Charlie makes the first move to get up, he tucks himself back in and gently moves you to his side before getting out. He opens the front door and comes back with some wet wipes he had in the glove compartment. Once you’re all cleaned up he works to coax you out of the back and into the front. You are knocked out as soon as he closes the door behind you.
Throughout the drive home, Charlie steals glances at you thinking he must be in some kind of dream. You are something else. Never in his adult years had he done something so reckless, but he would be lying if he said he wouldn’t do it again. 
When you wake Charlie is just turning off the car, you reach out to run your finger through his hair. He leans into your touch before presenting you with a Dairy Queen blizzard.
“Cheif Swan, you are so thoughtful.” You can’t help but pinch his cheek before you kiss him. He simply hums at you in return, but the look in his eyes tells you all you need to know. 
“C’mon let’s get you inside.” Ever the gentleman Charlie walks you to the door, leaning against the brick. 
“When’s our second date? And third?” The laugh that escapes Charlie causes you to follow suit.
“How about next Friday? After work we could go see a movie.” He watches as you smile brightly at him, leaning down to plant one last kiss on you. “Night Angel.”
“Goodnight Charlie.” He waits for you to go inside and doesn’t head back to the car until he hears the lock click into place. 
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pascalpvnk · 3 months
Text
my funny valentine
pairing: pre/no-outbreak!joel miller x gn!reader
summary: joel attempts to ask you to be his valentine empty handed. it simply won’t cut it.
word count: 1.7k
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warnings: 18+ MDNI, no descriptions of reader (joel picks them up once), no specific timeline (i hc that sarah is 5/6, no mention of joel or reader’s ages) but DoorDash and YouTube tutorials exist, brief smutty mention but no explicit smut, joel’s biceps, assertive reader, silly man thinking he can do the bare minimum, silly man righting his wrongs, one (1) mention of his mother, lots of kisses, lots of fluff, no use of y/n
a/n: i switched from past tense to present tense midway through writing, so if anything was missed in editing in the beginning, please let me know :’) this is a very action driven fic rather than the world building I’m used to so I’m sorry if it’s repetitive. not beta’d. divider by @saradika-graphics
HOW TO SUPPORT PALESTINE // IMPORTANT FOR TLOU READERS & WRITERS
masterlist // fic recs
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The bitter burn of dark roasted beans stimulates your taste buds before being soothed with the coffee creamer in the mixture. The stovetop clock reads 8:09. Normally Joel would be up by seven, have his coffee and breakfast and switch out the laundry by this time. Instead he’s snoring the morning away in his bedroom, probably sprawled out over the whole bed now that you’ve been up for a bit.
You enjoy the quiet as the two Millers are lost in deep slumber. The younger of the two had been worn out playing house with her dolls much past her bedtime. You didn’t mind, as you were waiting for Joel to return home from work anyway. He made his appearance soon after you tucked Sarah into her bed, eyelids heavy and shirt sweat and dirt stained.
Exhaustion was an understatement. You gave him a warm kiss, despite his argument that he smelled bad.
You always stink, I don’t see the issue, you teased him.
A huffed chuckle escaped him as he wrapped his arms around you. Smartass.
You two shared a shower, washing one another’s bodies from the day’s grime gently, relieving stress in more than one way. Joel has always been clingy when he’s tired, his hands never wanting to let you go. So you found yourself pressed up against the cool tile of the shower wall, Joel filling you to the brim until the water ran cold.
He was barely able to pull on a pair of boxers before his body had succumbed to his fatigue the moment his head hit his pillow.
You laid beside him, delicately brushing his damp curls behind his ear, similarly to how you did when you awoke, this time his curls dry and stuck up every which way. 
Joel doesn’t find his way out to the kitchen for another twenty minutes, a pair of plaid sweatpants hanging on for dear life lowly on his hips and a black cotton shirt barely concealing his ever growing biceps.
“Mornin’, baby,” he rasps, kissing the top of your head to grab your attention as you repeat his greeting back. His lips capture yours, groaning at the prominent coffee taste swirling on your tongue. He reluctantly pulls away, admiring the way your eyes sparkle as you look up at him.
“Prettier than a painting, honey,” he sighs, rounding the counter to the coffee maker. Carefully opening the cabinet above, he grabs his favorite mug, coincidentally the one you and Sarah had picked out for him for Christmas. If dad can’t fix it, no one can, is printed on both sides of it with a little toolbox. She was giggly the entire time he was unwrapping it, a precious sound that replays in your mind each time you see it. 
Joel grabs the coffee pot with one hand while scrubbing his other over his beard, unkempt and due for a trimming soon.
“So…I was thinkin’ about Valentine’s Day,” he starts, completely filling up his cup with the steaming brew. “Would ya wanna go out or have a night in?”
“Hold on, cowboy. I don’t recall being asked to be your valentine, so as far as I know I’m not doing anything,” you shrug.
His brow cocks up at your comment mid-sip. You know your relationship advanced fairly quickly, seeing as the upcoming Valentine’s Day is the first you two are celebrating together. More than half of your belongings have found a cozy new home at Joel’s place and your own bed hasn’t been slept on in over a week. Your anniversary isn’t until April, but the quick progression doesn’t mean you want to skip out on the little things. You don’t wanna get comfortable.
“Okay then,” he clears his throat, the tips of his ears and peaks of his cheeks flushing. “Will you be my Valentine?”
You give him a once over, empty handed sans his coffee.
“Is this how you wanna ask me?”
“Um…’spose not,” he stutters, visibly surprised with your assertiveness. “Hold onto that thought, baby. I’m gon’ ask ya properly.”
Joel starts to put his mug in the microwave and leave the kitchen. Your soft voice startles him as you call his name.
“Woah, woah. I don’t want you to go right this second,” you chuckle. “You look too good for anyone else to see this morning anyways.”
