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#divergent spoilers
jdsmineralwater · 1 year
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okay okay okay so this idea formed in my head during dinner and now im putting it into words
ride the cyclone character's factions (divergent)
ocean: born in erudite, tests for erudite, picks erudite. i do make the rules and ocean is 100% erudite.
noel: born in erudite, tests for candor, picks erudite. he almost chose abnegation bc what better way to blend in than to have that be your lifes goal, but he chose against it bc hed be alone
mischa: born in abnegation, tests for abnegation and dauntless, picks dauntless. it looks fun. thats why he does it, bc it looks fun. he passes initiation at top rank tho
ricky: born in amity, tests for amity and dauntless, picks dauntless. he picks dauntless bc yes he believes in nonviolent conflict resolution but he figures that the only way anything will be fixed is through dauntless
penny: born in amity, tests amity and erudite, picks dauntless. she learned the hard way to not eat the bread.
constance: born in abnegation, tests amity, picks abnegation. she doesnt want to leave her family behind, abnegation is her home.
mischa and penny are divergent, ricky thinks hes divergent but when he does the tests outside he finds out hes not (like tobias)
i love dystopia and divergent is my favourite sooo
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Hot take: Divergent isn’t a dystopian novel
Okay, that may sound weird. Let me explain. The dystopian genre is typically accepted to mean a specific type of futuristic sci-fi dealing with a corrupt or decaying society. It’s almost always some form of social commentary, exaggerating trends in the current world to a hypothetical future. People always say Divergent is a copy of The Hunger Games, that it’s just hopping on the YA dystopian trend without an understanding of the genre.
I disagree. I don’t think Divergent is a dystopian novel at all. I think it’s a futuristic sci-fi action novel. Because in Divergent, unlike in typical dystopias, society isn’t the problem. The faction system isn’t portrayed as bad or oppressive, it’s actually quite efficient and works well, and people become like family with their faction members. Society itself in the world of Divergent isn’t bad.
The problem in Divergent isn’t systemic, it’s individual. The main villain isn’t a government or a corporation or some other form of The Powers That Be, it’s one evil woman conducting unethical research on her own, secretly. Four’s issue with Abnegation isn’t an issue with the faction system, it’s an issue with his own abusive father. And the problems with Dauntless aren’t inherent or systemic, they’re the result of (one might argue) individuals with toxic masculinity.
Of course, I’m just talking about the first book in the series, because the second and third one are kind of bleh. But I think that Divergent is constantly mislabeled as “dystopian” when it’s actually plain old futuristic sci-fi and it bugs me. Anyway, bye.
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Character deaths are fucking wild, and there are many I hate and disagree with in general but it's been a decade and I'm still raging about the unfairness of Will's death in Divergent
"I know because that's where I aimed" fuck off
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dragonymango · 2 months
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A Butterfly's Dream
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lishenkaaa · 7 months
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i think something we sometimes ignore when we talk about tlt's themes of love is its incredible focus on familial love, like the books' romantic and sexual themes are very clear but also it truly is a series that questions what a family is from the very beginning. gideon's lack of both a biological and chosen family (at least in her eyes) and harrow's almost decade-long attempt at maintaining the illusion of one in gtn. the fifth and the fourth, filling in the missing parts of their own families with each other. coronabeth, ianthe and even naberius' entire deal. the focus within silas and colum's dynamic of their biological compatibility as a necro/cav pair. john's desire for a daughter in harrow and then discovery of one in gideon, as well as pyrrha's desire to find out why her kid had to die only to find out 1) not her kid, 2) didn't die originally, 3) still died in the end. nona and pyrrha and pal and cam, which tazmuir herself has specifically highlighted we should question if it even counts as a family at all, but has also made sure we know they loved each other anyway. kiriona as her mother's daughter and her father's son but ultimately neither and how it kills her even as a corpse. and anastasia, the series' godot who despite making no appearance is felt in its every corner, who pyrrha painted a nursery with and who started the lineage that opened the legendary tomb.
can't wait to see how this is all explored in atn, especially when nona's family is only a "dress rehearsal" for the real horrors of love.
