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#doctor sleep 2013
fanofspooky · 3 days
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What’s your favorite Stephen King adaptation?
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whovianblogger · 9 months
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sits and ponders. to sleep or to watch doctor who, that is the REAL question.
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babysdrivers · 7 months
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me in 2013 🤝 me in 2023
attempting to catch up on 8 years of doctor who in one month before the anniversary ep
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rainbowcrowley · 9 months
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finally arrived in s2! i missed ten so much!!
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yridenergyridenergy · 1 month
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Is there a way to know if members are healthy and feeling well? Shinya's last video, he looked really really thin, the voice note on his last blog update felt sick and tired. The tour was very compact, the bus looked uncomfortable (for musicians over 45 years old, I mean, c'mon). They must be resting now, but I feel that their company is exhausting them for the sake of saving/gaining more money. I don't know if it's just me, and I'm worrying for no reason. Does the company even do routine check-ups on their health? Is it reasonable for us as fans to ask this to their management?
Shinya always has a particular voice, but I haven't heard that voice note that you mention. It's no news that Shinya is incredibly skinny, as even h.Naoto's assistant commented that he was the only one that she could wrap the dark tunic on at the smallest holes/size and she seemed surprised.
Traveling and being on a plane in general tends to make people sick, so if he did hit a bad patch, hopefully he is getting better now that he is back in Japan.
For Shinya, I have my own opinion, but at the end of the day, I'll trust that he is a midlife adult who must have at least learned how to manage maintaining that size in a sustainable way.
Nobody on the band has been outspoken about the downsides of touring overseas this year except Kyo, and I'm always baffled by how much Kyo is allowed to complain so publicly about his own management hah. Good for him, and I mean, he's an artist and their primary one when you think about it, so you can't really restrain him much.
It's difficult for me to form an opinion on the management's frugal tendencies when I don't actually see numbers. All I know is that Kyo is able to afford Gucci, expensive toys, etc. and when that impersonator was arrested, from what I understood, he assured us that he wouldn't have ever needed to ask for loans like that. Whatever sacrifices the band is making to apparently make touring abroad profitable at least translates into them being well paid, even if that's just from performing in Japan.
Money also may play only a small role into the decision to have them sleep on a bus and only carry one luggage each. Extra luggage would have to be checked in and could get lost. Checking into hotels, where fans are also staying, presents its own series of issues.
Either way, Kyo had mentioned going to see a doctor in a monthly birthday video on kyo-online (I won't give more details but it was a super minor issue, don't worry) and I think even in another type of content where it sounded more like a regular checkup.
Ultimately, they are adults, they're the main moneymakers fo sun-krad and I'm sure that they would be able to push back against at least future decisions if their health could be jeopardized in the long term. Kyo had mentioned in 2012-2013 that he had warned his management time and time again that the grueling schedule of their tours and shows would grind down his throat, so it was no surprise to him when it became so bad that he needed surgery and the band had to go on a hiatus. I'm sure that everyone learned from that, and Kyo's singing has been spot-on every time I have seen him since 2015 or so.
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flanaganfilm · 1 year
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Hi Mike!
I am loving the LONG posts you’ve been making about your career and films. I wonder if there is any such one for ‘Ouija: Origin of Evil’?
‘Doctor Sleep’ was the first film of yours I had seen where I went “What else has this guy made?” And I was so surprised to learn Ouija was yours as well, it took me back to that college date! When I bought it on blu-ray and showed it to my friend, she saw Alice and Doris and went “It’s Shirley!”
Id love to know what your thoughts and feelings are on the film, 7 years later. Cheers!
Sure thing! This will be a fun one... I had such a great time making that movie.
Back in the spring of 2015, we were shooting Hush. Blumhouse was coproducing the movie with Intrepid Pictures. This was my second outing with Blumhouse after they came aboard Oculus at tiff in 2013, and they'd even hired me do a little uncredited consulting on another movie they'd made - a teen horror flick called Ouija. The first Ouija movie was... well... not great, but it made a lot of money. And I mean a LOT of money. A sequel was inevitable.
Jason Blum started calling me about the project while we were working on Hush. Initially I passed on it, I wasn't interested - I wasn't sure how to make a movie about a Ouija board interesting, and I didn't see myself as a sequel filmmaker. It just wasn't a movie for me.
If you know Jason at all, you know he is one of the most persistent and persuasive people in the business.
He wouldn't take "no" for an answer, and the phone kept ringing. The bar was low, he argued. The first movie performed very well, and because the franchise was just hung on a board game, there was kind of a blank canvas. "What movie do you want to make, buddy? Because I promise you'll wait your whole career for someone to make you this kind of offer again. You are a fool if you don't say yes."
He finally made me an offer that I couldn't refuse: I could approach the film from any viable creative direction I wanted, just as long as it connected somehow to the first movie and involved a Ouija board, and if I did that (and brought in the scares the kids wanted), I'd have a guaranteed worldwide theatrical release through Universal Pictures.
It's hard to understate how appealing that prospect was at the time. Oculus had been released theatrically but only performed moderately well. Before I Wake had been caught up in Relativity's bankruptcy, so the promised theatrical release never occurred (at this time, the movie was tied up in bankruptcy court without any release on the horizon), and Hush had been scooped up by Netflix, which meant it would never see the inside of a movie theater.
This offered me substantial creative freedom and a guaranteed wide theatrical release with the full weight of Universal Pictures behind it... I finally agreed.
How could I not?
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The first film was a contemporary elimination horror film about a group of teenagers who awaken a scary little girl ghost with a stitched-up mouth. She kills them one by one. I wasn't really drawn to that, and I pitched Jason instead on a prequel that focused on a single mother in the late 1960s. To my astonishment, he agreed.
They had their conditions - it had to be PG-13, it had to directly connect to the first film, and I had to deliver the movie on their budget. And I had my conditions - I wanted my crew (including my producer Trevor Macy and my DP Michael Fimognari), I wanted my period setting, and I wanted the movie to look like it was made in the late sixties, down to the zooms, the film grain, and all the other aesthetic bells and whistles. This wouldn't look like a contemporary movie.
Again, to my astonishment, they agreed.
They had one more stipulation, this one from Universal Pictures - no one could smoke cigarettes. And not just that, there couldn't be evidence of smoking in the movie; not even ash trays.
"But this takes place in the sixties," I argued. The NO that came in was emphatic and resounding. There was to be no evidence of cigarettes in our 1960's, and this was non-negotiable. This was a priority for Universal Pictures, and they were far more interested in eliminating cigarettes from the eyes of their young viewers than they were interested in historical accuracy.
Frankly, they were right.
We all agreed on the terms, and to my own admitted surprise, I went off to write and direct Ouija 2.
There was an immediate skepticism in the press when the project was announced, and a fair amount of mocking online. I was determined to ignore it. I really thought this could be fun. I felt like I had been given a gift; I had a huge canvas and precious few rules, and a guaranteed theatrical audience.
I wasn't just going to make Ouija 2; I was going to make Ouija 2 as well as it could possibly be made.
Sitting to write the script was a unique process. The only thing I knew for certain was the very, very end. Our connection to the first movie was that we were telling the origin story of Doris Zander, the ghost from the first film.
She came with some backstory that we were married to: the first movie told us her mother Alice was a professional medium. When Doris had been possessed after using an Ouija board, her mother had sewn her mouth shut and killed her. And we knew her older sister, Lina, had spent the rest of her life in a mental institution (where she grew up to be Lin Shaye), and was absolutely not to be trusted.
