#charles bernard barton | Explore Tumblr Posts and Blogs

castielli · 2 years

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How to request:

Send your request featuring the character you want, the plot (+ANGST, FLUFF…) and anything I need to know about the reader.

MASTERLISTS:

MOVIES/TV SHOWS

KDRAMA/KPOP

OCs PROFILE:

@nathan-ocs

Fandoms I write for under the cut!

——————————————

NCIS

Timothy McGee

Jimmy Palmer

Nicholas Torres

CRIMINAL MINDS

Spencer Reid

Penelope Garcia (platonic🫶)

Luke Alvez

CALL OF DUTY (MW/WWII)

John Price

Soap MacTavish

Ghost Riley

Gaz Garrick

Alex Keller

Alejandro Vargas

Phillip Graves

Vladimir Makarov

Rudy Parra

Red Daniels

William Pierson

Joseph Turner

Robert Zussman

Frank Aiello

Drew Stiles

SHAMELESS

Ian Gallagher

Carl Gallagher

Lip Gallagher

Mickey Milkovich

Kevin Ball

THE WALKING DEAD (+TELLTALE GAME)

Rick Grimes

Daryl Dixon

Glenn Rhee

Negan Smith

Shane Walsh

Lee Everett

Kenny

Doug

Mark

STRANGER THINGS

Steve Harrington

Billy Hargrove

Robin Buckley (platonic)

Eddie Munson

Jim Hopper

Jonathan Byers

Peter/001

Jason Carver

Dimitri

THE UMBRELLA ACADEMY (I still need to finish the last season😊)

Viktor Hargreeves

Klaus Hargreeves

Diego Hargreeves

Number Five

Luther Hargreeves

Ben Hargreeves

SUPERNATURAL

Dean Winchester

Sam Winchester

Castiel

Crowley

Bobby (platonic)

Chuck

NOW YOU SEE ME

Jack Wilder

J. Daniel Atlas

Merritt McKinney

Dylan Rhodes

Chase McKinney

MARVEL (Avengers/X-men)

Wanda Maximoff

Tony Stark

Bruce Banner

Thor Odinson

Loki Laufeyson

Steve Rogers

Stephen Strange

Peter Parker (Tom/Andrew/Tobey)

Clint Barton

Deadpool

Bucky Barnes

Sam Wilson

Peter Quill

Quentin Beck/Mysterio

Eddie Brock/Venom

Druig

Ikaris

Charles Xavier

Erik Lehnsherr

Peter Maximoff

Wolverine

Scott Summers

Hank McCoy

Bobby Drake

Alex Summers

Phil Coulson

Marc Spector/Steven Grant/Jake Lockey

Scott Lang

Pietro Maximoff

Mobius M. Mobius

Matt Murdock

Shang-chi

STAR WARS

Anakin Skywalker

Luke Skywalker

Obi-Wan Kenobi

Kylo Ren

Poe Dameron

Finn

TEEN WOLF

Stiles Stilinski

Scott McCall

Derek Hale

Isaac Lahey

Jackson Whittemore

Peter Hale

Theo Raeken

Liam Dunbar

Jordan Parrish

Mason Hewitt

Danny Mahealani

Aiden Steiner

Ethan Steiner

Corey Bryant

THE BOYS IN THE BAND

Bernard

Harold

Hank

Donald

Cowboy

Alan McCarthy

Michael

Larry

Emory

WHITE COLLAR

Neal Caffrey

Peter Burke

Mozzie (platonic)

Clinton Jones

DIVERGENT

Peter

Caleb Prior

Four

HARRY POTTER

Neville Longbottom

Sirius Black

Cedric Diggory

Seamus Finnigan

Viktor Krum

Remus Lupin

Draco Malfoy

Tom Riddle

Charlie Weasley

Fred Weasley

George Weasley

Percy Weasley

Ron Weasley

Oliver Wood

FANTASTIC BEASTS AND WHERE TO FIND THEM

Gellert Grindelwald (Mads Mikkelsen)

Newt Scamander

Credence Barebone

Theseus Scamander

Albus Dumbledore (Jude Law)

HUNGER GAMES

Peeta Mellark

Coriolanus Snow

Sejanus Plinth

MAZE RUNNER

Newt

Thomas

Gally

Minho

911 (and LONE STAR)

Evan Buckley (Buck)

Howie Han (Chimney)

Bobby Nash

Eddie Diaz

TK Strand

Carlos Reyes

Paul Strickland

Owen Strand

Jud Ryder

Mateo Chavez

RIVERDALE

Jughead Jones

FP Jones

Archie Andrews

Hiram Lodge

Sweet Pea

Fangs

Kevin Keller

Reggie Mantle

Chic

Moose Mason

BROOKLYN99

Jake Peralta

Terry Jeffords

All the others (platonic only)

CHRISTIAN BALE

Patrick Bateman (American Psycho)

Bruce Wayne (Batman)

PEDRO PASCAL

Joel Miller (TLOU)

Din Djarin (The Mandalorian)

Javi Gutierrez (The Unbearable Weight of Massive Talent)

Javier Peña (Narcos)

Oberyn Martell (Game of Thrones)

