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#darkness has a hunger that’s insatiable and lightness has a call that’s hard to hear????
sassmill · 1 year
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Sometimes I think about Indigo Girls lyrics and have to just weep for a minute
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lulabo · 1 year
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like once every other day since the Barbie trailer came out, I remember that Barbie drives her car while singing "the less I seek my source for some definitive, the closer I am to fine" and feel a tiny spark of joy
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rosieofcorona · 6 months
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All We Do Not Say
Hi beloveds! I have crafted a soft little Gale fic for you because it's my firm belief that everyone's favorite wizard deserves all the warmth in the world. 😌 Also on AO3, if you prefer. As always, thank you for reading. 💕
There was a time in his life that Gale could sleep anywhere, provided he had a good book and a space to sit down. 
In Waterdeep, he might wake in his armchair or on his balcony with the weight of an ancient tome still resting in his lap, or at his desk, his cheek pressed against parchment. The smell of it, of ink and lignin, would bring him back to his senses before his eyes were fully open, and he’d recall what he’d been studying, and begin reading again. 
At home, in his tower, he could do this night after night and still feel mostly rested come morning. 
But he is far from his tower, and farther each day.
Perhaps it is the orb that keeps him up as of late, with its insatiable, unnatural hunger, or perhaps it is the tadpole that wriggles and pulses impatiently inside his skull. Or it could, he supposes, be the simpler and less curable matter of aging– an affliction that seems, on occasion, more frightening than either of the others. 
Whatever the cause of his recent insomnia, it pulls Gale into a rather distressing cycle– he cannot sleep, so he cannot focus, so he cannot read, so he cannot sleep. 
Instead, he finds himself offering to keep watch over camp in the evenings, if only for the distraction. The far-off gibbering of a newborn gnoll, the crunch of foliage under goblin feet, an animal scream– each night a fresh and distant horror calls his mind away from greater threats, from illithids and tadpoles and gods.
It’s an odd remedy, he knows. But the alternative is lying awake in his tent, turning death over and over in his mind until the thought is worn smooth as a river stone. 
It works well for a time, keeps his mind on the present and off of some vague, future doom.
That is, at least, until they reach the Underdark. 
Deep beneath Faerûn, there is something profoundly disturbing about the lack of…well, everything. They find no grand cities or quaint little villages, few animals and even fewer people. 
No trees, no light. No sky. 
Most nights spent underground are so quiet that Gale may as well stay in his bedroll, staring up at a canopy of fabric, dark as the velvet earth above them. 
He thinks, It is like being buried alive, without even the stars to bear witness. 
On these nights he can feel the stones in his head turning over.
Even so, come the evening (or what he guesses is evening), Gale volunteers to stand sentinel for the fifth time in a tenday. 
He always asks them after dinner, when his companions are most likely to agree, after his cooking has warmed them and filled their bellies and made them want nothing more than to close their eyes and dream of somewhere, anywhere else. 
Tav is the only one who protests with any frequency, the only one who seems to notice that the circles under his eyes are half a shade darker than they were yesterday, when they were half a shade darker than the day before. 
Even on nights when she convinces someone else to take his place, he will relieve them after Tav has gone to sleep. 
It starts the same way every time. 
Gale walks the perimeter in an infinite loop, looking for life in the darkness, illuminated only by the fire in the center of their camp. It makes him feel like a distant planet, nearly untouched by the sun. How strange to think that he’d once felt like the sun itself. 
He continues in his orbit until the subterranean cold gnaws at his limbs. It bites down hard on his nose and ears and fingers, chases him back to the fire, back to the light. 
Hypnotized by the flames and their radiant warmth, he does not hear the quiet stirring in the tent beyond his own, doesn’t hear the soft approach of nimble feet. 
A voice comes to him out of the darkness.
“I hope you’re not keeping watch again.” 
“Mystra,” Gale gasps, startled, the goddess’s name invoked in equal parts a prayer, a curse.
“Forgive me,” Tav says, through a laugh she cannot help. “I didn’t mean to frighten you.” If it were anyone else he might be annoyed, or even a little embarrassed– but the sound of her laughter bubbles like seafoam over sand, rushes over and around him. Coupled with the relief that she is not some dreadful creature of the Underdark, he finds it difficult to feel anything besides affection. 
“It’s quite alright,” he recovers, with a shake of his head. “You surprised me, that’s all.”
“Then I really hope you’re not keeping watch.” 
She is teasing him now, just lightly, a familiar spark of warmth behind her eyes. 
It is the same look she gives him when she brings him a new book, or when he cooks for her, or when he tells her about Waterdeep. It is the same look she gave him earlier in the day, when she had offered to brew him a tea that might help him to sleep.
Gale has trouble remembering the last time another looked at him this way, so interested and inviting and earnest. 
Perhaps, he thinks, another never has. 
“Are you alright?” Tav asks, when he’s been quiet for too long.  
“Of course,” he says with the sincerity of a promise, offered with a smile that he hopes will be convincing. “Just lost in thought.” 
There is a part of him that doesn’t want to leave it there, that wants to share his every thought with her, his every terror, every dream. She must know that there is more to it, must’ve learned by now to recognize when Gale isn’t telling her everything, but he is grateful that she doesn’t press him, never presses him. 
Instead she breaks into a grin and says, “You’re lucky I’m not a bulette.” 
“I’m lucky they’re not so light-footed. What are you doing up, anyway?”
“The cold always wakes me, sooner or later,” Tav sighs. “If I’d known it was so godsdamned frigid down here, I might’ve nicked a fur or two from the Zhent.” 
It’s Gale’s turn to laugh, though she’s only half-joking. 
She’s drawn near to him, to the flames, her palms outstretched, her fingers spread wide as if to grab hold of as much warmth as possible. 
“But it’s alright,” she continues, “So as long as I’m close to the fire.” 
“Any closer and you’ll be in it, I’m afraid. Perhaps I can help.” 
Tav tilts her head and quirks an eyebrow in a curious little expression. “Can you?”
“If you’ll allow me.” 
Gale turns to face her fully, and she mirrors him out of instinct. 
“Hold out your hands to me,” he says. “Palms together, just barely. Like you’re praying.” 
“Like this?” “Like that.” 
The spell is one his mother taught him, among the first he’d ever learned. 
He still remembers that winter in Waterdeep, when the snow fell hard and fast. When the ice in the harbor kept the ships at arm’s length and the frozen streets shone like glass. He was young then, six or seven, but even now he can feel his small hands in Morena’s, warmed by a word and a touch. 
Warm and fed, she used to tell him. That’s how you show someone they’re loved. 
Gale cages Tav’s hands lightly in his own, the way he might hold a butterfly. He pushes all thoughts of winter away and calls to mind the rippling heat of summer, an orchard grown fat with peaches, the silvery shimmer of sweat on skin. 
The rose-petal flush of a cheek cradled in a hand, her cheek, his hand…
“Calor aestas,” he says quietly, when the image comes into clear view. He feels the cold melt from her fingers, hears the comfortable sigh that follows. “Better?”
