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soracities · 1 year

Note

what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

#ask #anonymous #beginner guides

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bingwriterxo · 10 months

Text

the shakespeare exhibit - part 8

pairing: tara carpenter x reader

summary: in which you and tara both have things to talk about

warnings: mentions of stabbing, talks of substance abuse and verbal abuse

word count: 2700+

previous part | next part

Finals season was in full swing at Blackmore University, sending its students into poor sleep schedules and even worse diets as they attempted to cram a semester’s worth of information into their brains.

You and Tara, unfortunately, were no exception. For the past week, the two of you had holed yourselves up in either the library or one of your apartments, your noses stuck in your books and your hands fumbling around for an energy drink whenever you needed a pick-me-up.

The only time you had taken a break was to celebrate Tara’s 20th birthday, but even then it was hardly a celebration. You had gathered all of her friends at her apartment, had a small party consisting of drinks and movies, and then went right back to studying, Tara in tow.

Safe to say, the stress levels were at an all-time-high, especially for Tara, who was experiencing her first round of finals in university. You had offered her a few studying tips, since you had already gone through the struggles of freshman-year exams the year prior, before immersing yourself in your own revision.

You were in the midst of reviewing for your Romantic Literature course--the last final that you had for the semester--when your mother called you, leading you to slip out of Tara’s bedroom and into the hallway to speak to her.

Tara sat at her desk, grumbling as she tried to study for her Introduction to Literature course. This is just as stupid as it was when I was studying for the midterm, she thought, eyes scanning her notes about Emily Dickinson. Maybe it’s even more stupid now.

Your voice broke her concentration as you walked back into her room, and she twisted her chair around to face you. “Yeah, that sounds good. I’ll ask her, alright?” You rolled your eyes and pointed at your phone, mouthing, she talks so much. Tara giggled softly, extending her arms for you to stand between, and you sighed as you slid into place, her fingers rubbing over your hips. “Okay. Yup. Yeah, okay. Yeah. Right. Okay, bye, mom.”

“What was that all about?” Tara asked when you hung up, throwing your phone onto her desk. “Did Eddie pull another prank on the Dylan Thomas statue again?”

You chuckled, thinking about the photo that your brother had sent you the week before—he had put a wig, makeup, and a shaving-cream beard on the statue of your grandfather’s late friend. “No, no. The statue garden has gone untouched this week.”

She shook her head, a grin on her face. “I still can’t believe you guys have a statue garden,” she said. But of course her family does. Because why wouldn’t they?

“Well, my dad’s always been big into statues. Like, when he was younger, he--” You cut yourself off. “That’s not important. Anyway, my mom invited us to spend Christmas at the house.” Tara’s eyes lit up, a type of joy that she didn’t know existed rushing through her. Us? she thought. I’ve been invited to family Christmas? “Do you want to go--”

“Yes!” she exclaimed immediately, nodding her head fervently. “Please, yes.” Shit, I’ll need to buy presents. What the hell do you get for kids who could buy anything they’ve ever wanted?

You giggled at her enthusiasm and tilted your head. “Are you sure you and Sam aren’t going back to California for the holidays?” you asked.

Back to California? Back to…Woodsboro? She furrowed her eyebrows, biting her bottom lip. “Why would we go to Cali?”

You squirmed a little where you stood. What’s she so nervous about? she wondered. “I just thought you might want to see your mom?” Your voice pitched on the last word, and Tara tensed, her arms falling to her sides. You frowned and reached out, but she pulled back, swallowing.

“No, there’s--we’re not--no,” she stammered out, her voice short. She shook her head. “I’ll be here.”

You nodded. “Okay.”

Tara wanted the conversation to be over, but your lips were pursed like you still had something you wanted to say. “What?” she asked.

You shook your head. “Nothing!”

She clenched her jaw and narrowed her eyes at you. “No, you look like you have something to say. What?”