A smirk creeps onto his lips, matching yours. Your lips meld together as you drag him back to his bedroom until Sarah awakes.
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Joel makes his way out of the house later in the afternoon, a few stops in mind for his valentine’s proposal.
He feels like a giant oaf wandering the aisles of endless amounts of candies and plushies. A few eyes wander towards him as he stares blankly at the assorted chocolates. Christ, just pick something and get outta here, he thinks to himself while scratching his freshly trimmed scruff.
“Anything I can help you with?” A voice startles him. He looks up at the shop employee with a small smile.
“Mind givin’ a second opinion?” He chuckles, watching her come a bit closer. “Which one ‘a these would you wanna get from your partner?”
She scans the shelf for a moment, settling on a heart shaped box. For safe measure, she grabs the miniature version as well.
“You can’t really go wrong with chocolate. I’d want the bigger one but it can be pricey so they have the smaller one too,” she smiles as she hands him the two options. The gears start turning in his head as a new idea comes up.
“Thank you, ma’am,” he smiles politely, tucking them both in his basket. “I ‘ppreciate the help.”
The clerk nods and returns to her assigned position, leaving Joel to explore some more. He ends up buying double what he had anticipated, but for good reason.
He finds himself at a local Trader Joe’s. The bouquets that the previous shop had pre-made were alright, but Joel knows that you deserve far better than those. He picks up bundles of baby’s breath and greenery after choosing the perfect main flower, classic red roses. He grabs a few more groceries you had mentioned were running low before checking out. He’s feeling pretty proud of himself, how hard can assembling a bouquet be?
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Turns out Joel is a little in over his head with the flowers. He’s stuck himself with thorns, which he assumed were already removed, more times than he can count. He wishes his momma was next to him, giving him better directions than the internet can provide. You’re the only person he’s brought back home that his mother truly approved of, which meant the whole world to him. So therefore, he simply cannot mess this up. 
He settles his bloodied fingers under the running tap as he cuts the stems off of the plants to an even height. This part is second nature to him, cutting things evenly is his livelihood after all. He cuts a few of them down to half of the size, separating them from the rest.
The video he’s pulled up instructs him to open up the roses next, something he would’ve never thought to do himself. He turns each individual bud upside down over the sink, twisting the stems between his palms until the flowers look alive. Assembly of the buds seems easy enough, just a pattern. 
Rose, greenery, filler, turn, repeat.
Once he’s satisfied with his work, he ties the ends of both bouquets he’s created with rubber bands before wrapping them in brown paper. He borrows some pink ribbon from Sarah’s crafting supplies for the final touch on each.
Joel’s phone buzzes with two notifications at once.
‘Your delivery driver will arrive shortly with your order!’
‘Hey, baby. Sarah and I are heading home shortly. I don’t feel like cooking tonight so I can pick something up on the way.’
He makes his way to the front door, flipping on the porch light before responding to you.
‘No need, sweetheart. I have dinner covered. See you soon.’
Joel completes the message with a heart emoticon before sending. He gathers all of the stem and leaves from the sink and throws away the scraps before wiping down the dampened counter. The gifts are assembled on the coffee table, a clear divide between what he got for you and Sarah.
He retrieves the takeout from the driver, giving him a cash tip before taking the food to the kitchen. Joel completes any final touches he may have missed until he hears your car doors closing in the driveway.
“My sweet princess,” he grins the moment his little girl steps into the house, leaving you trailing behind with the bags in your hands.
“Daddy!” Sarah calls out, running into Joel’s arms as he meets you both at the door. Kisses are littered across her plump cheeks, her squeals filling the quiet space. He reopens the storm door for you with one hand as Sarah occupies the other, hanging on his neck.
“Hey, beautiful,” he greets you, gently grasping your chin between his thumb and pointer finger before planting a firm kiss to your lips. His thumb caresses your skin as he pulls away. Sarah wiggles out of his grasp to inspect the wafting takeout scent from the kitchen. She doesn’t even make it halfway before she lets out a dramatic gasp.
“Teddy bear!” She yells, beelining to the setup in the living room.
“What did you do, Joel Miller?” You ask, suspicion lacing your tone. He chuckles at your ambiguity, giving your ass a small love tap.
“Why don’t’cha see for yourself, hm?” He smirks, collecting the plastic and paper bags from your grasp. You join Sarah and admire your presents. His heart doubles in size watching his two favorite people look so incredibly elated. 
Joel sets everything down on the couch to join you two.
“I got flowers too! Daddy got us flowers,” Sarah grins, holding up her miniature bouquet matching yours. You find your way to him, snuggling up to his side in a hug.
“I do good? Will ya be my valentine?” He questions timidly, assuming he did at least decently by the bright smiles beaming on yours and Sarah’s faces.
“Yes, yes of course I will. It’s perfect, baby, thank you,” you whisper as your arms wrap around the back of his neck. “I’ll show you just how perfect you did after we put her to bed, hm?”
You swear his cheeks are the hue of the roses he gifted you. For once, he fully believes he hasn’t messed everything up this time. He sweeps you off of your feet with a spin, peppering your face with kisses.
“I love you both so much.”
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no-name-publishing · 6 months
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Tiny Book? Tiny Book. Pt1.
Idk yall I just felt like writing a little how-to of how-I-do my tiny A9 books! So if you've ever been interested, I hope this will be helpful. This will be neither a beginner typesetting nor beginner bookbinding tutorial; as I go through my process I will only be showing my process and providing a few tips, assuming you already have the basics understood. We can worry about the rougher technical skills in another post.
Also keep in mind that this guide includes images of fic I've bound, and you're zooming into these fics at your own discretion. I am not responsible if you read something yucky. I know you have a lot of options out there but thank you for flying No-Name Publishing.
