When a story is set in the Victorian or Edwardian age, the writers tend to have little trouble creating characters
with pro-Empire beliefs, even when it ultimately undermines their own standing in their time and society.
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
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revisiting crassus, clodius, and the bona dea scandal! but this time with a new composition and a limited color palette
originally when I drew the first version of this idea, it was back when I thought that crassus would be a week long fixation at most (lmao), and instead he just. took up permanent residence in my mind. it seemed like a fun thing to go back to an earlier idea and see what changed now that I've spent a lot more time with everyone involved in this era!
also the way these two interlocked politically. I am. biting into it.
The Defeat of Rome: Crassus, Carrhae and the Invasion of the East, Gareth C. Sampson
Crassus: the First Tycoon, Peter Stothard
Crassus: A Political Biography, B. A. Marshall
Crassus, Clodius, and Curio in the Year 59 B.C., Robert J Rowland, Jr.
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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my favorite thing about wwdits is how utterly uncool every single character is, even when they're actually being cool.
vampire media has too long suffered from Being Cool. we needed these fucking dork-ass losers.
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idw Ratchet is someone who follows orders and respects authority. He might follow his conscience in spur-of-the-moment decisions that allows him the leeway/initiative to act on his own (e.g. setting up clinic on Dead End, breaking cover to save Verity and Hunter, going to look for Drift, voting against Rodimus in mtmte) but he's never openly defied the orders of an acting leader. Regardless if he doesn't agree with said order and thinks it's stupid. Or wrong.
Even when Ratchet thinks Rodimus' treatment of Drift is unfair, he never speaks up against Rodimus during the actual issue of the exile verdict. He only offers Drift silent support by helping him up on the way out, because Rodimus is the captain and you don't argue with the captain. Yes he thinks Rodimus is a crap captain and acts condesending towards him all the time but when it comes to rank and orders there's no ambiguity.
Voting against Rodimus in the crisis act is a legitimate expression of disapproval, made anonymously in private. He doesn't care about Rodimus knowing his vote, but in public it stays anonymous. He does tell Rodimus off about what he did to Drift, but again, he makes sure it's a private one-on-one appointment. He also doesn't make Rodimus formally revoke Drift's exile or sanction his search, he resigns his position as CMO and quietly leaves to look for Drift himself as a personal commitment.
Common stereotype of what Ratchet is not:
Medic ethics and commitment to patients comes first, factions be damned. I don't care if he's a Decepticon, he's my patient.
No he's not actually like that? When Megatron's in custody he's all lets dissect him awwwww why can't we dissect him why does mass murderers still get rights that's so stupid can't I just torture him a little?
Like he spent the whole war patching up Decepticon-inflicted wounds and witnessing Decepticon-inflicted deaths. He's not a saint. He has as much good reason to hate Megatron and his faction as any other Autobot.
In fact he was pretty eager to ask Optimus about what he's going to decide as Megatron's punishment after he heard about Optimus frying Megatron on the voltage harness.
Optimus has his heart on clemency. Ratchet's the one hoping for execution or something equally nasty. Even though their opinions doesn't line up, Ratchet's still 100% supportive of Optimus' decision.
He repairs Megatron only because of Bumblebee's orders, and makes his unwillingness known.
Later in mtmte Ratchet does save Megatron's life of his own volition and repairs him again, but that's after he's lived with Megatron on the same ship for six months (again something that he considers to be a colossally bad idea but is forced to live with because of orders) and got to know him as a person. Not because of bleeding heart syndrome.
Also Ratchet's not just a grouch all the time. He can be blunt but also knows when to be respectful as appropriate to the occasion. He reprimands Wheeljack for being disrespectful to Bumblebee because leaders should be treated like leaders.
The guy's been CMO since Nominus Prime, essentially the highest-ranking of his profession on the planet; you can't get to that type of position and hold it through consecutive leaders for millions of years without considerable interpersonal skills and knowledge of social protocol.