“I just…you’ve never spoken about her. Maybe we could--”

That’s because there’s nothing to say.” She’s good for nothing, she thought. “I don’t like to talk about her.” I’d rather read Shakespeare, which is really saying something.

“But--”

“No.” Her voice was stern, clear-cut, and she watched as you deflated a little, your eyes flitting around the room. She sighed, running a hand down her face. “I’m not doing this right now, okay? I’m not talking about her.”

“Tar…” The nickname came out as a coo, soft and careful and meant to be comforting, but it ignited a strange irritation beneath Tara’s skin, and something in her snapped.

“Listen, we can’t all have a perfect-fucking-family, okay?” she shouted, and you flinched, taking a step back, your eyes widening at her sudden outburst. “Just because you have parents who are there and who care doesn’t mean everyone does! I mean, Jesus, my mom didn’t even come to see me last year after--” After Amber stabbed me half-to-death, she finished in her head.

The air was tense, quiet. You stood in front of her, worrying your bottom lip between your teeth, and Tara cursed herself when she noticed that your hands were trembling slightly.

“Baby…” She reached out for you, but her fingers met open air as you shook your head and crossed the room to grab your things from her bed.

“It’s fine. I--I shouldn’t have pushed,” you rushed out, your voice shaking. You threw your notebook and laptop into your backpack hastily before hurrying to the door. Tara stood, desperate to do something to stop you from leaving, but she didn’t get the chance as you said, “I’m sorry.” Of course she’d apologize when I snapped at her. “I’ll see you later, yeah?”

The door shutting behind you pulled all the air from Tara’s lungs, and she fell back into her chair, holding her face in her hands.

“God fucking damnit,” she groaned. “Stupid, stupid, stupid.”

* * *

Hours later--during which Tara had sat in her bed and moped--there was a knock on her bedroom door. For a brief second, she thought it was you. But there would be no reason for her to come back after I got mad at her, she reminded herself, and any hope she had disappeared when Sam walked into the room, a frown on her face.

“I thought Y/N was staying for dinner so you two could study through it,” Sam said, bringing Tara’s attention right back to the fact that you had left. She stepped into the room, her arms crossed over her chest, and asked, “What happened? You’re all”--she gestured at Tara--“sad.”

Tara huffed, glaring at her sister. “Nothing,” she grumbled.

Sam scoffed. “Oh, please. You and Y/N have been attached at the hip since the start of finals.” She shook her head. “Scratch that--since you two began dating. So, what happened, Tara?”

Stupid Sam, being a good older sister. Tara sighed and relented. “She asked about mom.”

“Oh.” Sam frowned. “And what did you say?”

“I--” Was a bad girlfriend and got mad at her for no reason, Tara thought, shame seeping into her veins. “I snapped at her. I didn’t mean to. It’s just…mom’s a tough topic, and it’s even harder because Y/N’s family-life is so perfect.” She clenched her jaw and glanced away, ignoring the spark of jealous lighting in her chest. “She’s got two parents who are there, and they have money, and she’s just…” Perfect.

Sam tilted her head, walking over and sitting beside Tara. “You know, it wasn’t easy for me to tell Danny about mom, either. He’s in the same boat as Y/N--well, not the super rich family part, but his parents are together and there.” She shrugged. “It’s hard not to envy that, but she’s your girlfriend, so you’ll need to talk to her about mom at some point. She deserves to know.”

Tara nodded, hanging her head. “I know. I feel horrible for getting upset with her.” She gestured lamely at her phone. “I tried texting and calling her, but…” She pointed across the room, where your phone still sat on her desk. “Obviously that didn’t work.”

Sam hummed. “I’m sure it’ll be fine, Tara. Maybe she just needed a minute.” She rested her hand on Tara’s shoulder. “Plus, she’ll need her phone.”

“What if she comes back and breaks up with me?” Tara asked, looking up at Sam with wide eyes. What if she never speaks to me again? she thought. What if this is it? What if--

“Every couple has arguments, Tara.” Sam smiled softly at her. “She’s not going to break up with you over this. That girl’s head over heels for you, even more than you are for her. It’s gonna be okay, okay?”

