Archangel Gabriel (top left panel from the Polyptych of the Resurrection), Titian, 1522
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Study of a dragon by a follower of Paolo Uccello, Italian, ca. 1480-1500
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Saint Peter's Basilica, Vatican City, Italy. Photo by Gabriella Clare Marino.
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Vento Aureo • 1600 AU (JJBA)
Bruno Buccellati & Trish Una
Cosplayers: Himmelgrau & Rouge
Photo: Amaya Kuroki
Do not use
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Historical Mermay prompt 5: Italian Renaissance Mermaid
You would not believe the amount of trouble the colors gave me on this one. I went through so many color palettes before I decided this was the strongest “renaissance” palette. Which makes sense since it borrows colors from ‘The Birth of Venus’. And of course the bodice and sleeves reference fashion of the time.
I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok: @ellenartistic
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Jacopo Ligozzi
Cerasti cornuti in lotta (Fighting horned Cerastes). ca. 1577
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‘three fair-cheeked Kharites…from whose eyes as they glanced flowed love that unnerves the limbs’
- hesiod, theogony
The Three Graces - detail from La Primavera, Sandro Botticelli (Uffizi Gallery, Firenze)
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Judith and Holofernes, Giorgio Vasari, 1554
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‘Jupiter and Lo’ (detail) by Antonio da Correggio, c. 1532-33.
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Bartolomé Ordóñez, San Matteo e l'angelo (1514-15), Chiesa di San Pietro Martire, Napoli.
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