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snake-snack-stede · 6 months
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so relatable when lucius was like “is it weird? I’m being so fucking weird I’m sorry” while proposing.
and then had to ask which question pete said yes to 💀
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slimi-kaito · 10 months
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Ok, so I know Nimona's gender fluid and the whole shape shifting thing is a queer allegory.
BUT. (Don't worry)
I also think it’s an allegory of neurodivergency and disability! And I wanna talk about it:
To me, the « I wouldn't die die but I sure wouldn't be living » discussion feels very reminiscent of autistic stimming and masking, masking being explained here as the constant state of « that second before you sneeze ».
With that in mind, Nimona and Ballister's discussion in the train hits a lot closer to home for ND and disabled people in general because Ballister says « it would be easier for you » which isn’t actually true and shows how a lot of the world views disability. For people your disability is completely fine until they see it, they say they are disability allies but will shame you if you start stimming etc…
I think Nimona’s reaction to what Ballister said also shows that she is used to that kind of rethoric, she tries to lead him to the true answer « normal? » you’re normal for people if they can’t see your disability, « easier for who? » easier for him, easier for society because if they don’t see it they can ignore it. At the end of that conversation he doesn’t understand though and even think he is a hero for it « a lot of people aren’t as accepting as me » except what he does is actually the bare minimum, treating disabled people like actual people is the bare minimum whether you can see their disability or not!
At the end, Ballister understands that he was in the wrong and goes on to actually see Nimona as a person, as who she is « I see you ». And theoretically/utopically it’s the same for the kingdom’s people BUT it took the literal sacrifice of Nimona’s life for them to start treating her like a person which again should be the BARE MINIMUM. I think it is especially sad that it’s the way our society works as well, disabled people, queer people etc… shouldn’t have to earn the right to be treated as a person.
Thanks for reading all that, byeeee!
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seen a couple people running to that "is it bad writing or do you not understand genre" post in regards to the ofmd upset. and let me remind people that this show was marketed as a romantic comedy, ESPECIALLY this season!
In that regard, I found an article/blog post that directly addresses the question "can you have character death in a romantic comedy?" And it really hits the nail on the head.
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Even if you were to make the argument "well it's a dark comedy!" or "its a pirate show!" there's still a balance that needs to be met if you don't want to alienate your audience.
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People are going to argue that the death was earned because they spent the entire season building up his character and "completing his arc". Well, I'll argue that they DIDN'T complete his arc. In fact they took about twelve steps back in his death scene by seemingly ret conning his progress and having him center Ed's feelings on his literal deathbed. So it really feels a lot like fridging, because that's exactly what it was. Izzy's death was for Ed's arc, not his own. And they spent so much time focusing on Izzy all season, focusing on his growth and giving him such a specific arc about queerness and recovery, that yeah, his death feels like a slap to the face and not a tragic story beat that makes the story all the richer.
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yellowvixen · 1 year
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i just hope someone noticed he went missing :(
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buggachat · 1 year
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OT4 (Adrien, Marinette, Alya, and Nino)-centric Sentimonster Adrien fic, angst and hurt/comfort, 1/14 Chapters
Everybody had expected Monarch's defeat to be a moment of triumph. Nobody had expected Gabriel Agreste, unmasked and mind frayed from continual abuse of the miraculous, crying out to all who would listen and making Paris certain of one thing:
His son, Adrien Agreste, is one of his sentimonsters.
And now he's missing.
Nobody can find him— not even the superheroes, and not even his closest friends. But Marinette, Nino, and Alya aren't ones to give up so easily. They'll find him, no matter what it takes.
(But, geez, would it kill Chat Noir to lend a hand?)
So, I wrote this ~70k word fic a long time ago and it's been sitting complete in my docs for a few months. I'm finally going to start posting it, maybe weekly, maybe even more often depending on how I'm feeling.
Basically, it's a self-indulgent culmination of my love for the OT4, Adrien angst, and hurt/comfort.