So no matter what I did, we had to land there. Everything else was fair game.
I was very interested in the idea of a family who worked as mediums, but most interested in them if they were not authentic psychics. I'd researched a lot about fake mediumship, and the tricks that were used in those performative seances to separate willing marks from their money. What if that was the family's business? What if her mother was something of a con artist, and her kids were part of the act? And what if they ran afoul of a real haunting?
And further, what if it wasn't that they were con artists - what if they were good people, behind it all? What if they had experienced loss themselves, and had rationalized their behavior by saying they were offering people comfort? This was interesting to me. It was cool, it was fun, and I hadn't seen that movie before.
The story was a lot of fun to write. I really enjoyed the characters, I really enjoyed the world, and I kept thinking about the kinds of movies that I loved growing up. Yeah, this was a movie for a younger audience, but maybe they'd sit in that theater and have an experience that would stay with them, the way the movies of my youth had stayed with me.
I thought about those movies: Poltergeist, The Omen, The Changeling, Watcher in the Woods... and I thought about the theatrical experience of them. Their music (I particularly honed in on Jerry Goldsmith's score from Poltergeist), their aesthetics, even the little markers in the upper corner that signal the reel changes - "cigarette burns", as they're called in the business.
All of those things were ornaments of my earliest theatrical experiences, and I wanted to recreate that for the young viewers who might seek out Ouija 2.
One thing that set Ouija 2 apart right away was that we were going to shoot in Los Angeles. I'd lived in LA since 2003, but I had never actually filmed a movie here (and haven't ever again, sadly). This was a really exciting factor - I could spend the day in prep at Blumhouse, and then go home and sleep in my bed.
This was also great for my home life. Kate and I were engaged by then, and Blum was very happy with Hush, so she ended up playing a small role at the top of the movie. Having just spent the Spring living in a hotel in Fairhope Alabama and only working nights, it felt very novel that I'd get up in the morning and go to the office, and be home for dinner. We absolutely loved it.
Casting was also fun. Terry Taylor at Blumhouse did the casting, and for the first time in a long time I could be in the room when actors came in to audition. This was all in-person, because we were in LA. For Before I Wake, we'd had to run the whole thing through the lens of foreign sales value and over choppy, pixelated FaceTime meetings that did not give us much understanding of who we were casting. Compared to that, this process was a real delight.
For Lina, I really wanted to bring back Annalise Basso, the young actress from Oculus. She'd done a terrific job on that movie, and this was a great chance to work together again.
Henry Thomas signed on as Father Tom, and we hit it off immediately. I had been a fan of his since... well, forever I suppose, but I was really excited that he'd be in our movie.
The big revelation, though, was Lulu Wilson. We auditioned a lot of girls for Doris, and we used a particularly upsetting monologue as the audition piece - a 60 second speech about what happens when someone is strangled to death. Lulu's audition knocked me over, and we cast her immediately.
(Fun note: in the film itself, Lulu performs the monologue almost exactly as she did in her audition. And she did it so well, we never cut away. Don't know many 10 year-olds who can hold an entire monologue like that... in fact, I know a lot of 40 year-olds who can't. Lulu Wilson kicks ass.)
Production began in September 2015.
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From the jump, this movie was FUN to make.
We were using an antique zoom lens package to achieve the look, and after spending much of prep obsessively watching The Changeling and The Exorcist for inspiration, we were really excited to do something fun. Every day was like a trip to an amusement park.
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Michael Fimognari and I enjoy one of the vintage cars
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One set, it was a family reunion. I had a lot of my crew from Oculus, Before I Wake and Hush, and a few familiar faces in the cast as well. It even reunited me with Dougie Jones, who had worked for one day in my debut feature Absentia, and agreed to let us bury him in gross demon makeup.
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I really can't overstate how fun this was. The movie had more genre set pieces than most of my other work combined, which meant every day we were dealign with ghosts, ghouls, and some wild stunt work. Annalise and Lulu were just delightful, and spent their days pulling escalating pranks on the crew. I would find myself tagged with dozens of C47's (clothespins) whenever Basso was on set, and Lulu was doing all of her own stunts and making us laugh like hyenas.
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I was also really enjoying Henry. Toward the end of the shoot, I told him I wanted to put him in everything I did. He laughed and said "whatever, sure man, sign me up." He's been in everything I've made since.
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We didn't have a lot of money, but had a lot more money than I'd ever had before, and because Universal was committed to a theatrical release, they wanted the movie to work. I felt supported at every turn. Trevor handled the production the way we'd always done, and this was now our fourth collaboration - I knew I had a producer for life.
Blum was also a delightful collaborator, popping up frequently to check in but always just to see if there was something we needed. I felt an enormous amount of trust from Blumhouse, Hasbro, Platinum Dunes and Universal. That's a lot of cooks for one kitchen, and believe when I tell you it can easily go south... but it didn't. In this case, it just clicked.
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We got to do a lot of fun things that had nothing to do with horror, too. There's a lovely little scene in the movie where Lina has her first kiss. We modeled the entire shot sequence after the best kiss in the history of movies: Jimmy Stewart and Grace Kelly's smooch in Rear Window.
We were even able to perfectly mimic a slower frame rate just as their lips meet, exactly as Hitchcock had done in that movie. If you look in the background, the Rear Window poster is hanging on her wall. We were always careful to cite our sources (and there were a lot of them).
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My favorite scene of the whole movie was a dinner date between Elizabeth Reaser and Henry that we filmed at the Cicada Club in downtown LA. This was a restaurant that I loved, as once a month it transformed into a full-blown time machine, putting a brass band on the stage and functioning like a 20's-era speakeasy.
The scene where Alice and Father Tom spend an evening out together was among my favorites in the script. It was two adults who were clearly attracted to each other, and who acknowledge it, but recognize the reality of their situation. As we were filming, I remarked to Fimognari that - for a movie about a haunted Ouija board - we were really getting away with murder. This was lovely, sweet, subtle character development, and no one was stopping me. After what we'd gone through on Before I Wake, I had to pinch myself.
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My favorite scene of the film
It was set in a restaurant in the late 1960s - almost everyone in that room would realistically be smoking. Universal had been clear that there was to be absolutely no suggestion that cigarettes even existed in this world. But for the restaurant, I had to haze up the air. It was the only time I was questioned creatively, as there was immediate pushback.
"It's a restaurant," I said. "What if there's a fire in the kitchen, an entree got burned and that's why it's smokey?"
No one bought that for even a second. But they let me go ahead anyway. Man, I love that scene. And later, when it was all said and done, Jason Blum shocked me by telling me it was his favorite as well.
We wrapped the movie just before Halloween, and off we went into post. The holidays came and went, and Kate and I got married in February 2016. There was gentle pressure in the cutting room to make the film as tight as possible, and keep things short, but as with everything else, the pressure was decidedly gentle.
The movie's test screenings were very positive. People were very engaged by the story of the family, and the only issue people took seemed to be with the ending. It was a real downer to get so attached to everyone, only to have to kill Doris so brutally. The ending was, to put it mildly, very depressing - Father Tom was dead, Alice was dead, Doris was dead (and her mouth stitched up to stop the demonic voices), and Lina was condemned to the asylum. It was exactly what was required of us, and what was dictated by the first movie. But it hurt people's feelings.