Agent Whiskey (Kingsman)

Silva (Strange Way of Life)

Francisco Morales (Triple Frontier)

Marcus Moreno (We Can Be Heroes)

Dieter Bravo (The Bubble)

DETROIT BECOME HUMAN

Connor

RK900

Hank

Markus

Luther

Simon

Gavin

Josh

BARBIE

Ken (Ryan)

Ken (Simu)

Allan

SHERLOCK

Sherlock Holmes

John Watson

Jim Moriarty

Mycroft Holmes

FNAF (movie)

Mike Schmidt

Steve Raglan

SUITS

Harvey Specter

Mike Ross

LA CASA DE PAPEL

El Profesor

Berlín

Palermo

Denver

Río

I WON’T WRITE:

-Smut (for anyone)

-R*pe

-Female readers/GN readers

-Suic*de

-inc*st

-Crossdressing

-Romantic/Suggestive stories for underage characters (only platonic, basically)

If the character you wanted to request is not on the list, you can try and ask me anyways.

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tenderbittersweet · 1 year

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Happiness is a Full Bookshelf 😊📚

My goal is to collect every Penguin Classic that has a black spine and cover, white title, and orange author name because they’re sooo aesthetically pleasing to me. My fun challenge of collecting/amassing them is by finding them exclusively through secondhand purchases (resale shops, ebay, garage sales, used bookstores, etc.) Then I only have to shell out $0-$7 each instead of $10-$30 each!

Penguin Classics

A Doll's House and Other Plays by Henrick Ibsen

A Nietzsche Reader by Fredrich Nietzsche

A Study in Scarlet by Arthur Conan Dolye

Adventures of Huckleberry Finn by Mark Twain

Agnes Grey by Anne Brontë

All My Sons by Arthur Miller

Angel of Repose by Wallace Stegner

Awakening and Selected Stories by Kate Chopin**

BUtterfield 8 by John O'Hara

Caleb Williams by William Godwin

Call of the Wild, White Fang, and Other Stories by Jack London*

Canterbury Tales by Geoffrey Chaucer*

Charlotte Temple and Lucy Temple by Susanna Rowson

Cold Comfort Farm by Stella Gibbons

Communist Manifesto by Karl Marx and Friedrich Engels

Complete Stories by Dorothy Parker

Confessions by Saint Augustine

Conjure Tales and Stories of the Color Line by Charles W. Chestnut

Consolation of Philosophy by Ancius Boethius

Crucible by Arthur Miller

Daisy Miller by Henry James

Effi Briest by Theodor Fontane

Essays and Aphorisms by Arthur Schopenhauer

Ethan Frome by Edith Wharton

Eugene Onegin by Alexander Pushkin

Excellent Women by Barbara Pym

Framley Parsonage by Anthony Trollope

Frankenstein by Mary Shelley**

Grapes of Wrath by John Steinbeck**

Gulliver’s Travels by Jonathan Swift

Hard Times by Charles Dickens

Hedda Gabler and Other Plays by Henrik Ibsen

History of The Peloponnesian War by Thucydides

Importance of Being Earnest by Oscar Wilde

Jane Eyre by Charlotte Brontë*

Leaves of Grass by Walt Whitman*

Letters of Abélard and Héloïse

Little Women by Louisa May Alcott

Lucky Jim by Kingsley Amis

Major Barbara by George Bernard Shaw

Man and Superman by George Bernard Shaw

Mansfield Park by Jane Austen

Mary Barton by Elizabeth Gaskell

Memoirs by William Tecumseh Sherman

Metamorphosis by Franz Kafka*

Middlemarch by Geroge Eliot

Moll Flanders by Daniel Defoe

My Antonia by Willa Cather

Mysteries by Knut Hamsun

Narrative of the Lige of Frederick Douglas, an American Slave by Frederick Douglas

Nichomachean Ethics by Aristotle*

Nineteenth-Century American Poetry

Northanger Abbey by Jane Austen

Odyssey by Homer**

On Liberty and the Subjection of Women by John Suart Mill

On the Road by Jack Kerouac

One Flew Over the Cuckoo’s Nest by Ken Kesey

Passing by Nella Larsen

Personal Memoirs by Ulysses S. Grant

Portable Sixties Reader

Portrait of a Lady by Henry James

Pride and Prejudice by Jane Austen

Pygmalion by Bernard Shaw

Scarlet Letter by Nathaniel Hawthorne**

Seize the Day by Saul Bellow

Silas Marner by George Eliot

Sir Gawain and the Green Knight

Song of Roland

Summer by Edith Wharton

Tale of Two Cities by Charles Dickens

The Adventures of Augie March by Saul Bellow

The Aeneid by Virgil

The Ancien Régime and the Revolution by Alexis de Tocqueville

The Bhagavad Gita

The Castle of Otranto by Horace Walpole

The Count of Monte Cristo by Alexander Dumas

The Death of Ivan Ilyich and Other Stories by Leo Tolstoy

The Decameron by Giovanni Boccaccio

The Epic of Gilgamesh

The Guide by R.K. Narayan

The Habor by Ernest Poole

The Hound of Baskerville by Sir Arthur Conan Doyle

The Iliad by Homer

The Interesting Narrative and Other Writings by Olaudah Equiano

The Lais of Marie de France

The Marquise of O—and Other Stories by Heinrich Von Keist

The Mill on the Floss by George Eliot

The Odyssey by Homer

The Prince by Niccolò Machiavelli*

The Prose Edda by Snorri Sturlson

The Return of the Native by Thomas Hardy

The Song of the Lark by Willa Cather

The Strange Case of Dr. Jekyll and Mr. Hyde and Other Stories by Robert Louis Stevenson

