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#commission. now
hamletthedane · 3 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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gr0undr10tz · 9 days
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unfinished chimera falin wip
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kewpiekills · 9 months
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some fish women i drew during college orientation
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starrysharks · 1 month
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my little human?
some ref sheets i finished down below:
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mienar · 10 months
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close-ups of a commission i did a while back! 🌱
instagram | shop | commission info
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nolvini · 4 months
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Opening c0mms for Palestine! I’ll be donating 75% to Care for Gaza and eSIMs! If interested, dm or email me, and please share this around! get a cool drawing while helping a good cause 🇵🇸💕
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obsob · 1 year
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despite, despite, despite!!
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sinlizards · 8 months
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CONGRATULAATIOOOOOONS !!~
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astrolavas · 9 months
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an emerald trio commission for @rileyclaw, featuring his au! hehe
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floweroflaurelin · 3 months
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Please undo what I’ve done, Lord. I will never ask anything of you, ever again, if you just give me back the life of Gideon Nav.
The Descent of Gideon Nav, inspired by the statue El descendimiento by Virginio Arias ✨ Prints are available here! ✨
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otakoma · 5 months
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Minthara's such a wife, I love her.
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baph0meat · 2 months
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u should also be opting out whether ur an artist/writer or not. the stuff u post is not less vulnerable just bc u don't think of it as being something that will feed directly into the kind of art/prose generation that has been at the center of most of the discussions on this stuff, and u still deserve privacy and security -- however impossible that may be to attain on the current internet. u may talk to ur friends on here, talk abt ur life on here, some of us share selfies. u should feel as protective of that as anyone feels abt creative works. it matters
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oooocleo · 8 months
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ive done it..... angel choir singing behind me laying motionlessly on the pavement 👼👼👼
more slots will probably open for these soon (tho a bit less than this previous batch lol)
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mustlovesteve · 8 months
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thanks so much to @toktopus-art for this awesome commission that she drew! based on a scene from my vamp!eddie steddie fic.
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oobbbear · 4 months
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I’m back on doll making so here’s a little sunny for the warmup :]c✨
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His eyes weren’t originally planned to look like that but I umm messed that up so I added an eyelid to cover it now he has this smug face going on which I honestly like more than the plan hehehe
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heckitall · 6 months
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Same As It Never Will Be
Part 7 - (Part 8) - Part 9
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not me drawing Renet's time scepter from memory ----
I CAN NOW UNVEIL THE COVER FOR ARC 2!!!! drawn (and helped direct SAINWB) by @hellishgayliath!! i literally love it so much
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