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#chaotic lore
thatchaotictiefling · 4 months
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Got called a tranny for the first time in my life on TF2 tonight.
It was by a guy about to be kicked for cheating with a one letter off n word in his name, hard R.
I told him his name also sucked and he called me a tranny out of anger (unclear if I am actually clockable or he was just pissed). I told him he was right, good job, though he may have been kicked before most of my sentence got out.
My current emotions on this matter are unclear. However...
Kinda funny that my first emotional response was gender euphoria lmao. I love sounding like a tranny, thanks dude
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royalarchivist · 1 year
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Luzu: Yeah, you know, I told people that I would happily make some dictionaries so that you guys have expressions to use, like you can have a book in your inventory that you open to have like basic Spanish stuff, I'm gonna mess his one, like his -
Phil: Oh yes, please.
Luzu: - book up, and I'm gonna make all like, have no meaning.
Phil: Please give him like, a - a silly book, a - give him a silly one.
Luzu: Yeah. How do I pronounce his name, Wilbur, or Wilb? Or Wil?
Phil: You got it right the first time! Yup, it's Wilbur.
Luzu: Oh yeah? Alright.
Phil: Yup yup! Or just Wil. Either - either works.
Luzu: I wanna have to find a way to, yeah, have a cold revenge. Like, he - he may be laughing today, and, "heehee, haha!" we did like this small joke, and in 20 days I'm gonna destroy everything that he loves in this server.
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gardenschedule · 2 months
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just insane mclennon things
John playing his and Yoko's sex tape in a band meeting
As the meeting was drawing to a weary close, John, not this day with Yoko, who hadn’t seemed particularly connected with what was going on, said he wanted to play us a tape he and Yoko had made. He got up and put the cassette into the tape machine and stood beside it as we listened. The soft murmuring voices did not at first signal their purpose. It was a man and a woman but hard to hear, the microphone having been at a distance. I wondered if the lack of clarity was the point. Were we even meant to understand what was going on, was it a kind of artwork where we would not be able to put the voices into a context, and was context important? I felt perhaps this was something John and Yoko were examining. But then, after a few minutes, it became clear. John and Yoko were making love, with endearments, giggles, heavy breathing, both real and satirical, and the occasional more direct sounds of pleasure reaching for climax, all recorded by the faraway microphone. But there was something innocent about it too, as though they were engaged in a sweet serious game. John clicked the off button and turned again to look toward the table, his eyebrows quizzical above his round glasses, seemingly genuinely curious about what reaction his little tape would elicit. However often they’d shared small rooms in Hamburg, whatever they knew of each other’s love and sex lives, this tape seemed to have stopped the other three cold. Perhaps it touched a reserve of residual Northern reticence. After a palpable silence, Paul said, “Well, that’s an interesting one.” The others muttered something and the meeting was over. It occured to me as I was walking down the stairs that what we’d heard could have been an expression of 1960s freedom and openness but was it more likely that it was as if a gauntlet had been thrown down? “You need to understand that this is where she and I are now. I don’t want to hold your hand anymore.”
Paul putting beetles fucking on his album artwork
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John hiring a pig and posing with it solely to mock Ram even though he was scared of it
At the end of the day a farmer delivered a huge hog to the mansion [Tittenhurst Park]. It was John’s notion to parody the album jacket photograph of Paul McCartney’s Ram, which showed Paul wrestling with a ram; John would wrestle with a pig. We all went outside and stared at the large surly animal. It was much bigger than any of us had expected. John circled the animal warily. He liked the idea, but he didn’t like the hog. Dan stood poised to snap the picture. “Climb on its back, John, and grab its ears,” he said. John looked doubtful. He stepped closer to the animal. It let out a shrill, strange, sound. John stepped back, but we all urged him on. “You can do it, John,” I said. John approached the animal once again. “I can’t hold the friggin’ pig for too long. You get one shot and one shot alone,” he told Dan.
Loving John: The Untold Story, May Pang
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John & Yoko attempting to get revenge married in Paris 2 days after Paul & Linda
“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible”
Philip Norman, John Lennon: The life
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We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required.