Tara bit the inside of her cheek. “Yeah, okay,” she said, not missing the sorrow in her own voice. “Thanks.”

“Of course.” Sam stood, her hands on her hips and her head tilted. “Now, should we get Chinese food or pizza?”

* * *

Sam was right: you did just need a minute.

It was as Tara was getting ready for bed that she heard a knock on the front door. Sam’ll deal with it, she decided as she climbed beneath her sheets, ready to lay in the darkness and wallow for a while. Just as she was reaching over to turn off her bedside lamp, a certain name caught her attention.

“Oh, hi, Y/N!” Sam said loudly from the living room, and Tara knew she had raised her voice so that she would know who was at the door. She sat up immediately. Y/N is here? What? There was some mumbling before Sam’s voice came again. “Yeah, she’s in her room. Go ahead.”

Moments later, there were soft knocks against her bedroom door, and Tara scrambled out of her bed, rushing across the room to open the door for you. There you stood, your lips pulled in a downturned smile and your eyes wide with worry.

“Hey, pretty girl,” you muttered. You were still wearing the same clothes from the day, and your backpack was still hanging off your shoulders. Did she not go home? she wondered, furrowing her eyebrows. You pulled your arm out from behind you, revealing a small bouquet of flowers. “Got you these.”

Tara blinked. She bought me flowers?! “I--Thanks?” She took them from your outstretched hand. “What are you doing here?”

“I said I’d see you later, didn’t I?” you tried to joke, but your voice was strained, like you were trying to be careful, and Tara felt guilt prick at her knowing that she was the cause. “Could I come in?”

“Oh, yeah. Of course. Always,” she rushed out, moving to her bed to sit. She placed the flowers on her bedside table and watched as you sat in front of her, fingers playing with her blanket. “So, what’s up?” ‘What’s up?’ Really? That’s the best I can do?

You sighed, a shaky breath falling from your lips. “I want to apologize,” you said. “I didn’t mean to push you into talking about your mom earlier. I know she’s a touchy subject.”

Tara frowned. “Why are you apologizing? I’m sorry for shouting at you. I shouldn’t have done that.”

You shook your head, glancing up and finally making eye-contact with her. “No, it’s okay. You didn’t want to talk about her. And, that’s okay.” You shrugged and offered her a comforting smile. “You don’t have to tell me about her…ever, if you don’t want to.”

“I should, though. I mean, we should talk about her.”

“Tara, you really don’t have to--”

“No, I--I want to.” Want’s a strong word, she thought. But I should.

“Okay,” you said, nodding and giving her your full attention. “You have the floor.”

She sighed heavily. “Well, my dad left when I was 8. My mom started working more so that she could afford Sam and I, but it turned more into an obsession for her, I think. Next thing I knew, she was never there. Sam left home when I was 13, and it was just me.” She shrugged, glancing down and fiddling with her fingers. “Then, Sam came back after I was attacked, and my mom wouldn’t talk to her, so we made the choice to cut her off. I haven’t spoken to her since we moved.”

Tara clicked her tongue, looking back up at you. To her surprise, your face wasn’t full of the pity she was used to seeing after telling people about her past; you were watching her carefully, looking close to tears.

“So, that’s that,” she said awkwardly.

You inhaled sharply, blinking your glassy eyes away. “You didn’t deserve any of that, Tar, and I’m sorry that you had to deal with it.” You reached out, your hand cupping her cheek, and she leaned into your touch. “I’m so happy that you’ve found your family.”

Her heart fluttered at your words, her mind flashing to Sam and Mindy and Chad. “Yeah,” she agreed. “I am, too. I really love those guys.” And I’ve found you, too, she thought. You make it all complete.

You grinned, and she practically melted into her mattress. “Good. They’re good--all of them.”

