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#case in point: just reblogged a post asking if i had seen a particular movie
skyburger · 29 days
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do NOT ask me a question and then let me go on wikipedia to check something you WILL receive really bizarre useless information
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mprosperossprite · 3 years
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This post contains discussion of racism, misogyny, and intersection of these ideas in the TOG fandom.
Though the conversation around the racist tropes sometimes employed in depicting Joe is valuable and important, I do not have anything productive to add to that particular conversation. Instead, this post aims to examine the ways in which Nile has largely been overlooked by fan created content for The Old Guard and suggest ways in which each of us as individuals might make this fandom a more inclusive place.
One last preamble: I’m an white woman. I am speaking here from a place of ally-ship. And I am still learning how to best be an anti-racist ally in all elements of my life. This post is coming from the best of my knowledge at the moment, hoping that maybe it’ll make a difference to somebody.
Alright.
I want to begin with a story: a couple of weeks ago in the Book of Nile group chat one of our members noticed that the stories and AU’s and ideas we were constructing for each other the previous week had focused on Booker, had given Booker the extensive backstories, had articulated Booker’s complexity more thoroughly. She posted that she had noticed this along with a note along the lines of “we can’t do better if we don’t recognize the patterns.”
So here’s a pattern that I’ve noticed that is particularly disheartening to me: Nile Freeman, a black woman and the main character of The Old Guard, has the least amount of fanworks created about her.
On AO3 she has the fewest tagged fics. On tumblr, there is much less fan art created for her. In discord servers, Nile is rarely mentioned.
This fandom has become dominated by Joe and Nicky.
I do not mean to discount Joe and Nicky. Their depiction in an action movie is groundbreaking queer representation. They are fascinating individuals and fascinating in how they make their work partnership, romantic and sexual relationship flourish for an unimaginable length of time. Their story touches on themes that have long excited storytellers: the power of love above all, fate’s matches and soulmates.
Nevertheless, the way this fandom has diminished and ignored Nile Freeman is a collective act of misogynoir. All of us are complicit.
Racism is structural. Misogyny is structural. It is no one person’s fault. It is no individual’s moral failing. None of us can single-handedly fix it.
Nile’s erasure from the TOG fandom is nobody’s fault. As the opening anecdote illustrates, even those of us who actively seek out fan communities focused on her are guilty of backburnering Nile to a white man.
But, my experience working in one of the most racist systems in the US has helped me learn that though I can’t individually end racism and misogyny (and other structural inequalities), I can be aware of how my actions might reinforce these structures, and I can make deliberate choices to make my own actions as anti-racist and as feminist as possible.
So, TOG fans who are reading this, I ask you to pay attention to the content you’re creating and consuming in this fandom.
How many stories have you read or written recently that have included Nile as a full, complex character in her own right (and not a catalyst or ancillary support for Joe or Nicky or Booker)?
How much fan-art with Nile has crossed your dash recently? What percentage of it is just Nile reacting to Joe and Nicky?
How many conversations have you had in group chats and discord servers that examine Nile’s backstory, her journey in the film, her future with a fragmented and hurting Old Guard?
How many headcanons have you crafted about Nile’s role in the guard’s little family, about the way her principles and desires might reinforce the others’ views or change them?
Furthermore, I hope that as you do this, you’ll notice the reasons that you haven’t seen or engaged with content about the film’s main character. I urge you to push beyond superficial explanations.
I just like the romance aspect of Joe and Nicky. Okay, but who’s to say Nile can’t have romance too? Booker, Andy, Quynh, heck, even reincarnated Lykon or OC’s or characters from other franchises, are all available to appreciate and love on Nile Freeman.
I usually just have one ship in a fandom. Okay, but what about fic celebrating the joys of an intercultural found family or fic delving into Nile being a badass millennial warrior? Those and others are all stories that are interesting and exciting too!
I just love that Joe and Nicky are canonically queer. Absolutely! Me too! But this isn’t a reason to shun or ignore a character whose heart and intelligence and courage drives the plot of a movie we all claim to love.
And then, once you’ve paid attention, I urge you to make a change, to work against the misogynoir in our fandom. Even small things make a difference.
Reblog just one piece of content where Nile is the focus each time you log into tumblr
Read a fic once a week in which Joe and Nicky aren’t the primary characters
Write a subplot in your current fic which explores an element of Nile’s character
When I said we can all do better, I meant it. I’m not excluded from responsibility. In case you're curious how I’m taking my own advice, here’s my plan:
I’ve been bad about reblogging anything lately, considering reblogs are the lifeblood of tumblr. I’m going to seek out some of the Nile fanart I’ve skimmed over recently and queue it up. This blog is gonna have more Nile than it even did before.