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mayasaura · 7 months
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had an au pop into my head. g1deon seeing this sopping wet kitten of a lyctor (harrow) and deciding to train her up instead of killing her. teaches her how to use the sword. teaches her how to defend herself against other necromancers.
harrow getting a proper mentor instead of whatever mercymorn was…
You know what drives me INSANE about this?? You know what sprongles my giblets???
How plausible it is.
Gideon the First didn't want to kill Harrow. He wanted to not-kill Harrow enough to voice displeasure with God about his orders to do so. A man he nuked a city for, before the man even was a god.
I think he liked her. Even when the Saint of Duty was the bogeyman haunting her life, he was also the only lyctor of the old guard to have multiple moments of geniune connection and respect for Harrow. He was the only one to ever apologise to her.
This AU is the world we could have had if John hadn't ordered him to fix her or kill her, and I would like to see it
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ender1821 · 5 months
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behold. me coping with session 9 SL!shinyduo
— — —
The crackle of a lightning strike hits at the exact same moment Pearl hears a resounding crack from her neck. After she had been shot by Scar, the impact of the arrow led her to stumble down the ravine beside Scar’s base, leaving her at the bottom of the pit.
Well, at least it was quick.
She finds herself lying on the stone ground, a view of a clear blue sky above her.
The only thing she could do was let herself breathe. (Do ghosts even need to breathe? Eh, who knows.)
Her eyes close as she builds a steady rhythm with the rise and fall of her chest, willing for the aching and exhaustion riddled all throughout her body to somehow dissipate.
Aside from the sound of her breaths, she can pick up Scar’s voice off in the distance. It doesn’t sound much like a cheer, or a cry, or anything— but then again, Pearl’s not in a fit state to focus on whatever he’s saying.
Instead, she tries to think back on everything that just unfolded, all the deaths, the hunts…the duel. The zombie that had been creeping towards Scar before Pearl warned him.
She sighs, “I swear, if he dies to a zombie, after all that…”
Now, she wasn’t really expecting a reply.
Especially not a reply from a voice that’s so familiar.
“I know, right? It’d be embarrassing for both of us.”
Pearl’s eyes snap open in an instant, as though the answer gave her a surge of energy, overpowering the waves of numbing pain.
“…Gem?”
She looks…just like she used to, when they were red…together.
Pearl blinks, trying to focus on the figure looming over her. It’s only then, that she notices Gem’s body is slightly translucent, allowing rays of sunlight to pass through.
“Hey, Pearl.” Gem extends a greeting they both know far too well. She crouches down, tilting her head. “Are you going to keep lying on the ground, or…?”
“I might.” Pearl chuckles. “It’s pretty comfy down here, actually.”
“I can imagine.” Gem shifts to sitting cross-legged next to Pearl, which prompts her to try and actually sit upright as well.
Pearl grunts when she finally manages to move, scooting over to Gem. Sitting underneath the shades of a bit of overhang of the earth above, they find themselves situated in a corner of the ravine, now further ruined with scorch marks and splatters of blood on the walls.
Despite the destruction, sunlight casts shadows of sunflowers into the chasm. It must be the ones Scar has around his base.
Silence follows. Pearl tries her best to stare only at the walls around, but she ends up glancing at Gem a few too many times. She hopes Gem is too preoccupied to notice. (Pretty slim chance of that happening, considering the fact that there’s nothing of interest nearby but them.)
Eventually, though, something in Pearl pushes her to speak.
“So,” Pearl starts, “what’s got you wanting to give me a visit? I thought you’d be with Scott and Impulse.”
Gem jerks up at the sudden question, then turns away from Pearl. “I— I dunno, I just… We died pretty close to each other, you’re the first one I saw.”
If Pearl’s head had been a bit more clearer, maybe she would’ve questioned why Gem was so insistent on not facing Pearl when she answered. Instead, she accepts the answer with a nonchalant “Ah, I see.”
“Well, I appreciate the company. And…” Pearl adds, pausing as the following words get caught in her throat for a brief second:
“I’m sorry.”
That seemingly got Gem’s attention, causing her to look at Pearl once again.