She giggled. “C’mere.” She wrapped her arms around your shoulders and pulled you to lay down with her, your face nuzzled into her neck. She laughed at the feeling of your nose against her skin, and said, “I love you. Like, a lot.”

Your arms wrapped around her waist, and you squeezed lightly. “I love you, like, a lot, too.” You sighed into her. “And I’m sorry for leaving like that earlier. I just…I don’t do well with raised voices.”

Huh? Suddenly, she was on high alert. Why not? What happened? “Any particular reason?”

You twisted in her hold so that you could lay beside her, your gaze trained on the ceiling. She scooted down so that her head was level with yours and looked at you, tracing your side profile with her eyes. So pretty, she thought. Wait, stay on topic, Tara.

You clenched your jaw. “We’ve never talked about it, but, um, my dad…” You closed your eyes. “When I was younger, my dad had a big drinking problem.” Her eyebrows furrowed. Her dad? That man? Really? “He was never physical,” you said, shaking your head lightly. “But he had a temper when he was drunk, and everything I did was always wrong.”

“Oh, Y/N,” she sighed, intertwining her fingers with yours. Your grip was tight, like she would float away if you didn’t hold on.

“He’d yell a lot, at me, at my mom.” Oh, baby. Your thumb rubbed over the skin of her hand. “But he’s good now. He got better after the boys were born--got sober. He hasn’t had a drink since.” You turned your head, looking back at her.

“He’s not, like, obsessed with apples, or anything,” you said. What does that have to do with the conversation? she wondered. “But, he eats them a lot when we have parties. That was his thing--eat an apple when he wanted a drink. It stuck, so we keep the fridge stocked, and any time someone sees him even look in the direction of alcohol, we get him an apple.” You smiled. “He eats them begrudgingly, but he’ll never have an apple out of his own volition now.”

Tara chuckled softly. “I’m happy he’s better now, but I’m sorry you dealt with that. I’m sure it wasn’t easy.”

You shrugged, leaning closer so that your forehead rested against her cheek. “It’s okay now. I’m alright,” you promised. “Just…never buy that man an apple, alright?” you joked, easing the tension in the air.

“Deal,” she agreed, nudging your head up. She leaned in, kissed you, and said, “I guess no family’s perfect after all, huh?” when she pulled away.

“I guess not.” You grinned, leaning up on your elbow to hover over her. “But, maybe ours could be the first.”

Her heart practically stopped, and she couldn’t help the smile that took over her face. Ours? she thought. She felt like she wanted to burst from the amount of joy that came with that thought. Yeah. Ours.

“Okay.” She pushed herself up and kissed you again. “Ours will be the first.”

#tara carpenter x reader #tara carpenter #tara x reader #jenna ortega x reader #jenna ortega #jenna x reader #museum tara #scream 5 #scream 6

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halliewriteshockey · 1 year

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The Seattle Thunderbirds have Luke Prokop, the only openly gay hockey player in pro or semi-pro hockey right now, but they chose not to hold a Pride Night this year. So fans said fine, we’ll hold our own.

Luke promoted it on Instagram but because it was unofficial, I didn’t expect anything from the players.

Except.

Every. Single. Player used Pride tape in some way for warmups. ALL OF THEM, stepping up in a way grown-ass men are afraid to do.

(Yes, that’s Dylan Guenther)

Several of them kept the tape on either their stick or socks for the entire game, including their goalie, Thomas Milic (who grinned at my kids shaking a huge Pride flag at him and flashed them a peace sign)

A couple more pictures under the cut, including Luke himself

THEY’RE GOOD BOYS, BRENT

#and I say that as a diehard fan of their division rival #Seattle Thunderbirds #Luke Prokop #Dylan Guenther #Thomas Milic #I couldn't get a shot of Milic's stick but the handle was wrapped #Tbirds won too! So the gays just keep winning ig #I hope homophobes are crying about it #lucas ciona #jared davidson

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apoemaday · 6 months

Text

And Death Shall Have No Dominion

by Dylan Thomas

And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon; When their bones are picked clean and the clean bones gone, They shall have stars at elbow and foot; Though they go mad they shall be sane, Though they sink through the sea they shall rise again; Though lovers be lost love shall not; And death shall have no dominion.