Tiny books part 2; Tiny books part 3
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Just like with regular ficbinding, there are layers, and they are:
1 - Typesetting and Imposing 2 - Printing 3 - Cutting, Folding, and Sewing 4 - Gluing, Rounding/Backing, Endbands 5 - Building the Case and casing in 6 - BOOK
In this part we will be focusing on steps 1 and 2. Please feel free to skip to the area you're interested in most.
1 - Typesetting and Imposing
Okay, so this area has some nuances that you don't have to consider so closely with typesetting for more traditionally sized books. To me, these tiny books are not about readability, they are about novelty. As such, I do not prioritize readability. Instead, I try to achieve something that is closer to scale. That said, neither do I want these illegible. But we'll begin from the top.
You want to make a tiny book, but you're wondering, what would be an appropriate word count for a tiny book? Tiny books are the perfect medium for the ficlettes, the shorties, the one-shots. They are also perfect for the mid-sized, 10-15-20k fics, in my opinion. Here we can see,
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On the left we have a fic that is exactly 12,771 words, typeset on a 1.5" x 2" (37 × 52 mm) document, with .3" margins, 6pt Garamond font, and 5pt line spacing. This book is only approaching 1/2" (13mm) wide, and only took 5 sheets of Letter paper to print. On the right we have a fic that is exactly 1,939 words, typeset to the same specifications. This book is only 4-5mm wide, and took only 1 sheet of Letter paper.
In my opinion this format of book begins getting unruly around the 300-page mark. However, making any combination of margins, fonts size, and line spacing will yield different page results for different word counts. For example:
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Like the above, in each of these examples I typeset in Garamond font @ 6pt size and 5pt line spacing. Typesetting on an A9 page, this is about as small as I felt comfortable sizing my font while still being legible. But notice the rivers between the words--the rivers of white space bisecting the lines, due to the Justified alignment battling the admittedly tiny work surface. At this scale, with the font at this size and alignment, those will be unavoidable. Over time I began disliking this in my own work, so I pursued a different method, which was typesetting on a quarter letter page (4.25" x 5.5" / 108mm x 140mm), and allowing my imposer to scale the PDF down.
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Have you ever seen anything sexier. THIS looks like a tiny book. Little to no rivers, still legible (hand-wobble), and preserves the novelty feel that I desire from a tiny book. This method of scaling down (specifically from quarter letter to A9) does change the final shape of the book, from A9 to A9-ish in this case. Specifically, from 1.5"X2" (37 × 52 mm) to 1.625"X2" (41.3mmX52mm). You're achieving something closer to a square shape, which is delightful to hold. All this to say, you have some freedom with word count, with font size, with page size. I've done as many pages as 376 and as few as 17. The fantastic thing about tiny books--their structure will not be load-bearing, meaning--the only thing stopping you are your tastes.
Quickly, some more examples of features in a regularly sized typeset and their tiny counterpart after the imposer has scaled them down. First, scaling half-letter down to A9, a little-over 4X shrinkage:
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And from B6 to B9, smaller by 3x:
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You notice the compression of every element, and too how entirely unparcable the text in the first example is, sometimes not horrible, sometimes very. Make your decisions dependent on your tastes!
You have decided on the fic you'd like to bind into a tiny book. I will be using my own fic as the typesetting example, and I will be using Word 365 for PC. I'm sure many of my pointers during this process might not apply 1-to-1 if you are using a different word processing software, but hopefully you can adapt the concepts to your program of your choosing.
Kay, next you will do your typesetting. Since this is not a typesetting guide I'm trusting that you have your preferred methods, but I will go through my key steps for setting up a tiny typeset:
First, for every typeset I delete each default Style, create mine own, and dictate the document size. For this example I will be doing my preferred quarter letter method, setting the custom page size to 4.25" wide and 5.5" tall, and .5" page margins all around (except Gutter; leave 0"). On the Multiple pages dropdown I will select Mirror margins (however, as all my margins are the same size, this is redundant, though may not be the case for you). My body text style will be Cardo font @ 11pt size and Exactly 15pt line spacing, with a .2" first line indent and Justified alignment.
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You can use whatever body font you like, I only encourage you to do many many test prints to refine your preferences. Your favorite font for half-letter books might not translate to tiny books. After ~30 tiny books I've found I like Cardo at this size and spacing. And if you're using A-paper sizes, consider doing quarter A4 instead of quarter letter, which is technically A6--4.1"X5.8", or 105mmX148mm. Follow your heart~~nyah 🐱♥
Now I will go to my fic and download the HTML file. I hugely prefer copying from the HTML file rather than the browser itself. It kind of standardizes any goofy formatting that might try to make its way over otherwise, while still preserving the italics and bolds, etc, and makes for an easier editing process. It was important I made my body Style in Word first, so that once I paste the text into my document that Style is automatically applied in one fell swoop (if not, you can change that in your Word settings. Advanced -> Cut, copy and paste -> Merge Formatting. It is a huge time saver.)
Now you've gone through your typesetting process, you have a liddle quarter letter Word document that you're happy with. Gets real close to you. Listen to me--listen, you're going to Export as PDF. Not Save As PDF. Not Print to PDF. Export. It's in--listen--it's in File, then Export, then Create PDF/XPS. You need to Export. Especially if you selected Bookfold instead of Mirror margins in your page settings because we need an unimposed PDF in order for this to work right and exporting to PDF is going to solve 99% of your pdf formatting woes with Word. Okay, I love you 👨‍❤️‍💋‍👨
Now, your EXPORTED pdf should look something like mine. Straight, unimposed.
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Now what we're going to do is take this PDF back to my penthouse and freak it. Go to this link for the Renegade Bindery-created and -curated imposition tool. This has been will be is such an incredible FREE asset to you, maintained by a crew of intelligent, skilled Renegade Bindery members who understand the importance of community and accessibility. If you find someone hiding this link behind a paywall of any kind it is not with the creators' permission, so shame on them.