“Yes,” she murmurs. “Much.” 
She is looking at him now with an intensity he has not seen since the night he first showed her the Weave, all that time ago. The night he saw her thoughts laid bare, had all but felt her lips on his. 
Had she seen them now, the visions he had conjured? Had she felt him pull her close in his own mind?
Tav clears her throat softly and he comes back to himself, his heartbeat thrashing wildly in his chest. He realizes with some urgency that he has not let her go and pulls back suddenly, but not without reluctance. 
“I hope,” he swallows, trying to compose himself. “I hope it helps you sleep.” 
“Do you want me to stay up with you?”
Yes, he thinks selfishly, Yes. Stay up with me, stay close to me, always. 
He shakes his head instead. “You should rest while the spell holds.”
“And how long is that?”
“As long as I’m able to concentrate.” 
He will think of her hands and their pull on a bowstring, their pluck of a lyre, their grip on a sword. How they weave her own magic, how they cradle a book. How they felt clasped in his, soft and cold. 
A focus worth holding, at last. 
“Only if it’s no trouble,” she says. 
“None at all.” 
Gale is grateful that he manages to stop himself, for once, from saying the rest of the thought as it enters his head. I would think of you anyway, magic or no.  
Tav takes his hand in hers again, this time to squeeze it fondly.
For a moment, he feels that if he were to die just now– from the orb, from the tadpole, in the jaws of a hungry bulette– it would all have been worth it, for this. 
“Thank you, Gale.”
Her smile is warmer than any summer he remembers, brighter than any star he can name.
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Dog Days Are Over
kai parker x reader
summary: the post-wedding heartbreak never ceases. without him, life seems to lose its meaning. but despite your best efforts to depart and chase the void that seems to call to you, somehow you're held back. someone refuses to let you go.
tags: tw: su1c1de attempt & thoughts, blood, blood drinking, vampirism / transition, heretics / siphoning, emotional hurt / comfort, light angst, heartache, anger / mild violence, slow recovery, domesticity, friendships, found family, canon divergence, loosely follows plot of seasons 7 & 8
word count: 8.2k
a/n: I'm obsessed with found family x heretics, if you can't tell. I've had this idea for months and finally was able to execute it! (and by execute, i mean write the whole thing in 10 hours & edit for 2 days)
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A subtle weight rests on your body; a heaviness in your chest makes it hard to breathe. You don’t fight it. In a couple of minutes, it won’t matter anyway. The wound in your stomach bleeds, soiling your bright blue shirt with a dark red tint. Your heart rate slows, and your eyes flutter. The world around you is getting darker by the second. The end is near, and you swear you can taste it. To whether it’s heaven or hell you are headed, you don’t mind. Or maybe, it’s nothingness. A void. Either way, anything is better than here. 
Your short gasps for breath begin to even out as your heart fails. Pumping no longer seems necessary, so the organ quits. It succumbs to the state that your brain has been in for weeks: numb. Cold. Dead. 
A glimpse of life flashes before your wilting eyes. A figure running towards you, putting their hands on your cheek. Your lover, maybe, greeting you for an eternity of peaceful nothingness together. Your lips part in the joy of seeing him. Blood trickles from your mouth; the wound finally shutting down your body. Your eyes close and you welcome the darkness. 
<•>
The next time you wake up, it’s still dark, and you automatically assume it’s the void that called you home. The Other Side collapsed over a year ago, but supernatural creatures have died since, and nobody ever knows where they go. Here, presumably. To the dark. 
After a moment, your eyes begin to adjust and you move to sit up on your knees. The ground beneath you is hard and cold, like cement. It is not at all welcoming or comforting, but maybe that’s how death is supposed to feel. You shrug, not caring yet. Soon, you won’t feel anymore. Soon, you’ll enter the void, or cross the Styx, or whatever is the last necessary step of dying. Soon, you’ll be free. 
You stand, then stumble. One minute, your mind and soul feel empty, but in the next, an insatiable hunger takes over your body. It knocks you back to your knees. A whine escapes your throat. Death should not feel this way. Death is supposed to be empty. Something’s wrong. 
“Hello?” You call into the void, not expecting an answer. 
Instead, you hear a far-off voice, talking not to you, but someone else. “She’s awake.”
Fear thumbs in your heart. You put a hand over it, only to realize after a couple seconds that it’s not beating. The hunger increases as the sound of footsteps approaches. This isn’t happening. You can’t be alive; shouldn’t be. You chose death. Wanted it. Sought it. 
But someone had other plans. 
<•>
“Hello?” A girl calls out, maybe to you. She waits, then pulls back a small window, letting a little light in your supposed void. “Where are you?”
“What do you want?” You ask, straining. Your voice comes out weaker than you like it to be.
“I brought you something.” 
“Nora, turn on the light,” another girl says.
“Would you like a light?”
No, you think. You’d like to be dead. But… you’d also like to identify your captors. “Okay.”
An overhead light comes on a moment later. You shut your eyes tight as it floods your senses, then open it once you start to adjust. 
“Too much?”
“Was there a lamp option?” You sass. 
“I could find a lamp,” the second girl suggests.
“We’ll find her one in a moment,” the first turns back to you, “can you see us alright?”
Finally, you can. Two girls peek through a window, one brunette and one blonde. They seem sweet, not like the high school mean girls’ type, but you’re still cautious. “I can see you.”
“Good. We have something for you.”
The smell of blood attacks your senses. Your hunger grows. 
You make two big strides to the pair, before realizing something. You weren’t a vampire before, so why should the smell of blood excite you now? You stop, shaking your head. “No.”
“You have to drink,” the blonde urges. You have to complete the transition, she doesn’t say, despite it on her mind. 
“No, I wanted to die. I tried to die.” You lock eyes with the brunette. “One of you turned me.”
“Y/N, you can’t die. You-”
“How do you know my name?! Who are you?!”
“That doesn’t matter right now, what matters is that you drink.”
“No!”
“Y/N, please!” She holds the bag further out to you. 
Your weak body begs for you to drink, but your mournful heart refuses. “No!” You shout again. “I’m not drinking your blood; I’m not transitioning!”
“You have to!” The blonde agrees with her friend. “You’re getting paler by the second.”
“Good. Then I’ll have lived and died a witch.”
“You’re too young to die, Y/N. You can’t give up. He wouldn’t want you to give up.”
“What are you talking about?”
“Please, drink, and then we can talk.”
“No. You can’t make me.”
“I can,” she argues.
“You won’t come in here with me. With me so close to transitioning. That would be suicide.”
“Well we can’t let you die, either.”
You stand off with the two girls. They seem to communicate telepathically between themselves. It’s quite frightening to not know what they’re thinking. You stare at them, wondering who they are and why they care that you live. 
“You’ll thank us later, Y/N, just drink.”
“I don’t want to live. If I wanted to, I wouldn’t have stabbed myself.”
“You won’t feel this heartbreak forever,” the blonde speaks, like a Hallmark card you didn’t ask to receive. You roll your eyes. 