John Lennon
SALEWICZ: Well, I always found it interesting the fact that he got – I mean, it seemed too much like coincidence to me, the fact that he got married a week or month after you. You know what I mean? PAUL: Yeah. I think we spurred each other into marriage. I mean, you know. They were very strong together, which left me out of the picture. So I got together with Linda and then we got strong with our own kind of thing. And I used to listen to a lot of what they said. I remember him saying to me, “You’ve got to work at marriage,” which is something I still remember as a bit of advice. I still remember that. Um… And then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don’t know if that’s – I mean, who knows… [inaudible] making it up, anyway.
September, 1986 (MPL Communications, London): journalist Chris Salewicz
Their belief in telepathy & shared dreams
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NEIL: I’d just rather not say anything. It’s one of those situations. PAUL: Yeah. [pause] Well, that’s – that’s the trouble you see, there, ‘cause that’s it. It’s like, with our – heightened awareness, the answer is not to say anything, you know. But it isn’t. ‘Cause I mean, we screw each other up totally if we don’t do that. ‘Cause we’re not ready for your heightened… vows of silence. [laughs; hapless] We’re really not! Like, we don’t know what the fuck each other’s talking about, when that – we all just sort of get— NEIL: I think it’s just between the four of you, that get it. That’s what I’d pretend. PAUL: Oh yeah, right, yeah. But you see, that’s it, that’s why John doesn’t say anything. ‘Cause he, you know, he just… There was something the other day, when I said, “Well, what do you think?” And he just stood there and didn’t say anything. And then – and I know exactly why, you know. I mean, I wouldn’t, if… [long pause] Somehow. You know, there’s nothing really much to be said about it. You just – we all just have to do it, and all that, instead of like talking about it. But – but if one of us is talking about it, it’s a drag if the other three aren’t. Because then it sort of throws you off. [inaudible; voice marking tape slate] I mean, we’ve just been talking about it now for a few years, you know. Like this…
From the Get Back sessions (13 January 1969).
HINDLE: What do you think about language? JOHN: I think it’s a bit crummy, you know? It is a drag form of communication, really. We’ll get – we’ll get telepathy. I believe that. HINDLE: You believe that? JOHN: Yeah, sure. Sure. Sure as anything I believe. It’s too… Because now we need it so much. [...] There are – there’s people everywhere of the same mind and it’s just… even amongst ourselves we can’t communicate. Which is the hard bit, you know. HINDLE: Yeah. JOHN: Amongst the people that sort of really agree. HINDLE: Just ’cause of words? JOHN: Just ’cause of words, and upbringing, and attitude, and how you express your… Well, it’s just some – you’ve got to find a mutual sort of language to express yourself, you know? And my language is that— HINDLE: Unless you fall in love it’s impossible to communicate like that. JOHN: I mean, I wasn’t in love last year, but I was communicating quite well with people. Not as well, or maybe not as powerfully. ’Cause now there’s two of us, doing that, brrmmm, whatever it is. Sending out a vibration or whatever. But before it was me and… or me and George, alright, or whatever it was; we weren’t in love, but. You know. There’s enough in you to shove it out. It is just that bit. If you – if somebody comes in a room and he’s uptight and that, he can make the whole room uptight.
John Lennon, interviewed by Maurice Hindle (December 1968).
PAUL: I remember when John and I were first hanging out together, I had a dream about digging in the garden with my hands. I’d dreamt that before but I’d never found anything other than an old tin can. But in this dream I found a gold coin. I kept digging and I found another. And another. The next day I told John about this amazing dream I’d had and he said, ‘That’s funny, I had the same dream’. So both of us had this dream of finding this treasure. And I suppose you could say it came true. I remember years later talking about it – ‘Remember that dream we had?’; ‘Yeah, that was far out’. So the message of that dream was: keep digging lads.
PAUL MCCARTNEY TO THE BIG ISSUE. FEBRUARY 2012.