And death shall have no dominion. Under the windings of the sea They lying long shall not die windily; Twisting on racks when sinews give way, Strapped to a wheel, yet they shall not break; Faith in their hands shall snap in two, And the unicorn evils run them through; Split all ends up they shan’t crack; And death shall have no dominion.

And death shall have no dominion. No more may gulls cry at their ears Or waves break loud on the seashores; Where blew a flower may a flower no more Lift its head to the blows of the rain; Though they be mad and dead as nails, Heads of the characters hammer through daisies; Break in the sun till the sun breaks down, And death shall have no dominion.

#poetry #dylan thomas #and death shall have no dominion

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crumblinggothicarchitecture · 13 days

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Hello! I’m curious to know if you listen to Hozier? Since his music also gives literary and it’d be interesting to know what you think!

Hello! Thanks for the ask

Hozier is wonderful! I love him!

I think he's incredibly creative, and he clearly knows how to write! He also clearly knows so much about the history of music, art, international politics, and so much more. There's nothing I admire more in an artist than some real intelligence. It shows in his command of the language. I've been listening since "Take Me to Church" went viral. I was absolutely in tears listening to that for the first time.

One point I've been thinking about lately is the way he wrote "Nina Cried Power" and how it's different from the way someone like Taylor Swift name-drops in her music.

The point here is that Hozier has immense respect for the people he mentions in the song, his obvious knowledge and respect for these people is ever-present. He thematically connects them from the perspective of their own lives into the message of the song. Meaning that it is the type of song they would co-sign. It's so moving for this very reason, it's like the people in his song are singing with him. In "Nina Cried Power" he's clearly using southern-inspired gospel-esque blues to sings about the way in which civil rights activists, and those musicians who broke the chains away, sang their activism into life. It's so lovely for him to use musicality stemming from Afro-American culture to sing about the major civil rights activist and artists from the era. He's literally brilliant, and I love his perspective on how the US civil rights movement impacted Irelands own civil rights movement. He's fucking brilliant.

And this line brings me to tears, "And I could cry power/ power has been cried by those stronger than me/ straight into the face that tells you to rattle your chains." He's so compelling both in storytelling and in intercultural dialogue. Beautiful. And how beautiful it is to remind us that no matter the location, your words and actions matter- activism matters. Power is with the people.

What a writer- what a message to send. Especially these days, when so many major public figures are refusing to speak on current events. How important it is to remind the public that there is no real reason to not speak up in times of injustice.

As opposed to Swift who can only name-drop people like Dylan Thomas in relation to being able to self-deprecate. Her impulse towards self-obsession shows in how she even represents the lives of others as ultimately being about her. It shows an immense disrespect and obvious distain for the people she writes about. She clearly only thinks about others when considering some hierarchal form of self-adulation. People are either better or worse than her- however, it is always about her. Dylan Thomas was an incredibly vocal activist and revolutionary spirit in his day, and Swift puts him in a cheap shot about herself? Painful, stupid, gag. Thomas was an avowed anti-fascist during the rise of the most horrific fascist regimes we've ever seen; as such he would be horrified at being eulogized by someone like Swift who lives and breathes money and power. I wish I could go back in time and unhear her besmirching his name.

Dylan Thomas would love Hozier though :) And so do I!

But anyway, I could totally write some literary criticism on Hozier, and you know what- it would be amazing because he is rich texture to dive into. His command of metaphor and mimetic technique is honestly so impressive! That actually sounds really fun and is totally on my to-do list now :)

#hozier #anti taylor swift #nina cried power #activism #dylan thomas #anti facism #ttpd #ex swiftie #toxic taylor swift #taylor swift critical #andrew hozier byrne #wasteland baby #hozier supremacy #fuck taylor swift

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thedepthsoffandomminds · 2 months

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Behind the scenes - Maze runner

This is a companion piece with this fic.