“I think we have to,” the first girl says, hand undoing the bag.
“I agree.”
Before you can ask about their apparent plan, they’re opening the door and swarming to you. 
“Get out!” You cry. The blonde holds your left arm, while the brunette backs you up to the wall. “I don’t want it.”
“You’ll be grateful one day,” she sticks her promise to you again. 
“If it’s not today, there’s no point. I can’t take this anymore.”
“Take it from someone who spent a hundred years in solitary confinement, I know loneliness. It hurts. It’s worse than a knife to the stomach,” she references your attempt. It’s still apparent on your clothes. “But life isn’t all sad. Sometimes it can be beautiful.”
“I’ve seen it beautiful,” you argue, tears forming in your eyes, “I've seen it, yet I’ll never see it again.”
“You have to trust us. Trust yourself. You can be happy again.”
“No.”
“Yes, Y/N, come on. Drink the blood.” The brunette holds the bag to your face, pinning you against the wall.
“No.” In a last ditch effort, you raise your free arm and smack the bag out of her hand. It flies, then hits the stone wall across from you and splatters. Her eyes go wide, and when she looks back at you, a triumphant look shines in your eyes. 
“What did you do that for?!” The blonde shouts. “Waste a perfectly good bag!”
“It’s okay, Mary Louise, just means she’ll get a taste of the real stuff.” Before you can ask, the vampire before you is biting her wrist and shoving it between your lips. You fight, kicking and swinging, but the girls are much stronger. “Keep her still,” she nods to her friend, “just a little more.”
Your wrist starts to burn. You glance down for a second and see an orange glow emitting from the point of connection on your skin. “What-”
The brunette takes advantage of your parted lips and shoves her wrist further into your mouth. “Okay, stop,” she says, and the girl siphoning stops. 
Your body is weak, but your heart feels strong. It doesn’t beat, but the blood filling your stomach powers it. The siphoning, however, tolls on your body. The girls let go of you, watch you daze, then gently help your body to the floor. You’re out like a light, asleep. 
<•>
You’re much stronger the second time awake. Stronger, with a vengeance. First, you need to find out who those girls were, how they were able to siphon you, and why they wanted to keep you alive. Then, you need to find the nearest piece of wood and send your soul to the void like you had planned. 
You look around, searching for anything sharp and anything wooden. You realize now that you’re in a cellar with absolutely nothing that could be used as a weapon, and the only thing in there with you is another blood bag. Angrily, you kick it and it splatters. The smell reaches your nose and you curse yourself for wasting it, now hungry. On the bright side, the violent act seems to let your captors know you’re awake. They walk gingerly down the stairs only a moment later, then switch on a lamp before opening the window. 
“Y/N?” The brunette starts, tone cautious. 
Your reply is bitter. “What?”
“I’m sorry we had to hold you down. We didn’t want it to come to that.”
“But you had to drink. We couldn’t let you die.”
“What do you care? And who are you?” Then, “and why could you siphon me?”
“If we let you out, will you run?”
“We can’t let her out, Mary. I don’t trust she won’t hurt herself.” You scoff. She turns back to you. “I’m Nora, this is Mary Louise.”
“And? How do you know me?”
“Well, we don’t, but we recognized you from pictures.”
“Pictures? What pictures?”
The girls hesitate. A name rests on their tongues, but they don’t utter it. Unbeknownst to you, they fear saying it out loud will drive you mad. Names have power, and in this case, a lot of it. 
“Doesn’t matter right now,” the brunette, Nora, says instead. “What matters is that you get better.”
You laugh dryly. “I would’ve been better off dead.”
Mary Louise seems to get agitated at that. “Stop saying that! You have to live! He’d-”
“Mary, don’t say anything.” The girl quiets immediately. 
“Why do you care so much if I live? Who’s he? Where am I?”
“Technically, you’re in the Salvatore house. The basement. We’d give you a room if we could trust you, but it’s too great a risk that you’d hurt yourself still.”
“Why the boarding house? Where’s Damon? Stefan? Do they know I’m here?”
The girls share glances but confess nothing. “You’re safe here. We are not going to hurt you.”
“That’s what people often say before hurting said captive.”
“You’re at more risk by your own hand than ours,” Mary retorts. “You stabbed yourself in an alley behind a dumpster. You’re lucky Nora and I sensed the blood.”
“Luck is not the term I’d use. If you couldn’t tell, I did it on purpose.”
They sigh as if they knew it was on purpose, but for some reason they’re not telling you, they still felt the need to save you. 
You ask again, “why did you turn me? Why not just let me die?”
Nora hands you a new blood bag. “Drink this.”
Rolling your eyes more, you refuse. “No.”
“Drink, and we’ll give you answers.”
“C’mon, you’ve already transitioned,” Mary argues, “you might as well not dessicate.”
You know she’s right. Angrily, you snatch the bag and drink it down quickly. When you toss the bag back at Nora, she sighs. 
“You’re a friend of a friend of ours,” she says vaguely. “He would want you to live. He’d want you to live your life and die naturally, rather than die young and heartbroken.”
“That ‘naturally’ part is no longer happening-”
“-which is not our fault,” Mary snaps, interrupting you.
“Mary,” the other calms, “patience. Yes, when you die, it will no longer be natural, but at least as a vampire, you have a shot at life again. In a sense, maybe, it’s a gift. You can leave if you want to leave. You can go where you want. You’re not bound by human laws or rules. You can be free.”
“I don’t want to be free. I don’t want anything if I can’t-” you stop yourself. “I didn’t ask for this.”
“I know. But someday, you’ll realize life is worth living, and you’ll be glad that you got a second chance. Take it from someone - both of us - who were given one.”
“Easy for you to say, you have each other. I have no one.”
“Maybe we can be someone for you, if you trust us.”
“Yeah, not likely.”
“Give it time, Y/N. We’ll bring you another bag later.”
As she shuts the window, you shout. “You didn’t even answer all my questions!” But they’re gone. The lamp remains on, but you’re left to your thoughts, alone. 
<•>
The same cycle repeats for days. Weeks, even. The longer the mystery girls keep you locked up, the angrier you get. They arrive, open the window, practically force you a bag, spew bullshit about how you’ll get better, then leave. Two, sometimes three times a day. No one else ever visits, although one time, they had a third girl - Valerie - join them. She didn’t talk much, but she sure did seem to study you. 
That day, after realizing there were more people in the house than just the two of them, you grow restless. Your mind is understimulated and bored. Your heart is broken and sore. You haven’t seen daylight in god knows how long. The next time Nora and Mary Louise come down, you’re ready to pick a fight. 
You drink the bag without complaints, then send it flying back through the barred window along with a string of shouts and cuss words. They’ve given you the bare minimum of information, despite promising an explanation, and saving you from death just to lock you in a cellar seems cruel and unfair. They want you to live, yet treat you like a wild animal. They swear they’re protecting you, but you can’t see them as anything but kidnappers. 
Nora remains calm throughout your rants, though Mary Louise looks on the verge of tears. It hurts, a little, to see her so upset, but if she could feel the agony you feel day-after-day, maybe she’d understand your pain. 