Anyway I will be assuming that you know what imposing your document means. If you've never used this site before, it's very straight forward, and here are my settings for making Tiny Books.
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1 - Upload your unimposed exported pdf. 2 - ignore 3 - Select the paper size you will be printing on. This is not the FINAL size of the book, this is what paper you are printing on. These instructions are for Letter sized paper. Don't change any of the other settings right now, I will explain more about the Single-sided vs Duplex option in a bit. 4 - Skip aaalllll the way down to Signature Format. Under Wacky Small Layouts, click on the bubble next to Little. You'll notice there are a lot of options here. I encourage you to play with these settings later on as well, there are so many things you can make with this tool.
Once that's done, scroll down to the very bottom. You'll see the Signature Info area, telling you the results of your imposition. In the case of using the Little option we've selected, 1 sheet of our paper will make 40 book pages. 3-signature-sets of 3/3/4 folio configuration. That's a lot of pages per page.
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Anyway for our document today it will cost us 2 sheets of Letter paper, and will make 6 signatures. Math says that's 80 pages. Now, you may be concerned because your typeset PDF is not formatted in a number equally divisible by 40. And why would it be. The imposer is doing that math for you in the background, organizing your pages regardless. In my case, my finished typeset is 62 pages, which means that from my second page, I will only be using my 3 folio segments, and discarding the 4 folio segment. This will make more sense later. Click the Generate button, and save the zipped folder wherever you want. Don't change the name of it.
Unzip that baby, and inside you'll notice 2 files--(filename).pdf_little_packed_backs, and .pdf_little_packed_fronts. Appropriately named as one file contains one side of the sheet that will be printed, and the other file the other side.
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And when you open them up, they will look like:
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2 - Printing
We are manually duplexing this bad boy, because working at this scale amplifies and compounds every millimeter of difference. Manual duplexing will keep printer skew to a minimum, as the printer will not have to perform gymnastics in order to print on the reverse side of your page. Here are some examples:
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Two auto-duplexing examples of skew, one horizontal and one vertical, dependent on which direction my paper was loaded into the feeder. There is significant skew. Not a horrible issue on full-sized books but these will matter much more on our tiny books, the key issue being that we do not have much to work with in the margins department. Trimming 5-6-7mm of margins of your half-letter sized textblocks might not be much of an issue; however, here, in order to remove all the trim lines during the cutting process, you will be significantly impacting the margins of your tiny textblock.
Now here is an example of the skew from manual duplexing:
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MUCH subtler. Your skew with manual duplexing will range from this--less than .5mm--to no skew at all, and you will have to cut off far less of each page to remove the trim lines, maintaining the consistency of appearance of your tiny, beautiful pages. This is why during step 3 of the imposing process we selected Single-sided (which is MANUAL duplexing), and not Duplex (which is AUTO duplexing) appropriately. This will result in you either getting two files for manual duplexing, or one auto duplexing file.
Your next consideration when it comes to printing your liddle book will be whether you want to use an inkjet printer or a laser printer. I've until recently only had a laser printer available to me. I can say after about 6 or 7 little books on an inkjet printer that I prefer the laser printing on tiny books. Here is an example of why:
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On the left you have a tiny book printed from an inkjet printer printed on the highest quality setting, and on the right is a tiny book printed from a laser printer. These were both printed at the same scaling, same font size, same line spacing, everything. The inkjet printer, printing at this scale, introduces pretty glaring feathering on the letters, whereas the laser printer is crisp as can be. I've said before that to me tiny books are more for novelty rather than readability, however I do still want to make out the word I'm looking at, you know what I mean? For this reason I prefer printing my tiny books from a laser printer. Use what you got though, you'll get a tiny book regardless. Make sure you're flipping on the short edge with these tiny books too, and double check to make sure your page numbers line up. And when you're done you got...
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BOOK(-adjacent).
Continue on to part duex.
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yourpalghost · 1 year
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Solar Lunacy (or really any) Freddy Patch tutorial!
Two ways I feel work are Hot glue and sewing.
First things first: youll want one or two printed coppies of the freddy head template. I covered mine in tape.
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For black, cut out the freddy head and bow tie as a whole piece and cut it from a sheet of black felt. Then cut out the individual pieces by colour.
White: eye whites, eye shines, teeth
Cream: muzzle, jaw left, jaw right, inner ear left, inner ear right
Orange brown: (I had to dye my orange to the correct colour) cheek left, cheek right, head top, ear left, ear right
Red: cheek left, sheek right, brow, earring
Blue: chin, brow, hat band
dark red: tongue
Purple: irises
Optional: black: nose, pupils, eyebrows
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If you have a cleaner cut job, yours will look better but hot glue those pieces on there. I recommend glueing or sewing in this order
Blue brow arch
Red brow arch
Muzzle
Tongue
Teeth
Chin
Eyes
Cheeks
Head
Ears
Hat
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After sewing or glueing everything on, add in details like freckles and the line in the tongue. I decided to not do those because I already decided to redo the whole thing by hand sewing at a later date but anyway
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After that either attach it to your jacket permanently or safety pin it from the inside. I added little loops for the safety pins to go through because I had them.
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You can also see that I added in some light purple lines to the eyes. Sewing through glue is stupid so dont be like me and do this before hand if thats something you want
If I were to sew this (which I will probably be doing), id cover my thread ends with something like fabric glue to keep them from coming undone if it were to be removable otherwise id just sew it to the jacket.
If you intend for this to be a permanent fixture on your jacket, glue or sew that puppy -er- bear? On there securely. I mean add some stitches and glue to the center to keep it secure and everything
Or use peel and stick felt, im not your dad.