John climbing the wall to Paul's house because Paul skipped a session for his & Linda's anniversary
(Not confirmed but supposedly)
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Paul being utterly convinced that John can't be gay because he didn't try it on when they slept in the same bed
I mean, if John was–the trouble is, see, is he’s not here to fend for himself, and we can’t ask him, “‘Scuse me, John, are you–have you ever been gay?” I mean, he’s the kind— I remember people used to ask that. There were lots of people asking cheeky questions, and they were always saying, “Well, why–have you ever tried homosexuality, John?” You know, they always used to ask all that kind of stuff. I remember John saying to them, “No, I’ve never met a fella I fancy enough.” And that was his kind of opinion. You know, “I may go–I may be gay one day, if some fella really turns me on.” He was–he was that open about it. But as far as I was concerned, I slept in a million hotel rooms–as we all did–slept in a million places with John, and there was never any hint of it.
December 24th, 1983: interview with DJ Roger Scott
“And I say, if he’s homosexual, I thought he’d have made a pass at me in 20 years, darling.”
Paul McCartney talking about John Lennon.
“Brian Epstein, the Beatles’ manager, was a known homosexual. Epstein was always polite and charming. It has been insinuated that John was drawn to Epstein. I believe there was no such relationship between them. John was macho. But if John was a homosexual, it would have made no difference to me. I’ve asked Paul McCartney, who laughed and said: ‘Why not me? I’m handsome.’ Then he said: ‘I was holed up with John in hotel rooms everywhere. There was never a suggestion of anything like that.’ I believe him.”
Julia Baird, in Boston Globe: Lennon’s half-sister remembers… (2 October 1988).
“All I can ever say about it is that I slept with John a lot because you had to, you didn’t have more than one bed - and to my knowledge John was never gay.”
Paul McCartney, The Brian Epstein Story
And maybe he's right to be offended?
Did Lennon have sex with other men? “I think he had a desire to, but I think he was too inhibited,” says Ono. “No, not inhibited. He said, ‘I don’t mind if there’s an incredibly attractive guy.’ It’s very difficult: They would have to be not just physically attractive, but mentally very advanced too. And you can’t find people like that.” So did Lennon ever have sex with men? “No, I don’t think so,” says Ono. “The beginning of the year he was killed, he said to me, ‘I could have done it, but I can’t because I just never found somebody that was that attractive.’ Both John and I were into attractiveness—you know—beauty.”
Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).
There was even some discussion, albeit not very serious, of whether he should stick to his own gender. “John said ‘It would hurt you like crazy if I made it with a girl. With a guy, maybe you wouldn’t be hurt, because that’s not competition. But I can’t make it with a guy because I love women too much, and I’d have to fall in love with the guy and I don’t think I can.’”
Yoko on her and John discussing the terms of an open marriage in 1973 (John Lennon: The Life)
On that note, Paul's obsession with sleeping in the same bed as John
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Paul McCartney answers questions for Q magazine, 1998
John and I used to hitch-hike places together, it was something that we did together quite a lot; cementing our friendship, getting to know our feelings, our dreams, our ambitions together. It was a very wonderful period. I look back on it with great fondness. I particularly remember John and I would be squeezed in our little single bed, and Mike Robbins, who was a real nice guy, would come in late at night to say good night to us, switching off the lights as we were all going to bed.
Many Years From Now
John and I always liked wordplay. So, the phrase ‘She’s got a ticket to ride’ of course referred to riding on a bus or train, but – if you really want to know – it also referred to Ryde on the Isle of Wight, where my cousin Betty and her husband Mike were running a pub. That’s what they did; they ran pubs. He ended up as an entertainment manager at a Butlin’s holiday resort. Betty and Mike were very showbiz. It was great fun to visit them, so John and I hitchhiked down to Ryde, and when we wrote the song we were referring to the memory of this trip. It’s very cute now to think of me and John in a little single bed, top and tail, and Betty and Mike coming to tuck us in.
Paul McCartney, on ‘Ticket To Ride’. In The Lyrics (2021).