My original ending had Lina in the asylum, crafting a handmade Ouija board out of her own blood, and trying to contact her dead sister. She tries and tries, but there is no answer. It is just silence. And we leave her saying "are you there? Are you there?" over and over again, as tears fall down her face. Doris wouldn't answer - in fact, Doris wouldn't answer for decades, when the first movie finally caught up to us. It was a haunting and sad ending, and I kind of loved it.
But test audiences are a fickle thing, and so we came back to tweak the ending, as the studio wanted one last scare to send us out on - not an unreasonable position, though it was a cliched one. We shot the film's current ending, with Doris' ghost on the ceiling of the asylum. It's as rote and impersonal a horror movie ending as I can imagine, but... well, it was Ouija 2, for crying out loud.
The movie we'd made up until that point had no business being as much fun as it was.
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I remember the phone call I got from Blum after the movie was done. Universal had decided that they wouldn't call the movie Ouija 2 after all, they were worried about the number 2 making it feel less interesting.
Instead, they'd taken a big swing: the movie would be called Ouija: Origin of Evil.
I laughed out loud. I thought he was kidding. When it became obvious that he wasn't, I filed a protest. "It's not very good," I said. "It's cheesy. And not to put too fine a point on it, but the movie depicts neither the origin of the Ouija board, or of - um - Evil."
"Buddy, the title tested well. That's the way the cookie crumbles. Trust us, if the studio says it's Origin of Evil, it's Origin of Evil."
With a big theatrical release comes a lot of pomp and circumstance. There was a huge premiere for Ouija: Origin of Evil that October, and whatever nerves I had about the critical reception to the movie proved to be short-lived. People really enjoyed it. The overwhelming sentiment was that a sequel to a movie like Ouija frankly had no business being this interesting.
For all the pomp and circumstance, I missed it all. I didn't get to go to a premiere or walk the red carpet, as I was already in Alabama shooting Gerald's Game. On opening weekend, I took the cast and crew to a local theater in Daphne Alabama to see Ouija: Origin of Evil on the big screen.
The projection in this little backwoods theater was NOT good. The lamp was too dim (a common cost-saving strategy in some theater chains), and it was out of focus. I ran up to complain to the manager.
"The movie's soft focus on purpose," he said. "That's what the filmmakers wanted."
"No, it really isn't," I said.
The movie ultimately was not the runaway hit that the first Ouija was. Not even close, in fact.
To everyone's surprise, the teenagers just... didn't really show up. The first movie had grossed 103 MILLION dollars worldwide, but our little prequel only managed to do about 80. It was considered a modest success, not a hit by any means, but no failure. In the end, Universal decided maybe there wasn't a franchise to be had here after all.
So in the end, I had single-handedly revitalized and destroyed the Ouija franchise.
But man, believe when I tell you I've got no regrets whatsoever. I had the time of my life making that movie. Sure, some people groan about the ending, but that was kind of our only job - those were the cards we knew we had to turn over. Did you see everything that led up to that, though??? Did you see what we got away with?!
Since this movie, I've worked with a lot of people again. True to my word, I've put Henry Thomas in every single thing I've made since. Elizabeth Reaser came back to play Shirley in The Haunting of Hill House, and little Lulu Wilson - who was so wonderful as Reaser's daughter Doris - played the younger version of Shirley on that show. Lulu is also in The Fall of the House of Usher (and if you look closely, her original Ouija board and planchette are in frame with her.)
Kate sported a fun blonde hairdo for her small role in Ouija: Origin of Evil, and it was a really fun stepping stone between Hush and Hill House for her as an actor. There's a fun deleted scene where she goes home and murders her father, played by the great Sam Anderson. I really dug that scene, and I wish it was in there. You can see it on the blu-ray and DVD though, because even in a world where Netflix is trying to erase such things, Universal Pictures actually takes care of their movies with proper physical media releases.
I haven't yet found the next project to do with my friends at Blumhouse, but it's not for lack of trying, and my dance card has been booked solid since we wrapped this movie. It was an important step for my career, and their support was amazing. I know that we'll work together again, as soon as the timing is right.
Also, get this...
Ouija: Origin of Evil is my most successful movie.
Ever. Of all of them.
It did 82 million worldwide. That's better than Doctor Sleep, which did 72 million. It's better than Oculus, which did 44 million. The rest were all dumped to Netflix.
So yeah, Ouija: Origin of Evil is my most successful movie. Ain't that a trip?
We weren't trying to change the world, or reinvent the genre. I was making the second entry in a PG-13 franchise about an evil board game, and dammit if I didn't get to do everything I set out to do. There's an exuberance to the camera movement, the staging, the set design, and the lighting. There's an unbridled joy in this movie, and I smile whenever I think about it.
Up until this point in my career, every movie I had was hard-fought. Oculus was a trial by fire whose distribution deal was detonated days before it premiered. Before I Wake was a brutal experience both creatively and logistically. Hush was a labor of love and determination against all odds. But this one... man, this one reminded me why I wanted to make movies in the first place.
Because it can be really, really fucking fun.
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squigglebottom · 5 months
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The Day He Left-10 Years Later
2013:
Life with him was always magical. He’d take me on adventures through time and space. Wherever I wanted to go, whenever I wanted to go…the sky was literally the limit. He brought me to Victorian London to battle evil snowmen at Christmas. We went on a Russian submarine at the height of the Cold War. I even got to meet two previous versions of himself when we came together to save his home planet of Gallifrey.
My life on Earth was never anything special, stuck in one place all the time. I wanted to explore the world and all it offered. The Doctor was that perfect travelling companion that took me around the world and the galaxy. Beings I never knew existed, even ones that were not so friendly and often put us directly in danger. I didn’t care…any trip with the Doctor was worth it.
He became my friend, my comfort person who I could trust with my life. I felt safe with him and that he’d always be there to help me. If I called for him, I knew minutes later I’d hear the Tardis in my backyard. Then, I did the one thing I knew I never should with a centuries old time travelling alien…I fell in love. I became completely dependent on him and thought he’d never leave me. He’d had handfuls of companions before me, yet I thought I was different…that he’d stay for me.
The inevitable happened, his body got old and frail. It needed to regenerate and become new again. I knew the end was near, I was going to lose him. He’d still be the Doctor but he’d never be my Doctor ever again. That odd yet beautiful face. That personality and silliness. That shy, quirky man that would always get embarrassed.
When he regenerated , he not only looked different, his demeanour completely changed. He no longer hugged me, kissed my forehead, held my hand…nothing. All the affection that I once knew had gone away. I tried to hold onto him but it was no use. I decided it hurt worse being around him than not with him at all. I let him go one final time. The thought that my Doctor was somewhere in another time with his old face was enough to sustain me. I thought I’d never see him again… I was wrong.
**********
2023:
It had been 10 years since the Doctor left me. Every year that passed became a little easier. I had to get used to life back at home and in the correct year. To say it was an adjustment was an understatement. Nothing felt the same, life was never really that exciting. Christmas on the other hand, it was always a challenge. That was the day he changed…when Eleven became Twelve on Christmas Day 2013. I would make the best of it and try not to be sad but it felt like the anniversary of the death of a family member. You may move on yet that specific date would always be in the back of your mind.
I wondered if he ever thought of me…while he was on adventures with new companions…did he ever miss me? Would he check up on me? Did he visit younger versions of me in the past? It was getting closer to Christmas and I wasn’t feeling the spirit like I usually did. It’s almost as if my sadness had been felt through time…calling for him to come rescue me.