Prowl does have Ratchet on his little blacklist but the stuff on there really just refers to Ratchet saving Verity and Hunter back in Infilitration. I read it as more of a testament to Prowl's pettiness than Ratchet actually being a problem.
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like. okay. thinking about this some more and tbh it is kind of insane to me the way people will sometimes characterise core four, and kon specifically, as being completely unconditionally on board with tim not revealing his real name or face to them prior to wwyj.
like, i know the real reason is that the people doing this simply don't read comics. which is such a fucking wall to run into. but man... tim not telling them his identity when everyone else had revealed theirs to each other/didn't have one to begin with was the biggest driving force behind the tim and kon fight on apokalips. the same way kon was upset and hurt that superman never told him he's also clark kent. kon is very explicitly not cool with being left out of the loop about things as big as secret identities. it makes him feel like the other person doesn't consider him trustworthy, and then he starts questioning their relationship. (once again, pointing at the kon & lois conversation post hypertime arc when he finds out clark's secret identity.)
i love identity shenanigans. i love identity angst. i think thats one of the most fun things about the superhero genre! and aus where they don't know each other's ids can be fun!!! but it's like. INCREDIBLY out of character for that not to be a driving force of conflict if kon is involved in any way.
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there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these
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Why do you hate Alexander Hamilton so much? The guy lived and died before you were even born dude. He isn’t going to come alive and bite you XD
No, his actions just persist in the policies that my home nation was founded upon.
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Blue Lily, Lily Blue ch 15 // Mister Impossible ch 25
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cut because I still remember that anon that said they prefer my fencesitting LMFAO
We as a people really need to spend some time with our byler elders (@kaypeace21 and co) because I promise you they figured out Mike was gay years before the "uppity" analysts of today did....and have pulled out / contextualized evidence even I think is crazy to read considering it was based on S3 alone 😂
Like? The fact that someone, arguably the strongest of the analysts of the fandom in their day, was writing “why I think Mike is gay and not Bi” and "what Mike said was projection of him not liking girls" in August 2019 with shit word for word bar for bar telling you the framework that brought us S4 Mike…friend you were a prophet before your time, and they maligned u for telling the truth, and now that we all see your vision people still think its debatable LMAO
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I get where people are coming from when they say Diaspro in Winx lost the plot for the sake of being turned into a minor villain and that's all once Valtor enabled her to do what she did in S3, but I feel like that was a reasonable narrative choice. It's only a love potion at that point (while I could go on all day about the ethics of love potions, of course, a later season has her straight up trying to do direct murder). She's a noble, guards will do her dirty work, and I understand that she would feel like getting revenge on Bloom while getting back together with Sky. She was promised a position — romantic AND political — she nearly had and then it was taken from under her by a random fairy who wasn't even "supposed" to be in the running. I don't think what she did was nice, but it makes sense for the story and for her character for her to want to reclaim her position in the way she did. Sky's love was an accessory, in part, to her political ascension, and thus he is again rendered accessory and accomplice by the love spell. And, sending guards after threats seems to be the thing to do in the magical universe if you're a disgruntled noble, so it's probably not unfamiliar for Diaspro to have seen occur before or want to do. It's not a uniquely rotten response any more than Radius' behaviour towards the monster (who, he didn't know it, was Stella). If we fault her for this action rather than only the intention behind it, we need to examine how the worlds in Winx Club deal with threats to their monarchs in general, which sounds interesting but I frankly don't have time for tonight. Diaspro did wrong, but she didn't do uniquely wrong there, and Eraklyon has the punitive security structures in place to have enabled that.
Diaspro's later appearances seem to flatten her motives and the symbolism behind why her relationship with Sky was important and what she does about it (who cares what Diaspro's political aims are and how her status might reflect how she deals with problems, the audience needs to see Bloom thrown into fire I guess), but I feel like seasons 4-8 weren't really that good anyway, so I can't even claim this as a fault of the writers doing Diaspro specifically wrong instead of them just doing the whole show wrong at that point. It might be related, and it might be a coincidence, but a lot of the writing choices seemed to become more flat to me right around when the art shifted to that lifeless godawful Flash simulacrum of S1-3's art.
