I'm asking you because I've seen people ask you similar questions before. Why are kobolds, as a fantasy creature, so nebulous?
Generally when people say orc, goblin, elf, dwarf, werewolf, vampire etc. a person can have a pretty solid idea of what traits that animal will have. I guess because they're usually copying that species from the same similar source works?
What happened to kobolds? I used to know them as a kind of german folklore creature, but then also as a short lizard person, and most recently there's been Dungeon Meshi, which gives the name kobold to anthropomorphic dogs.
Well, the trick is that none of these terms have a standard definition. In folklore, the words "elf", "dwarf", "gnome", "troll", "goblin", "pixie", etc. are used more or less interchangeably – all of these words might refer to the exact same folkloric critter, and conversely, the same word might be used to refer to several completely different folkloric critters, even within the same body of regional folklore, to say nothing of how their usage varies across different regions and over time.
Literally the only reason any of these terms have "standard" definitions in modern popular culture is because one specific piece of media got mega-popular and everybody copied it. For example, Tolkien is responsible not only for the popular media stereotypes of elves and dwarves: he's responsible for popularising the idea that "elf" and "dwarf" are separate kinds of creatures to begin with. Similarly, while Bram Stoker's Dracula isn't solely responsible for cementing the idea of what a vampire is in popular culture, it did standardise what vampire magic can do, and it helped cement the idea that a "vampire" and a "werewolf" are different beasties, which hasn't always been the case.
So the short answer is that there's just never been a mega-popular work about "kobolds" to provide a standard template for the type. Most modern depictions in Anglophone popular culture ultimately point back to the interpretation set forth by Dungeons & Dragons, but D&D itself has gone back and forth on the whether they're tiny dog-people or tiny lizard-people, with the tiny dog-person version being the earlier of the two, so even folks who are directly cribbing from D&D will vary on this point depending on which particular edition they're name-checking.
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This has mostly disappeared from my corner of the internet over the last few years, but it used to be the case that every once in a while some story would go around about a corporation or a government doing some fucked up shit in pursuit of their self-interest, and people in the comments and reblogs would act utterly aghast that said government or corporation would do such a thing.
This was always baffling to me, and I have only ever been able to interpret it as a sign of profound naivety. Of course, I too think it is awful, sad, and unjust when people are exploited, killed, abused or so on by the institutions of our society. But "aghastness" is not synonymous with these things, to be aghast is to be (or present yourself as) in some sense surprised. And surprise is wholly unwarranted here.
I suppose this is part of my worldview that feels very fundamental, it feels deeply obvious, and I struggle to figure out how to talk productively with people who did not get the memo: exploitation and abuse of others in pursuit of self-interest is in some sense the natural behavior of agents in any kind of competitive context. It requires a lot of effort and coordination to mitigate this behavior. We do not feel "aghast" when someone is bitten by a dog. Dogs bite people, idiot! And corporations exploit their workers, lie, cheat, and steal, unless you work very hard to prevent them from doing so. And governments exploit and neglect their citizens, and go to war and kill and maim, unless you work very hard to prevent them from doing so. Individual humans, as members of a social species for which cooperation is paramount to survival, have quite a lot of specific programming whose purpose seems to be to discourage us from doing these things (empathy, loyalty, etc. etc.), and yet very often we still do them!
I have relatives who have a hard time believing in US atrocities abroad, on the grounds that "Americans are the good guys, and the US just wouldn't do that". This is very stupid! Do you think the US got where it is today without cracking some eggs? Bullshit. There's never been a government or a military in the history of humanity that "just wouldn't do that". I sometimes see posts on here from tankies, defending Chinese or Soviet atrocities on the grounds that these things must be Western propaganda, a socialist government just wouldn't do that. Again, I find this so obviously false as to be essentially beneath engaging with. We don't live in a just world! Often, a very effective strategy for achieving whatever it is you're trying to achieve will involve treating people like shit. It is what it is.
I'm not trying to play defense for injustice here. Obviously I think we should do as much as we can to prevent these abuses. But I think that doing so must start with basic recognition of the following: it is the nature of institutions—being as competition between them is essentially unavoidable, and being as their decision processes are unavoidably removed from the face-to-face social context which is so load-bearing in motivating respectful treatment between individual humans—to abuse people in pursuit of their (perceived) self-interest. This behavior is mundane and expected. It can be mitigated in various ways, ideological and structural, but it will probably always be with us to some degree. To look at it and express shock in any capacity suggests a completely misguided understanding of how the world works.