The Turn of the Screw by Henry James

Three Theban Plays by Sophocles

To a God Unknown by John Steinbeck

Uncle Tom’s Cabin by Harriet Beecher Stowe

Utopia by Thomas More

Villette by Emily Brontë

A Vindication of the Rights of Women by Mary Wollstonecraft

Washington Square by Henry James

Winesburg, Ohio by Sherwood Anderson

Woman in White by Wilkie Collins

Woodlanders by Thomas Hardy

Wuthering Heights by Emily Brontë

Non-Penguin Classics

A Mercy by Toni Morrison

Bell Jar by Sylvia Plath**

Breakfast at Tiffany's by Truman Capote

Diary of a Young Girl by Anne Frank*

Great Gatsby by F. Scott Fitzgerald

Handmaid’s Tale by Margaret Atwood**

House on Mango Street by Sander Cisneros

My Antonia by Willa Cather

Rebecca by Daphne Du Maurier

The Last Man by Mary Shelley

The Song og Bernadette by Franz Werfel

The Things They Carried by Tim O’Brien*

Their Eyes Were Watching God by Zora Neale Hurston

Collections, Compilations, and Anthologies

100 Best-Loved Poems (American & British)

101 Great American Poems

A Book of Love Poetry

English Romantic Poetry (1996)

Final Harvest by Emily Dickinson

Five Metaphysical Poets

John Donne

George Herbert

Henry Vaughn

Richard Crashaw

Andrew Marvell

Four Great Comedies of the Restoration & 18th Century

Four Great Elizabethan Plays

Great Poems by American Women

Great American Short Stories (1985)

Heart of Darkness and Selected Short Fiction by Joseph Conrad

“Youth”

Heart of Darkness

“Amy Foster”

“The Secret Sharer

Louisa May: A Modern Biography by Martha Saxton

Nine Stories by J.D. Salinger

Possibilities of Poetry (1970)

Selected Poetry by D.H. Lawrence

Selected Writings by Gertrude Stein

Seven Gothic Tales by Isak Dinesen (Karen Blixen)

Short Shorts: An Anthology of the Shortest Stories (1983)

Short Story Masterpieces (American & British, 1982)

Six American Poets (Whitman, Dickinson, Stevens, Williams, Frost, Hughes)

Six Great Sherlock Holmes Stories by Arthur Conan Doyle

“A Scandal in Bohemia”

“The Red-headed League”

“The Adventure of the Speckled Band”

“The Adventure of the Engineer’s Thumb”

“The Final Problem”

“The Adventure of the Empty House”

Six Plays of Strindberg

Tales of Henry James by Henry James

“The Aspern Papers”

“The Pupil”

“Brooksmith”

“The Real Thing”

“The Middle Years”

“In the Cage”

“The Beast in the Jungle”

“The Jolly Corner”

Ten Plays by Euripides

The Classic Slave Narratives

Olaudah Equiano

Mary Prince

Frederick Douglass

Harriet Jacobs

The Essential Tales and Poems by Edgar Allan Poe

The Complete Plays of John M. Synge by John M. Synge

The Mammoth Book of Ghost Stories

The Underground Railroad by William Still

The Vintage Book of Contemporary American Poetry (1990)

The Yellow Wallpaper and Other Writings by Charlotte Perkins Gilman

The Novels by Samuel Beckett

Molloy

Malone Dies

The Unnamable

Victorian Love Stories (1997)

Women & Fiction (1975)

Literary Criticism

On Poetry and Poets by T.S. Eliot

Speaking of Chaucer by E. Talbot Donaldson

Symbolism and American Literature by Charles Feidelson, Jr.

* = Started & didn’t finish (yet)/Read parts

** = Read ≥5 years ago

Strike-through = Read

Updated: May 13, 2024

Total count: 155

#classic literature #literature #penguin classics #my classics collection #bookblr #long post #personal #op

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mastcrmarksman · 1 month

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Clint in his main 616 setting

(excluding all the ships and ship verses I have)

★ ⸻ GENERAL

Name : Clinton Francis Barton

Title(s) : Hawkeye, formerly Ronin, Goliath

Gender : Cis male.