After every last word on your mind is spat out to the girls, Nora gives you a look that you hate. It reads that she sympathizes; she cares, in her own way, but she keeps you confined for your own good. You hate to admit it, but she’s right. If they had even given you a pillow, you’d find a way to hurt yourself. Even if you kill yourself daily just to be unconscious most of the time. Still, you scream at them. How you didn’t ask to live; how you were ready to die; how you can’t live without him, and he’s gone. You think Nora doesn’t understand, but she does. They both do. 
She doesn’t tell you she does until you settle. And when you do, she finally tells you all of it.
<•>
“Your silencing spells are weakening with her anger. She’s literally breaking them down, there’s so much pain in her screams,” Valerie tells the girls. “You better get her under control quickly, or Lily will have something to say about it.”
“She’s just facing the worst part of her transition. All the pain is hitting her at once, coupled with the fact that her lover is dead. Give her a break.”
“You shouldn’t have turned her at all, Nora.”
“Well I couldn’t very well let Kai’s girlfriend kill herself out of heartbreak. We owe it to him to save her.”
“Some people don’t want to be saved.”
“She doesn’t want to die,” Nora counters, “she just doesn’t want to live without him.”
“And now she’ll live forever without him.”
“I’m going to help her find happiness in this life. Even if he’s not here, she needs to know life is worth it to hold on and find something that makes you happy again.”
“A heartbroken vampire in love with a murdered sociopath can be a very dangerous thing.”
“So can a previously dessicated heretic still in love with her ex-lover from the eighteen hundreds,” Nora sasses. “She’ll be okay, she just needs time.”
“I bet Mary Louise won’t like you devoting so much time to a girl that’s not her.”
Mary enters the conversation from the kitchen. She leans against the doorframe, a small smirk on her lips. “Mary quite likes the girl, actually. She’s grateful to Kai for feeding us and busting us out of that god-awful prison world, and she knows how much Y/N meant to him. And, she likes seeing her girlfriend put so much effort into healing someone else’s broken heart.”
Valerie rolls her eyes, defeated. “Whatever. Just put up new silencing spells, because the neighbors will start to complain.”
<•> 
That afternoon, the girls visit you and prepare themselves for a new string of cuss words. The modern day tongue seems to have many at the ready, and the pair are always surprised to hear the variations you spew at them. Although, when they open the window this time, they’re shocked to find you sitting criss-cross, in the middle of the floor, sobbing heavily. Your hands cover your face, and you seem to neglect to notice their presence. Nora’s heart breaks. In the moment, you remind her of Alice in Wonderland in her sea of tears. She recalls reading that book over a century ago and relating to lost little Alice. Now, she’s transported back in time as she looks at you.
“Y/N?” She asks cautiously. You look up, glance at her, but then dart your eyes back to the ground. “Are you okay?” 
“How is life supposed to get better? How do I live after all this tragedy? Where do I go from here?”
“That’s something we’d like to help you find out, if you’d let us.”
“That’s why we turned you,” Mary adds, “so that you could find it, and have friends along the way. We want to help you.”
You raise your head back up to them. “I can’t do it. I’m not strong enough for it.”
“You are perfectly capable of living a life you can be proud of. You just need a little push to get there.”
“And how am I supposed to get there, living in here? In this cellar?”
“This is only temporary. This is for your safety, until you find it in yourself to want to live. ‘Til the desire to hurt yourself is gone, okay?”
“We have another bag for you,” Mary says, tossing it to you.
You drink it unquestioningly, and they prepare for the shouting. This time, however, it never comes. You only nod to the girls, then lie on your back and continue to cry. 
<•>
A month after your transition, you finally settle. Most of the anger and tears have subsided, and the boundary and silencing spells hold without wavering. Nora and Mary Louise want nothing more than to tell you their full story, and they think you’re finally ready to hear it. 
For the first time ever, you smile at them. “Hi.”
“Hey,” Nora says calmly. “How are you feeling?”
“Like I want to die,” you blurt out, but then sigh. “But okay. A bit numb.”
“You haven’t turned off your humanity, have you?” Mary jokes lightly.
“And be even more bored out of my skull? No.”
“Good. Bag?” 
You shrug. 
“Can we come in?”
Your eyes narrow at Nora’s request. The question is new to you. Usually, they stay beyond the cellar door. The last time they had come in with you, she force fed you her blood. But despite that memory, you don’t feel threatened by the girls anymore. They give you a strange sense of peace, like you could trust them, for reasons you don’t understand. “Sure,” you reply. 
They join you on the ground, the three of you all sitting criss-crossed. Mary hands you the bag, which you accept and drink quietly. 
“Y/N…” Nora starts, “we know you have a lot of questions. And while we didn’t want to give you any responses before, we think you’re ready to hear some answers now.”
You pause sipping your bag. “Really?”
“Well the hard part of your transition is over,” Mary says, “we’d really like you to trust us, and we’d like to have trust in you, too, so that we can let you out. But in order for that to happen, we have to know you’ll be safe in the world. No pointy objects, no wood.”
You turn to Nora. “Is that one of the questions you’ll answer? The real reason you want me alive?”
“It is.”
You nod. “I’m listening. And I promise, I’m okay right now. I’m not going to hurt you, or myself, unless I have reason. Truth be told, I don’t really have the mental strength for it.”
Nora nods, too, then, “why?”
“What?”
“Why is it that you don’t have the strength? What’s plaguing you? Why did you attempt to take your own life?”
“I…” your eyes already start to water again, “I can’t live without him. I don’t want to live without him.”
“And who is him?”
“I- I can’t say.”
“Can’t say because you fear our judgment, or can’t say his name out loud?”
“Both, I guess.”
“Might I say it, then?”
“I guess. If you know…”
“Y/N… we know it’s Kai. And we know because his… passing affects us, too.” Hearing his name out loud shatters your heart, but Nora saying she knew him catches your attention. You tilt your head at her. “The reason we were able to siphon you earlier is because we’re like him. We’re heretics.” You straighten. “We were trapped in the 1903 prison world. Kai fed us and let us out. We owe our survival to him.”
“He became a brother to us,” Mary adds, “was a brother to us. We’re all of the same family, with the same rejected gene, although a century apart. Besides each other, we’ve never had anyone understand us, and aside from Lily, no one’s ever cared to listen.”
“But how do you know me? You know,” your voice wavers, his name coming off your tongue weakly, “Kai. How do you know me?”
“Because, silly, he loved you,” Nora rolls her eyes gently, as if it’s the most obvious thing in the world.
Mary nods. “Once he knew we were trustworthy, he talked to us nonstop. Some of it was about the modern world or his own past, but he mostly talked about you. He had the strangest device, a phone, he called it, and would look at pictures of you until it died, and after that, he had one in his wallet.”
“And he’d tell stories. How kind you always were, how he came to trust you, and how you had started a relationship together.”