Happy crafting DCA simps and thanks @bamsara for the great fic and character designs
Ill try and post the jacket process later ✌️
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mothdogsart · 1 month
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Okay, this is gonna be a long one, so I’m putting it under a cut. Folks on Reddit have asked for a walkthrough of my bookbinding process, so I’m going to detail it. A few steps I forgot to take pictures of, but I’ll keep them in the list so that the workflow hopefully makes sense.
🌟 This is not meant to be an in-depth tutorial! For bookbinding/fanbinding tutorials with guided steps I recommend LadyBobbitt on TikTok or DASBookbinding on YouTube. 🌟
Fic pictured in every step after Step 3 is “Pretend for Me” by @obsessivelollipoplalala because I was working on an author’s copy! 🌝
Step 1 - Typesetting (not pictured)
Step 2 - Printing and folding the signatures (not pictured)
Step 3 - Punching the signatures. This is a 3D printed punch cradle from Etsy. I don’t recommend the Memory Keepers brand one on Amazon—it’s really shallow and hard to get centered punches.
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Step 4 - Sewing the signatures, aka my least favorite part. Everything is downhill after you get it sewn. My preferred method for sewing signatures is called the kettle stitch.
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Step 5 - Clamping the text block, reinforcing the spine with mull, and adding fake endbands
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Step 6 - Gluing endpapers onto the text block after the spine reinforcement has dried
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Step 7 - Measuring and cutting the cover chipboard
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Step 8 - Forming the cover. I glue the chipboard to a central piece of cardstock. Some people find that this makes your creases less sharp, but I like the extra reinforcement.
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Step 9 - Dry fit the text block to make sure everything is sized properly (not pictured)
Step 10 - Gluing the cover onto the bookcloth (this is the underside—the edges also get glued and folded over onto the chipboard)
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Step 11 - Casing in the text block (not pictured). I add glue to the outsides of the endpapers and stick them to the inside of the cover. Once everything is placed correctly, I wipe off any excess glue and make sure there are no air bubbles anywhere.
Step 12 - Placing parchment paper between all wet/glued areas to prevent moisture transfer to the pages.
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Step 13 - Press! (Not pictured)
Step 14 - Let dry overnight, then you have a book!
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Not including the dust jacket making process here because it would require me to take screenshots from my computer and I’m sick rn so who has the energy?
Anyway thanks for looking if you scrolled this far :)
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planet-marz1 · 5 months
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Tangled Triumphs
Summary: Joel learns how to do Sarah's hair Relationship: Joel and Sarah Word Count: ~800
Tags/Warnings: no warnings! just lots of fluff here :)
A/N: just some cute little joel & sarah cuteness i've been working on for a bit! tysm to @pascalpvnk for beta reading!!
beautiful dividers by @/saradika-graphics
| main masterlist | ao3 link | follow my fic updates blog @planetmarz1-notifs
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The soft rays of morning sunlight filtered through the curtains, casting a warm, golden hue over Joel's small apartment. Toys scattered, and crayon drawings adorned the walls, painting a vivid picture of life with a spirited four-year-old named Sarah. Today, he’s facing a new frontier: the art of styling Sarah's wild, curly hair.
In the heart of the apartment, the kitchen table bore witness to the unfolding saga. Joel, armed with an array of hair tools and a laptop playing a tutorial, stared intently at the screen. Sarah, a ball of energy in her favorite princess dress, twirled around, giggling.
"Daddy, look at me!" she called, her curly crown dancing with each twirl.
"In just a minute, sweetheart," Joel replied, his gaze shifting between the laptop and the intimidating hairbrush in his hand.
Transitioning to the bathroom, Joel and Sarah stood before the mirror. Joel, with a gentle touch, spritzed Sarah's hair with water, creating a halo of droplets around her head.
"It's cold, Daddy!" Sarah protested, her enthusiasm momentarily dampened.
"I know, darling. It's part of the process," Joel reassured, glancing at the online tutorial for guidance.
Joel attempted to detangle the curls with a wide-tooth comb. Sarah stood in front of the mirror, her curls seemingly possessing a life of their own, evading Joel's efforts.
"Daddy, it's pulling!" Sarah whined, her patience waning.
"I'm sorry, sweetie. Just a bit more," Joel said, beads of frustration forming on his forehead.
The bathroom became a battleground as Joel grappled with knots and tangles. Sarah squirmed, the process proving more challenging than anticipated.
"Can we play something else?" Sarah pleaded.
"Just a little longer, princess. We're almost there," Joel reassured, beads of sweat forming on his temples.
Returning to the kitchen, Joel embarked on the styling phase, attempting to replicate the hairstylist's intricate twists and turns. Sarah's patience dwindled, and she fidgeted, making Joel's task even more intricate.
"Daddy, I wanna go play!" Sarah insisted, tugging at Joel's sleeve.
"Just a moment, sweetheart. We're almost finished," Joel said, determination etched on his face.
In the kitchen, amidst the remnants of detangling spray and hairbrushes, Joel made a decision. "Alright, sweetheart, how about we go on a little adventure?"
Sarah's eyes sparkled with curiosity. "Adventure? Where are we going?"
"To the store," Joel declared, scooping up Sarah into his arms. "We're going to find the perfect things for your beautiful hair."
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The fluorescent lights of the store illuminated rows of hair care products. Joel, pushing a cart with Sarah seated in the front, navigating towards the hair care section, a world of colorful bottles and promising labels. Sarah, nestled in the cart, scanned the shelves with wide-eyed enthusiasm.
"Okay, sweetheart, we need something that will make your curls happy. What do you think?" Joel asked, examining the array of products.
"Maybe that one!" Sarah pointed to a bottle with a picture of cheerful curls on it. 
Joel hesitated, reading the fine print. "Hmm, let's see."
As he tried to decipher the mysterious language of hair care ingredients, Sarah giggled, her small hands reaching for another bottle.
"No, Daddy, this one! It has sparkles!" she insisted, pointing to a bottle that promised an extra touch of magic.