Age : in his 40s

Birthday : June 18th

Place of birth : Waverly, Iowa

Spoken & understood language(s) : English, American Sign Language, Italian

Sexual preference : Bisexual

Occupation(s) : Superhero, Vigilante, currently on the NYC/Luke Cage's Thunderbolts

★ ⸻ APPEARANCE

Eye color : Blue

Hair color : Blonde

Height : 6'3"

Major scars : A small vertical scar over the right side of his lip, a small horizontal scar that goes across his nose, various scars along his arms and abdomen from bullets and arrows (I need to make a scar map)

★ ⸻ FAVORITE

Color : Purple

Song : She's Always A Woman - Billy Joel

Food : Grilled food

Drink : Coffee

★ ⸻ HAVE THEY…

Passed university : Nope (only in alt verses has he even finished high school/middle school)

Had sex : Yes

Had sex in public : Yes

Gotten pregnant/someone else pregnant : Yes :(

Kissed a boy : Yes

Kissed a girl : Yes, a lot

Gotten tattoos : I'm gonna give him some

Gotten piercings : No

Stayed up for more than 24 hours : Yeah, bad habit

★ ⸻ ARE THEY…

A virgin : No

A cuddler : Yes

A kisser : Yes

Scared easily : Not that you would ever know

Jealous easily : Somewhat yes

Trustworthy : Yes (and sometimes no)

Dominant : Yes, when he wants to be

Submissive : Yes, he enjoys

In love : He's always a little in love

Single : Yes (again dependent on alt verses)

★ ⸻ RANDOM QUESTIONS

Have they harmed themselves : Yes

Thought of suicide : Yes

Attempted suicide : Debatable, he has sacrificed himself before

Wanted to kill someone : Yes, he's attempted and if you count Bruce Banner

Have/had a job : Yes, he also use to have a security job

Have any fears : Yes. Failure. Loneliness. Being the same.

★ ⸻ FAMILY

Sibling(s) : Yes, Charles Bernard Barton aka Barney

Parent(s) : Harold Barton and Edith Barton

Children : None

Significant other : Not currently (verse dependent again)

Pet(s) : Lucky the dog. (Verse dependent he has more)

Tagged : I stole from @prcspcr (Spock is a liar)

Tagging : take it from me babes 😘

#[ ABOUT ] I guess I just need something or someone to believe in or maybe I just need someone who believes in me

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bastardhalfspider · 7 months

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about ashley parker barton as told by ashe

MAIN VERSE / MAIN SETTING -> The Wastelands Earth, inspired by the original Marvel Wastelands material and original version of Ashley Barton, now being developed by @crisispider & @oceansfirst's as an original character. Ashley Parker-Barton is a half-OC child of Clint Barton and Peter Parker || she will have a 616 verse // crossover verse // spiderverse // multiverse // time travel verse, open for interaction -> so everyone love on her too

❝ Fuck, fine, I'll do a futzing origin story. You can call me ASHE, or Ashley's fine too I guess. My alias? That would be just Spider. ❞

❝ My birth is kind of a strange story. My sperm donor is Charles Bernard Barton, which I'm sure SOME of you may know the name. Trickshot once, complicated brother of Hawkeye? ⸻ No one really knows the story, it's all word of mouth from the chick who hadd my egg or whatever, DAD WHO RAISED ME has her name or whatever ⸻ ❞

❝ Anyways, turns out Barney blew up his life or something. Chick he was living on a private island with dumps him and keeps the islandd for her, her kids, and these FREAK kids that got dropped off by DAD WHO SHOULD BE DEAD ⸻ So, Barney Barton is some-fucking-where until he meets this girl and she gets pregnant with me, and than she doesn't tell him and he's gone anyways. ⸻ I did mention my story is a fuggin' shitshow, right? ❞

❝ She decides she wants to keep the baby, which really maybe she should have regretted that earlier than she did ⸻ TASTELESS JOKE? You should see the world I come from now ⸻ Girl thinks she's gonna keep me until, well, she has me. She's holding this baby me in her hands, and must realize shit, this kid's unlovable or something. Remembers that the dick who got her pregnant had a superhero brother, and takes me to Clint Barton and Peter Parker's residence, and well? ❞

❝ Maybe the only happy part of this story and I don't even remember it since I was like four months old or somethin' ⸻ Turns out Dad 1 and Dad 2, were talking another baby. See Dad 1 had a kid already from his ex-wife, who like he tell me Mary Jane Watson is my god-mom or auntie but whatever, so I literally fell in their lap. Woman didn't even really give me a name, she tried. ⸻ They name me Ashley ❞

❝ Now the Parker-Bartons are a family of four and half, or three and half. My big sister Mayday's got three parents, or two and a half. However, you wanna count it. Clint and Peter, married. Clint being the bonus dad to Mayday, when she's with her Dad, our dad and I'm ⸻ something there too now. Adopted by my technically blood-uncle, but I'm suppose to call him Dad or Papa, and adopted by Dad, Peter Parker. ❞

❝ This is all stories told to me by Dad, that's the Spiderman one, I never knew Hawkeye. HE DIED, or so we thought. I was just a toddler, not old enough for memories when V-DAY happened, and the entire country than world went nuclear. Heroes being slaughtered left and right, Spiderman took me, big sis Mayday, and Mayday's mom MJ and went deep underground and into hiding. ❞

❝ WE SURVIVE. Spiderman technically dies that day, because if any villain knew Spiderman was alive. He'd be one of the largest targets. Dad thinks his husband, that's Hawkeye is dead. ⸻ So I get one Dad, HIM, one parent. I also get my sister Mayday, but like she's the good kid. The lucky one, she had three parents and a baby sister, and only lost one. I had, well, her and DAD. ❞

