i’ve seen many people interpret gale’s outrage at nettie poisoning the player as concern for them. that it’s super sweet how much he cares and how protective he is over tav after they had just met. while he (naturally) does care about his companions, it should be pretty obvious that he is mostly projecting here. he states so himself:
player: are you all right, gale?
gale: yes. yes, i am. it's just that, had it been me... had it been...
gale is terrified of what would’ve happened if he had met the same fate. if all of his precautions had been rendered irrelevant merely due to the self-righteousness of some healer, acting as a judge over another’s life without being aware of the consequences. the destruction nettie would’ve unleashed, how many innocents she would’ve doomed to death, merely because she believed she was doing the right thing.
gale is furious at nettie’s ignorance.
gale: how dare she snuff out life with as much thought as snuffing out a bloody candle?
player: she thought she was doing the right thing.
gale: right? she had no right!
player: it was one hell of a surprise, but nettie came around!
gale: yes - against her will, without rhyme or reason!
gale: it's not right to feel the cold breath of death in your neck, then move on as if it was nothing but a soothing breeze.
gale: one respects life by fighting for it, and one respects death by fearing it.
once the orb becomes too unstable (if tav refuses to help gale with his condition and elminster doesn't stabilize the orb) he will state that he can’t stay any longer with good conscience. he will then leave the party immediately, search for a secluded place and wait for death to take him.
gale: i'm afraid this is where we part ways - my condition's deteriorated beyond even my capacity to salvage.
gale: it would be selfish of me to stay, when in doing so i'd be putting you, and everyone else within spitting distance in catastrophic peril.
[nodecontext: saddened - he's about to wander off into the wilderness to die, essentially]
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I would love to hear some nessa/vana/tulkas/orome thoughts if you wanted to share?
Ohhhh yes I have so many thoughts. Firstly for the vibes I have one ultimate Brainrot Song For They which is The Cult of Dionysus by the Orion Experience.
Before I was actually shipping them they already all occupied the same place in my brain because they make a neat little box of relationships- Nessa and Orome are siblings, Tulkas and Vana are their spouses along with functionally being the "youngest" of the Valar (Vana the ever young, Tulkas the last to come to Arda), Orome and Tulkas have overlapping Domains of hunting and fighting and chase after Morgoth's beasties, Nessa and Vana are considered the weakest Valar and are associated with flowers and general disney princess vibes. That's the basis I was working on.
So it started with... probably Tulkas/Orome but Nessa/Vana wasn't far behind. Tulkas/Orome is peak "construct intricate rituals to touch other men by 'wrestling' in the forest" and also I thought their character vibes suited shipping very well (Tulkas "canonically laughs in battle" Astaldo and Orome "canonically constantly pissed off" Aldaron). Even the Tolkien Gateway article directly contrasts the two. I'm working with what I've got.
Nessa/Vana have textbook fairycore forest lesbian vibes. Making each other flower crowns and braiding each other's hair and dancing in a lush clearing with birds and butterflies and bees and delightful woodland creatures (not to mention Vana's plausible association with fertility ;) Quoth Tolkien Gateway: "Vána robed Nessa with her flowers for [Nessa's] wedding." Could this be gal pals? Sure! But where's the fun in that when it's super gay! This is the least feral pairing simply because of how they relate to each other, but they're also the most shameless.
Of course the problem is that I'm a chronic canon-shipper unless I Physically Cannot Stand it, and I do very much like Orome/Vana and Nessa/Tulkas because you get fun hunter/gardener and dance/dojo vibes respectively, so I fix this the same way that I fix every problem: polyamory!
Orome/Vana has definite Hades/Persephone vibes to me, but wilder and without the whole. Kidnaping thing. Yavanna even slots nicely into Demeter's role but again, no kidnapping. She's much more chill with her brother-in-law. I have many inarticulate vibes about Orome's Domain of the hunt and dying opposing and complimenting Vana's Domain of new life and fresh growth, and how hunters weren't supposed to kill deer in the spring. Because of this, I think Vana is one of the few Valar who has no subjugation(?) at all to Orome's Domain despite the clear nature overlap (others who wouldn't are Varda, Namo, Vaire, Nienna, and Aule, but that's because their Domains don't really overlap with his at all, except for Namo who as Death would overpower Dying.) They are, functionally, each other's force-pairs in Newton's third law- the equal and opposite reactions.
My love for Nessa/Tulkas is more characterization related: to me, they are the epitome of those 20-something Fitness Couples who keep those super detailed daily planners with spots to fill in how much water you drank, who make really healthy delicious looking meals with seemingly no effort and constantly drink various smoothies but like. Fantasy Flavor. Their idea of a hot date is to spot each other at the gym, and martial arts sparring. They would go feral for Capoeira. Crucially, they thrive off of this. Their relationship is astonishingly healthy and peppy and they serve as each other's hype-man. My vibes-only Valar-in-modern-society AU has them opening a strip mall dance class/dojo place.
So we have the siblings, and the spouses, and the spouse swap (which has some very funny crack potential, I specifically find it amusing to imagine Nessa calling dibs on Vana and tossing Tulkas to Orome before stealing her away (they are both very amused, Orome is vaguely aggravated because she could just ask for time with their wife)
Tulkas/Vana starts as something like a relationship of convenience, along the lines of "Hey, our spouses are busy chasing each other around like idiots for Sibling Shenanigans, want to make out?" but ends up as something not quite romantic but past... FWBs I guess lol. A foundation of their relationship is committing to the bit- If Nessa and Orome are arguing it's even odds as to who will side with who, but if either of them has an argument with Tulkas or Vana it is the other's sworn duty to side with their bestie, no matter how utterly stupid. They will "Yes-And" each other's stories into eternity, even if it's a blatantly untrue excuse. This drives their spouses absolutely insane because "I know you're lying, and I know you know I know you're lying, and I know for a fact that you weren't doing something as dumb as convincing Aule to put smiley face shapes in rocks" but they will double down. (The one time they did this to Yavanna while on a warpath was unintentional and terrifying once they realized, but they committed and got her so frustrated and confused that she bluescreened and stormed off, forgetting why she had been interrogating Vana in the first place). Basically, they bring out the idiot in each other, and despite having very little in common they get along very well. It is also important to me that I see their typical physical forms as being a massive, firey, golden-veined stone giant (Tulkas), and a young, uncanny, bug-eyed and golden-haired hobbit lass (Vana). To the Valar this doesn't really register as strange beyond vague inconvenience for interacting, but to any elves who see them hanging out together it Very Much Is.
To use the terms I used in Appointed, Orome and Vana are Counterpoints, Nessa and Tulkas, Nessa and Vana, and Orome and Tulkas are Harmonies, and Nessa and Orome are Tone-mates and Harmonies. Tulkas and Vana are not quite Harmonies but they harmonize regardless. Don't mind if this makes no sense lol.
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free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty.
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
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apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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