“John and I grew up like twins although he was a year and a half older than me. We grew up literally in the same bed because when we were on holiday, hitchhiking or whatever, we would share a bed. Or when we were writing songs as kids he’d be in my bedroom or I’d be in his. Or he’d be in my front parlour or I’d be in his, although his Aunt Mimi sometimes kicked us out into the vestibule!”
New Statesman, “Paul McCartney - Meet The Beatle,” September 26, 1997
“I wrote all those songs with him so…. what can I say to people?? We were kids! I mean… we slept together, topped and tailed in beds and hitch-hiking and stuff, so,…. I mean, we were just totally you know,….. mates.”
Paul McCartney
John taking matters into his own hand to start rumours about him and Paul
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The consensus among John, Paul and Yoko that if J&P could have been together, they would have
“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”
Paul McCartney, interview with German tv program Exclusiv, April 1985.
JOHN: It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists. [faltering] An artist – it’s more – it’s much better to be working with another artist of the same energy, and that’s why there’s always been Beatles or Marx Brothers or men, together. Because it’s alright for them to work together or whatever it is. It’s the same except that we sleep together, you know? I mean, not counting love and all the things on the side, just as a working relationship with her, it has all the benefits of working with another male artist and all the joint inspiration, and then we can hold hands too, right?
John Lennon, interview w/ Sandra Shevey. (Mid-June?, 1972)
Y: After the initial embarrassment, that how Paul is being very nice to me, he’s nice and a very, str- on the level, straight, sense, like wherever there’s something like happening at the Apple, he explains to me, as if I should know. And also whenever there’s something like they need a light man, or something like that he asks me if I know of anybody, things like that. And like I can see that he’s just now suddenly changing his attitude, like his being, he’s treating me with respect, not because it’s me, but because I belong to John. I hope that’s what it is because that would be nice. And I feel like he’s my younger brother or something like that. I’m sure that if he had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.
Yoko Ono, Revolution Tape, June 4th 1968
"We thought we'd do a number of an old estranged fiancé of mine called Paul.""
youtube
As a second choice from the Lennon- McCartney songbook, Elton suggested 'I Saw Her Standing There'. This appealed to John for its antiquity, and because its lead vocal always was sung by Paul. (...) There was a whisper of Royal Variety Show mischief when he announced "a number by an old estranged fiancé of mine called Paul" - no one yet knowing the estranged fiancés were long reconciled.
John Lennon: The Life, Philip Norman
You know, John loved Paul. No doubt about it. I remember once he said to me, “I’m the only person who’s allowed to say things like that about Paul. I don’t like it when other people do.” He didn’t like if other people said nasty things about Paul. And he always referred to Paul as his estranged fiancé and things like that, like he did on that [live] record ‘I Saw Her Standing There’ with Elton in Madison Square Garden.
1990: Former Beatles publicist Tony King
Married couple signatures
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(and the reverse of that postcard...)
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John publicly predicting Paul & Linda's divorce
You were right about New York! I do love it; it's the ONLY PLACE TO BE. (Apart from anything else, they leave you alone too!) I see you prefer Scotland! (MM) -- I'll bet you your piece of Apple you'll be living in New York by 1974 (two years is the usual time it takes you right?)
John's letter to Paul in Melody Maker, 1971 Finally, about not telling anyone that I left the Beatles—PAUL and Klein both spent the day persuading me it was better not to say anything—asking me not to say anything because it would 'hurt the Beatles'—and 'let's just let it petre out'—remember? So get that into your petty little perversion of a mind, Mrs. McCartney—the cunts asked me to keep quiet about it. Of course, the money angle is important—to all of us—especially after all the petty shit that came from your insane family/in laws—and GOD HELP YOU OUT, PAUL—see you in two years—I reckon you'll be out then—inspite of it all, love to you both, from us two.
John's personal letter to Linda & Paul, 1971
JOHN: Oh, [Klein]’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up. YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.
John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)
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chaoticnebu · 4 months
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artists on twitter are drawing their comfort characters standing with Palestine, so i joined with the boy ever
here's some useful links to help people Palestine. even just getting educated and talking with others about what's happening is important!
