DU und Dein Schulkind - Die ganze Wahrheit über die Schule
von Horst Költze und Maria Teresa De Donato
Rezension von Eleonora Davide, Redaktionsleiterin u. Journalistin
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Michelangelo's David gets spa treatment in Florence
By Agence France-Presse
20 February 2024
Italian restorer Eleonora Pucci cleans Michelangelo's statue of David using a backpack vacuum and synthetic fiber brush at the Galleria dell'Accademia in Florence on 19 February 2024. (AFP)
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Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance.
Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci.
Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century.
He was lauded by contemporary biographers as the most accomplished artist of his era.
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Giulietta - a new programme of dance in Verona... where else?
Giulietta is the title of a new evening of dance with Eleonora Abbagnato for the Italian summer, and where better to open the mini tour than in Giulietta’s hometown: Verona.
Rot und Schwarz – Eleonora Abbagnato and Michele Satriano – photo Graham Spicer
Giulietta is the title of a new evening of dance for the Italian summer, and where better to open the mini tour than in Giulietta’s hometown: Verona.
One of the Juliets of the evening was played by ten-year-old Julia Balzaretti, the daughter of former Paris Opera Ballet étoile and current director of the Rome Opera…
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EL CONCURS D’AGOST A IFL 2023: RESULTAT
Això formava part de l’estratègia d’aquest any, començar amb màxima dificultat i acabar amb moltes possibilitats i per intuïció, endevinar totes les qüestions proposades i els pacients han tingut, si més no alguns, la seva recompensa i s’han posat al dia i encertant totes les proves, per tant objectiu assolit.
Es tractava de fer-vos jugar i si bé la participació no ha estat per llençar coets, si…
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Radiant Black and the Massive-Verse Expands with The Dead Lucky
Radiant Black and the Massive-Verse Expands with The Dead Lucky #comics #comicbooks
Debut writer Melissa Flores unites with superstar artist French Carlomagno and colorist Mattia Iacono for an all-new Massive-Verse comic, The Dead Lucky. This ongoing series will launch from Image Comics this August.
In The Dead Lucky, San Francisco is changing. Tech consortium Morrow is building the city of the future with “peacekeeper” robots looming on every corner—and wherever Morrow isn’t,…
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Eleonora Pucci restaura o David de Michelangelo
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Streetart: "Eleonora and Francesco return to Leverano" by Chekos + Davide PDA @ Leverano, Italy, for 167B street
More pics at:
https://barbarapicci.com/2023/11/28/streetart-chekos-davide-pda-leverano-italy/
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From the Jewish Museum, originally from Vercelli (Italy), Date:1776
Berger, Maurice et al. MASTERWORKS OF THE JEWISH MUSEUM. New York: The Jewish Museum, 2004, pp. 120-121, writes, “In Italy, ketubbot were commissioned by all Jews, including Sephardi, Ashkenazi, Levantine (from the eastern Mediterranean), and Italian- descendants of the old Roman community. Written on parchment, they usually featured lavish decoration, inspired by both Jewish and Christian art. For instance, the use of an archway to frame the text, as seen in this fine example from Vercelli, can be traced to the title pages of Hebrew printed books- northern Italy was a main center of Hebrew printing-but may also be linked to local architecture or sculpture. Figurative representation was also common in Italian ketubbot, although for centuries, most Jews had shied away from it because of their stern interpretation of the biblical prohibition against graven images. The inclusion of human figures, some allegorical and others portraying biblical or genre scenes, reflects a high degree of acculturation.
Other popular motifs in decorated Italian ketubbot include the signs of the zodiac and, as seen here, the emblems of the two families. The adoption of unofficial coats of arms was widespread among wealthy Italian Jews, in imitation of the practices of the local nobility Most ketubbot include a single shield, containing the insignia for both families, or just that of the groom, whose family usually commissioned the contract because he was obligated to furnish the bride-Eleonora- with a ketubboh. This example, however, features two separate emblems, possibly because the bride belonged to a family of prominent scholars, including Benjamin Segrè of Vercelli, who might have been her father. The coat of arms for the Segre family-a rampant lion facing right with a Star of David-is featured at the center of the lower border. No less distinguished was the Treves family, to which the groom-Mordecai, son of Azriel Treves- belonged. Their emblem-a rampant lion to the right of an apple tree-appears above the text at center, a prominent location, for the groom's family likely commissioned the document.