I’m going to keep writing Book of Nile and Joe/Nicky, but I also want to consider Nile’s relationship with Andy and Quynh if it was sexual and romantic and fabulously queer and polyamorous. Gotta finish my current long-fic first, but then there are some fic ideas percolating I hope to get down on paper this summer.
I’m going to seek out Andy/Nile and Andy/Quynh fic on AO3. I haven’t read very much of either of these ships and I want to see more of what these authors have to offer. (If y’all have recs, hit me up!)
So to conclude, we can’t do better if we don’t recognize the patterns. I hope you’ll join me in consciously thinking about whose narratives with the TOG universe are being prioritized and whose narratives are being ignored. I hope you’ll join me in taking action, as small as they might be, to lift up those narratives that have been overlooked due to racism and misogyny that, again, is nobody’s fault but is everyone’s responsibility.
Finally, if you’ve made it to this point, thank you for your time and attention. What we pay attention to matters, and I’m grateful that you decided to pay attention to this.
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haldi-archived · 4 years
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Hey guys! I got an ask wondering how I make my gifs and some people have asked me how I color my gifs, so here you go!
We’re going to be making this:
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You’ll need:
VLC Media Player
Photoshop with working Import Video Frames to Layers function and timeline. I use Photoshop 2020, but any older versions with these functions will work!
A high-quality video (preferably 1080p)
Tutorial under the cut!
PART ONE: MAKING YOUR GIFS
You’re going to want to open up your video in VLC Media Player and open it to around a few seconds before your scene appears. If you’re giffing from a small YouTube video you can ignore this step, but for movies and TV, you’ll want to use VLC to extract the tiny part of it you want.
Pause it before your scene and click View >> Advanced Controls. 
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Above the play button, you should see a bunch of new controls. Focus on the red button I circled below:
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Click this button and press play. VLC records are a little bit off, so this is why you want to be a few seconds before your scene actually starts so you catch it all! When your scene has played, press the button again. You’ve now recorded your scene and you can record as many scenes as you like for a full gifset.
You can find your recorded videos in the Videos folder. It’ll be named something like vlc-record-a bunch of letters and numbers. 
Now that you have your scenes, it’s time to open Photoshop! When Photoshop has loaded, go to File >> Import >> Video Frames to Layers, which is a bit down to the bottom. It’ll prompt you to select a video; click on the video you just recorded, and a screen like this will pop up:
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Use the white sliders to select the parameters of your scene. I would recommend going a little bit more on both sides so you catch your whole scene. 
TIP: Make sure you do NOT select the button that says “Limit to Every 2 Frames,” because that will make your gifs look choppy and ugly. Love yourself!
Once your frames have loaded, you might not see them on Photoshop the way mine looks. If that’s the case, make sure you go to Window >> Timeline so you can see the frames!
Delete the extra frames in your gif that you don’t need by selecting the frames you want to delete and pressing the trash can button, circled below:
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Now that you’ve done that, it’s time to crop. For this particular gif, I’m going for a full-width one, so the width I chose is 540px and I chose a height of 290px. Click on the crop tool and make sure your crop settings are at W x H x Resolution, or you won’t be able to input specific dimensions the way I’ve done here:
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Position the crop tool where you want your gif to be:
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And now that your gif is all cropped and sized, it’s time to sharpen! I have a pretty specific sharpening process that I’ll outline in detail here, but I have an action for this purpose so as to save time. I’m just making this part of the tutorial so you know what you’re meant to do in Photoshop.
First, go ahead and click the three little bars at the right edge of the Timeline/Frames tab and hit Convert to Video Timeline.
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Now, your timeline should look like this:
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Go to Select >> All Layers, and right-click on one of the layers in the Layers tab once they’ve all been selected. Select Convert to Smart Object. This allows us to sharpen the entire gif at once as opposed to by frame! Your timeline should now look like this, with all the little purple parts condensed into one:
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It’s time to sharpen! Go to Filter >> Sharpen >> Smart Sharpen. I do two passes with the Sharpening tool; here are my settings for both:
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It’s not too apparent in the pictures, but it does make a difference. Don’t worry about your gifs looking too sharp; I use this action on every single one of my gifs and it always works like a charm. 
Now that our gifs are nice and sharp, it’s time to take them back to frames. This is because of a glitch in Photoshop that makes gifs saved in Smart Object form much faster than they would be in frames. Click on the small bars on the right of the timeline again and select Convert Frames >> Flatten Frames into Clips.