Joel chuckled, appreciating his daughter's keen eye. "Sparkles it is, then. A touch of magic for those beautiful curls."
Next, they ventured into the accessories aisle, a paradise of colors and shapes. Sarah's eyes widened at the sight of butterfly clips, hair bands, and ribbons.
"Look, Daddy! Butterflies!" she exclaimed.
Joel chuckled, appreciating the simplicity of his daughter's joy. "Butterflies it is, then! Pick out your favorites, sweetheart."
Sarah carefully selected a handful of butterfly clips in different colors, her eyes shining with delight. Each choice felt like a treasure unearthed in their quest for the perfect adornments. Joel watched, a sense of pride welling up as his daughter made her choices.
Back home, with their newfound treasures, Joel and Sarah settled in the living room. Armed with the chosen hair care product and the butterfly clips, Joel embarked on the next part of their quest.
"Now, let's try this magic potion first," Joel said, spraying the detangling spray.
As the mist settled on Sarah's curls, Joel gently worked his way through the tangles. Each stroke of the comb was a small victory, the detangling spray making the curls more manageable. Sarah, now more patient, sat with anticipation, her eyes fixed on the transformation.
"And for the finishing touch..." Joel added the butterfly clips.
Sarah beamed as the colorful butterfly clips were delicately placed, turning her curls into a whimsical masterpiece. Each clip held a story, a choice made with joy and excitement.
"Look, Daddy! I'm a butterfly princess!" she exclaimed.
"You sure are, sweetheart. A butterfly princess with the most beautiful curls in the world," Joel said, smiling.
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tag list: @pertinentpostmortem @party-hearses @mandoisapunk @bastardmandennis @catchallfangirl @chaotic-mystery @beskarandblasters @amanitacowboy @littlegrungegirlaf @pamasaur @pedrodascal @sweetercalypso @ilovepedro @cool-iguana @alwaysmicado @lovers-liability @futuraa-free @morgaussy @pedritoferg @spookykoolkat @wethairjoel @chronically-ghosted @buckyispunk @pattwtf @morning-star-joy @elvinaa @tinycozycomfort @magpiepills @pr0ximamidnight @joelscurls @janaispunk @5oh5 @farmerlarrry @maximoff-forevermore @atinylittlepain @joeldjarin @spookyxsam @honey-dip-24 @hiroikegawa @mcira @mrsmando @hyzer34 @limerence4u @sin-djarin @reddedmiller @joels-shitty-puns @elvinaa @kajashe @ramblers-lets-get-ramblin
pls lmk if you want to be removed from the tag list!
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radishhqueen · 7 months
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so my project over the summer was making a hard copy of my rottmnt april-centric fic, how to get very good at juggling! shameless plug, it occupies a very special place in my heart.
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and a video flip through <3 yes it's a bad video but this has been rotting in my drafts I need it out
step by step-ish process pics under the cut! + a link to the tutorial i used.
I largely used this tutorial by Sea Lemon for the actual construction of the book. For the text block, I just copied it into a word document, formatted it to my liking, and printed it out in 24 page signatures. (This makes it sound easier than it was. I trial and error-ed this step so hard, since all the tutorials I saw were for blank notebooks, and not text. If there's demand for a step-by-step on how to do this process with god's jankiest printer, lmk and i'll write it out)
In the end, I had a bunch of signatures that looked similar to this image below. i actually reprinted them (for the third time) after i took this picture bc some pages disappeared and i took the opportunity to center the page numbers. someday i'll learn how to get them on alternating corners.
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...that i then sewed and glued into a text block! (ft. my cat)
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because i was using a public printer, and also because i couldn't figure out how to adjust the margins, i had to do some trimming to make the margins more normal. you can kinda see in the image above that the top margin is like. two inches. (i'm currently in the process on typesetting another fic, i'm gonna figure out the margins this time i swear)
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once i trimmed it (very slowly, with an exacto blade) (god i wish i had a paper guillotine), i sewed on some paper headbands and an extra piece of support cardstock (not pictured, whoops), and then it was finally time to start the cover!
okay, admission. when i started this project, my intention was to do a vinyl cover, do the title in stickers, and be done with it. unfortunately the sticky backing of vinyl? very sticky. not easy to adjust things when you have shaky hands and can't get the cover pieces immediately lined up. so i quickly burned through the whole roll of vinyl i had, which meant it was time for plan B, fabric.
also unfortunately, my local chain craft store never fails to let me down, and the only green fabric they had was god's brightest shade of green. regardless, we persevere.
because of who i am as a person, i know how to embroider! more or less! so that meant instead of futzing around with fabric markers and attempting to make a passable cover that way, i just decided to embroider a cover.
first came the mock up
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and then i got started with the embroidery! i measured out the dimensions of the cover on the back of the fabric, and made a grid for where i wanted all my pieces to go
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once the cover was finally done, i glued and assembled it a la Sea Lemon's tutorial. and!! now i have a book!!
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anogete · 3 months
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Hi. Update of random shit in case anyone cares.
The scary test I was stressed over in the fall when I was posting my last fic? It was the CFP (Certified Financial Planner) exam. Yes, I passed it. The designation requires a bachelor's degree, so I had to go back to school to finish my last 10 classes. Then I had to take 7 more classes that are pre-reqs for the exam. Then I spent probably 700 hours attempting to cram everything you could think of related to personal finance (my god, there is a metric shit ton) into my head. The designation also requires 5,000 hours of experience in the planning field (which I thankfully already had). By the time I passed the test, I was no longer proud of the accomplishment, just relieved to have it behind me.
Work was intensely busy in November and December. I got little reading and no writing done.
