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#es audio
opencallproductions · 2 years
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#ESAudio 🎶 #RecordingStudio in #LosAngeles, #CA 🌴 Wishes Everyone a Safe and #Happy #July4th 🎆! 😎💙🇺🇲❤️😃
Call 818 505 1007 📞 or Visit http://ESAudio.com to Schedule a #Session or Ask about our #OnlineClasses 💻 Today! 👍
Thanks and #Happy4th 🎆! 🎉
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onigiriico · 9 months
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Kazui audio drama (t2) - English TL
[ links: Spotify / Youtube ]
I cannot believe my hs philosophy class came in handy as I was translating this. Thanks Milgram your references never fail to astound me
Aaanyways you know how it is,, feel free to send an ask or hit me up on Twitter if you’ve got any questions or other feedback re: this translation etc 💪 (<- sincerely hoping that Twitter DMs still work these days)
⬇️ translation under the cut ⬇️
(door opens)
E: I’ve kept you waiting, Kazui.
K: It’s been a while, Warden-kun.
E: Yeah… It has been.
K: Things have gotten pretty tough inside the prison, but… well, you’ve probably heard all about that from the others already, haven’t you?
E: Yeah… I heard that you protected other prisoners from Kotoko. I owe you my thanks.
K: That much is only natural. However… she really is strong, isn’t she? I mean, I’ve experienced some fights myself, but [going up against] a woman like her was a first.
E: Hm… Is she strong enough that even you can’t stop her from doing harm?
K: Well, in cases like this, it’s generally the heavier person who ends up winning. After all, if she really does have proper killing intent, I can’t afford to let her injure anyone. It’s difficult, isn’t it.
E: Is that so…
K: I was afraid that it’d come to this from the very beginning. There’s a lot of young kids here, too. It’d be hard for anyone to keep a decent mentality in a situation like this.
E: …You’re pretty rational.
K: I wonder. Maybe it’s because I’m used to violence. Even so… I couldn’t make it for Shiina-chan. I feel responsible for [what happened to] her.
E: …
K: Well, rest assured, though. As long as I can move, I’ll be protecting [the others]. After all, it’s pretty much just me who can fight her on equal terms.
E: Mikoto, too.
K: Ah… yeah. Like back when he went out of control, right? I can’t quite read him, though… If both of them were to attack us, it’s possible that we’d suffer a total defeat. 
E: A total defeat…?
K: If that happens, this prison game would probably come to an end as well. All of that depends on your judgment, right, Warden-kun? Who will be forgiven by you and who won’t be…
E: What are you trying to say?
K: If at all possible, I would like you to choose a method that will not get any more people hurt. That’s what I’m saying.
E: So you’re telling me to forgive you?
K: (laughs) Oi, oi…! Don’t look at me like that.
E: I’m the Warden. If I forgive you, I forgive you. If I don’t, I don’t. There’s no other factors to it.
K: (sighs) Wouldn’t it be okay? I mean, this situation with prisoners being hurt wasn’t what you wanted either, was it?
E: …
K: Just pretend that you’re looking at our sins, and make your judgment with the protection of the prisoners in mind. After all, nobody can read your mind – so that much craftiness would be fine, don’t you think?
E: Hmph. That’s a very “you” kind of pretentious solution.
K: It’s the most natural conclusion, isn’t it? Do you think it’s a sin to lie in order to protect people?
E: That would be Kant.
K: Kant?
E: A philosopher who stated that lying is inherently a sin, no matter the circumstances.
K: Huh…
E: Apparently, even if your friend is being chased by a murderer and the murderer asks you about their whereabouts, you shouldn’t lie, according to Kant.
K: That’s ridiculous. If you can save someone by telling a lie, that’s what you should do.
E: However… You killed someone with your lies, didn’t you?
K: … Ah… You forgave me, didn’t you? Aren’t you being especially strict towards me?
E: Am I?
K: Mmh, it’s obvious. You said you would figure out my murder by watching the footage of my mind. Is this the result of that?
E: You were unfaithful, right? That’s stupid.
K: Hmm…
E: The reason I forgave you was because I was lacking details. I still don’t understand your true feelings or how things got to that point, either.
K: I see.
E: It was extremely hard to understand. Even with all of that poetry, though, your self-absorbed nature was more than obvious.
K: Ohh my… That’s quite the sweeping generalization, even though you forgave me.