(Newt) Thomas Broadie-sangster X reader. Slow burn.

Two requests that I have joined together.

Reader and Thomas could both be actors working on the same project (maybe Maze Runner). Maybe they don't really like each other at the beginning, but they have to go to a special event with the whole cast and Thomas notices that reader is uncomfortable in big crowds and he kind of starts protecting reader.

After you finish Newt x Reader do you think you can make Bloopers?😂 Of course behind the scenes/off-set TBS and Y/N are a couple

You stood beside Ki Hong as he tried to say his lines, but Dylan continued to pull silly faces behind the camera making you all laugh. Four takes later and you hear Wes telling him off which causes you all to laugh again.

Blake (who plays Chuck) is holding a pile of blankets and “Greenie” equipment below the watchtower. He lifts his hand to wave, calling out his line,

“Hey Alby!” The metal bowls and cutlery begin to fall and he tries to catch them. Though he tries to recover the blankets drop and become too heavy in one arm, more and more of the props drop to the grass. Eventually Blake gives up and just shrugs. Your laughter can be heard before you come back into the shot.

You sit between Dylan and Thomas with your backs to a log. It's a night shoot, the first of many to come, and as such you were all feeling a little tired and loopy. The scene was simply, your character and Thomas's would attempt to cheer up Dylan's. The two boys had other ideas and they both began leaning across you making it look like they were about to kiss each other. You give them both a quick flick with your hands when they pull back. Dylan drops his head to your shoulder as he laughs, Thomas, however l, pulls slightly away.

You and Dexter Darden come running into the shot, the camera placed around waist height looking up.

“Newt, what do you see?” Dexter says his line, but you slip on a patch of wet mud and though you grab at Dexter's arm you slide down, hitting the ground. All the boys, camera crew and Wes begin to cackle at your mishap. You stood up as gracefully as you could, but there was definitely a big bruise on your hip that afternoon.

Dylan helped you to hobble about between takes until there was an exchange between him and Thomas. After that Dylan mostly stayed away from you that day.

Most of you stand at the entrance to the maze, as you wait for the scene to begin. Thomas is on your left. You feel Dexter begin to dance beside you, shaking his shoulders and you instantly join in. The tiger playing Mai Mai, shakes her head and starts jumping around you, playfully. Your laughter catches Thomas's attention and he spins his head round to watch you both. A sweet smile crept onto his face.

Dylan is holding a camera in front of him with Ki Hong beside him, they are whispering to the camera.

“Hey, hey look at this,” Dylan turns the camera and quietly sneaks around the door of one of the glade huts. In the middle, on top of a blanket Thomas is lying on his side, reading a book aloud to you. You are stringing together a chord of daisy's that you then place on Thomas' head. His blonde hair and the crown makes him look like a fairy or a grecian god.

“Young love.” Dylan and Ki Hong giggle before rushing away when you notice them there.

In an interview the cast are asked who is more likely to ruin a take and almost everyone points to you.

“Hey!” You protest.

“No, literally you fall over all the time!” Kaya giggles.

“Oh yeah you're right, I have zero balance.” You agree. Dylan pretends to push you causing you to jump and almost fall from your high chair. Luckily Thomas was able to catch your arm and gently push you back into place. Your eyes meet and you share a small smile. The others catch it and a few whispers are exchanged.

The red carpet came, and you walked with the other teenagers. Your confidence was as high as everyone's with the world watching. It was great to spend time with the others again after a short break. As you walked the media line you answered questions they threw at you. For the most part they were all the same until one asked you,

“So, have there been any romances on set?”

“Oh um, no, no-”

As you're talking Dylan and Thomas walk behind you, both of them bent round and kissed you on either side of your face.

“Those two, total bromance.” You laugh.

Next part

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