I have a WIP featuring the Darcy/Rumlow pairing that has been languishing on my computer since 2020. To be honest, I've mosty forgotten what the conflict driving the plot was going to be. I think I was trying to tie it into the events of Wandavision. Took place after the show and had Monica Rambeau and Darcy kinda sorta working together and trying to figure out what, if anything, crossing the barrier that Wanda had thrown up did to them. Of course, Rumlow is alive and scarred and back with the good guys. And also really annoyed that his recent gunshot wound stuck him on desk duty watching the nerds complete their physicals as part of employee onboarding. Darcy doesn't want to have gym class with Rumlow, and Rumlow doesn't want to be there either but he's also kinda into the sassy brunette who tried to sweet talk him into passing her without making her run a mile. In the chapter or two I did write, the banter between Darcy and Rumlow was so fun, so I'd love to go back to it and try to move it along.
I got sucked into reading Draco/Hermione fanfic recently. Blame those damn Snow edits from the latest Hunger Games movie. Guys, I have never read those books or seen the movies, but blonde Tom Blyth is looking like the fanfic Draco of my dreams. How dare. This rabbit hole led to me deciding I needed to write a Dramione piece. It's maybe 6 pages and has gone nowhere even though I have a vague idea of the plot. My muse is struggling.
I found my old folder of all the fic I wrote in the past 20 years. There are still a couple hockey fics I haven't posted to AO3. There are also Anita Blake fics (I was a hardcore Anita/Edward girlie) and Harry Potter fics (don't cancel me but I used to write Snape/Hermione; NO student/teacher stuff though). I think I have an old Doctor Who fic featuring Nine/Rose (yes, I'm a Nine girlie). And a very old Forgotten Realms fic that paired Catti-Brie up with Jarlaxle. Look, I don't know. It was ages ago. With the exception of the hockey fics, I do not think any of these are of the same quality I've posted on AO3, but I've been toying with the idea of trying to clean them up and posting them so more of my work is archived together instead of spread over various fan sites. Does anyone have any interest at all in reading this shit? Like, at all?
I decided 2024 is going to be my book binding era. I bound isthisselfcare's Draco Malfoy and the Mortifying Ordeal of Being in Love a couple weeks ago. I did all the typesetting with the help of some macros. Printed it, folded the signatures (the booklets that comprise the book), sewed them together with waxed linen thread, glued the text block together with some mull, and used chip board and book cloth to make the case. It feels and looks like a book, y'all! I could do a better job with lining the signatures up when punching the holes for sewing and with the measurements on the case, but overall I am pretty proud of it. If anyone is interested, I can link a nice tutorial series on TT and/or post progress pictures I took during my book binding experiment. I have to say, it's exciting to have the ability to put my fav fanfics on my physical bookshelf.
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that-ghost-pal · 12 days
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My TAU Bookbinding Frenzy
So I’ve gotten really really into bookbinding recently (well, sort of, I’ll explain in a second), and I keep forgetting to share what I’ve been doing, So allow me to rectify that.
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BEHOLD!! The Six (6) TAU fics I have bound and printed!
(This ended up being really long so, more details under the cut)
This printing journey actually started months ago, some time last year when I printed these three, No Rest for the Automotive by Feneris, So you Want to be a Demonologist by Dementor_ssc, and the first six oneshots (collated into one) from the Bentley Farkas and Friends series by @skia-oura.
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For these three I used the Hardcover Case Bound Book tutorial by Sea Lemon alongside other related tutorials by her. Her videos were very useful throughout all of this so I highly recommend checking out her channel if you’re interested in doing all this yourself. I also initially used a tutorial on tumblr to get the formatting looking nice, but that has since been lost to the aether, so for most of them I just mucked around on Word until I thought they looked nice and professional. I did also use Jess Less’ tutorial on binding fanfiction specifically to help with figuring out how to print these books.
For my very first attempt at binding I wanted to start with something small, that would let me get a feel for the techniques without risking wasting a whole bunch of materials by making some kind of mistake so I chose No Rest for the Automotive by Feneris as it’s one of my favourite shorter fics.
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For the cover I used some coloured card that I stitched to the binding, which I’m sure I would have used a tutorial for, but this was done a while ago and I’m not sure which it would have been. This ended up with 28 pages, including an appendix with the author notes at the end, which I did for all of these.
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The second book I printed was So You Want to be a Demonologist by Dementor_ssc, because of course it was. It was one of the first fics I read for this AU and I feel fairly confident in saying it’s the most popular in the fandom (and rightfully so, it’s incredible). @gnomewithalaptop also printed it, which was very cool to see, (and she had a significantly cooler cover than my copy but ah well).
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Following Sea Lemon’s tutorial I got as far as glueing the spine together getting a complete text block (I think that’s the right term, idk I can’t be bothered checking haha) and making a haphazard attempt at making the hard cover, but that involved a lot of glue, and waiting for glue to dry, which sadly absolutely ruined my motivation to properly finish this project. But even still I now have a physical copy of one of my favourite fics, and it might not have a pretty cover but I still think it’s neat. This ended up having 191 pages :)
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I ran out of image space so check out the reblogs for the rest of it!
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snek-panini · 8 months
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It is Monday, and Monday is for books. Look at these beautiful things! They took me five months to make. I tried so many new things in the process and I am extremely proud of them. This is a binding of @racketghost's amazing Good Omens fic Strange Moons (Hi. I hope it's ok I tagged you in this. Your fic has been one of my favorites since I found it in 2019.) The story is a series of short fics (and one long one) that really need no introduction from me. They're set throughout the 20th century, and they are beautiful and sensual and moody and you should definitely read them if you haven't already. This is the longest work I've bound so far, but I was fortunate that the word count on the shorter fics added up to almost exactly the length of the final, longest one, making them the perfect choice for a two-volume set. I tried very hard to get them to be an exact match, and they turned out even better than I pictured.
More pics under the cut! Two books means twice the pics, and all the stuff I tried here means it's a very long post, so be warned.