E: It’s a personal dislike of mine. People who act based on their sexual urges like that, that is.
K: It’s personal?
E: Yeah. That’s right.
K: That’s strange. I did think that, despite being neutral as a Warden, you had some things you dislike, but…
E: …
K: Isn’t it unusual to openly reveal a personal dislike as a personal dislike?
E: You’re splitting hairs.
K: Seems like you really disliked my crime… I get it! Maybe it was because you’re so young, which is to say… …
E: Hah? Stop staring at me so openly. It’s disgusting.
K: …
E: …! (punches him)
(clattering)
E: (sighs) Now I feel better.
K: — Ow…! What are you doing all of a sudden…?!
E: It was an instinctive reaction. Don’t take it personally.
K: Would you stop just punching me in the face without hesitation? … (sighs) Anyways… that’s how it is, huh? That’s how it is…?
E: Hah?
K: I didn’t even consider this a possibility… Personal impressions sure can be scary.
E: If you say any more things than this that I don’t get, I’m hitting you again.
K: Geez, cut out the hysterics… Hmm, if it’s like this, that explains some things, though. I don’t have kids, but I’ve heard that this is what it’s like.
E: Hey. Stop blabbering on while looking like you know it all. It’s obnoxious.
K: Hahaha! But you know what? You’re wrong.
E: …? What are you talking about?
K: You’re wrong.
E: …
K: You said I was unfaithful – in other words, that I cheated or committed adultery of some kind.
E: Yeah. That’s what I deduced from your footage.
K: It’s not true. It didn’t even turn into infidelity. It didn’t turn into anything like that. For me… In my case, you see.
E: … You’re married… You’re a married man, aren’t you?
K: Hm? Yeah, that’s right. Oh, right, I never told you, did I?
E: You’ve taken off your ring.
K: … Right… I did take it off, huh. Right…
E: Yeah.
K: Mh. … I do carry it with me, though. See? – I was forgiven. My feelings were validated. So… maybe that means that I don’t have to do this anymore? Thanks to that, I was feeling better when the second trial started… I really do feel sorry about that. Towards my wife.
E: If that ring is a symbol of punishment to you… There really is nothing that could possibly be more cruel towards her.
K: Mmh.
E: Marriage is something that both partners want equally, isn’t it? It’s something you can’t do if only one person wants it. Deciding to treat it as a punishment all on your own… You’re making a mockery out of it.
K: I really am. Ah… She must have thought so as well. My wife, that is.
E: I’ve said this before: You’re a liar. Those lies have killed a person.
K: (sighs)
E: I forgave you. While I wasn’t sure yet, I thought that it didn’t seem like you killed her directly, and with all sorts of things taken into consideration, I judged that your murder was not a sin. However. That doesn’t mean that I’m praising your nature as a liar.
K: Yeah. I believe you’re right about that.
E: In short – between love and hate, [I would say] I hate you. Remember that.
K: … I get that.
E: Huh?
K: I despise myself for lying, too. Being a liar, you see – it’s painful.
E: Heh. Then just–
K: So I’ve tried to change! I’ve tried to change. I have tried to stop lying to myself and others!
E: …
K: I’ve confided in others. I’ve tried to be myself! I’ve tried to just be the way I was born!
E: …Hey, Kazui–
K: It’s not my lies that killed her. She’s dead because I stopped lying to her! If I had just kept lying- She wouldn’t have died…!
E: Kazui…
K: I can’t live unless I lie. That’s how I was born… I’m pathetic, aren’t I?
E: (sighs) I really can’t seem to understand you.
K: …
E: Just when I thought you weren’t letting out any of your true feelings and cleverly hiding your actual emotions… Now here you are, drowning in self-loathing like this.
K: (weak laugh) An old man in unstable condition… that’s not something you’d wanna see, is it. Sorry about that.
E: You know, about Kant…
K: Ah, the one who said you shouldn’t lie even if your friend might get killed.
E: From his point of view, if your friend dies because you didn’t lie, there’s no causal connection between the two… or so I’ve heard.
K: I don’t think so, though…
E: Even if you don’t lie, your friend might survive. And if you do lie, your friend might end up dying on a different occasion. That’s the reason why you’re supposed to always tell the truth.
K: …That’s convincing.
E: It’s not really.
K: Yeah, it’s not.
E: It may not be, but… I thought that for someone who has failed in their attempts to be honest, it might be a [saving] grace so they won’t end up doubting honesty in its entirety.