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Your gif should have all those little clips that we had before we converted it into a Smart Object.
Then, go to Convert Frames >> Convert to Frame Animation. 
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Your gif should be back in frames again, but it’s all one frame. Don’t worry; we’re going to fix that by clicking Make Frames from Layers from the menu with the three little bars again.
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Now all your frames should be back! We’re going to set the speed of the gif now. Hit those three little bars again and click Select All Frames. Now click on the little triangle under any frame and click Other, and a little popup will appear. I always set my gifs to a speed of 0.05.
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At this point, I save my gifs as a .PSD file. You can delete these PSDS after you’ve posted your gifset (I usually do to save space!), but it helps to have them so you can edit your gifs later if you want. Hit Ctrl+S, and now the screen to save it should pop up. Make sure you save it as a PSD file and not something else.
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Now you have a gif that you can color! Which brings us to…
PART TWO: COLORING, ADDING SUBTITLES, AND SAVING YOUR GIFS
I do run a pale blog so this is going to be a pale coloring tutorial. You can check some popular resource blogs to see if they have any tutorials for colorful gifs!
I start out by making a group with the little folder below the layers tab; I title it “coloring.” (Not pictured: I added a layer mask and painted one black dot over it so I could reference the original!)
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I always start out with a Curves layer; here are my settings:
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The gif at this point:
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Next, I decrease saturation using the Hue/Saturation adjustment:
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After this, I add a black and white Gradient Map layer and set it to blend mode Exclusion at 10% Opacity.
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Then, (not pictured), I add a Selective Color layer and reduce blacks in Whites and Neutrals while increasing them in Blacks. 
To make the background pale, I added a Hue/Sat layer, applying 100% Lightness to the Cyan and Blue channels and adding color to Azula’s skin by saturating the Yellows.
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Here’s the gif after those adjustments:
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Now I’m going to restore color to Azula’s skin following my own tutorial, so I’m not going to go into those details here. However, here’s the gif after all this. It’s not totally the same as Azula’s skin, but going any pinker makes the gif look awkward and oversaturated, which isn’t a good look:
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After some minor adjustments and removal of the layer mask:
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Now for subtitles!
Use the Text tool and make a rectangle at the bottom of your gif where subtitles go. I use Arial Rounded MT Bold, with Regular style, at 3.36pt and Sharp anti-aliasing.
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Create a rectangle at the bottom of the gif where subtitles go and type in your text; then right-click on the text layer and select Blending Options and check Stroke, and these are my settings:
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Now your subtitles are all ready! I’d recommend duplicating one frame of the gif and then duplicating the text layer onto a new canvas and saving it as a PSD so your settings and placement are always consistent across your gifsets!
Time to save your gif. Here are my settings, circled ones important:
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I’ve seen gifmakers use Adaptive+Pattern but I personally think that looks grainier and the pattern is really obvious; in my opinion Selective+Diffusion looks smoother, but it’s all up to you! Experiment with what you think looks best.
Make sure your gifs are set to loop Forever or they’ll only loop a limited amount.
Here’s your finished gif!
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I hope this tutorial was helpful! Please reblog this if you learned something, and I hope you have a wonderful day. Happy gifmaking ❤
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darkestangel1326 · 4 years
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Prologue - This was real life. Right?
Hey lovelies. So I know it is likely no one is going to read this but me but I just had to write this anyway. For me. Posting for the same reason! Fic under the “Keep reading” cut, but here’s how I got here: 
This all started when I wondered what would happen if MC was a scientist. Or a science grad student. But then I thought, what would be enough to compel a scientist or science grad student to stop their sciencing realistically for any amount of time? Because as my previous PI says, every scientist becomes a mad scientist at least in one point in their careers for their research - this is especially true for grad students. 
Then, I just never understood the whole returning a phone excuse Unknown gave MC to lure her into Rika’s apartment. Like MC, with her own phone, is gonna return a phone she doesn’t even have, just because Unknown was persistent? He even says he’s a student in the States who will eventually return home so what was with the urgency to go to find the owner? If he really wanted to return the phone, he could’ve mailed it since he has the address right? We know he does because he sends MC there. It just always bothered me.
Finally, I wanted to slightly self-insert to make the MC (Emme C.) a bit more human so that it even if you couldn’t change her choices, it would still be entertaining. I heavily relied on second person, to help give it the mystic messenger vibe though I’m not sure it works.