Decolonize Palestine do get educated on the story of Palestine
arab.org daily click that support UNRWA
CareForGaza's fundraiser to help displaced families
eSims for Gaza to keep people connected even during internet blackouts
Pious Project to donate hygiene products to menstruating people in Gaza
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ink--theory · 3 months
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thoughts on bonerattle arena
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0dde11eth · 2 months
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Jaskier: you can smell that?
Lambert: i'm a witcher I can smell everything
Jaskier: Cool!
Lambert: *sniffs jaskier* You smell like a bitch
Jaskier: *offended gasps and stabs Lambert in the thigh*
Lambert: I stand corrected
Jaskier: technically you're lying. in a puddle of blood, so who's the bitch now?
Lambert: geralt i love your bard
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bruciemilf · 8 months
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Bi-Han wifed up the baddest bitch in Outworld (she can't fight her way out of a lunch bag and she's God's favourite idiot)
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Draw your characters like this
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hypostatic-oath · 7 months
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I've started playing Honkai Star Rail and I love how dramatically silly it lets me be. So far I have stolen mail, searched garbage cans, entered a closet to become one with the darkness, waxed on about how life is just a road to death to a terrified guy (somehow that seemed to make him less terrified), bowed in respect to a dumpster, investigated an inconspicuous lamp so many times it got mad at me, investigated a trash can so many times it insulted me, and felt bad for two different trash cans and several sandbags (I believe my Trailblazer is going insane from putting up with me). All this not counting with the countless dialogue options with NPCs around the world that allowed me to be incredibly dramatic (think almost Fischl style) for no reason (you can bet I took them). However, I cannot jump or climb, and fights are turn-based... we respect our opponents in Star Rail (and die. A lot).
What I conclude from this is that while the Traveler has a moral code (and some standards) when dealing with interpersonal interactions but isn't bound by physical restrictions or conventions (stairs? The Traveler does not understand that concept. Fair fights? Please, they don't have time for that), the Trailblazer is the exact opposite. The physical rules may hold them but their only ties to social rules or convention so far have been March and Dan Heng saying "hey, maybe don't fight the guards" and "hey, you can't just accept random jobs".
It also might be because the Traveler is a thousand year old entity that has been through A Lot (has learnt the power of friendship, but is too tired to take the long route) and is on a serious mission while the Trailblazer was quite literally Born Yesterday with the sole purpose of housing a massive problem inside their body (walks and fights like a Normal Person bc they're mimicking everyone else, but is absolutely unhinged) and is just having fun with tjeir newfound existence.
Either way I love both of them and they're basically cryptids but in different ways.
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thatchaotictiefling · 7 months
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ID: A picture of me, a fat white nonbinary person with short curly red hair. I have a black and white dancing skeleton bandana around the lower half of my face. I have my cane in my lap, it is a sunny day. You just see a red patch on my pants.
Going on my stupid mental health walk to get my stupid mental health hoagie (support your local pizza shops that are also deli markets and have slot machines (that's how you know they're good))
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theangrycomet-art · 10 months
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Glamrock Foxy and his Crew
While I don't think I'll have anything with Foxy for my Glamrock Kids- multiplayer au thing, I do have ideas for him.
TLDR: Cap'n Foxy served as the Pizzaplex's unofficial babysitter before the Superstar Daycare was built. Between this and his increasingly popular theater show (Cap'n Foxy's Pirate Adventure), it was decided he would be given two additional crewmates, Bangle and Bitty.
Serving as an extra pair of eyes and ears for Foxy, they help out in the theater show as well as fulfill duties the other animatronics are too large for, such as finding lost kids or helping run scavenger hunts across the Pizzaplex.
The Chaos Twins also live up to their Pirate heritage (much to everyone's chragrin) and have particularly sticky fingers.
COMMISSIONS OPEN
I choose to believe that Cap'n Foxy is normally a part of the pizzaplex, but during the events of the game was temporarily moved to a separate location to run shows there.
Cap'n Foxy is in charge of Pirate's Cove in addition to the Pirate Adventure Show.