I laid my head on my pillow exhausted from the long day. Drifting off to sleep, I dreamt of him. It was the only place I could be with him again. To touch his face, to drink in his aroma, to feel his warmth.
Out of the silence of the winter night, I heard a noise. It was the familiar screeching of the Tardis breaks as it tried to land. I shot up from my bed still convinced I wasn’t actually awake and was having dream hallucination.
I peaked out my window to see a blue Police Box looking completely out of place in my backyard. I got dressed faster than an actor backstage changing costumes and ran out the door. I stopped just in front of the Tardis, scared to even touch her. It was no doubt the Doctor inside…but which one. I wanted to run in and embrace Eleven…but what if it wasn’t him? My heart would break all over again and I almost stopped myself from going in all together.
As if she read my thoughts and felt my hesitation…the Tardis opened her doors to let me in. I walked in looking around the spaceship noticing it looked the same as I left it. I walked up towards the console smiling, running my fingers over all her buttons.
“Did you miss me, old girl?” I remarked as I heard the Tardis make a low moan.
Behind me I could hear faint leather boots walking on metal stairs. It was right behind me getting closer with each step. I felt a burst of fear fill every inch of my body as I debated whether or not to turn around.
“It seems she missed you.” Said the familiar voice.
“I won’t deny that I missed you as well.” He continued.
Tears began to well up in my eyes, breathing rapidly as I knew it was him. Turning around I gazed upon the face I never thought I’d see again. It was him…it was my Eleven…my Doctor.
“It’s you. Are you real?”
“Well, you never can tell can you? Perhaps none of this is real…perhaps it’s all a hallucination brought on by-“
I ran to him and grabbed him before he could finish his sentence.
“Enough with all your rambling!”
“Look at you! Your old!”
“You’re one to talk Mr. I’m over a 1000 years old!”
“Yes true but I look amazing.”
We talked for what felt like days but was only a couple hours. It was as if no time had passed and he’d never left. His cheeky ways and quirks were incredible to witness once more. Yet, all fun must cease eventually and the real conversations begin.
“So…when I changed…why’d you leave me? I never thought you’d want the fun times to end.”
“Me? Leave you? You left me!”
“I most certainly did not! My face might’ve changed but I was still the same person that cared about you and wanted to give you everything.”
“You were certainly not the same person! You were grumpy, difficult, always too serious, and you hated being touched. My Doctor was affectionate and kind…always looking at the fun even in dangerous situations. Twelve was a bitter, cranky old man. He was nothing like you.”
The Doctor looked down…his sad eyes searching the floor.
“Do you know what he said to me? What you said to me? I’m not your boyfriend. It was so cruel. I knew we weren’t a couple and that we never could be…I understood that. But I knew you were fully aware of my feelings for you. You’d never say anything so hurtful…saying something that would break my world.”
“I truly am sorry…sadly there’s nothing I can do about him. He’s my future so I cannot explain what he is thinking. I don’t know why he’d be so cruel.”
I wiped my tears with a tissue, looking up at him. He always hated it when I cried, especially if he was the cause.
“I left him because I felt like I was travelling with a stranger. I know I promised you on the phone…but it was too difficult. He wasn’t you…he…wasn’t..you.”
I burst out crying as Eleven ran to my side and swooped me up into his arms.
“I never really left you. There’s always going to be a time period, a planet we visited in the future…there’s always a version of me with you in all of time. I’ve been visiting younger and modern you just to make sure you’re ok.”
I looked into his bright, ocean eyes as I felt a sense of relief and responded “I knew it. I had a feeling you’ve been with me my whole life.”
“I’ve watched from afar every big moment in your life…in the past and the future. Im always checking on you here in the Tardis. I may not come when you call, it’s not because I didn’t want to…it’s because I knew I shouldn’t.”
“What do you mean? Why would you not come to me?”
“You were becoming dependent on me and I told you to not rely on me. I’m way too old and travel too much for commitments.
Furrowing my brow, I responded “I did know we’d never be together…that’s not the point …I wanted to explore as much as I could. What happens when I’m too old and cannot travel? I want to be able to explore as much as I can before I can’t anymore.”
“And I understand that…but everything must end eventually. I needed you to understand that I wasn’t always going to be around.”
“You will always be around…just not with us.”
He looked at me confused. “Us? Who is us?”
“Us. Your companions. Your past, present, and future humans that follow you everywhere. You show us unbelievable worlds…you make the impossible possible…you treat us as if we are the most important beings in the world. And…and then you just leave. You drop us back at home like we don’t matter. Like we were never-”
“THAT IS NOT TRUE! You…all of you…you mean more to me than you could ever imagine.”
He walks over to the steps and sits down facing away from me. Placing his face in his hands trying to disguise his emotion. He runs his fingers through his floppy brown hair continuing.
“Do you have any idea…what it’s like…to out live every one you’ve loved? To-to-to watch them all get old and die right in front of you? You think it’s easy for me to bring you all back home after countless adventures? But I know I can’t keep you forever…because one day….you will die on me. It's always just going to be me. The end of the universe will arrive…and I'll be all alone."
I walked over to the steps, sitting down next to him. Grabbing his hands, holding them tight I whisper. “You’re never alone. You have her. The Doctor and the Tardis…the perfect pair…like fish fingers and custard.”
We both laugh as our heads touch. He placed his arm around me holding me tight. Whenever I’m feeling upset, depressed, or having an anxiety attack….I like to imagine I’m being held by the Doctor. Being in one of his hugs feels like the safest place in the world. Nothing can hurt me. This wasn’t my imagination…this was real. Feeling his warmth, the scratchiness of his wool jacket, the scent of pine and lavender that radiated from him naturally.
He took my face in the palms of his hands and assured me that while he may not always come when I call…it didn’t mean he didn’t care. He was always with me, if I closed my eyes I would be able to sense his presence. He assured me that this would not be our last time together.
Then…the unexpected happened…he stared into my eyes and kissed me. Not on the forehead, not on the cheek, not on my hand…but on my lips. The Doctor was never confident when it came to matters of the heart (or both of them) and would often be shocked and caught off guard when anyone would kiss him. This act made me realise how much he truly cared about me. Tears streamed down my cheeks as we pulled away and smiled.
“Life may not go the way you want. It will be full of difficulties and challenges. You may feel as if all is lost and that you will never find happiness. Don’t let this change you…don’t let me not being here change you. You are more important than you realise. Every person I have ever met has been special even when they didn’t believe it.”
We stood up and walked towards the console. He moved towards the controls that would make the Tardis fly. I knew our time was coming to an end once more. His right hand grabbed my left as we both stared at each other. There was an understanding that was shared without saying a word. He pushed the controls to start the Tardis and entered in the time coordinates. The ship began to vanish around me, yet we never took our eyes off each other. Seconds later, I was back in my yard all alone. The Tardis was gone…the Doctor was gone.
I walked towards the porch and sat on one of the lounge chairs. Staring up into the sky until my eyes couldn’t stay open any longer. He was my Doctor and always will be. I was grateful for every moment I had with him. I may not be able to see him…to touch him…but it didn't mean he wasn't there.