Just today, Pearl was met with those same pair of eyes on multiple occasions. For some, they sparkled with a sense of joy. For others, they held a flurry of panic behind them.
At this moment, they were glazed with a whirlwind of emotions Pearl couldn’t even begin to decipher.
Pearl can see Gem obviously struggling to find something to say, or to piece together the thoughts in her head. Either way, Pearl waits.
“When you— when Scar was coming for me, you asked me if I wanted to duel it out with you, with swords.”
Pearl nods.
“Why?”
It’s such a simple question, really. Pearl knows exactly why she did it. Just as she knows why she went into the End earlier in the game to fight the dragon, why she rode a camel with the same person who’s killed her twice, why she couldn’t get a successful ambush when she’d been in the siege against Gem and the Scotts.
What leaves her lips is not the answer. Not a clear one, at least.
(It’s never easy, is it? When Scar and Gem had begun fighting, all Pearl wanted was a moment to think. She didn’t know what to do, she didn’t know why she began shooting, she just didn’t know. She couldn’t decide.)
“You said you didn’t want a bow fight.”
“But a sword fight, Pearl?” Gem pushes on in an instant. “I know you, Pearl, I know you prefer using an axe.”
“I do, yeah.” Pearl doesn’t give away any more than that, choosing to give Gem a noncommittal response.
“So— If Scar hadn’t— If I agreed, you—”
“You probably would’ve kicked my butt.” Pearl admits with a smile.
Gem takes a deep breath. Then, in the quietest voice Pearl has heard all day, Gem asks, “And you would’ve been fine with that?”
(I would’ve been more than fine with it.)
“You would’ve beat me fair and square, I don’t see anything wrong with that.”
“But you—” Gem cuts herself off with a groan, growing more and more frustrated with Pearl’s vague replies. It’s no use when they’re both dancing around the topic, even though all Gem wants is to ask: would you have let me kill you? Could we have stayed friends? What went wrong?
Gem recalls Pearl backing away after one swing of her sword, when she was fighting Scar, she caught a glimpse of Pearl leaving the fight to them. She remembers how Pearl could’ve pulled out her bow, could’ve ended her right there.
(Do I forgive you?)
A breeze blows past the Sunflower Valley, leading the flowers above, along with their shadows, into a gentle dance.
Nearly every question Gem has dies on the tip of her tongue, leaving only one:
“What now?”
Pearl gives it some quick pondering, before stretching her legs out and bracing herself to stand. “I wanna check on Mailbox and Matchbox.”
“Then,” She helps herself up by leaning on a wall. “I wanna see if I can find my Mounders anywhere.”
Lastly, she extends a hand out to Gem. “After that… I think I remember Scott saying something about a spare camel around Etho’s?”
Gem returns the smirk on Pearl’s face with one of her own. “Are you thinking what I’m thinking?”
“The Murder Camel rides once more!” Pearl cheers as she pulls Gem up with her.
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I think Liliana's "Did she know?" wasn't about her, it was, "Did Imogen know that bombing me would also kill these children?"
Well, I just don't think that.
But on the theory of Lilianas being upset about children having died and questioning Imogen's involvement in it, I have a few thoughts
The idea that children were actively target and/or murdered is very presumptive of the fandom. It feels like someone whispered this theory into the fandom wind and now it's in my inbox.
If it were about the children, I still think she a hypocrite. In fact I'd say she's a even bigger hypocrite in that scenario because why the fuck where there children there to begin with. Liliana who was going around Imogen's dreams telling her to run, was also brining children into this cursed environment. The Ruby Vanguard is just not a place for a children. Hot take the moon should be childfree, not every place should accommodate children.
Also on the topic of children being there, they are child soldiers. Liliana is not a running a orphanage on the moon, she is a GENERAL. She is quite literally a general of an occupying force, the general with the most influence over Ludinus, who is being actively targeted by a native rebel group. She is actively training these kids to aid the Ruby Vanguard's cause. And once again, she is doing all of this while actively telling Imogen to not come to the moon. I am of the belief that the general who is recruiting child soldiers should shoulder most, if not all, responsibility for the harm that befalls those children.