K: …
E: I still don’t know what happened, but… isn’t it okay to be proud that you made an effort to be honest in the first place?
K: … You’re so kind all of a sudden.
E: I just said what I was thinking. And besides – I forgave you. I made it as if your sin wasn’t a sin at all. And yet, you don’t seem the slightest bit relieved.
K: I know right.
E: Everyone else seems more or less liberated by the fact that they were forgiven.
K: That’s right.
E: Just from that… I understand that having your feelings approved of by someone else can have a major impact on the development of one’s personality.
K: …
E: However… You have not forgiven yourself. That’s why you can’t change.
K: …
E: Alternatively, even if your lying self was forgiven… it would still do nothing to help you.
K: …Aah, you really are impressive. You think so much.
E: I am watching over ten troublesome prisoners, after all. Even if I don’t want to, I’m being relied on.
K: I haven’t forgiven myself… even if my lies are forgiven, it won’t resonate [with me]. It might just be both of these. All the lies I’ve told are tying me down. Ever since I was little, I’ve never truly opened myself to anyone. But in the end, people can’t be saved if they don’t [open up]. And by now, it’s gotten to a point where I can’t do it by myself anymore…
(machinery whirrs, bell rings)
K: I did think Milgram would be able to force its way past that, though.
E: Is that an attempt at provocation?
K: You didn’t manage to reach my sin.
E: …
K: Even though I want you to… Milgram isn’t so great after all, is it?
E: …Heh. Don’t push yourself too hard, after all that whining from earlier.
K: Ha. [This is] the wish of a liar who’s reached a dead end – come and figure out my lies, Milgram. And, Es… please, free me from these lies.
E: Yeah. Leave it to me. – Prisoner no.7, Kazui. Sing your sins.
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glitchydyke · 8 months
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es is literally such an insane concept for a character btw like... what do you do when you’re not yourself? when you’ve never been yourself? you wake up in this place, this twisted labyrinth full of music and murderers, and you’re told you’re there to judge. you, 15 years old, scared and alone and confused, are there to decide the fates of people you’ve never even met. but what can you do? you can’t run. you can’t leave. so you play along, you meet the prisoners, you talk to them. it’s difficult - some barely talk to you, others try their hardest to make you bleed. you listen to them sing about the tragedies that have befallen them, you watch them relive the lowest points of their lives and smile at you with bared fangs, and you tell them whether they deserve to live or die. and it all feels far away. why does it feel far away? these people are hurting, they’re risking death at your hands, and you can barely bring yourself to feel. your head feels full of static. full of noise. full of voices. you make the decision, and your hands don’t feel your own. the words of one of the prisoners has stuck with you all this time, even as you’ve watched her descend into a strange, cruel righteousness. they’re your own thoughts, you know. your hands shake with it. why are you treating them like they’re somebody else’s? your head spins, twisting and turning. hey, prison guard, when you say “i…” who are you talking about?” …god, you don’t know. everything you’ve done, everything you’ve said, every judgement you’ve passed with a barely shaking voice, have they ever even been your own? have you ever been your own? what about you is real, and what’s just a defence mechanism crafted to keep you safe? can you feel the threads around your wrists, pulling you along? when you take a step, is it by your own free will? innocent, guilty, forgiven, unforgiven, life, death. did you ever make these choices? have your hands killed just as much as theirs? does it even matter? it’s time for another song.
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santicurro · 2 months
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o wuau deportes
[top translation: bisexuality intensifiies]
[bottom translation: Blonde friends who go to the gym together]
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olivesjaw · 8 months
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You don't get upset about it, no, not anymore, there's nothing wrong that wasn't wrong before
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good-beans · 1 year
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Now that he's innocent and won't hear voices in his head, maybe he won't hear me making fun of him for it...
(Edited to be up to date hehe)
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unormalbibi · 10 months
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What is the state matter of love?
I asked chatGPT the answer for the stupid incel question and they said "girl,u stupid"
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Triage: Initial Thoughts
Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 
I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 
Alright, let’s do this!
Shidou’s kids died immediately, but his wife had a chance to live.
I’m basically just going to give a quick play by play of what I think happened in the video.
Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.
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He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.
Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.
I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 
I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 
This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.
NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.
Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.
Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.
He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 
He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.
In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 
Shidou is constantly plagued by the guilt of what happened.