“The longer he spent there, the more worked up he was getting. He told us about 1994 and what had happened, and that he’d spent eighteen years in another prison world, just to end up in a colder, darker one. I think that’s where the wedding went wrong.”
You agree. “He told me his biggest fear was getting sent to one of those again. Being alone.”
“Not only being alone, but being without you,” Nora says. “We were there, but he still needed you.”
“And although we kept him company, it wasn’t the same.”
“Valerie didn’t help much,” Nora mutters.
“Valerie… the other one? Upstairs?”
“She didn’t approve of his crime to get locked in 1994. She seemed to have forgotten her own childhood, judging his like that. We all grew up similarly. Told we were abominations and cast away.”
You’re about to make a comment on that, but Mary beats you to speaking first,
“You didn’t flinch when I siphoned you.”
“Yeah, um,” you smile, a memory surfacing, “I used to let Kai siphon whenever he wanted.”
“It didn’t hurt?”
“I liked it.” You shrug. “Hurt a little, sometimes. Like a burn, but… I liked the feeling.”
“You say ‘whenever he wanted,’ so like, not only for spells?”
“Sometimes he just wanted to feel magic in his blood. I didn’t use my magic a lot, and knew he had been deprived of it, so regardless if he was performing a spell or not, yes, I’d let him siphon.”
“So…” Nora starts, “you said you didn’t use your magic a lot?”
“Not really.”
“So you won’t be too upset at losing it now that you’re a vampire?”
You give her a playful glare. “I’ll miss it, but I can live without it.” Her face lights up at your choice of words. “What?”
“‘You can live without it’. That’s exactly what I want to hear from you; that you know you can live, despite the tragedy, just like you said you fear.”
“Nora-”
“Sh, sh, sh, let me relish this moment.” Mary giggles at her girlfriend. “You want to fight the war inside your mind. You want to live.”
“I wanted to live with Kai,” you remind. “Alone…”
“You won’t be alone. We know what it’s like to be lonely. We won’t let you feel that way.”
“I just… it’s going to take some time for me to heal. I can’t promise it’ll be easy.”
“We’ve got your back, Y/N. Kai would have wanted you to live. We want that for you, too.”
You nod, still a bit unsure, but now aware that these girls aren’t going to let you out of their sight, so you might as well comply. “Can I stay here, then?”
“In the cellar or upstairs?”
“I don’t know.”
Mary rolls her eyes playfully. “C’mon, we have a room ready for you.”
<•>
Adjusting to your new life is hard. Living without Kai is hard. Living with the heretics, though, is surprisingly easy. They’ve taken you in as one of their own, filling in the void that Kai left, and treating you like family. Valerie is a little weary around you, perhaps wondering how you could love the man that killed his entire family, but Nora and Mary Louise don’t ever let her get far. She, too, deep down, is grateful for the escape that your lover brought them; she doesn’t let her disapproval of his crimes cloud that too much.
Beau is more similar to Valerie than the girls. He’s older than them and Kai, and has never been one to seek revenge, as told to you by Valerie. While Kai had a penchant for violence, and Nora had a heart craving retribution, the other heretics were much more level-headed. They wanted to distance themselves from their family more so than to make them pay. And although Mary Louise was one of these, she strongly supported her girlfriend’s needs, understanding how their coven’s treatment could make them turn cold. 
Once awoken in 1903, Nora quickly admires Kai for his actions. Granted, he may have not gone about his revenge in the best way, but he refused to let his father win, and won himself. Nora wasn’t a twin, just a sibling in her particular line, but she had suffered as much isolation as Kai did. For him to break free from his father’s prison world, then complete the merge he was denied and become their leader, it didn’t take much convincing to get her involved in the break-free from 1903 plan. Mary, again, went along with her girlfriend. She was passive but had a similar childhood, and couldn’t help but see Kai as the brother she always wanted. She had one, but wasn’t allowed to speak to him, and so when Kai spoke nonstop to her, she felt adored by him. And it’s true, Kai loved them all like family, because they were. 
Despite knowing most of the heretics, you never meet Malcomb, who was killed by Damon while you were still transitioning. Nor have you met Oscar, who is out running vague errands for Lily. Though you remain in the boarding house with the four until tensions start to rise between Lily and her sons. 
Lily, rarely at the house, is nonetheless welcoming to you. She offers you a simple condolence when you thank her for giving Kai her blood. She says she wishes things turned out better, and regrets not being able to save his life. In a way, you tell her, she did, but that Damon took him away from both of you. All of you, rather, as Nora strokes your hair as you speak.
The warming party between Mystic Falls’ residents and the heretics is the day your new status as a vampire is revealed. The wistful shock in Damon’s eyes and the concerned delight in Bonnie’s is something you’ll never forget, although by this time, you’re too disheartened by either of them to address it. When Mary Louise whisks you away with a bottle of bourbon, you don’t fight. Enzo sends Bonnie a confused glance that you miss, but neither comment. 
<•>
A lot happens in a short time following that night. Jo’s twins are confirmed to be alive with Caroline carrying them, something about which you’re still unsure. Valerie had a rendezvous with Stefan a century ago, and Julian’s confirmed a monster when his atrocious response slips from between her lips. For a moment, Mary Louise is hesitant to trust her, and Nora finds solace with Bonnie, but you, now permanently bonded to the two youngest heretics, pull them back together. Oscar is lost along the way, caught by the Salvatores who had just put down their own mother. Four funerals are held in a mere couple of months: Kai, Malcomb, Oscar, and Lily. One month after that, a fifth is held for Beau. 
Caroline’s twins - well, Jo’s, ish - are born, with the help of the heretics. You watch from a distance, concerned way more for Caroline birthing two refusing siphons from her vampire womb, than for the twins themselves. In the end, only Beau is the one to not make it out. A previously estranged vampire hunter released from Alaric’s armory interrupts the introduction of life with a promise of death. Bonnie was the one to let her out, it’s revealed, so it’s only fair that she’s the one to get tangled in the mess and take her down. After that, Enzo and Damon are captured by sirens and made to perform the dirty work of the two ancient beings. Bonnie’s trapped in the middle of it, as is Caroline, and incidentally, as is everyone else in the town. Eventually, what’s left of the old Mystic Falls’ gang manages to rid themselves of the sirens, only to be faced with Cade, the Devil himself. 
Though most of these details are blurry to you. Parts of the story are missing, like holes in a blanket. You’ve kept up with the general plot, but lost a lot of the story’s structure along the way. 
That’s because seven years ago, right after the twins’ birth and Beau’s funeral, the heretics ran. Valerie escaped to Europe, and you, Nora, and Mary Louise headed south. You didn’t want to get mixed up in the turmoil, especially not with Rayna Cruz, then a vengeful Bonnie, on the loose, so the three of you disappeared with barely a trace. You’re still in contact with Caroline, and Valerie remembers to charge and connect her phone, she still talks to Nora and Mary Louise, but for the most part, you’re set far apart from your old life. 
And surprisingly, you’re happy. 