❝ Dad gets Mayday's mom somewhere safe, and we go to visit her every few months over the years. Mayday's always had powers, so staying stationary too long could be dangerous. SOMETHING, SOMETHING, SUPER VILLAINS WOULD KILLS US. ⸻ I'm just extra luggage, but I grew up learning everything from Dad, and like I do love him a lot, 'kay? ⸻ So now you're looking at me and like why the spider suit, how'd you get powers thought you were some normie. ❞

❝ When I was eleven, I was dying. Losing a lot of blood, and Mayday and Dad are a mess about it ⸻ Dad takes a risk, saves me and transfuses blood to me. That's how I got the powers, Dad's mutated blood mutated me. Saved my life, made me more durable. I still can't stick to walls like Mayday or Dad could, but whatever. ❞

❝ The world's been fucked for most of my life, getting worse, Vilians fighting over territory, corpses of dead giants, Amerika turning into a wastelands. Dinosaurs from the savage lands loose, wild symbiotes, mollods, thing keep getting worse. Gangs popping up, country turning to dust and this is happening everywhere. ⸻ I don't think I'm a superhero, Dad tries to tell stories, so does MJ when we visit for Mayday to see her mom. ⸻ But I like the stories about the suit, about the heroes, and Mayday's in agreement with me. ❞

❝ So we both made our own spider suits, matching, and like Dad thinks its risky, stupid as well, but like if anyone comes for Spiderman? You bet our asses we could take them, and I'd lob off their heads ⸻ Mayday likes the suits cause she believes in superheroes, what they stood for. I like them cause I feel powerful behind the mask, cause I don't really know who I am under it. ❞

The symbol/logo I mashed together for Ashley Parker-Barton.

No official hero name besides Spider or Ashe is accepted.

#ABOUT -> Adopted Daughter of a Hawk and a Spider #ABOUT -> The Wastelands #ABOUT -> The Parker Bartons #ABOUT -> Verses

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spectralarchers · 1 year

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You're a Barney Barton expert! 😁

Charles Bernard Barton defense league 2k22 represent!!!

new ask game: mutuals, tell me what fictional characters you consider me an expert

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exbarton · 1 year

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Lucille had never thought that divorce was ever going to be something she had to deal with. It had been about a year since she and Charles Bernard Barton got divorced and she was still heartbroken. She had never even looked at another man when they were together at least not in a manner that would insinuate she had any interest. The reason for divorce was stupid, cheating... Who in their right mind would cheat on a man after over a decade of being together.

She sat outside of the Avengers' tower waiting for Clint to show up since he had agreed to help her move. Thank goodness for her the younger Barton understood that she wasn't in the wrong. She began to wonder if it was because she didn't meet the normal standards for beauty. She rocked back and forth as she sat on a bench, waiting...Waiting for someone to explain to her why this hurt so bad.

#open marvel rp #Open marvel roleplay #open mcu rp #open mcu roleplay #Avengers rp #avengers roleplay

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thetrickshotbarton · 2 years

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Who is Barney Barton?

Please read before interacting

Charles Bernard "Barney" Barton was born on August 4th to Harold and Edith Barton. He grew up working in his father's butcher shop in Waverly, Iowa with his younger brother Clint. Barney is five years older than Clint.

Their father was abusive, especially when he drank and continually beat the young boys. So Barney taught Clint how to fight and how to stand up for himself. When his father punched Clint so hard that he lost his hearing, Barney learned asl so he could teach it his younger brother.

Barney was 11 as Harold and Edith died in a drunk driving accident.

For a few years Barney and Clint bounce around from foster care to foster care before Barney convinced Clint to run away and they joined to the Carson’s Carnival of Traveling Wonders.

Under the Swordsman, Clint and Barney learn how to throw knives, fight with swords, and steal.

When Clint confronted the Swordsman about stealing from the carnival itself, the fight between the two left Clint injuried and Barney brought him to the hospital while the Swordsman fleet. Realizing how deep the Swordsman’s crime ring goes, Barney started working on his G.E.D. after getting a decent score on his SATs. Clint was only obsessed with the show and improving his archery skills. When Barney tried to persuade Clint to take an interest in his education, he was angered, the brothers argued, and Barney reminded him that he had his own life to lead and Barney left the circus and joined the army.

After a successful career in the army, Barney joined the FBI.

During an undercover mission Barney found out about Egghead’s doomsday ray in space. He warned the Avengers SHIELD and accompanies the team - including Clint at the time - to space to destroy the ray. When Egghead used a paralysis ray on the rest of the team, Barney sacrificed his life to destroy the ray-projector.

Barney's body was taken by Egghead, who discovered there were faint vital signs and placed him in one of his accelerated healing chambers. When Egghead was killed by Hawkeye in a final battle, the chamber was left lost and forgotten until Baron Zemo discovered the chamber, and holding a personal grudge against Hawkeye and SHIELD, he manipulated Barney to turn brother against brother.

Trained by Clint’s old mentor, the original Trick Shot, Barney engages in a death match with a nearly blind Clint. Barney loses. But regardless of this, Barney still willingly agreed to donate bone marrow to save Clint’s eyesight.

