breaking my silence on chess the musical to say that i would literally not give a fuck about this show if i thought it was good or fully successful at what it is saying. SORRY! i love how messy she is. i love how since 1984 and continuing to this very day people with entirely different perceptions of and opinions on the musical have attempted in their own ways to "make it good" by creating all these different versions with like notably different plots, characterization, and song order, and i love how fucking bad the vast majority of these are despite it all. i hope people keep trying to fix chess the musical forever and until the end of time. i hope no one ever figures it out. i want every currently living theatre director in existence to make their own version and for all these versions to come out on broadway at the same time, making that year's musical season entirely comprised of various different versions of the cold war chess musical by tim rice and half of abba. i want not only our greatest minds but also our middlest-of-the-road and worst minds to come up with their own conclusions as to why chess does not entirely work in its original form or any subsequent forms like to really think about it and yes i do want someone to dedicate their entire life to perfecting chess by releasing version after version after version until they die peacefully but still, as always, in the grips of obsession. i want marriages to be broken up. i want mental states to be shattered. i dream of this world
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cant believe i missed his birthday. happy belated birthday you filthy animal
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the James Somerton thing really shows how hard people are willing to go to bat for a white cis guy who seems to say all the right things and makes content they like no matter how much everyone else has proof of them being a bad person. That is, until a more popular white cis guy who says all the right things calls them out.
This isn't a criticism of Hbomberguy at all, but of everyone else for refusing to listen to the voices of the people James hurt until Hbomb made it cool. This happens all the time and is still happening and it drives me insane. Y'all need to do better.
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OKAY THE ONE THING I DONT LIKE ABOUT STEVEN UNIVERSE IS HOW THEY VILIFY PINK DIAMOND/ROSE QUARTZ BRO SHE'S LITERALLY AN ABUSE SURVIVOR MAKING CHOICES AN ABUSE SURVIVOR WOULD MAKE AND THE PLOT AND EVEN STEVEN IS LIKE, "yeah she sucks," BRO!!!!!!!!!!!!!!!!! I SWEAR TA FUCKING GOD BE SO REAL RN.
"she made mistakes/hard decisions" TURNS INTA, "she was a bad person," IN THE MOVIE AND FINAL SEASON LIKE??? SHE WAS A LEADER OF A REBELLION AND HADTA PRIORITIZE CERTAIN THINGS SHE DIDNT WANT TA MAKE THOSE DECISIONS!! SHE CARED ABOUT THE GEMS AROUND HER!! SHE LIED CUZ SHE FELT SHE HADTA. SHE WASNT SOME SPOILED BRAT SHE MADE SOUND DECISIONS FOR HER CIRCUMSTANCES!!!!!! she literally tried ta tell the gems around her she was like them and told them not ta put her on a pedestal but they did anyway??? and got upset when she turned out ta be a flawed person???
like thats not ta say characters arent justified in being upset with her actions but making her out ta be a bad person cuz she inadvertently hurt people??? painting her as a villain b/c her abusive guardians decided ta go apeship on earth and any crystal gems they came in contact with???? when she was likely in survival mode???? i hate the way the show paints her i hate hate hate it.
grrrrr GRRRRR
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Something that is sad but also that I hugely appreciate about CK is that by the end, most of the systems that harmed the crows are still in place, but their relationships with themselves have grown and changed. I find this particularly interesting in the cases of Jesper and Wylan (shocking I know). Their identities still put them in danger of being exploited or harmed - Grisha indentures are still the norm in Kerch, and the auction scene made it very clear that if the Council knew Wylan's illiteracy was true, they would treat him much the same as his father did due to the culture surrounding productivity and ability. This might seem disheartening, but the hope lies in the shift in how these characters see themselves and their role in the world. By the end of the book, Jesper and Wylan are beginning to put away their internalized shame surrounding their identities. They may still have to hide who they are from the world to survive, but they're no longer hiding it from themselves - their true selves are no longer this crushing burden they have to turn away from to function. A general theme of the series is how, in accepting who they are and what has happened to them on a personal level, the crows place themselves in positions to make change on a systemic level - Inej and her ship, Nina and her mission, Kaz and his Barrel empire, Wylan and Jesper with their political, high-society empire. None of them are all the way there yet by the end - they're still healing, and both the loss of Matthias and the weight of those oppressive systems are going to weigh on them for a long time - but we get to see the very beginnings of that process. I'm going to bite someone.
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