Issued in Vercelli, this ketubbah differs from other extant examples from the same Piedmontese city, characterized by an arcuated shape at bottom and a floral border. Although some Italian contracts depict the bride and groom, very few represent the wedding party-shown here in lavish costumes and hairdos-or the attendant musicians. Flirtatious interactions between various couples add a picaresque note, including a distinguished man with a cane peering through his spyglass at a lady at a window, at the upper right. A later example from Pesaro, dated 1853, at the Israel Museum ('79/339), also features a gathering of musicians and elegantly dressed couples, but the figures there were cut out from printed sources, painted, and pasted onto the parchment, instead of finely rendered, as seen here. The extravagance of examples such as this one might have prompted Italian rabbis to repeatedly enact laws limiting the amount of money that could be spent on the decoration of a marriage contract.
The secular nature of this ketubboh's decorative program, with figures of a musician and a young man elegantly dressed (perhaps a rendering of the groom?) in the niches often reserved for depictions of Moses and Aaron, indicates that it might have been the work of a Christian artist. Many other Italian examples, however, display a close relationship between text and image, with depictions of biblical scenes featuring heroes whose names were borne by the groom, the bride, or their fathers, with extensive use of Hebrew texts, attesting that they were decorated either by Jewish artists or by Christian makers under the strong guidance of their Jewish patrons.”
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The Galleria dell'Accademia's in-house restorer Eleonora Pucci dusts Michelangelo's David, a task she performs 6 times a year. (ph. Chiara Negrello)
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TU e il tuo alunno - Tutta la verità sulla scuola
di Horst Költze e Maria Teresa De Donato
Recensione di Eleonora Davide, Direttore Editoriale e Giornalista
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Hello guys! I just wanted to share a little pic of David’s granddaughter and heires! Yes, I’ve opened my game just for a little bit to take a screenie of this one. Her name is Eleonora and she’ll be Queen of Willow Creek one day!
Just a little spoiler: She takes after her father mostly!
Have a nice day, everyone! See you on a few weeks!!
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New Aesthetic 2: A Collection of Independent Type Design
www.draw-down.com
New Aesthetic approaches type design as an opportunity to create art: looking at type design with benevolence towards the experimental and process-based approaches. New Aesthetic finds potential in the unusual, identifying work that may point us into a new future of visual communication practice.
Contributors include 3, Quatorze, Alex Ortiga, Alexander Raffl, Alexandre Bassi, Alff Rosine, Antoine Brun, Antonio D’Elisiis, Ariel Martín Pérez, Arthur Schwarz, Awista Montagne, Baptiste Bernazeau, Bayonet Services, Bedow Design, Bouk RA, Brando Corradini, Carolina Festa, Charlotte Rohde, Christos Georgatos, Ciarán Brandin, Colin Doerffler, Daan Rietbergen, Daniel Hermes, Daniel Stuhlpfarrer, Daniel Wenzel, Davide Melotti, Dr. Martin Lorenz, Eleonora Šljanda, Elias Hanzer, Emilie Vizcano, Emma Marichal, Eric Lish, Fabian Franz, Fabian Maier-Bode, Fabio Furlani, Fatih Hardal, Felix Sandvoß, Floriane Rousselot, Frédéric Jaman, Gianluca Ciancaglini, Giuseppe Tangaro, Gregory Page, Han Gao, Hugo Jourdan, Ishar Hawkins, István Fazekas, Jack Halten Fahnestock, Jacob Jan Wise, Jake Dalton, János Hunor Vári, Javier Unknos, Jimmy Auger, and Jules Durand.
Edited by Leonhard Laupichler and Sophia Brinkgerd
Published by Sorry Press, 2020
304 pages, full color, 6.75 × 9.5 inches
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🧊Dreaming in the best state bedroom above Paris - 📌The state bedchamber of Queen Hedvig Eleonora in Drottningholm Slott. Created for the queen in the mid 17th century, it was never used in its final purposes, because the monarch prefered modest life. This space was used only for protocolary uses until the queen Louisa Ulrika used since its arrival there (displacing the King to another room). All the decorative set was designed by Nicodemus Tessin, and created by Burchard Precht, Nicolaes Millich, Carlo Carove and David Klöcker Ehrenstrahl. @kungligaslotten - #palace #baroque #castle #admagazine #interiors #art #palacio #architecture (en Drottningholm Slott) https://www.instagram.com/p/ClEqDUzAdst/?igshid=NGJjMDIxMWI=
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Spoilers for comics in March 2023!
These are from the official solicits for that month, which you can see in full at Newsarama.
The only Rogue stuff that month is a Punchline variant cover with a hilariously desperate Len on it. He probably isn't in the issue, as the other covers are more Gotham-based and don't involve the LoD.