It is not stated explicitly how Baron Zemo convinces Barney to fight Clint to the death. But I can't believe believe he could destroy the brothers close bond without pain and manipulation.

So I'm going with:

Barney was tortured and manipulated and Hydra implanted Barney with nanites to insure he remains under control. The nanites got turned off temporarily while Barney was hit with one of Hawkeye's electric arrows during their fight.

With the nanites no longer controlling him Barney slowly got back to who he really is. But being known by the whole world as the villian Trickshot who tried to kill Hawkeye and worked for Hydra, everyone seemed to hate him which turned Barney bitter and sarcastic. But he loves his brother and tries to be good every day.

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heroprogeny · 10 months

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DOSSIER CHEAT SHEET

LEGAL NAME: Francis (Bernard) Barton NICKNAME[S]: Frankie, Barton, Hawkeye (main), Trickshot (MCU & 616), Nightjar (MCU & 616). DATE OF BIRTH: 23 August GENDER: Male PLACE OF BIRTH: NYC, NY (main), Cincinnati, OH (MCU & 616) CURRENTLY LIVING: Machine City (previously NYC) (main), wherever he fucking pleases (MCU & 616) SPOKEN LANGUAGES: English, ASL (main) EDUCATION: School? Nah! HAIR COLOR: Light blond EYE COLOR: Clear blue HEIGHT: 170-178 cm (5’7”-5'10")(main), 177-186 cm (~5’10”-6’1”) (MCU & 616)

FAMILY INFORMATION

SIBLING[S]: None (main & 616), Cooper, Lila and Nathaniel Barton (MCU) PARENT[S]: Clinton Francis Barton & Barbara Morse (main, both deceased), Clinton Francis Barton & Zoe Nowak (deceased) (MCU & 616) RELATIVE[S]: Charles Bernard Barton (uncle) CHILDREN: None PET[S]: Taco (emotional support Corgi, MCU & 616)

RELATIONSHIP INFORMATION

SEXUAL ORIENTATION: Heterosexual RELATIONSHIP STATUS: Very much single. Pining for Torunn Thorsdóttir (main) SINCE WHEN: Single since birth. Pining for Torunn since he met her.

Stolen from: A mutual for Tim.

Tagging: Any of you, please tag me if you do this.

#about francis #headcanon #at least some of it is

0 notes

innkeepercore · 1 year

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“Look, I know we're past the big brother teaching little brother about driving and women and sneaking me a fake I.D. But can we just start over? I'm not giving up on us.”

#sorry I just love them way too much #Barney barton #Charles Bernard Barton #Barney Barton fanart #Clint Barton fanart #Clint and Barney Barton #Hawkeye fanart #Matt fraction #Matt fraction Hawkeye #comic Hawkeye #digital illustration #marvel fanart #clint barton #hawkdevil #they don’t deserve the PAIN #char 2023

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lieshot · 2 years

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@survivoirs | sc.

Charles Bernard Barton had been classified as dead years ago according to the records. No body had been recovered but that was the way crime lords ran things. The amount of blood left behind and an informant confessing he’d witnessed it was enough to mark him as deceased and enough to make the files on him being undercover public record. Not just some underling in a crime ring, still playing the little HERO from behind the scenes. Right up until his death when someone had snitched and had been left in a warehouse on the coastline. No body but enough evidence to close the brief mystery as to where an agent had gone.

And yet, despite the records, there he was. Crouched on a balcony, taking his own cover for the time being while making sure he knew all the exits out of the building. He had dropped a little tip to lure him out, something those little Avengers might want to look into but small enough they wouldn’t send the whole damn group. Just one, hopefully the RIGHT one that he wanted. Otherwise he’d just have to use whoever showed up to send a MESSAGE to his baby brother and lure him out that way. But Barney had no interest in the others, not so long as they stayed out of his way. They were nothing more than blockades, something impeding him from his ultimate GOAL. Though they’d probably be hunting him down once he succeeded.

Footsteps echoing and Barney glanced over the railing of the walkway he had hidden himself away on just to catch a glimpse of familiar sandy hair. Worked like a charm and were he actually happy about the situation, he might’ve laughed. Now wasn’t the time for anything of the sort. Rage pumping through his veins, a memory of being ABANDONED after all he had done for the bastard. Time after time and now he got to play the shining hero. What a little shit. But it was finally coming together, a plot he had been twisting for years, long before he had reappeared in the world. Sever ties to the past, to his bloodline and make a whole new path. The hero gig clearly just wasn’t for him.

Bow and arrow at the ready, silently moving to stand just enough to take aim. It would be an easy shot from where he stood. Nice and silent but where was the FUN in that? Keeping the drawstring taught and arrow steady, Barney let out a soft whistle to get his attention. Look him in the face before he SHOT him instead of the back of his damned head.

#➵ 🇼🇴🇳·🇹 🇦🇨🇨🇪🇵🇹 🇾🇴🇺🇷 🇸🇮🇱🇪🇳🇨🇪 | v 001.#survivoirs

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heroprogeny-archive · 2 years

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Francis: "My name is Francis, happy now? It's a horrible name. A girl's name." (Francis prefers Barton or Frankie)

Charles: "Nothing wrong with Francis."