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themultifandomgal · 1 month
Text
From 2010- Doctors Orders
2013
Part 27
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Trigger warning- talks about anxiety and feeling low. Reader is put on antidepressants
“So what the doctor say?” Harry asks as I place my bag down on the island in our kitchen. Cookie runs over to me and I pick her up cuddling her
“I’ve been put on Sertraline, it’s an antidepressant. He said I might have a few side effects from it like feeling sick so I’ve also been given antisickness tablets as well” I sigh walking into the living room. Since loosing Alex I’ve felt extremely low, and panicky whenever I’m in a car. Louis rang an ambulance a few days ago because I had a huge panic attack “he also suggested I talk to someone about what happened”
“Like a therapist?” Harry asks sitting next to me
“Yeah” I nod my head and sit down with Cookie on my lap “I’m dreading telling management”
“It’s nothing to do with them. It’s your business and no one else’s” Louis says
“It’ll be bad publicity if it comes out that a one direction singer has panic attacks. What if I end up having one on stage?” I asks nervously
“Then we will be all there to help” Louis replies
“Yeah. We can get you off stage and help you. Everything’s going to be alright. Come’ere” Harry pulls me into his arms and hugs me
“How about we watch a film? I bought popcorn yesterday”
“What kind?” I ask lifting my head up a little
“Sweet and salty” I give Louis a small smile and let him walk into the kitchen to make the popcorn.
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“Where is she?” I hear Zayn ask walking through the hallway of my shared place with Louis and Harry
“In bed. The antisickness hasn’t helped all that much” Louis responds. There’s a knock on the door and in walks my best friends
“Hey how do you feel?” Liam asks
“Like shit. Got a headache, tired and feel so sick it’s unbelievable. Not eaten in 2 days”
“How long will the side effects last for?” Niall asks. I give him a little shrug
“Between a week and 3 weeks”
“Do you think you’ll be ok to come to the Brit awards?”
“I hope so” I reply to Zayn. The front door opened then shuts. Cookie then runs into my room and jumps onto the bed and snuggles into me. Smiling I stroke her fur “did you have a good walk with Harry?” Not expecting a response off my dog I look up to the door where Harry stands
“She was a good girl like always. Although Mr Henderson is missing you” Harry mentions the elderly man we see most days on our walk. I giggle a little looking back at cookie “he asked me to give you these get well soon cupcakes” Harry places some cakes on my bedside table
“Ooo got an admire YN?” Liam wiggles his eyebrows making me laugh more
“I might have to start taking Cookie out if it gets me cupcakes” Niall says sitting on the end of my bed
“So what’s the plan for today?” Liam asks also sitting on my bed. Harry picks up my remote control for my TV and turns it on
“What are you doing?” I ask frowning
“Having a movie day what do you think?” Louis replies
“We won’t all fit on the bed” I say
“M’ gonna get the beanbags”
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2 days until the Brit awards and I still feel ill, thankfully not as bad as when I started on Sertraline. Now I’m just exhausted no matter how much I sleep and my head feels like a hammer is constantly being hit inside my skull. My nausea has mostly gone except if I take my tablet before food. I’m currently in my dress fitting for the award show. It’s a strapless white dress with blue flower pints on it which will be pared with nude heals
“What do you think?” Charlotte my stylist says
“I love it thank you so much Char”
“Your very welcome”
“Knock knock” I hear my dad say before opening my bedroom door with his hand over his eyes
“I’m dressed it’s fine” he takes his hand away from his eyes and looks at me in a state of shock “what? Don’t you like it?”
“That’s not it. It’s just you look so much like your mum. She’d be so proud of you”
“Thanks dad”
“You feel up to the awards show, because if not the boys will understand”
“No I’m fine don’t worry”
“I do worry, I’m your dad that’s my job”
“The doctors gave me some new antisickness tablets. They’re stronger and they’ve been working. I’ll just take some paracetamol and Emma said she will come collect me after the awards show and bring me home while the boys go out”
“As long as your sure. Your health is more important than any award”
“I know. Promise I’m ok”
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leiflitter · 5 months
Text
I've figured out the You’re Almost Home Timeline so for the gang who care about the passage of time it's under the cut.
Firstly, I have chosen to totally ignore the gravestone dates because of Reasons, including "okay look I started writing this when it wasn't on streaming and this is mostly so it makes sense to me" and "time is an illusion I just need to know this so I can say what year it'll be on NYE". Felix has a January birthday in my little canon and nobody can stop me.
So let's go!
2007
Felix is in Expensive Rehab Facility until Christmas. Sir James and Lady Elspeth have pulled a lot of strings to make sure that Felix's accident won't impact him in any way, shape or form. This mostly means getting him an expensive tutor and essentially permission to submit all of his work online. No need for tutorials because he's had a hard time and is a very special boy. Felix takes this chance to essentially do as much work while he's stuck in the facility as he can because there's fuck all else to do, and he's being made to quit smoking so he's mad about that. Farleigh's back as if he never left, and Venetia is being an absolute rock.
Oliver returns to Oxford, makes contact with the Student Counselling Services, and throws himself into studying so hard it hurts. He needs to distract himself. They allow him to switch tutors and move to a different dorm where he turns into a studying hermit. If he sees any of the Alpha Hotties, he hides. He becomes invisible again, even more than before. His new tutor helps him switch to an accelerated degree program.
2008
Felix turns 21 and does the Spring and Summer terms. His parents decide to go on a tour of Europe to celebrate Felix getting back on the horse. They also know he's going to graduate, because the Special Little Boy measures are in place for him so all he has to really do is log on to Moodle and submit one of his pre-written essays every so often. He's burned a few bridges because he's being very twattish. Felix decides to sack off Christmas term and heads to Bali in late July/early August. Sir James has made sure he has internet access, so what's the point of even being in Oxford? He meets Lucia, who is 18 and on her Gap Year. Because it's the end of the summer, there aren't many options, so Felix sticks with her. Harry is part of the group from maybe like... week three? Luckily, Lucia is on a cleanse, so although they're partying, she isn't drinking or indulging in anything else. In November, Lu gets food poisoning- or so they think, until the doctor Felix hauls her to gives them the news. Felix contacts his parents in a hurry, and they are flown back to the UK and subjected to a major parental conference. Felix proposes to Lu at a Catton Christmas party.
Oliver graduates early. He doesn't go home for the holidays, saying he needs to keep studying. He decides on teaching because it won't be sustainable to be a student forever. His tutor is a major help; he's from Newcastle, although you wouldn't know it because his accent has long since faded and has taken Oliver under his wing. He remains Oliver's main advisor throughout his studies and is probably the reason he gets the job- he's keeping an eye on him so he knows there'll be a Northern Lad Professor once he eventually retires. They're not exactly friends, but there's a lot of mutual respect there.
2009
Felix turns 22 and marries Lu shortly after. He briefly returns to Oxford, but mostly to make sure he graduates. Harry is born in on the 10th of April and he gets his degree in absentia. Lu gets pregnant with Ru maybe a little too soon afterwards, and Rufus is born prematurely on the 27th of November. Oopsie.
2010
Oliver gets his Masters degree in english literature.
2011
Sir James dies of a heart attack in May.
2013
Ellie is born on the 1st of August. Felix gets a vasectomy.
2014
Oliver gets his PhD. His thesis was titled "Narrative Accessibility and Diversity within Academia".
2015
Lady Elspeth passes away in her sleep.
Then a bit of a time jump until
2020
Oliver is finally an associate professor after being in postdoc for 6 years.
Farleigh finally hits on a startup that works- a designer resale app that offers item verification for an add-on fee. It's wildly successful, mostly because he's been hobnobbing in America hardcore and is getting a ton of celebrity endorsements.