Life in the boarding house with the heretics was easy. Living with Nora and Mary Louise is even easier. You’ve taught them to adapt to the modern age, despite their unfamiliarity, but as it turns out, they blend in quite well. You have a thing for take-out; the girls love catching up on all the movies they’ve missed, so many nights are spent as movie nights, eating large amounts of take-out and binging movies all night. Of course, you also rotate cooking. Mary’s the worst. Nora’s the best. You’re in the middle, no talent of your own, for it’s Kai that taught you all you know about it. 
Speaking of Kai… over time, you’ve been able to talk more about him. You open up your relationship to the heretics, sharing stories you’ve never told anyone, telling them things that most might consider TMI, but by this point in your friendship, there’s no such thing as secrets. They love it. They love laughing at the funny parts, and crying over sadder ones. They share memories and tragedies from their own pasts, sometimes relating to Kai, but sometimes, also, relating to you. 
You share blankets on the couch and straws with drinks. You braid each other’s hair and rotate chores. You dance together in the kitchen, singing along to music both old and modern, with no neighbors to hear how undeniably loud you are. You’re happy. 
<•>
It’s been a while since you’ve heard from Caroline, but when you finally do, she sends you a cryptic message that immediately pulls you to your feet. 
Caroline: I need a favor. Call me when you get a chance. 
Your eyes narrow at the text. Rarely does Caroline text with such seriousness, especially with such a long period of not speaking. 
“What is it?” Nora asks, seeing tension on your face. 
“Caroline… asking for a favor.”
“You don’t have to go back to Mystic Falls, do you? It’s dangerous there,” Mary worries. Talk of the Devil filled the last phone call you’ve had with the other blonde. Specifically, Kelly Donovan returned for one more dramatic entrance, a bell was rung, and the Devil got out. A second protection spell was put around the house, just in case, after that news. 
“I’m not sure. One moment.” You dial her number, and only wait a second before she picks up. “Caroline?”
“Y/N? Hi.”
“Hi. Is everything okay?”
“Yeah. Kind of. I need you to come back to Mystic Falls as soon as possible.”
“Why? What’s wrong?”
“It’s… it’s about the twins.”
You shoot the girls an anxious glance as they overhear the call. 
“Is everything okay with them?”
Caroline hesitates. “How soon can you get here?”
“Caroline? Are they okay?”
“Y/N-”
“Overnight. I’ll be there by morning.”
“Okay. Come to the armory.”
You pack a quick bag and hug your friends, then leave immediately. 
“Be careful,” they wish you. “Let us know if you need help.”
“I will. I’ll be back shortly.”
<•>
You burst into the armory quite loudly, calling for Caroline. She races to your side a moment later, a finger over her lips. 
“What’s wrong? Where’s the twins?”
“The twins are fine. They’re-”
“What?! Caroline, what the fuck?! I drove all night. I-”
“Come with me. Please. And be quiet.”
Still worried, but now a little pissed, you follow her down the narrow, dark hallway to the cells. You’re about to ask more questions, but then you notice a person occupying one of the rooms. “Who-?”
She spins you around by the shoulders, forcing you to look at her. “Take him and go. Wherever you are with the heretics, bring him with you. I can’t let him hurt my girls, but if he’s with you, he’ll stay away from them.”
“Caroline, what-”
“Cade is looking for him, and Stefan and Damon want to send him back in exchange for Elena’s coffin, but I know how much he means to you and if I were in your shoes, I’d intervene, too. Hell, I’ve spent the last three days compelling Stefan’s victims that they’ve been seeing things. We’ve all done questionable things for the people we love, and so I’m telling you to do the same. Get him out of Mystic Falls, now.”
When you turn the corner, Kai Parker is on the other side of the glass. His hand is raised as he siphons the magic from the walls. 
“Caroline, will-” he pauses, noticing you. “Y/N?”
Your breath hitches in your throat. “Kai?” You turn to Caroline, searching for answers.
“He escaped when the Maxwell bell rang.”
“That bell rang days ago, you said. He’s been here ever since?”
“Damon told me you were dead,” Kai says. The glass begins to crack under his hand. 
“We don’t have time for this,” Caroline interrupts hurriedly, “Y/N, you need to go.” She waves in Kai’s direction. “Break the glass, make it look like you’ve escaped, and get out of here. Just don’t think about coming after my kids, or I’ll make you regret it.”
Kai sets his jaw, then shatters the glass. Caroline blocks the both of you from the shards, and in the next moment, you’re standing face to face with the man you’ve missed for years. 
“Hi, princess,” he greets.
You waste no time jumping into his arms, legs around his waist, burying your face in his neck. You cling to him tightly, wrapped in an embrace, until he sets you down gently. 
“Caroline,” you start, “thank you.”
She smiles sweetly. “I love you. Now, go!”
“I love you, too. I’ll call you when everything settles.”
“You better.”
You take Kai’s hand and drag him out of the armory. A series of turns leads you to a side exit; an emergency door, but with the sirens already blaring overhead, you’re not worried about it. 
“Y/N,” he pauses the moment you get outside. 
“My car’s over here, c’mon.” 
He doesn’t budge. “But-”
“Kai!”
“You’re a vampire,” he says, clearly confused. “What happened? When’d you turn?”
“What? You don’t think I could look this young seven years later?” You joke, tugging more.
“No! I didn’t mean that-”
“I…” your grip weakens with the look he gives you. “Can we please get in the car? Alaric’s going to notice you’re gone, and-”
“When? When did you turn?”
“After you died,” you confess, face falling to the ground. You can’t look at him; can’t stand to see the sadness on your face. 
“How? Did Damon-?”
“No, Damon didn’t do it. I… I couldn’t live without you. It was too hard. I didn’t want to. I tried… someone had other plans.”
“Princess…” his voice trails off as he realizes what you mean. Strong arms reach for yours to pull you into his chest. “You didn’t… oh. Oh my god.” He tilts your head up to face him, but you avoid his eyes. “Who turned you? Dam-”
“Again, not Damon. I, um, can we go? Ric’s gonna come any second, and-”
“Who turned you, Y/N?”
“Nora.” 
“Nora? From-”
“1903? Yeah. “
“Is she-? Are the heretics-?” Kai’s interrupted by shouting coming from the armory. You grab his hand once more and drag him to your car. He climbs in the passenger seat without question, and you speed out of Mystic Falls as fast as you can. 
Not until you’re fifteen minutes from the armory, do you finally answer the questions swarming his head. You lower your speed to follow the limit, then take a deep breath. 
“Nora,” he beats you to it. 
“I killed myself,” you confess, “attempted, I guess. She found me, fed me her blood right before I died. She and Mary Louise took me to the boarding house, where they had been staying.”
“Both of them?”
You nod. “I wasn’t an easy project. First I refused to transition, then I refused bags. She had to pin me to the wall to get me to drink; I still fought, and Mary had to siphon me to weaken me enough that Nora could complete the transition. After that, I’d scream and cuss at them for keeping me alive. Nora would give me this cold stare, and Mary would cry, but neither gave up on me. Then, I flipped a complete one-eighty and cried for weeks. Nora said I resembled Alice in Wonderland in her sea of tears.” You chuckle now, but Kai has a feeling you weren’t laughing then. He sure isn’t laughing at all as you retell the story. “But finally, after about a month, I settled. I realized I couldn’t die, and they wouldn’t let me die, and I had to figure out how to live, now, as a vampire. I let them give me bags without a fight, and with time, talked to them.” 