This is the first and most important thing I ever learned about politics or society.
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Since we've been on the same topic for quite some time, here's a new one:
I've only recently noticed this, but it seems that whenever there's a trans character in fics, they're either pre-op or it's just never mentioned and left up to reader interpretation (both in SFW and NSFW content)
I'm sure it's not always the case, but it seems to be the norm - for transmasc characters anyway, I'm not sure about transfems since I don't read nearly as many fics where that's discussed, but I imagine it's the same there.
I'm just wondering why that is. Maybe it's simply to avoid getting things wrong if the author themself doesn't know absolutely everything about how it all works, or cause a lot of trans headcanons are a bit of a self-insert and they simply write the character as being in a similar stage in their transition as them, I don't know.
It is a bit of a pet peeve, though. I get that a lot of the time, dysphoria and other trans struggles are an important part of the story, but you can depict that with a post-op character too, maybe just in slightly less obvious ways, and there's a lot of other things you could explore with that, too
From characters finally feeling at home in their body, to disappointment about lingering insecurities or dysphoria even after doing going through all that effort and doing everything they were 'supposed to', not to mention how well you could use that to add interest to sex scenes (for example it's their first time since getting surgery and now they get to explore a whole new world of sensations with their love interest, etc etc)
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I assume it's for self-inserty or personal experience reasons, yeah.
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do you have any hunters of artemis headcanons? like what do you think a day in the life is like for them? any customs or traditions? or any interesting ocs?
My primary headcanons for the Hunters are a.) Artemis' retinue in mythology has bird nymphs so. bird nymphs. bird nymphs are in there somewhere. and b.) I completely revamp the oath stuff and their dynamic in general because canon handles it extremely poorly, retcons it poorly, and I don't like the vibe.
The version I go with is that Hunters can be any age, species, gender identity, whatever, just as long as they're okay and comfortable that they will probably be referred to femininely a lot of the time. The Hunt is not just young women, and not even predominantly young women, it's a very diverse mix. And that the Hunt does not explicitly forbid relationships, it only forbids relationships if they are distracting and pose a danger to any hunters (i.e. don't be kissing in the line of fire of the arrows), and explicitly forbids having children while under the oath.
The reason for this being that Artemis is protector of youth, women, and a goddess of childbirth, and in her mythology usually the thing she gets pissed about is her Hunters hiding a baby from her - which makes sense! That's one of her aspects! It's kind of dangerous for a pregnant person to be running around in the woods with a bunch of hunting equipment, or to have an infant in that environment. So my interpretation is the specific thing she is getting upset about is her Hunters endangering themselves and/or a youth, cause that essentially spits in the face of what Artemis represents. If they wanna have a kid they're welcome to leave and come back once the kid is old enough (which is what I interpret Jo & Emmie's leaving the Hunt to be - they just wanted to raise a kid). Also there's myths that imply the Hunters may have relationships between themselves so I like to give room for that. And there's a good couple of myths about male Hunters of Artemis so I hate that canon just gives a blanket statement "no" on that one and is so weird about it.
I don't have many interesting ocs for them yet (I'm working on that - I have like fffffour? Hunter ocs right now I think? My goal is to make at least 10) besides thinking about bird nymph huntresses. And as for customs/daily routine, I haven't thought about it much. I mostly just presume training, hiking, camping stuff, following trails and etc, taking care of the wolves/dogs and hunting birds, all that jazz. I do think a lot about how they have hunting birds though and want the fandom to do more with that. Where's Thalia with a pet falconry eagle.
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*clutching head* rodya and meursault would have such a good dynamic actually
I wonder if rodya would initially see meursault's indifference as like. a simpler version of her own feigned carefreeness and as a deliberate attempt to place himself as an outsider... only to realise that No, he really Is just Like That. and then she gets annoyed because it turns out that people who don't care about anything don't seem to be any fun.