Francis Bernard Barton meeting Charles Francis Xavier. I must be really tired, because this was very funny in my head xD

@thprofessor

#ooc #tbd #kinda dash commentary #on phone

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that-one-blind-writer · 4 years

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“Sorry about that. Our guests didn’t, uh...Guess you could say those guys really...they really...those two guys, they...they, uh...I threw them off the fire escape.”

Barney Barton

#i love him okay #Marvel #barney barton #charles bernard barton #barton brothers #hawkeye #trickshot #comic #aesthetic #moodboard

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dweemeister · 3 years

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Abbott and Costello Meet Frankenstein (1948)

Universal Pictures was, for the most part, not considered a major studio when it released its first horror films in the early synchronized sound era. Its line of classic monsters includes The Phantom of the Opera (1925), Dracula (1931), Frankenstein (1931), The Mummy (1932), and others. Horror, seen as a popular (but lesser) genre in American filmmaking at the time, burnished Universal’s reputation through the 1930s and ‘40s. But despite the commercial success of so many of the Universal Monsters movies (not considered a franchise until the 1960s and ‘70s), the studio still did not command the resources of a Paramount or a Metro-Goldwyn-Mayer (MGM). Unlike Hollywood’s biggest major studios, Universal did not have as many contracted craftspersons and actors in its ranks. As such, the studio often had to rely on its rivals loaning talent out to them. Universal, more than any other studio, leaned on actors at the time better known for their radio work. Among those radio stalwarts were Bud Abbott and Lou Costello, whose “Who’s on First?” routine remains widely-referenced.

By the mid-1940s, Universal’s stable of monsters was well-known to the general American moviegoing public. Many of those monsters – Frankenstein’s monster especially – had appeared in various sequels over the years, to decreased budgets and diminishing returns on audience frights. In an attempt to rejuvenate this then-unofficial series of movies, Universal hatched the idea to put their leading comedy duo and many of their monsters in the same film. To some at the time, the very idea of pairing Bela Lugosi’s Dracula with Abbott and Costello was the death knell for Universal’s monsters. Instead, Abbott and Costello Meets Frankenstein, though chaotic in terms of plot, is a first-rate comedy. It is perhaps the best movie made featuring Abbott and Costello. However, the film’s naysayers are partly correct – this is the beginning of the end of Universal’s classic horror movies. And for those who have been able to see each of the original Universal Monsters movies prior to this, this is a hilarious way to cap off a journey into the most iconic horror movies of Golden Age Hollywood.

One evening, Larry Talbot (Lon Chaney Jr.) telephones a train station in La Mirada, Florida, warning of two packages addressed for McDougal’s House of Horrors (a wax museum) that must not reach their destination. But just as Larry is about to complete his thoughts, the moon rises, and he transforms into The Wolf Man. Without that critical information, baggage clerks Chick Young (Abbott) and Wilbur Grey (Costello) make the deliveries. As they crack open the crates, they realize that they are delivering Dracula’s (Bela Lugosi; this is not Lugosi’s final role as a vampire, but it is his final go-around as Dracula in a movie) coffin and Frankenstein’s monster (Glenn Strange; Boris Karloff refused to appear in this film). With a cast of characters also including Mr. McDougal (Frank Ferguson), Dr. Sandra Mornay (Lenore Aubert), and an undercover insurance investigator named Joan Raymond (Jane Randolph), the so-called plot bounces around a number of horror hijinks that center on Dracula attempting to provide Frankenstein’s monster a more intelligent and obedient brain.

The film’s opening credits and its seamless vampire bat transformation sequences were animated by Walter Lantz, best known as the creator of Woody Woodpecker and the original voice actor for Oswald the Lucky Rabbit. Vincent Price has a voice acting cameo, years before his association with the horror genre.

For almost the entirety of Abbott and Costello Meet Frankenstein, the film depends on the shtick that defines the titular duo. This is an Abbott and Costello movie first, a Universal Classic Monsters movie second. Where Costello is the prone-to-face-scrunching, excitable, and more easily-frightened of the two, Abbott is the straight man with the composure in the hairiest of situations. And this shtick – which I admit never sounds appealing when reading it, so it is best to view it for yourself – does not overstay its welcome. It is most effective in the scenes immediately after revealing Dracula’s coffin and the monster’s boxes and when our beleaguered baggage clerks (there is an incredible joke about unions that I do not wish to spoil for first-time viewers) meet Larry Talbot, in-person, for the first time. As messy as this movie can be in spurts (it feels as if there were several ideas cross-stitched together in hopes of forming a coherent whole), Abbott and Costello’s brand of humor fits neatly in this film. Their comedic dynamic feels natural in a world where heavily-accented, cape-wearing vampires and reluctant werewolves exist – let alone humans who might want to profit off the actions of these monsters or ride the coattails of Dracula’s machinations.