The simplest way to explain this is with this image: 
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When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 
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Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.
Triage takes place almost entirely before and after Throwdown.
That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.
Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.
In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).
He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.
VOTE: INNOCENT
Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.
Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.
I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.
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saneriddlefan67 · 22 days
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🍲
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He made guiso :3
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queercowboyinspace · 9 months
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chosen family
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ewe-why · 4 months
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Jejeje
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opencallproductions · 2 years
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#ThrowbackThursday to my #Vegas 🎲 Years!😝 haha 😁
Do you have #CrazyMemories of #LasVegas 🎰, too?😜 haha 😂
Photo:#JamminJo / #JoAnnBush / www.joannbush.com 2022 📸
#LosAngeles #CA #Actress #Model #Influencer #SAGAFTRA #OldHeadshotDay 📷 #tbt #LongHair #Swede #BlondesHaveMoreFun 😜 #Modeling
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onigiriico · 11 months
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Mahiru audio drama (t2) - English TL
[ links: Spotify / Youtube ]
Another voice drama, another translation! 🎉 As always, if you’ve got any questions, find a mistranslated line, etc etc, feel free to head to my ask box (recommended) or my Twitter and I’ll do my best to get back to you! (Also definitely do listen to the drama if you get around to it because the VAs do an incredibly good job)
⬇️ translation under the cut ⬇️
(door opens)
E: …!
M: It’s been a while, Es-kun.
E: Mahiru…
M: I missed you…
E: …Are you okay?
M: Ah… yeah. I’m able to move around on my own as long as I have this wheelchair, so…
E: Shidou told me about your condition.
M: Ah… mh. Is that so…
E: I didn’t think you’d be in a state for me to interrogate you.
M: It’s all thanks to Shidou-san. Ah… I think I should thank Milgram as well. For supplying us with the medical tools and the wheelchair and all that. I wonder if you’re the right person to say this to?
E: …
M: Why do you look so sad…?
E: Because… you suffered such major injuries…
M: … Ah, but this is… I think Kotoko-chan is the one who did it, so… you know? It’s not like it’s your fault. Um, so…! I’m not holding a grudge towards Kotoko-chan either. I’m sure she just thought it couldn’t be helped…
E: That’s…
M: Ah, no, um… I do wish we could put an end to this though… ahaha… ack–
E: Mahiru–?
M: Sorry… for making you worry. I’m fine! It doesn’t hurt at all.
E: It’s a horrible injury. There’s no way it doesn’t hurt.
M: It doesn’t!
E: Don’t lie to me! Let’s call Shidou right now–
M: I mean it. It doesn’t hurt. Compared to the way I felt when you didn’t forgive me… Not at all.
E: …!
M: Not at all… Nothing. None of it hurts. It’s not… as big of a deal. Ever since, I’ve always been hearing… voices saying I couldn’t be forgiven. Yours? Whose? I don’t know… I don’t know, but… I heard them the whole time.
E: Mahiru, calm down…
M: Was what I did such a bad thing? I just… had a normal relationship like everyone else…! That’s all I did! Why can that not be forgiven? Hey, why? Why? Why?
E: Mahiru!
M: Stop it!
E: …!
M: … Ah– I– I—I’m sorry…! If– If you touch me so suddenly, it makes me remember… how it hurt… and I get scared…
E: It’s fine. If you don’t talk, that’s fine too. Let’s just take it slow.
M: …Yeah… S-sorry… It’s– it’s not that I hate you or anything, you know?
E: Take a deep breath. It’s okay.
M: Uh… (deep breaths) I’m fine already...
E: Mahiru…
M: Hey, Es-kun? I was wondering why you didn’t forgive me… I’d like to hear the reason… straight from you.
E: From me…?
M: Yeah. I already said this before, but all I did was love someone. I don’t know what kind of footage Milgram presented to you, but… did it not look like that to you? What did you see? What… did you feel?
E: What I saw was… just you having fun. I’m sure you were in love. Your feelings of bliss were conveyed to me as well.
M: Right? It was really fun. Did it make you want to fall in love?
E: No clue about that.
M: You’re so cold. – So, how… does that connect to me not being forgiven…?
E: It’s true that the footage looked happy. But by selecting [you], Milgram is telling me that you’re a murderer. I can’t just take things at face value. What Milgram shows to me is each person’s mental imagery. It’s not like it supplies me with certainty or objective facts.
M: Umm… 
E: What’s wrong?