“Why did they save you, do you know?”
“That’s something I begged them to tell me for weeks, but they refused to say until I was ready to hear it. They loved you,” you say, stealing a glimpse at him, “like a hero, like a brother. They loved you, and heard so many stories in the prison world about how you loved me, and when Nora found me in the alley, she knew she had to save me because you would’ve wanted me to live. She did it for you. She didn’t want me - your girl - to die ‘young and heartbroken’.” You sniffle, tears forming. “She wanted me to learn to live a life I could be proud of, and she wanted to honor her admiration for you by keeping me here.”
It’s a lot for Kai to take in; he’s quiet for a few minutes. As he thinks, though, his hand creeps towards yours and takes a hold of it. He squeezes gently, then kisses your knuckles. 
“The heretics,” he says, “where are they now?”
“Val’s in Europe, traveling. She didn’t want to be near Mystic Falls; turns out she has history with Stefan. Damon and Bonnie killed Malcomb before I could meet him, and Damon and Stefan killed Oscar, also before I met him. Beau was killed by an ancient hunter, whilst protecting the twins after Caroline gave birth to them, and-”
“Mary Louise and Nora?”
“I live with them.”
“What?”
“We have a little house on the border. Just out of Virginia, but barely considered North Carolina. They’re still together; had some bumps in their relationship, but they’re happy now.”
“And you, are you happy?”
“It took me a long time, but I found happiness within myself and from them. So I would consider myself happy, I guess. As weird as it is to say.”
“And me… if I were to join you, would you still be happy, after all these years?”
“What do you mean?”
“You’ve learned to live without me. You’ve found your place in this world, and friends. You’ve built a life for yourself.”
Slowly, you pull over to give him your full attention. Kai watches carefully, curious at what you’ll say. “Not a day has gone by that I haven’t missed you. I think about you every day. I miss the feeling of holding your hand, and hugging you. Kissing you. Hell, I miss the feeling of you siphoning me. No matter how happy I’ve become, there’s always been a piece of me missing. I figured it would always be missing, but as I sit here and look at you, I realize it’s not anymore. I love you, Kai, and I want you in my life, with me. I always have. I’ve learned to live without you, yes, and I’ve found people and things within myself that contribute to my happiness, but I will never be as good as when I’m with you.”
“Y/N…”
“And if your next question is about Nora and Mary, just know that they adore you way more than you might ever know. Nora admires you, and to Mary, you’re the brother she never got to know. They saved my life because they were mourning you, and knew I was, too. We all saved each other, in a way, and we’re all brought together because of you.”
It takes another minute of focused staring to process your words. You follow his line of sight to the steering wheel, but the moment you catch his eye, he stutters a response. “I-I love you. I’ve missed you, too, every day, and the thought of you is what kept me strong when I was in Hell. I need you.”
“You have me.”
“I won’t be easy, either. I can’t promise I won’t have nightmares from all the shit that happened there, but I promise I won’t ever leave you again.”
“I’ll help you through them. It’ll be okay.”
“You sure you want me in your life?”
“I need you just as much as you say you need me. Don’t ever doubt that.”
He nods. “Take me home, then.” He smiles. “Wait, after a kiss first.” Kai moves towards you as you turn twice, once to the wheel, then back to him, and takes your face in his hands. He kisses you with a passion equally sweet and rough, fingers grazing your skin and tangling in your hair. Your own hands find his shoulders, pulling him closer. After a moment, he pulls back, needing to catch his breath after such a long time of not kissing you. “Good? You need any more convincing to keep me around?”
“Shut up,” you joke, lighting hitting his chest. “Convincing? No. But I am gonna need you to make up later for seven years apart.”
“Well that I can certainly do.”
<•>
Four hours later, you pull into the long driveway that is your home. It’s nestled peacefully in the woods, away from most people, yet not so much that anyone will assume it’s abandoned. It’s cute and dainty, with colored tulips in beds in the front, and a red wreath hanging on the door, all compliments of Mary Louise. A bowl of food and water rests on the porch, to which Kai makes a face, and you explain that Nora’s been feeding the stray cats. You, on the other hand, are responsible for the hammock on the wrap-around porch. It provides a perfect spot for reading, or, more often, a place to daydream what life would be like if Kai never left. 
Just like this, you’d think, but he’d be beside you, softly kissing your neck. 
You don’t knock before entering. However, Kai bumps into the doorway, and you let out a quiet giggle at his confused expression. 
“Nora?” You call into the home. “I need you to let somebody in.”
The door is open wide enough that Kai can see into the house, but he can’t see the stairs. Nora trots down the stairs a moment later, asking to whom you could be referring before she sees him for herself. 
“Just a friend Caroline wanted me to pick up. Kinda like a stray puppy, actually.”
Mary giggles, half-expecting an actual puppy. But then when Nora comes to the door and her heart begins to race, her girlfriend gets worried. “Nora?” She hurries to stand beside her. “Oh!”
“Kai?” Nora asks gently. It looks like him, but she can never be too sure. She looks to you for confirmation.
You nod. “It’s him.”
“Hi,” he greets, signature smile confirming his own identity. 
“Kai,” she says, tone full of relief. She rushes into his arms for a hug he didn’t expect. Nevertheless, he hugs her back just as tightly as she holds him. “Come in,” she invites as soon as letting him go.
Mary gawks as he crosses the threshold. “Can I-?”
He opens his arms again for her to hug him, and the two share their own embrace. 
“What happened?” Nora starts, “how’d you-? Where-?”
“As I told Damon, then Caroline told Y/N, I jumped out when the Maxwell bell was rung. Damon tried to keep me hidden from Y/N, but Caroline had other plans. She let Y/N take me as long as I didn’t hurt the twins, to which I’m happy to let those little Gemini gremlins go if it means being with her.”
“And Cade?”
“Caroline called on the way; Cade’s dead. And Kai ate on the way, so he’s feeling better.”
“Earlier I felt like I could still be slipping back into Hell, but Cade’s grip on me weakened, and her blood gave me strength, so I won and got my footing back on Earth. I am officially a live-dead man once again.”
Mary chuckles, but Nora’s attention catches on a word. “Her?” You glance at the ground, a blush rising to your cheeks. Nora smiles. “Not twelve hours, and the lovebirds are sharing blood.”
“Match made in Heaven,” Mary laughs more.
“Completely inseparable,” Nora agrees. “Well, Kai, I hope you’ve made plans to stay, because now that you’re back, we’re never letting you out of our sight again.”
“You want me to stay?”
Nora had turned, but now she whips back around to face him. “What? Of course. Did you and Y/N-”
“We talked in the car! I thought you were okay with staying.”