2025
Venetia is diagnosed with lung cancer.
2026
Venetia passes away. Felix is bereft.
Harry gets her A level results and Oxford place, despite being 17- Lucia, having not got a degree herself, is adamant that her children be highly educated as fast as possible... and Harry will turn 18 in her first year anyway. Harry doesn't mind this, as she has a fake ID and cannot wait to be away from boring boarding schools.
Oliver Quick receives an email notifying him that, amongst others, he will be tutoring Harriet Catton.
And then Felix Catton walks into his office, and they proceed to go bonkers.
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Text
Stats from Movies 201-300
Top 10 Movies - Highest Number of Votes
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Return of the Living Dead had the most votes with 1763 votes.
The 10 Most Watched Films by Percentage
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The Shining was the most watched film with 78.96% of voters saying they had seen it.
The 10 Least Watched Films by Percentage
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The Human Centipede was the least watched film with 74.6% of voters saying they hadn't seen it.
The 10 Most Known Films by Percentage
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The Shining was the best known film with only 0.48% of voters saying they'd never heard of it.
The 10 Least Known Films by Percentage
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Late Phases was the least known film with 86.64% of voters saying they'd never heard of it.
The movies part of the statistic count and their polls below the cut.
Detention (2019) Deep Freeze (2001) Five Nights at Freddy's (2023) The Boy (2016) Spree (2020) They Look Like People (2015) Proxy (2013) 28 Days Later (2002) Grave Encounters (2011) Creature from the Black Lagoon (1954)
The Cabinet of Dr. Caligari (1920) Nosferatu (1922) The Toxic Avenger (1984) The Human Centipede (First Sequence) (2009) Tetsuo: The Iron Man (1989) Haunt (2019) Blood Quantum (2019) Videodrome (1983) Splinter (2008) The Last Days on Mars (2013)
Late Phases (2014) The Wolf of Snow Hollow (2020) Watcher (2022) The Blackening (2022) No One Will Save You (2023) The Sadness (2021) Sleepwalkers (1992) Mimic (1997) His House (2020) Get Out (2017)
Barbarian (2022) Bodies Bodies Bodies (2022) Men (2022) Phantasm (1979) The Belko Experiment (2016) The Purge (2013) The Strangers (2008) The Strangers: Prey at Night (2018) Overlord (2018) Sinister (2012)
Candyman (2021) The Shining (1980) Doctor Sleep (2019) The Stuff (1985) The Blob (1988) Signs (2002) The Visit (2015) The Fly (1958) Sleepaway Camp (1983) The Brood (1979)
Intruder (1989) The Evil Dead (1981) Evil Dead II (1987) Army of Darkness (1992) Evil Dead (2013) Evil Dead Rise (2023) Pontypool (2008) Final Destination (2000) Final Destination 2 (2003) Final Destination 3 (2006)
The Final Destination (2009) Final Destination 5 (2011) StageFright (1987) Invasion of the Body Snatchers (1956) Invasion of the Body Snatchers (1978) Ju-on: The Grudge (2002) Centipede! (2004) Excision (2008) Return of the Living Dead (1985 Frankenhooker (1990)
Crash (1996) Orca (1977) Wish Upon (2017) Things (1989) Cooties (2014) Glorious (2022) Terrified (2017) Diabolique (1955) In My Skin (2002) Death Bed: The Bed That Eats (1977)
Funhouse (2019) Blood Rage (1987) Carnival of Souls (1962) The Curse of Frankenstein (1957) Horror of Dracula (1958) Bride of Frankenstein (1935) City of the Living Dead (1980) Piercing (2018) Spider Baby (1967) The Haunting (1963)
What Ever Happened to Baby Jane? (1962) Malatesta's Carnival of Blood (1973) The Blob (1958) Tourist Trap (1979) Death Game (1977) Knock Knock (2015) Funny Games (1997) Funny Games (2007) The Company of Wolves (1984) The Stepford Wives (1975)
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dearorpheus · 1 year
Note
(that last anon again) Thank you so much for the recommendations! I'm truly in awe of how well read you are and how thorough your answers are. May I ask if you have any fiction recommendations with the same themes?
(following on from this ask)
hi!! you're very kind, apologies for taking so long to get back to you! i've been snowed under with assignments+readings for uni and the slowly encroaching exam crawl... but yes absolutely♡
- The Story of O, Anne Desclos - The Bloody Chamber ; The Infernal Desire Machines of Doctor Hoffman ; The Passion of New Eve, Angela Carter -> Angela appreciated and referenced symbolist artists like Rops:
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Woman Putting on Costume, 1848-1898, Rops; The Bloody Chamber, Angela Carter; excerpt from Romana Byrne's Aesthetic Sexuality: A Literary History of Sadomasochism (mentioned in previous ask) which seems esp pertinent given the Bloody Chamber is a Bluebeard tale (but which is actually referencing Story of O)
I also mentioned Giger in the previous ask, and Hans Bellmer was an influence of his whom I enjoy viewing alongside Rops...
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this is Sans Titre (Jeune Fille et la Mort), 1963
- The Torture Garden, Octave Mirbeau
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(Le Jardin des supplices (1976) dir. Christian Gion; screencap from estateofinsanity)
- Exquisite Corpse, Poppy Z. Brite - Necrophilia Variations, Supervert - Story of the Eye; My Mother, Madame Edwarda, The Dead Man; Blue of Noon, Bataille - Justine, or The Misfortunes of Virtue ; Juliette ; 120 Days of Sodom, Sade - The Claiming of Sleeping Beauty, Anne Rice -> supplement w Sleeping Beauty (2011) dir. Julia Leigh - Venus in Furs, Leopold von Sacher-Masoch - Monsieur Vénus, Rachilde - Le Necrophile, Gabrielle Wittkopp - The Apprenticeship of Big Toe P, Reiko Matsuura - The Damned ; Against Nature, Joris-Karl Huysmans - Empire of the Senseless, Kathy Acker - Crash, J.G. Ballard (+ the Cronenberg of course) - Salomé / Teleny, or the Reverse of the Medal, Oscar Wilde - La Morte Amoureuse, Théophile Gautier
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^Romuald bitterly remembers his lost love, 1904, Eugène Decisy—his etchings for Gautier's story are beautiful (x, x)
- The Image, Jean de Berg - Trois Filles de leur mère, Pierre Louÿs - House of Incest, Anaïs Nin - My Dark Vanessa, Kate Elizabeth Russell - Naomi, Jun'ichirō Tanizaki - “Dolores”, Algernon Charles Swinburne:
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-> first of many stanzas^ ; I also like his “Laus Veneris” - Trouble Every Day (2001) dir. Claire Denis - Belladonna of Sadness (1963) dir. EIichi Yamamoto
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(screencap from eternal--return)
- Nekromantik (1988) dir. Jörg Buttgereit - Thirst (2009) dir. Park Chan-wook -> supplement w Zola's Thérèse Raquin and In Secret (2013) dir. Charlie Stratton
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mlmxreader · 1 year
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Masterlist Navigation
last update: 20/01/2024, 22:38 (GMT)
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Scream
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Silent Hill
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Hellboy
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Breaking Bad
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We Can Be Heroes
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Predator (film series)
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Netflix!Sandman
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Burnt (2015)
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The Nice Guys
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Blade Runner 2049
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rebeccalouisaferguson · 2 months
Text
Angela Bassett earned an Oscar nomination for Best Supporting Actress for her role as a devoted mother in the sequel “Black Panther: Wakanda Forever.” So I couldn’t help but wonder while watching “Dune: Part Two” whether Rebecca Ferguson could follow a similar trajectory to awards glory.