M: I’m not that smart, so could you put it in a way that’s easier to understand…?
E: (deep breath) There’s the possibility that you’re just framing the truth in a way that’s convenient for yourself. Meaning that it was only a happy relationship… in your own mind.
M: …!
E: …So, that’s what I deduced. So…
M: That’s… Aha. That’s a shock… This means that… you think of me as a liar, doesn’t it…? Did I do anything that made you think that?
E: …I’m the Warden. I get that this is painful for you, but I’m telling you my own thoughts.
M: Yeah… let me hear them.
E: I said that your love has killed someone, right?
M: That’s true.
E: Actions taken out of one-sided love, such as stalking… Someone dying as a result of something like that is a possibility, too.
M: …! Haha… That’s horrible…
E: Yeah. It is.
M: It’s not like you saw what I actually did, right?
E: Yeah. Not straight-forward, anyway.
M: Right…
E: Anyway, Milgram follows a three-trial system. This isn’t the final result. It’s only what I’ve seen up until now.
M: Yeah. – Him and I… we loved each other. Properly as boyfriend and girlfriend. We met in college… It was the first time for me, so I don’t know if it was good or not, but… I think we were just normally going out together. I thought it was fate. He said it was, too.
E: Is that so…
M: I’m not… a stalker or anything like that. Although from your point of view, it might seem that way.
E: Yeah.
M: But I’ve made up my mind. I’ll properly convey my feelings too. He’s dead. It… it might have been because of my love.
E: Mahiru…
M: But… I just normally loved someone. I don’t think I’ve done anything wrong. And besides, I… can’t live without love.
E: Why would you go that far…?
M: Because I know how precious it is to be in love. The moment you love someone, you realize the beauty of the world as it changes. To not forgive me means to take the act of loving away from me. That’s the same as not being alive. It’s the same as not being able to drink water or breathe. So… if this love isn’t allowed, then I don’t mind dying. Kotoko-chan’s acts aren’t a problem, either. I think she’s fighting for her own cause as well. So I don’t blame her. Because I also think that I… that my love isn’t wrong. I don’t want to be shamed for my love.
E: …
M: No matter what you think, it won’t change things for me. That’s what I’ve decided.
E: …I’m stunned.
M: Eh?
E: You’re impressive, you know. Without any flattery. I think you’re impressive.
M: Are you praising me?
E: I might be. To not resent anyone in this kind of situation, staying strong and even emphasizing with others… How can you do something like that?
M: Hehe… This is the power of… lo… ve…
E: Mahiru?!
M: I… I might’ve… gotten ahead of myself…
E: Your feelings have reached me, loud and clear. I’ll judge you in the second trial as well. 
M: That’s… good… (pained noises)
E: …I’m sorry. I’m responsible for the fact that you’ve ended up like this.
M: (coughing, heavy breathing)
E: It was my decision not to forgive you. I don’t intend to deny that. But… the fact that I couldn’t predict Kotoko’s actions was a failure on my end. 
M: (heavy breathing)
E: If I had known that it would turn out like this…
M: If you had known that it would turn out like this, you wouldn’t have forgiven Kotoko-chan?
(machinery whirrs, bell rings)
E: …Huh?
M: If you had known that Kotoko-chan would attack bad people, and you looked at her crime – would your willingness to forgive and your judgment have been changed?
E: …
M: This is the result of you doing what you believed in, isn’t it? The result of you working hard at your job?
E: Yeah.
M: Do you remember? Back in the first trial, I said I liked people who work hard.
E: Yeah… You did say that.
M: Because I told you that I like people who work hard… I’ll accept this pain, too.
E: …Ma–!
M: That’s why… no matter what the people around you might say, I think you should do what you want.
E: You’re– You’re the one… telling me that?
M: Yeah. Es-kun, you’re working so hard… You’re doing great.
E: …!
M: …Oh my… are you crying? Es-kun…
E: I’m not!
M: You’re putting up a tough front.
E: No way. – The talking ends here. Show me the continuation, Mahiru. In order for me to respond to your feelings, too.
M: Okay. It may be a bit late to say this, but… I’ll be in your care.
E: Prisoner no.6, Mahiru – sing your sins.
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darlenicy · 10 months
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In case you haven't gotten it yet, Miss Griffin. We're in charge now.
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latinotiktok · 1 year
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peaceeandcoolestvibes · 6 months
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