“But Nora’s the owner of the house, I have to ask her, too!”
“Of course you’re staying, dork!” She’d learned that word the last couple years and always said it fits Kai; now she gets to use it on him. “Now pull up a chair. I know you’re the cook around here, but I made dinner, and it’s pretty good!”
The four of you take to the table where Nora pours bowls of soup. You settle around the chairs like a family separated for too long, but finally joined back together, never to be apart again, and it’s good. Your hands connected with Kai’s underneath the table, and he squeezes. Across from you, the girls’ own hands are held in each other’s. The joy and laughter around the table is something you want to be a part of forever. 
60 notes · View notes
dk-thrive · 7 months
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Well, darkness has a hunger that’s insatiable And lightness has a call that’s hard to hear
— Indigo Girls, from "Closer to Fine" (1989)
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So I finally wen to see Barbie last night and this morning felt like my third eye opened: Closer to Fine isn't just a female friendly bop, it's Barbie's journey in the film
Because darkness (the patriarchy) has a hunger that's insatiable
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And lightness (freedom) has a call that's hard to hear
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(spoilers under cut)
She went to the doctor
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She went to the mountain
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She looked to the children
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And she drank from the fountain
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(because Barbieland is the fount of her existence)
But the less she sought the source for some definitives (ie, gave up asking Ruth to just tell her what to do and made her own choice), the closer she was to fine
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musicbasedsubculture · 10 months
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mfw darkness has a hunger that’s insatiable and lightness has a call that’s hard to hear
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lady-phasma · 2 years
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Apparently I’ve tied them all together so it starts here then these ramblings, then these, and now…
Well, darkness has a hunger that's insatiable And lightness has a call that's hard to hear And I wrap my fear around me like a blanket I sailed my ship of safety till I sank it I'm crawling on your shores
Closer to Fine - Indigo Girls
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Aemond’s hand rested on the grip of his dagger as he walked the passageways of the Keep. He walked slowly, with purpose. He wanted time to think but he also wished the distance were shorter so he had less opportunity to doubt himself.
What in the name of the Stranger was he doing? His words to you that afternoon echoed in his ears. He had made a promise. When he spoke them he hadn’t known exactly how afraid he would become of them. ‘Never’ was a pledge as much as if he had said the word itself. Dōrī hembīnna. 
He had meant it, truly, but the further his steps carried him the more he began to understand the importance of those words. Never leaving you meant that he had to trust you would never leave him. That you would never find cause to leave him.
Aemond stopped. His thumb worrying his index finger as he thought. You hadn’t asked him for never, you hadn’t asked him for anything. He had been so cavalier and run fearlessly into that word with no consideration for the gravity, the consequences. 
Choosing his words with precision was a method of control and he had lost some of that control when he had held you against him. He closed his eye and rubbed his forehead. He was grateful that the corridor was empty at this hour. He sighed. 
He could turn around. He could go back to the safety of his books, his swords, his dragon. From those things he faced no judgement, no scorn, no disgust, yet they offered nothing that you could. The truth of the matter was how could you possibly want what he had to offer you? He looked down the hall, estimating how much more time he had to retreat.
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intosnarkness · 2 years
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youtube
or, on A03
I'm trying to tell you something about my life Maybe give me insight between black and white And the best thing you've ever done for me Is to help me take my life less seriously It's only life after all, yeah
Well darkness has a hunger that's insatiable And lightness has a call that's hard to hear And I wrap my fear around me like a blanket I sailed my ship of safety 'til I sank it I'm crawling on your shores
And I went to the doctor, I went to the mountains I looked to the children, I drank from the fountains There's more than one answer to these questions Pointing me in a crooked line And the less I seek my source for some definitive Closer I am to fine, yeah Closer I am to fine, yeah
And I went to see the doctor of philosophy With a poster of Rasputin and a beard down to his knee He never did marry or see a B-grade movie He graded my performance, he said he could see through me I spent four years prostrate to the higher mind Got my paper and I was free
And I went to the doctor, I went to the mountains I looked to the children, I drank from the fountains There's more than one answer to these questions Pointing me in a crooked line And the less I seek my source for some definitive Closer I am to fine, yeah Closer I am to fine, yeah
I stopped by the bar at 3 a.m. To seek solace in a bottle or possibly a friend And I woke up with a headache like my head against a board Twice as cloudy as I'd been the night before When I went in seeking clarity
I went to the doctor, I went to the mountains I looked to the children, I drank from the fountain We go to the doctor, we go to the mountains We look to the children, we drink from the fountain Yeah, we go to the Bible, we go through the workout We read up on revival, and we stand up for the lookout There's more than one answer to these questions Pointing me in a crooked line And the less I seek my source for some definitive Closer I am to fine Closer I am to fine Closer I am to fine, yeah
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displayheartcode · 9 months
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🎶✨️when u get this u have to put 5 songs u actually listen to, publish. Then, send this ask to 10 followers (non-negotiable, positivity is cool)🎶✨️
closer to fine
Well, darkness has a hunger that's insatiable And lightness has a call that's hard to hear And I wrap my fear around me like a blanket I sailed my ship of safety till I sank it I'm crawling on your shores
2. gold dust woman
Rock on, Gold Dust Woman Take your silver spoon, dig your grave Heartless challenge Pick your path and I'll pray
3. boogeyman
Gonna open the doorway To the in-between Comin' and goin' As I please
4. am i dreaming?
I can't find it in myself to just walk away I can't find it in myself to lose everything Feel everyone's against me, don't want me to be great Things might look bad, I'm afraid to look death in the face I'm good now (now, now, no way), who's really bad? I choose me now (now, now) what's wrong with that?
5. meet me in the woods
How long baby have I been away? Oh, it feels like ages, though you say it's only days There ain't language for the things I've seen, yeah And the truth is stranger than my own worst dreams The truth is stranger than all my dreams Oh, the darkness got a hold on me
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velvethopewrites · 2 years
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Well, darkness has a hunger that's insatiable And lightness has a call that's hard to hear
-Indigo Girls
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demeter1111 · 2 years
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“The darkness has a hunger that’s insatiable and the lightness has a call that’s hard to hear.”
- Indigo Girls
I’m trying. It’s all I can do. It’s hard for me to communicate right now. I wish you all peace. Goodnight. ✨🌓✨🕊
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royalarmyofoz · 2 years
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when the indigo girls said darkness has a hunger that's insatiable and lightness has a call that's hard to hear, i felt that
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wybienova · 6 months
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well. the darkness has a hunger that’s insatiable. and the lightness has a call that’s hard to hear. so that’s great
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hatethyenemies · 7 months
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--
Well, darkness has a hunger that's insatiable And lightness has a call that's hard to hear And I wrap my fear around me like a blanket I sailed my ship of safety till I sank it I'm crawling on your shores
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existential-sunbeam · 10 months
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Darkness has a hunger that's insatiable
And lightness has a call that's hard to hear
And I wrap my fear around me like a blanket
I sailed my ship of safety till I sank it
- Closer to Fine, Indigo Girls
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