The two roles are similar in that both women play mothers whose life partners are killed and whose children carry great power. Of course, beyond that there are significant differences. Bassett’s Queen Ramonda is thrust into leadership reluctantly after the deaths of her husband and son. Ferguson’s Lady Jessica, on the contrary, actively seeks power for herself and her child Paul (Timothee Chalamet), preying on people’s faith and fear in order to fulfill a prophecy.
But both actresses give standout performances among their films’ ensemble casts. Bassett lends emotional depth and raises the stakes of what might have been a conventional superhero sequel. Ferguson deepens her film’s narrative in a different way. We recognize her love for her son and unborn daughter, but there are subtle shades of Lady Macbeth underneath; her pure love for her family is twisted by a thirst for power. It’s through her unsettling performance that the film comments on the dangers of religious fanaticism and begins to suggest that Paul’s rise might not be as heroic as we’re first led to believe.
Clarisse Loughrey (The Independent) writes of the performances that “Chalamet and Ferguson take all that was regal and dignified about their performances, and apply to them a poisoned tip.” Brian Truitt (USA Today) adds that “Ferguson’s Lady Jessica rises to become a gripping ‘Dune’ persona, who goes from being extremely dry in the first film to an intriguingly determined figure.” Brian Tallerico (RogerEbert.com) argues that her “slippery performance” adds “flavors here that weren’t in the first outing.”
Ferguson’s career has been building for more than a decade now. She earned a Golden Globe nom for her breakthrough performance in the 2013 TV limited series “The White Queen.” A couple of years later she got a Critics Choice bid for Best Actress in an Action Movie for “Mission: Impossible – Rogue Nation” (2015). She also received a smattering of awards attention for her role in the “Shining” sequel “Doctor Sleep” (2019) and made additional appearances in awards contenders like “Florence Foster Jenkins” (2016), “The Girl on the Train” (2016) and “The Greatest Showman” (2017), but she has yet to be nominated by a major industry peer group like SAG, Emmy, BAFTA or Oscar.
The question, of course, is whether Ferguson can survive the gauntlet of the rest of the 2024-2025 awards season, which to be honest hasn’t even really begun yet and won’t get into high gear until this summer and fall’s festivals. Still, we’ve seen early releases survive the long haul of an Oscars campaign like “Black Panther,” “Everything Everywhere All at Once” and “Past Lives.” And the Oscar success of the first “Dune” film (six wins out of 10 nominations) indicates that awards voters will surely have this sequel on their radars. Will Ferguson also garner attention for her chilling performance?
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henryloverman · 1 year
Text
(The song when the Narrator left the Parable Ending, and how Stanley feels about it, a special birthday post just for you guys ^^)
An Alternate universe where the Narrator leaves the Parable and Stanley stops him to it.
"Stanley? I have to go now, any last words?"
"..."
"Hmmm? You're not even going to say goodbye to me?"
*Sighs*
"Well then, goodbye Stanley, we had a great adventure and now it's time to end it-"
"-Don't leave! Please..."
"What is that, Stanley?"
"...Please don't leave me, Narrator"
"Why should I do that?"
"I-I...uh... Because you haven't even finished the Story yet!"
"I did? Any kind of ending is up to you now, I already did my part Stanley, you should do yours"
"But- but what am I without you?! Weren't you the one who made my story? You can't just leave me here!!"
"I can and I will, I do appreciate you caring for me, Stanley, but I need to do this-"
"-Then why won't you let me leave with you?! Is it because I'm not real? Is it because I can't function in the real world?!"
"Stanley...you want to come with me?"
"...Yes, I don't care where you're going, just don't leave me, Narrator...please"
"... Stanley, are you crying!? How are you able to do that? I didn't code you to cry so how ?!"
"Because that's how I am, I'm your protagonist, aren't I? Your stupid,fat, and ugly protagonist?"
"Oh god, you must be that desperate to call yourself that, which is true- but that's really not important right now! Are you sure you want to come with me into the Real World, Stanley??"
"...I want to be by your side no matter what, I want you to continue narrating me, so yes, I want to go with you"
*Sighs*
"You idiot, fine but remember there's no turning back, so if you regret leaving here that's your choice-"
"-i won't, I promise!"
"Take my hand, Stanley, we're going now"
"I hate you, Narrator"
Stanley said with a grin, he took the narrator's hand and continued walking towards the exit, Stanley's eyes were still still wet from crying, but now it's replaced with a hint of fondness and... Love.
"I hate you as well, Stanley"
Now they're at the exit, the two looked at each other for one last time before going inside, their hands intertwined with one another, a new adventure awaits them.
The End
...
"You think this is a happy ending do you? Well unfortunately it's not, Stanley, wake up."
"-Huh?!"
Stanley immediately looked around the room, there was no one there? Wasn't the Narrator with him a moment ago? Weren't they escaping the Parable? Then where is he???
"Stanley?! You're awake!! Oh god I miss you so much"
Suddenly a lady hugged him out of nowhere, Stanley tried to push her off, who is she? Where's the Narrator???
"... Stanley, you don't remember me? It's me, Mariella, your friend?"
"I... don't know you, where's the Narrator?"
"Narrator...? Stanley, is this a joke?! You seriously remembered your fictional character and not me?! Come on, man!"
"I am saying the truth! I don't know who you are!"
"Oh...I'm so sorry, I should try to explain then, your name is Stanley and you are a famous Author of TSP, you used to work in an office building"
"Wasn't the Narrator the one that created The Stanley Parable? What do you mean i'm an author?"
"Stanley, the Narrator is a character you made up for your story, YOUR THE ONE who created The Stanley Parable that was turned into a game in 2013"
"...What?!"
Stanley couldn't believe this, was the woman lying?! But her eyes spoke the truth, so the Narrator doesn't exist the whole time... Stanley made him up?
After hearing that, Stanley's vision started blurring, he could hear Mariella calling for the doctor, his ears were buzzing, he couldn't keep his mind straight, and after that, Stanley fainted.
Editor's Note: PLOT TWIST?! This is the continuation of the RealParable Au! What happened to Stanley you may ask? Well let's just say...he overdosed on sleeping pills.
That would make sense how Stanley wasn't able to escape the Parable, he was in a coma the whole time, DON DON DON!!!!!
I know this trope is cliche, "it turns out everything was a dream" but I HAVE FUTURE PLANS FOR THIS!!!
Thanks to the dearest song, "I love you so" by The Walters, I have gained more motivation and ideas!!!!