The Pirate Adventure show's served as entertainment between the Glamrock concerts as well as a draw in for the older audience
shows ranged from thrilling acrobatics feats to comedic high sea adventures
these occasionally would have guest stars, most commonly Monty (this slowed down when he became an official Glamrock as opposed to the understudy)
there was a running joke where Foxy would accuse Monty of eating his hand and Monty would deny it with increasingly absurd alibis
he'd also assist Chica in her water show (Chica of the Sea) before that was shut down, serving as the villain
his hook can be exchanged for a hidden foldable sword hidden in back behind his coat in addition to a regular sword for his hand
he has two functioning eyes, tho the right one is typically only after flash photography (allowing him a quicker recovery time)
despite him being an older model, he is the fastest of the animatronics (excluding perhaps Bonnie)
before the Superstar Daycare was built, Pirates Cove was where parents would leave their younger kids for the day
likes puzzles- has a small stash hidden in his "room" in Pirate's Cove that he'll break out on occasion
HATES Parts and Service with a burning passion
it got to the point where he learned how to repair himself (and the others to a limited extent) just so he didn't have to go
with his increased popularity (and increased children being dropped off at Pirate's Cove, it was decided that Foxy was to be given "crewmates"
no one consulted him on this- Bangle and Bitty were just presented to him one weekend
Bangle and Bitty serve as Foxy's extra eyes in Pirate's Cove in addition to being his assistants in addition to being genia pigs for potential upgrades in the other animatronics
their smaller size allows them to access hiding places kids like to stow away in*
they also can be sent through out the pizzaplex to help out with the other attractions (Fazzerblast, Raceway, Gator Golf, etc) when they get overcrowded with guests
this requires a costume change per area
however, they have a programming bug: the only person (human or animatronic) they have to listen to is Foxy himself. Foxy thinks this is hilarious
Bangle
the unoffical "bard" of the group, Bangle is the one to provide the extra dramatic music in the middle of a show** when necessary
they can connect their instruments to a small speaker in their chest cavity
their voice box has the most range of vocals (prototype to Chica's), allowing them to fill different roles for the show as well, though they commonly work as Bitty's straight man
this has led to some confusion with guests as to whether or not they are supposed to be a male or a female (the answer is Yes.)
their joints have a unique locking system
any part of their body can be easily removed or reinstalled when unlocked (when locked they are slight less sturdy than a typical endo's joints but serve their purpose)
they can connect to them wirelessly and still have (limited) control
has a running gag on the show of "falling apart" particularly when they are stressed out or worried
occasionally takes off head and makes fun of shakespeare
is not fond of toddlers or infants
outside of shows, is given free roam of the Pizzaplex as a rule (so long as Pirate's Cove isn't too busy)
LOVES photobombing guest's pictures with Bitty
Left eye had to be replaced early on after they lost it mid-show (crashed a touch too hard into the stage set). That eye is far more sensitve to light, being designed for btter night vision
Bitty
smallest of all the animatronics in the Pizzplex (excluding Mini Musicman and perhaps Helpy if he counts)
they work with Bangle to bring the kids upstage and get them involved
Bitty rarely speaks of their own accord
typically they express themselves through sound effects projected from their chest speaker
Additionally, they can connect to the pizzaplex intercom system and have a microphone that allows stead or security to make impromptu announcements wherever they are out
through this they can make fake impromptu announcements through out the pizzaplex in any of the other Animatronic’s voices
eyes were upgraded to have better night vision and depth perception after crashing into Bangle too many times on a landing during Pirate Adventure's dimmer lit shows. (these were the prototypes for Roxy's eyes)
increases light sensitivity BUT their aim and accuracy has never been better
thinks Roxy is cool and so regularly steals her makeup
the pirate obsessed with treasure, Bitty has a bad habit of stealing things from both their fellow animatronics and the staff
they have hidey-holes across the pizzaplex crammed to the brim with stuff ranging from anywhere to staff badges to Freddy's top hat to enormous bags of Faz tokens
fond of riddles, if answered correctly they give out prizes (usually a large bag of faztokens but if a guest gives a particularly clever/funny answer they'll give them rarer items)
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*see? they smol
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**like this guy
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swordmaid · 6 months
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shri’iia mood board
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writingjourney · 1 month
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Ibi I always want your papa HCs. I live for them.