PUNCHLINE: THE GOTHAM GAME #6
Written by TINI HOWARD and BLAKE HOWARD
Art and cover by GLEB MELNIKOV
Variant cover by DERRICK CHEW
Variant cover by SIMONE DI MEO
1:25 variant cover by RILEY ROSSMO
$3.99 US | 32 pages | 6 of 6 | Variant $4.99 US (card stock)
ON SALE 3/28/23
RETURN OF THE CLOWN PRINCE!
At the moment Punchline needed him the least, The Joker has returned to interfere with her war to take over as Gotham City's queen of crime. In The Joker's damaged and defeated state, will he help his former partner, or will he burn her the way he's burned everyone else? The epic conclusion to the bestselling Punchline miniseries is here, and it will change the shape of Gotham's villain world forever!
The "One-Minute War" is still going that month, and it doesn't seem to have any evil speedsters (aside from a variant cover in February) but here are the solicits anyway.
THE FLASH #794
Written by JEREMY ADAMS
Art by ROGER CRUZ and WELLINGTON DIAS
Cover by TAURIN CLARKE
Variant cover by MARCO D'ALFONSO
Variant cover by GEORGE KAMBADAIS
1:25 variant cover by ELEONORA CARLINI
1:50 foil variant cover by TAURIN CLARKE
Shazam! Fury of the Gods movie variant cover by JERRY ORDWAY and ALEX SINCLAIR
$3.99 US | 32 pages | $4.99 US (card stock)
ON SALE 3/7/23
The Fraction is moments away from victory, but they forgot about one thing…an almost-10-year-old with red hair and the power to turn things around. Finally, Irey West has found her new superhero name, and she intends to use it while saving the Flash Family from certain doom!
THE FLASH #795
Written by JEREMY ADAMS
Art by ROGER CRUZ and WELLINGTON DIAS
Cover by TAURIN CLARKE
Variant cover by DAVID NAKAYAMA
Variant cover by MARCO D'ALFONSO
1:25 variant cover by ELEONORA CARLINI
1:50 foil variant cover by TAURIN CLARKE
$3.99 US | 32 pages | $4.99 US (card stock)
ON SALE 3/21/23
The Flash Family retreats, mourning the loss of their family members, while Barry tries to find a way to stop the Fraction once and for all. Surprises abound as the past is revisited and we hurtle toward the end of the One-Minute War!
Barry's holding an engagement ring on the second cover, so it seems like something might happen to Iris :\
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Avrò il mio momento da italiana media, ma voglio commentare questa stagione di Bake Off fin'ora.
-Mi dispiace ma la ship esiste ed è innegabile. Ho convinto la mia migliore amica a guardare Bake Off letteralmente solo facendole vedere Gabriele e Tommaso insieme.
-Tommaso è tutto piccolo e carino, ma ogni volta che apre bocca tira fuori one-liner dietro one-liner e ogni volta mi spezza (per non parlare dei suoi commenti su Twitter).
-A proposito di Twitter. È. Così. Tossico. L'avevo già capito l'anno scorso con l'odio ingiustificato verso Ginevra, ma il modo in cui si offendono ogni volta che Giovina viene salvata. Dio mio, calmatevi, è uno show, non vengono ammazzati gli altri concorrenti.
-Sono abbastanza convinta da quello che ho visto che il momento in cui Gabriele dice di non conoscere Micheal Jackson sia inscenato.
-Giovanni è un mood di vita, non so da dove sia uscito fuori ma lo amo. Quando uscirà piangerò tanto.
-Idem Davide, ma più per la sua ansia che per il mood.
-Sofferto tanto per l'uscita di Xi. Per me lei, Gabriele, Tommaso, Fabio e Irene erano la top 5. Immaginatevi la mia reazione quando due di loro sono uscite una di seguito all'altra.
-Ora punto su Danila per la quota femminile della semifinale. E per orgoglio bresciano, come l'anno scorso con Davide.
-Altro mood per me era Dany. Una regina, è uscita solo per sfiga. Idem Aurèlien.
-Gli occhiali di Eleonora erano bellissimi.
-Unpopular opinion, scommetto che se Gabriele e Tommaso fossero stati insieme nella prova a squadre sarebbero andati male, tipo Chiara e Davide l'anno scorso.
-Il tema dei sogni mi piace un sacco, e fin'ora lo stanno rispettando benissimo.
-In generale amo l'amicizia che c'è fra tutti i concorrenti quest'anno. Non sono divisi in gruppetti, il che è proprio bello. Amo vedere i loro post il venerdì sera mentre guardano le puntate tutti insieme.
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