(ofc he does actually care about a lot of things, just not necessarily his grander place in the world lol)
idk. nihilism vs absurdism. fun duo 👍 rodya would find meursault's genuine comfort with being a speck of dust in the universe baffling, while he would probably find her desire to assert her own importance pointless, but they could probably bond over little things like their shared desire to live in the present and appreciation of/indulgence in earthly joys. and meursault would probably listen if rodya wants to rant about anything without asking any uncomfortable questions. I think they could appreciate each other's presence.
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A thought I had about Pathologic 2 Eva Yan is that she's a physical reflection of the player character's motivations and narrative throughline. This is only a thought (I hesitate to say Theory. You get it) insofar as only Haruspex is out, but with news of Bachelor approaching is worth considering.
Pathologic Classic HD Eva is a Utopian, reflective of Bachelor. She remains a Utopian for all three routes, unchanging from an ideological standpoint. In Pathologic 2 Haruspex route, however, she's wildly different; perhaps the character with the biggest redesign, visual and ideologically. But her personality is the same. She's airheaded, spiritual, and incredibly naive. In Pathologic 2 Haruspex, now consider her a reflection of Artemy. Not a friend, but a parallel; a manifestation of his narrative strapping itself to Eva. That leads her to appropriating his culture, donning a facsimile of what herb brides wear and dancing among them despite being wholly and fundamentally at odds with their way of life. But she will not back down, forever determined to join them. She will die in the nocturnal ending, of course. She's not immune. But she's not a tabula rasa. She's not reflecting Artemy's motivations one-to-one, but steeped through what is fundamentally Eva. She's reflecting not only him and his route, but on an in-game AND narrative level, the racism of the town. She's a white lady after all, and there's no nonracist way a white lady can reflect the Indigenous traditions and culture of the Kin.
Seeing a glimpse of her redesign for Bachelor route makes me interested in seeing her portrayal in his part. I think she will be different than her portrayal in P2 Haruspex route, and instead be more similar to her Classic HD characterization; rewritten into a reflection of the Bachelor's goals and his story's throughline. I think she will be an earnest sycophant towards him, dreamy and romantic about the capital, or perhaps about death itself. That's certainly in line with her characterization in Classic HD. And then, in a thousand years, we would see how she's portrayed in Changeling's route as a reflection of her ideology.
Pathologic 2 Eva is a character not only doomed by the narrative but sculpted by it too. Sculpted by the motivations and ideologies of the PC. On a story level she's a woman who once an idea forms in her head, will follow it to its conclusion without a second thought, dreamy yet adamant in her procession. She embodies the soul of the cathedral, embodies the Utopian ideal! Just as she embodies the holistic methods of the Haruspex, for better or worse.
I've spoken of Eva on many different levels of meta here. I don't think it will "be confirmed" in the upcoming P2 Bachelor route that she is wholly shaped by each narrative, but I think it would be interesting if they explore her this way. I would, anyhow.
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examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk
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hii love! since u are so open and kind to answer any questions regarded to tibyim, i have one! feels like it was kinda obvious, but what was meant to be said in this part?
On your lengthy trek back to Hob’s flat, he asks, “Have you ever…?”
A gnawing pain ricochets through your chest. “Yeah.”
Hob appears crushed at your strangled admission, his voice gentle and kind, “Okay.”
hope this ask will reach u, since i bet u get quite a lot of them!! thank u so much and good good luck and lots of adoration<3
Pretty sure at least 1/4 of the messages I've gotten since part 9 dropped have all been about this moment.
And all I will say about it is: it's purposeful. Purposeful in its fragmented shortness. Purposeful in the very potent heaviness emitting from essentially three lines in over 8k chapter. I know what I intended to say with it (and I think certain people reading it will be able to as well, just based on emotions portrayed here alone), but I like to leave it up to reader interpretation.
In a similar manner, I have never outlined (or plan outline) the exacts of why Wanderer was cursed. You will get more information on the curse, and the individuals involved, but the exact details I like to leave up to you. That's mainly because I love the idea of each reader coming up with their own explanations, meaning that each version of Wanderer is just slightly different and unique. Very fitting to the actual character and the lore surrounding them.
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⠀ > M5 - 01 - 2022
tell // watch // hear
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I think my university should pay me for emotional damages for having to write a thesis exposé. To the amount of whatever I need to go on a short trip to Helsinki to recharge from this bs and to get a tattoo and a coffin full of Fazer chocolates.