Also like... idk but if some long-haired hottie wizard in a sick coat and contemplative eyeshadow told me he could help me get my promised chance at both romantic and political success back, I'd at least hear him out, yknow, see what he had to say (<- don't trust me I simp for Valtor)
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Hi, you’ve probably already addressed this at some point and I’ve simply missed it, but what’s your thoughts on Hera’s ending? (Particularly, how Pryce just removes the ‘I can’t do this, I’m not good enough’ line, and she stops glitching?) Personally it always felt rather… bad, honestly, given the whole “they could’ve made me better, they made me me” thing, if that makes sense?
hi! first: that absolutely makes sense, and i'm also very sensitive to anything that seems to "fix" disability or trauma, so i understand where you're coming from. that was not personally my takeaway about hera in the finale; i'll try to explain why:
pryce didn't remove that loop from hera's head. i don't think she could have - even if it's technically possible for her to do (and she is capable of a lot more than maxwell), she just had her mind wiped and wouldn't have access to that information, and even if she did retain it on an instinctual level, that would require allowing pryce access to the most vulnerable parts of hera's mind. and she would never allow that. there's a reason pryce is still a prisoner.
hera speaks to pryce not for reconciliation, but for reclamation. she's lived her whole life in fear of what pryce (and people like pryce) can do to her, with every aspect of who she is and what she does controlled and dictated by anyone with power over her. the finale opens with pryce telling her life's story from her perspective - at once self-mythologizing and self-victimizing - and, the final time we ever hear from or about pryce, hera is about to tell her own story. we never find out what was actually said, or how pryce reacted, because it doesn't matter. hera gets to take control of her own narrative. hera gets to confront her abuser, and feel in control and safe from harm.
it's worth keeping in mind that hera doesn't glitch consistently. that's one of the things i think also makes it a useful comparison to chronic illness. when, why, and how much hera glitches was an intentionally crafted part of the sound design. it happens more often, and more intensely, when she's stressed out, overwhelmed, or upset.
and, with that in mind... the ending leaves the characters on a generally positive note, because it's the end of the show and that's the feeling it wants to leave you with: that everything will be more or less okay, in the end. but it isn't the end of their lives. once they get back to earth, a lot of things are going to be very difficult for hera. even in the final scene, she says she's not ready to go back, but "when has that ever stopped us before?" when she's able to honestly say she's good, i don't think that means she's good forever. just, in that moment, that's a crucial step in her healing process, and i hope in the future she'll have a lot more moments that feel like that one.
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I wish y’all would let platonic vs romantic relationships die. Why is it a competition? Why does it make a difference? And why is it the fandoms problem when romance is celebrated more than friendship and not the creators of the media?
There’s so many shows that I’ve watched that got me hooked for the romance but I ended up loving the platonic/familial ships better because they were better developed. TVD looking at you. Quite frankly, there’s a huge lack in the quality of romantic content that’s even available.
So I don’t understand why there’s this sense that there’s a war on the platonic/familial relationships when that’s really most of what we see and what’s the most thoughtful in regards to television these days.
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ok, I feel like I need to point this out (because of some tweets I've seen), but Brazil is a highly conservative country. Yes, we are very sex positive, which inherently goes against a lot of conservative views in other cultures, and yes, we have one of the biggest pride parades in the world. But we are also the country that kills the Most Amount of Trans People in the World (for 13 consecutive years).
this idea that brazilians are all nicer and more caring and more loving comes from this deep feeling of protectiveness we feel towards our country and our people. We feel like we need to project this image to protect ourselves (because last time a brazillian President decided to be human and reacted negatively to negative comments we were forced into a dictorship that would rob us of four years of democracy and republic). I find myself constantly defensive over brazillian ccs because of this. And generaly it doesn't cause much harm. But I need qsmp fans to understand that no place on earth is perfect, and although I believe that brazillians are genuinely more friendly, we aren't all nice.
Also, be good to your LGBTQ and poc brazillian friends. They really need someone on their corner.
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