Of all the other actors not named Abbott and Costello, it is Lugosi who makes the most of his time here, even with material that is not as demanding as he may have wanted. By this time in his career and almost twenty years removed from Dracula, Lugosi was the victim of serial typecasting while contracted to Universal. The Hungarian-American actor, in his listing in the Academy of Motion Pictures Arts and Sciences’ Players Directory, requested Hollywood’s casting directors not to think of him only for horror movies. And yet, he frequently found himself cast for horror movies – usually second billing behind Englishman Boris Karloff. Once more, for Abbott and Costello Meet Frankenstein, Lugosi was in overly familiar territory – but at least this was a send-up of the horror tropes that he must have been too familiar with by then. But no one, past or present, could ever be as charismatic in a cape and stare, menacingly, at someone’s neck. Lugosi, who was not as fluent in English when he made the original Dracula, has less, but more complex dialogue for Abbott and Costello Meet Frankenstein. He nevertheless delivers it with aplomb, including his delightful dramatic pauses he occasionally inserts (“What we need is young blood – and brains.”) Lugosi might have been annoyed in starring in yet another Universal horror movie, but he never shows it here in what was his final “A”-picture (and before his association with low-budget filmmaker Ed Wood).

As a part-horror movie, Abbott and Costello Meet Frankenstein’s favoring of the comedic duo over any of the monsters will likely irritate fans of the Universal Classic Monsters series. But I do not think imbalance of screentime is the problem (which I will elaborate on shortly). Though longtime Abbot and Costello writer John Grant’s (1941’s Buck Privates, 1945’s The Naughty Nineties) screenplay grants considerable authority to Dracula, one cannot say the same for Frankenstein’s monster and The Wolf Man. After the opening scene of the film, Lon Chaney Jr. never again appears as if he is committing himself fully to playing Larry. Glenn Strange’s turn as Frankenstein’s monster, too, feels far too labored a performance (and a performance that is never given enough attention in this film). This monster mash, on paper, should be a graveyard smash. But by film’s end, the screenplay has not done Frankenstein’s monster or The Wolf Man the narrative justice that both characters deserve, given the legacies they have at Universal.

This imbalance is of no fault of the comedic aspects of Abbott and Costello Meet Frankenstein, or of Abbott and Costello themselves. Horror and comedy are not oil and water. The two can absolutely mix, as seen in Young Frankenstein (1974) and Tremors (1990) – in these examples (among many others), the comedy does not interfere in the gravity of the horror, and the horror elements do not detract from the audience’s laughter. For director Charles Barton (the principal Abbott and Costello director from 1946 on, 1959’s The Shaggy Dog) and John Grant, the film’s most glaring problem is their unwillingness to use their monsters’ hallmarks and their lack of trust in the monsters’ stage presence until the film’s unexpectedly gruesome finish. As such, despite some fascinating, atmospheric art direction by Hilyard M. Brown (1954’s Creature from the Black Lagoon, 1963’s Cleopatra) and Bernard Herzbrun (1938’s Alexander’s Ragtime Band, Creature from the Black Lagoon), this film sags in its appeal as a piece of horror. As a comedy, Abbott and Costello Meet Frankenstein might just be the most effective use of the comedic duo in any movie. The film is deserving of its comedic reputation from the first minutes, as we find Bud and Lou at the height of their comedic prowess. But, as a send-off for the horror characters and the actors that portrayed them, there might be a bitter taste for the most ardent fans of Frankenstein’s monster, Dracula, and The Wolf Man.

During the filming of Abbott and Costello Meet Frankenstein, practical jokes ran rampant on the set. On a set with Abbott and Costello, once has to expect daily mischief. And for this production, that meant exploding cigars, pie fights, and frequent ad-libbing to throw off other actors. According to Barton, “Bela [Lugosi] of course would have nothing to do with any of this. He would just glare at those involved with his famous deadly stare and the only emotion he would show physically was one of utter disgust.” Lugosi, by all accounts, never reacted to any of Abbott and Costello’s off-camera tomfoolery, and committed to delivering the best work possible. One of the most iconic figures of Hollywood horror movies was not going to blemish his reputation here.

By 1948, horror movies at Universal Pictures had mostly run their course during the age of the Studio System. Universal would not release another monster horror film until Creature from the Black Lagoon (1954). Within a few years, Universal would abandon its line of monster horror movies entirely. By then, a plucky studio in London was beginning to make its own monster horror movies, often using the characters that Universal had adapted and codified for audiences in the 1930s and ‘40s. For boasting such an influential run of horror movies, Universal did not truly treasure what incredible talent it fostered until decades after Abbott and Costello Meet Frankenstein. No one in the year of the film’s release might have predicted the cultural cachet that Abbott and Costello Meet Frankenstein eventually found as a horror comedy film. The film was inducted into the Library of Congress’ National Film Registry in 2001, and remains one of the most highly-regarded comedies in American moviemaking.

My rating: 8/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

#Abbott and Costello Meet Frankenstein #Abbott and Costello #Charles Barton #Bud Abbott #Lou Costello #Lon Chaney Jr.#Bela Lugosi #Glenn Strange #Lenore Aubert #Jane Randolph #Vincent Price #John Grant #Robert Lees #Frederic I. Rinaldo #Hilyard M. Brown #Bernard Herzbrun #Walter Lantz #TCM #My Movie Odyssey

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