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Not to way-overthink this or anything, but I feel like D&D alignment works best in terms of temperament rather than necessarily conduct. This is especially the case for the Lawful<-->Neutral<-->Chaotic axis.
It's interesting because I think this is generally accepted for the Evil alignments. It's really common to characterize Lawful Evil, say, with the example of a villain who may not care about specific regions' literal laws, but who generally adheres to a strict, clearly defined code of some kind that they're genuinely committed to and don't want to stray from.
Even if they end up in a situation where they have to choose between forwarding their evil plots or sticking to their code, and even if they reluctantly choose evil over the code, they're still essentially Lawful by disposition. It's wanting to follow The Rules (even if The Rules are self-imposed rather than societal structures) that aligns them with Law.
On the flip side, a Neutral Good character might end up following external rule systems because those particular rules don't get in the way of their moral purpose, or might sometimes even advance it, but not because they've actually internalized the rules or care all that much about them. It may be coincidental, or a matter of convenience. That doesn't make them Lawful. But if they're forced to choose between moral vision and personal or societal rules, they'd choose their morals without qualms—it's barely even a choice, really.
Even a Chaotic character doesn't morph into Lawful every time they happen to obey a law that isn't in their way. It's their temperament that is basically antagonistic towards Law, but that doesn't have to mean Chaotic Stupid in behavior.
Often, though, the idea that Lawful Evil can be evil with a strict personal code doesn't extend to Lawful Good having the capacity for good+a strict personal code, rather than outwards adherence to external laws and rules. But a Lawful Good character can do their damnedest to stick to a strict system of rules and order, even if nobody else agrees with them about it, and even if they consider specific external systems illegitimate. Not every revolutionary is Chaotic or even Neutral, and not every rule-abiding citizen of a corrupt government is truly Lawful.
I think there's also the idea that a Lawful Good character has to choose law (whether literal or a smaller-scale rule system) over morality when push comes to shove, or they're not truly Lawful, while this is typically not the case for Lawful Evil. But Lawful characters don't have to always pick the Lawful option when forced to choose, and aren't any more definitionally Lawful Stupid than Chaotic characters are Chaotic Stupid. A Lawful Good character is no less good than they are lawful.
In my last campaign, I got away with playing a Lawful Good warlock who refused to lie unless mind-controlled, but was willing to kill if she considered it just, or in the service of building a more just social order. At one point she calmly told her human bff's flawed love interest that if he did wrong by her friend again, justice would find him. He turned out to also be a Lawful Good warlock and actually respected her more for this, both because of her loyalty to her friend and her commitment to justice, and he ended up as a lifelong bro to my character ("lifelong" being 130 more years, so their relationship as surrogate siblings actually survived her bff/his wife by a very long time).
At another point, my character defended her friend's pursuit of vengeance against a colonizer as fundamentally just and likely a net good for the world, and therefore morally acceptable. The DM (rightly IMO, obviously) considered this consistent with her Lawful Good alignment and actually gave me inspiration for handling it in what he considered an interesting way. Lawful doesn't have to be this one size fits all characters box.
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I really didn't think I would be spending so much time on research when I started this blog... Why do I insist on posting about things I don't know
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constantly. thinking about the naming of the three velaryon brothers actually ['laenor's wish to name the child joffrey was overruled by his father, lord corlys. instead the child was given a traditional velaryon name: jacaerys' & 'ser laenor was at last permitted to name a child after his fallen friend, ser joffrey lonmouth'] ( which ? the 'at least', read to me like laenor tried to name luke joffrey first and was denied as well, so corlys might have named him as well - and with how heavily luke uses his nickname ? he has no issues with the name lucerys, and he likes it well enough, but if it were chosen by corlys, as an 'appropriate' velaryon name, rather than rhaenyra or even laenor ? he likely would have seen it as something to use for introductions and formal settings only, when he was still young)
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this would be such a buzzkill thing to do and i won't do it anyway because it's impractical and That Sign Won't Stop Me Because I Can't Read but i feel such a need to add a "please don't be playfully rude with me if we're strangers" disclaimer on my art blog/posts from now on because several times already i can't tell if a rando is genuinely dissing me or if they're just trying to be sarcastic and funny but i don't know them enough to recognise that's their sense of humour
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shoot yourself
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