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Individual images of the covers. The titles are done in silver htv over brown faux leather, edged in charcoal bookcloth. The graphics are the same on both, except for the title text, and they have the same image of the reaching hands on the back. All the art assets are from rawpixel, I just flipped and rotated some of them to make the back image.
The cover materials were an interesting challenge. I'd worked with both before and wanted to incorporate them both in the design, but after measuring and checking grain direction I found I didn't have enough of either of them to do a full book, or even a half bind. So they're actually made by affixing the faux leather to the book board, then layering strips of book cloth over the top. The corners are actually mitered at a 45-degree angle. Here's a close-up:
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It's two long strips of cloth (spine and fore edge, not mitered) with two short strips (top and bottom, mitered) glued over the top. There was so much measuring, omg. I bought a new tool to make sure I got it right. Hilariously, I still didn't have enough leather and had to order another roll anyway. Also hilariously, I got the idea to do this after seeing an image of a leather-bound book made by a professional that appeared to have the same feature, i.e. multiple materials with an inset and mitered corners. Wow, I said, looking at a video thumbnail, I'm going to do that! So I did, even though I didn't watch the video. Much later, after I watched his tutorial, it was clear that the design was from leather dye and tooling, not the thing that I did at all. But I do like the effect, and now I know it's possible I think it'll be great for using up weird offcuts from making other covers.
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Look, spines! With TITLES on them! And LITTLE RIDGES! Both firsts for me. I'm a little obsessed with them. The cricut has opened up entirely new worlds, though I suspect the little silver lines might have been easier to do with a foil pen (which I don't have) than they were with a heat press. I did them by making the cricut cut out several "=" symbols that were the same width as the spine. The raised bands are false bands; I made them by layering little pieces of chipboard on the spine stiffener, then molding the book cloth around them when I covered them. I was worried it wouldn't work, since this is usually done with leather and book cloth is apparently way less stretchy, but it worked fine. Probably because it's a small straight design, no curves or fancy bits. I'd layer the chipboard thicker next time so they stand up higher (this is 2 layers, I'd do 3 in future) but I'm delighted by how this turned out. They look so professional.
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The endpapers on both books are a constellation print. I had a really hard time trying to find something to go with the typeset, and the only ones I liked were from an etsy seller who kept selling out of them. I got lucky eventually but it was one of many hassles that befell this project. I also made my own end bands using a tutorial from the Renegade Bindery discord. I had some issues and I didn't quite nail them but I think they're pretty good for a first time (ok, second time, the first one was on a practice text block, but my point stands). I had originally intended this to be a split boards binding, my first time trying that, but when I got the boards glued on I found that they were crooked. Really crooked. Completely misaligned. Much swearing followed this discovery. I ended up having to cut the boards free, cutting the mull and tapes in the process. The mull was easily replaced, but the parts of the tapes that are usually glued to the boards were a lost cause. I reused the boards, but flipped them so the edge with the cut tapes inside is at the fore edge so I could have a cleaner hinge. You can see in the last photo that the cover board is a little wider at the fore edge. On the plus side, there are no tapes to wrinkle my pretty endpapers and it combated the small bit of spine swell I had. On the downside, the hinge has less support and the only thing I learned was How Not To Make A Sewn Boards Binding.
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I may have gone a little nuts with the images in this typeset. In my defense they look very pretty. In order, that's the title page, table of contents, section break image (same as the back cover, just tiny), chapter header and ender (each chapter has one on its first and last pages, they just look particularly cool when you can get a full page spread like this), and the image on the last page of the book (same as the cover image, almost). The cover image was also supposed to have little rays coming off its moon like this one does, but the lines proved too thin for the cricut and it ate them. I still like how it looks though. The prose in this story is really rich and I was in the mood for opulence when I did it. I have absolutely no regrets.
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Here's a feature that's unique to this typeset. One of the chapters in the second volume has three alternating, interwoven timelines. I read them fine on Ao3 but had trouble following them when I formatted it for printing. Usually I'd use the section break image to denote when there's a scene skip but there are literally dozens in this chapter, like 40-60 breaks over the course of 10 or so pages, and it looked very busy with images in it. So I left them out, made the line skips single instead of double like they are elsewhere in the book, and I color-coded the text instead. One timeline is printed in black, one is dark gray, and one is dark blue. And it's a very surreal chapter, with the characters having some very confusing and conflicting emotions, so I feel like reading multicolored text when you're not expecting it (the rest of the book is all normal black and this bit is near the middle) sort of reflects that unbalanced feeling? I hope so anyway, because I love the way it looks so much.
I learned so many things in the course of making these. I'm absolutely doing all of them again. Part of the reason it took so long was that I wanted it to be perfect, or as near as I could get, and I had to take the time to solve all the puzzles it threw at me. But it stretched my creativity and ingenuity and I could not be more in love with the finished product.
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aloflapse · 3 months
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Day two(?) of bookbinding @fatuismooches ‘s fanfics “Fabulam diu Oblitus”
Part one part three
I watched tutorials here and there to how to print a booklet without those fancy led printers— (that one video is a lifesaver 😭😭‼️)
I shouldn’t put the font in 11.5 cuz god the word is small but what done is done. And putting aside the page for this, it printed only 25 papers which wow. 💀
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As I was done counting the page. I actually had a mini panic as I saw the page is not paging, but fixed it few minutes later ಠ_ಠ
Let me tell you, i was giggling and jumping around as i was holding those stack of fic. After that i spent the next few hours like until 4am just doing the thing, and not procrastinating and binge watching yt ) I wasn’t in the mood of folding piece by piece so I just cut a small stack of sheets using scissors and it looked funky asf. And after a few sections later, my mind thoughts of using the cutters knife. The fact is look cleaner than the poorly cut one (눈_눈). Then I emotionally passed out on the bed lol.
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Now I’m just waiting for my mull cloths because I refuse to sew it. ¯\_(ツ)_/¯
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