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#dan nigro
fangomusic · 5 months
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Olivia Rodrigo, Guts (White Vinyl Edition Label) 2023.
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idkwhatiwantinlife · 7 months
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monchersoleil · 7 months
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Chappell Roan
Photography by Ryan Clemens
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wouldvebeensweet · 10 months
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also dan nigro is so fucking phenomenal, the production on 'vampire' is out of this world
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octoberconstellation · 3 months
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swiftiexmarvel · 8 months
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I love this album with my whole heart.
my punk rock heart is happy
my top 3 are ballad of a homeschool girl, lacy and the grudge
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flutemelodies · 10 months
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VAMPIRE - OLIVIA RODRIGO
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shreysheep · 2 days
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Daniel Nigro is the Jack Antonoff of the next gen of music. Like Olivia is Dan's Taylor and then he also produces for Chappell Roan, (previously) Conan Gray who are literally the new generation of pop.
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zukotheartist · 21 days
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Seeing sapphic songs trend gets me all 🥺🥰🫶, rn shoutout to Chappell Roan specifically
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confusionmeisss · 1 month
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i love when my girlies have producers they feel so comfortable with & they encourage and support them to try anything they want
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sinceileftyoublog · 5 months
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Olivia Rodrigo Album Review: GUTS
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(Geffen)
BY JORDAN MAINZER
Olivia Rodrigo had wanted to title her second album "GUTS" since she was making her debut, SOUR, because she was interested in the various colloquial contexts in which we use the word. No, you're not going to find the singer-songwriter's second album on the shelf next to Exhumed's back catalog--referring to entrails is about the only meaning Rodrigo doesn't conjure from the word. She mentions "spill your guts," and the album certainly has the same diaristic quality as her first record. She also brings up the phrase "hate your guts;" lo and behold, at times on GUTS, Rodrigo foregoes the sarcasm and facetiousness of SOUR for full-on diatribes and revenge fantasies. But the connotation that stands out most to me, listening to the record for months after it's now come out, is one of courage. Simply, it takes a lot of guts to make an album like this.
From the start, Rodrigo sets up the unrealistic expectations she's under, physical and behavioral, both as a young woman and as a celebrity. On the Joan Didion-inspired, dynamic and choral "all-american bitch", she sings "I'm grateful all the time / I'm sexy, and I'm kind / I'm pretty when I cry," fully aware that she's encapsulating a caricature more than a real character. Appropriately, she spends the rest of the album contradicting the idea of the ideal feminine. Knowingly regretful, she hooks up with an ex on the stuttering power pop jam "bad idea right?" She's jealous of a "dazzling starlet, Bardot reincarnate" on the layered and ghostly "lacy", her vocals and producer Dan Nigro's synthesizer skyward before they come crashing to a painful, realized whisper. On piano and strings ballad "the grudge", she posits that while "It takes strength to forgive...I don't feel strong." Rodrigo swims in imperfection.
Rodrigo's deep dive into her own humanity, though, sets her up for longer lasting strength. For every lambast of "bloodsucker" and "fame fucker," iconic as they are, there's a line like on "logical" where she sings, "I know I'm half responsible / And that makes me feel horrible." Synth rock standout "love is embarrassing" is especially impressive, as Rodrigo collates all the cringiest things she's ever done--the type that would keep most people up at night--and turns them into a singular anthem of teenage awkwardness. On "making the bed", she realizes that as much as she's resentful of certain aspects of her life, from the toxicity of the music industry to her penchant for social errors due to homeschooling, she has the ultimate agency to change things. She's stated the song was the hardest on the album to write, and the delicate balance between blame and acceptance is palpable. There are even multiple layers to "get him back!" Sure, Rodrigo wants "to meet his mom and tell her her son sucks," but she also wants to reconnect. Otherwise, why would she care?
Ultimately, GUTS has proved to be one of the most rewarding pop records of the year due to its sheer humanism. You can find solidarity in a song like "pretty isn't pretty", a shimmering dream pop standout instrumentally wedged between "1979" and Alvvays, one that decries the extent to which capitalism promotes unrealistic standards, beauty or otherwise. But it's closer "teenage dream" that ensures the album ends not on a bang, but on a relatable wince. Small moments, like the pseudo "you're not from around here" record scratch after the first chorus, build up the unease to emphasize Rodrigo's final moment of self doubt: "They say it gets better / But what if I don't?" Kudos to Rodrigo for putting to words and music what we're all thinking all the time.
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theindyreview · 4 months
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Bad Ass Break-Outs: Chapelle Roan  
Bad Ass Break-Outs: @ChappellRoan With an opening slot on the GUTS tour, a new album and new music videos, Roan proves she is here to stay @IslandRecords #pop #ChappelleRoan #queerpop #popmusic @OliviaRodrigo #guts #tour
It was May of 2020, and my friend’s boss’ daughter was the make up artist for a music video called, “Pink Pony Club.” The video was performed by a little known 22-year old artist named Chapelle Roan (pronounced like Chapel). The song was a queer pop anthem that depicts the dreams that so many people in America have about moving to the promised lands of Southern California.  The song became a…
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thissmycomingofage · 3 months
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Also I saw no one talk about this but, Dan should have won best producer, and if you disagree you clearly haven't listened to the rise and fall of a midwest princess
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rarecentral · 8 months
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reina0sin0corona · 2 years
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OLIVIA RODRIGO: driving home 2 u (a SOUR film)
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swiftiexmarvel · 7 months
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why is no one talking abt teenage dream??
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