Tell me about IKNBS Copia... What was he like as a Cardinal? 👀
Sending love, I hope your anxiety pisses off and you have a wonderful evening. 💕
Sorry this took me so long to get to!!! And thank you for asking about him ♡
If you remember, 'strella mentioned that she and Copia had a significant encounter before he became Papa (during his Cardinal days) and they briefly talked about it a few chapters ago. However, you will actually all soon get to see this encounter and learn more about it, so I cannot spoil anything about that!
I feel like I have to briefly dip into my idea of some of the clergy mechanics so this reply is... long. We know Copia was Papa Nihil's assistent prior to becoming the face of the Ghost project and he was the Secretary of the Treasury. I like to think that Copia returned to the Clergy headquarters as he was appointed Cardinal and worked his way into this position (second most employee of the month awards!!). More under the cut...
Before this time Copia climbed the ranks like most everyone else who strives for a higher position within the clergy where lots of travelling through different chapters/branches is involved to become familiar with the clergy's operations. I personally HC the Papal headquarters to be in Sweden (very loosely though, my personal idea about the abbey is inspired by German architecture of medieval monasteries and so my descriptions are all vaguely Central European). However, while the Papal and administrative headquarters are there (a region well famous for the popularity of metal) I imagine that the educational headquarters are in Italy where the presence of the clergy is also very strong (as a counterweight to the Catholic Church).
The European branches are the oldest ones and are deeply rooted in their respective regions (in my head of course, this is all personal HCs and not rooted in real life sources, I deviate a bit for the sake of creating the Clergy as an actual entity). I like to think that in Europe worshippers of Lucifer established a presence as a counterweight to the dogmatic Catholic Church early on and that these individual organisations and groups later all fell under the roof of our clergy.
Copia therefore grew up in Italy and received most of his education there, especially in Rome where he studied. He also specifically spent a lot of time in Florence as a young bishop as I mentioned in the Postcard chapters. While he climbed ranks he also spent significant time in other European countries as well as the US (where the clergy has also established a pretty big presence somewhat recently, talking about the past century as they brought the Ghost project there while young Nihil was the face of it, plus we can assume Copia was conceived there, in my head Sister goes back to Europe after Nihil fucks up though). The Ministry's branch there is still very involved as it's located conveniently for work in the music industry.
Now, Copia was always very studious, hard-working and resilient, so he climbed the ranks somewhat fast. After Copia became a Cardinal he returned to the HQs as I already mentioned and spent many years working hard in the treasury department. I like to think that he took his clerical duties very seriously as well as the work with the congregation itself, so he was/is quite popular as a spiritual guide/advisor. Despite all this I imagine he was pretty lonely. Even though Sister had always been a somewhat permanent figure in his life he was uprooted many times throughout the years. While he reunited with his brothers that he had spent some time with over the years whenever stationed at the same branch (their relation is never confirmed by Nihil but... you know, they figured it out) and grew closer with them it was still hard for him to fully settle which is one of the reasons he worked so hard.
During the time ‘strella shows up, Terzo was just appointed Papa (if you remember she was hired to paint his portrait). By then Copia had been there for a while, was an established figure there, and while new faces were not a rarity, she immediately stood out to him simply because the nature of their encounter was very memorable. However, she very obviously avoided him after officially joining as a Sister of Sin and even after he became the head of the Ghost project. He was very busy though, so while he worked on music and continued his clerical work, their paths only crossed rarely. Those who have read the story actually know the rest already or will come to know soon. But yes, this is how I imagine his path :)
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mostly-natm · 15 hours
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Beach day with tribbles!
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dipplinduo · 4 months
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When is chapter 10 coming out? Im so exited to see what u did for it!!!!!!!
...What if I told you right now?
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01tacocat · 1 year
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Dragon a Day - Day 7 - Your most chaotic dragon
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