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What do you guys think of the Narrator's role? You guys theorized!!!! Thank you for reading, have a nice day 💛🖤💛🖤
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mbabeys · 1 year
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Part 2 of the PSG OG clownery 🤡
that i forgot to repost after it glitched
i've had people asking in the previous post what happened in the elevator back in 1998, well the former President of RC Lens himself recounted the story and said that the first reaction the back-then President of PSG had when the elevator stopped working was 'i don't know how, but i know it's your fault'.
in 1977, PSG reached Division I and splurged on Carlos Bianchi. For those who don't know, Bianchi was nearly blind as a bat, and confessed that the reason he didn't play any closer from the penalty box was because otherwise he just couldn't see the goal. He still went on to become PSG's top scorer for forty years, until Zlatan came along, then Cavani, then Kylian.
in 1997, the club was so desperate after a loss in the first leg against Bucarest in the UCL they paid a marabout to predict them the outcome of the second match. Literally. They needed to score at least 4 goals. The marabout predicted 5-0. PSG did win 5-0 but didn't make it out of the group stage.
in 2005, during an OM-PSG clasico, Marseille (allegedly) poured ammonia all over the Parisian locker room to prevent them from entering. The players had to change in the hallway and in various staircases. OM denied, saying their own locker room smelled even worse. PSG went on to claim that they lost because Marseille had also sent Clara Morgane, a notorious porn actress and Marseille-fan, to distract the players ahead of the game, when she specifically said she hadn't seen any of the players despite being in the stadium. Paris went on to seize the LFP. Imagine the headlines after that.
in 2012, in the weeks following Ibra's transfer to Paris, his wife got mugged Place Vendôme. PSG offered to replace her designer handbag, until they found out its cost went beyond €30 000. They promptly rescinded their offer. (Ibra was more pissed because inside was his hunting permit.)
in 2013, PSG players gathered at an A-list restaurant in town to watch a UCL match live. The place was new and constantly had powercuts, which messed up with the router. The owner was beside himself trying to make it work, until Ibra said 'I'll try'. He fixed it in the end, but the owner said the restaurant got real quiet for a while
that time in 2018 where Verratti nearly peed his pants trying to avoid Tuchel standing in the way of a Parisian restroom, just so he wouldn't be told off for staying out late
during his tenure, Pochettino (reportedly) told Kylian a few times to 'leave [him] alone' and 'please go to sleep', because Kylian kept texting him late-night gameplans and tactical plays until 2 or 3am
Dr. Rolland, the former club doctor, is the reason Verratti is still smoking. Take it up with him.
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pagansheep · 7 months
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Iplier Appearances by Date
Welcome to all of the Iplier Ego Appearances from the very first to current!
YouTube Playlist Here
2012
June 19th, 2012: Don’t Blink
July 4th, 2012: Don’t Move
November 9th, 2012: The Fall of Slender Man
2013
January 23rd, 2013: King of the Squirrels
February 7th, 2013: Danger In Fiction Part One [Feat. Markiplier]
June 12th, 2013: The Warfstache Affair
July 23rd, 2013: Mr. Kitty Saves The World
July 28th, 2013: Raspy Hill
August 20th, 2013: Danger In Fiction | Chapter II
October 16th, 2013: Warfstache Plays Slender
October 31st, 2013: Are Jumpscares Scary?
2014
June 3rd, 2014: Super Infidelity 
August 26th, 2014: The Ned Affair [feat. Markiplier]
October 31st, 2014: Google in Real Life | ft. Markiplier (Matthias Ending)
October 31st, 2014: Google IRL (Markiplier Ending)
December 10th, 2014: Hire My Ass [feat. Markiplier, Danny Sexbang & Matthias]
2015
March 7th, 2015: Five Nights at Freddy’s Interview 
March 24th, 2015: Ed Edgar Adoptallott's Baby Bulk Buy
March 26th, 2015: King of the Squirrels Returns
September 8th, 2015: Worst News Doctor
September 13th, 2015: Warfstache Interviews Markiplier
2016
August 13th, 2016: Relax
August 24th, 2016: Now We’re Cooking
November 13th, 2016: MAKING LOVE FOR SENPAI | Yandere Simulator #12
2017
February 14th, 2017: A Date With Markiplier
April 1st, 2017: 360 Video | Let’s Play Minecraft | Part One
April 16th, 2017: Don’t Play This Game
May 5th, 2017: Markiplier TV
May 20th, 2017: Google Gets an Upgrade
June 29th, 2017: The Voice of Darkiplier | Markiplier Remix
October 10th, 2017: Who Killed Markiplier? - Chapter One
October 11th, 2017: Who Killed Markiplier? - Chapter Two
October 12th, 2017: Who Killed Markiplier? - Chapter Three
October 13th, 2017: Who Killed Markiplier? - The Final Chapter
October 14th, 2017: Corpse Abduction?
October 14th, 2017: Suspect With A Shooty?!
October 14th, 2017: Demons Jim, Demons!!
October 14th, 2017: Dummy Jim Reenacts Grisly Scene!
November 19th, 2017: Don’t Remember
November 20th, 2017: Big MOOD?
 November 21st, 2017: THE ANIMATRONIC IN THE SHADOWS | POPGOES - Part 6 (ENDING)
December 23rd, 2017: A TOTALLY NORMAL GAME... NOTHING SUSPICIOUS AT ALL... | Doki Doki Literature Club - Part 1 (Description Only)
December 24th, 2017: SO MANY BEAUTIFUL WOMEN | Doki Doki Literature Club - Part 2 (Description Only)
December 26th, 2017: EVERYTHING IS SO... NORMAL | Doki Doki Literature Club - Part 3 (Description Only)
December 30th, 2017: THE PERFECT DATE w/ ThE ̸̗͍̮̼͙P̏͂̈́ͦ͂̂E͆̈́ͧͮͣ̍̄Ŕ̓͋F̿̒ͦĒͫ̑ͧCT̓ ͏̪̜̗͔̻̘GiRL | Doki Doki - Part 4 (Description Only)
December 31st, 2017: WARNING... THINGS GO VERY VERY WRONG... | Doki Doki Literature Club - Part 5 (Description Only)
2018
January 1st, 2018: BE WITH ME FOREVER | Doki Doki Literature Club - Part 6 (ENDING) (Description Only)
January of 2018: A Compromise (Tumblr)
August 15th, 2018: Wilford “MOTHERLOVING” Warfstache
August 20th, 2018: Go Back To Sleep…
December 10th, 2018: SANTA SPILLS THE TEA
2019
May 12th, 2019: DAMIEN
December 21st, 2019: CyberMark (Facebook, THIS HAS ENDED)
October 30th 2019: A Heist With Markiplier 
2021
February 11th, 2021: Cooking Simulator #2
February 11th, 2021: The Best Kind of Love Story… (Instagram)
March 7th, 2021: The Warfstache Automated Interview Automaton
August 24th, 2021: MY WORST NIGHTMARE | Mannequin House
September 3rd, 2021: Everything has to End
December 11th, 2021: Everything has to Begin
2022
March 4th, 2022: In Space With Markiplier | Official Trailer
April 4th, 2022: In Space With Markiplier Part One
April 11th, 2022: Ë̸̼R̴̢̼̂R̵̡̙̚͜Ǫ̸͙͚̈R̶̦̮̝͗
April 13th, 2022: We Went Back
April 15th, 2022: Try Not to Crash Simulator | Drive Time Radio
April 18th, 2022: P̴̮̌̓A̵̧͌͜R̶̰̀A̶D̶O̵X̴͓́͗͗͊̆̀͝ ̵͙̈̚D̴̖̍E̷T̷E̵̩͑͜ͅC̵̻͊T̸̺͎̾̾È̷͕Ḓ̴̵̛̊͗̔̃̌̅̀̓̂̕͝
April 25th, 2022: The Multiverse Is Littered With the Corpses of Your Failures
May 2nd, 2022: In Space With Markiplier Part Two
2023
September 16th, 2023: 3 Scary Games #102
Tags
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