Now I don't have access to rewatch the episode right now but I don't think the explosion came from Rashinna's group. The way it was described, being all pink and stuff, I presumed the explosion was a result of Liliana reacting to the assassination attempt (assassination attempts notoriously stressful for all parties involved). All we know of the rebel group is that they had some devices that were intended to hinder Lilianas powers and I don't think they said anything about them exploding.
And another thing.... I think this episode ended on a cliff hanger and people are doing olympic level gymnastics to justify anything that could reflect badly on Liliana.
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demonicimagery · 9 months
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you know now that i’ve finished gomens s2 i could probably write an essay on my mixed feelings. what about when a work is - especially so in some parts - very fucking good. thematically interesting and consistent, characterisation that is so painfully human and told in a fascinating manner. but due to a lack of conclusion - inherent because of the format (tv series) - it feels an inherently different sort of narrative to the original. i do not think good omens season two is bad - not at all, but what i do think is it is now a very fundamentally different type of story than that of the book. not because the events of the show don’t happen in the book but because the style of storytelling is altogether different. it’s inherently going to be the case when one of the original creators has sadly passed on, and it doesn’t necessarily make it bad - however it does make it not what personally made me love the book of good omens in the first place. maybe it’s because i came in with certain expectations given that i have read a lot of sir terry pratchett’s other work and basically none of neil gaiman’s, but it’s just a different format of story. like the difference between an epic poem and a serialised story.
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tartppola · 2 years
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( Reblogs appreciated! )
ouhhh manifesting chapter 6 on en ( this is joke im actually not prepared for ch.6 🤓 )
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winepresswrath · 8 months
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The princess told me that she had felt for a long time that the Cohort movements didn't make sense to her. She said what would be most economically productive was intermingling with these people, allowing immigration and absorption into the Nine Houses; that shepherd planets got more costly the further the Houses extended themselves, and that instead of creating long-lasting industry we were doing little more than slash-and-burn trading. Scattershot, she said. Notwithstanding the moral issue. She said she and her sister had always been interested in the way the Houses were being run, and that lanthe had encouraged her interest. She had always thought we were being wasteful... Afterward she said it was much more than theory. She said she had groomed herself for something and all it had done was make her unfit for the purpose. What purpose? ... I told her she wouldn't understand. When she asked me why not, I said I was just an administrator; she was a princess. A king. ... The princess turned to me then and took my hands. I kept my balance. She said, Jody, if I offered you that sword, wouldn't you take it? I know how to use it. I know what it would mean. Lieutenant Dyas is dead. My own necromancer wouldn't have me. Won't you let me be your cavalier? Here, now, at the end of the world? Save me, Jody. Bind me to you, or who knows where I will go? What throne will I mount, if you don’t bind me down?
- As Yet Unsent
“But we’re closer to the goal than ever before.” “Of course we are, you perfect genius,” said Crown, lovingly, and she took the dead gloved fingers, and she kissed them. Every single dead soldier’s fingers twitched. Prince Ianthe Naberius raised hers, an involuntary movement almost, and that waxen, handsome face was an expressionless mask, with only the cool grey eyeballs moving in their sockets. Then Crown said quietly, “We can do good work, Ianthe. I know people who need us.”
-Nona the Ninth
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- The Unwanted Guest
Corona recoiled from Gideon and looked up at her, her golden hair smeared to her forehead with sweat and tears. “She took Babs,” she said, which seemed fair enough. But then Corona started crying again, big tears leaking out of her eyes, her voice thick with misery and self-pity. “And who even cares about Babs? Babs! She could have taken me.”
-Gideon the Ninth
Emphasis mine, excuse my dreadful formatting I'm just excited because every time we learn more about the Tridentarii's schemes I remember again how Coronabeth (Crown) wants to be eaten and knighted and bound, but also possibly be god-king of the universe, allegedly on the grounds that Jod's forever war is morally bankrupt and economically likely to lead to bankruptcies.
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