This prologue is some character building for Emme C. (Actual name: Emme Cee), brief OC appearances and, for my sanity, this is all taking place in the US. TBH I’m not even sure how deep I want to go with this story. I just know I needed to write it. 
 So without further ado!
“My biggest fear and why? Hmmm,” you mulled it over and took another sip of your beer, after your lab mates glared at you for an answer. 
Or former labmates - you were leaving for grad school in a few weeks so this was kind of your farewell social. Even with your general distaste of beer, even you had to admit this one was really good. 
You closed your eyes and sheepishly rubbed your neck. “This is gonna sound weird but a time loop,” you answered hesitantly.  “It just makes me uneasy to be stuck in never-ending cycle, replaying the same scenario over and over again with no end in sight.”
“True but we are in academic research!” Marie answered, a teasing lilt to her voice that transformed into a chuckle. 
“Yeah you might have to deal with it during your Masters program, especially the thesis stage.” Whitney continued, joining in with a laugh.
“Don’t remind me,” you giggled as you took another sip - a longer sip - of your beer. “But that’s not exactly what I mean either” you persisted, a bit more seriously. 
I’m afraid of replaying the same day, the same events, the same interactions over and over again, not knowing why or how to stop it,” you finished more seriously. You took another sip of the fizzy drink and felt your equilibrium teeter a bit. 
“You mean like that movie Groundhog Day?” Aurora quietly inserted.
“I haven’t seen that movie but if it’s like what I said, then yes, that’s it,” you answered, your fizzy drink now gone. 
“Sorry wait. Why are you afraid of time loops? I think I missed that part. Wouldn’t replaying the same day and seeing how your choices change events be a good thing?” Sally asked. Technically, she was completely right - repeatability was one of the sacred ideals of science after all. Plus, If you really thought about it, you hadn’t actually said why you’re afraid of time loops, just that you are.
“I’m afraid of never moving forward - of never progressing, no matter how hard I try or work. A time loop means, yes, I’ll know what my choices would entail, but not how to escape or what the triggering event for my release could be. I could replay the time period of the same few weeks but for years without knowing how to escape and move on. And, I guess, since it took me so long to even start my Master’s and I felt like I might never be able to, this fear was just born,” you admitted, pouring more beer for yourself. 
I mean an actual time loop where every single thing happens the exact same way, down to the underlying rhythm of conversation. And where you can’t escape until you figure out the common problem then fix it. How would you escape it? And what if you mess up, in different ways, forever? Who would want that?!
—————————————————————————
You awoke with a sigh, realizing you had that dream again. Or was it a flashback since this happened a few weeks ago? You shrugged your shoulders and got to work sorting boxes. You were set to start on-campus work in a few weeks so you were just trying to do the bare minimum research wise. Plus, you wanted to really focus on decorating your new apartment and get acquainted with the town since you’d be living there for the next few years. 
After a few hours of scrambling and organizing, you sat on the floor (you were still in the process of buying furniture), and looked at your emails. 
One in particular caught your attention, so much so that you took off your glasses and rubbed your eyes, almost laughing at such a cartoony response. The subject line of this email was what confused you. It read “missing research paper - need citation”. It was an unfamiliar email, moreover, it was sent to your previous college email, which was linked to your past research publications.
Curious, you bit the inside of your cheek and read the email. 
“Dear Emme, 
Hope this email finds you well. I am a student from XXX University and have been working on a research project concerning XXX. Your research was one of the most recent and prominent examples as to why this area needs further study, however, I have not been able to access the paper I saved as a bookmark in my web browser. After extensive searching, I have been unable to find the original paper or even one of the articles that referenced it - almost as if the article has completely disappeared from existence! Is there a reason the research article is gone? If not, could you provide me with an idea of where it is and the proper citation for my research article?”
what. whAT. WHAT!?
Your research couldn’t be gone! This didn’t make any sense! Yes it was a few years old, but it couldn’t be gone from the web! There are research papers from the 1960s that are archived and accessible online for goodness sake!
You had to calm down. Take deep breaths. You continued trying to breathe as you pulled out your research flash drive. You looked for the paper on your there and found it, sighing in relief. It grounded you, reminding you that your work did exist. Just as you were set to attach the file and corresponding citation to the email, your internet stopped. 
Scratch that, your entire laptop stopped. 
You groaned. Yes, this was an older, refurbished model, but it’s been working fine. The screen distorted for a second, as if the extra pixel boxes emphasized the frozen nature of your screen. Before you even had time to process it, your laptop unfroze and you breathed a sigh of relief. 
Thank heavens. You had just moved and weren’t sure you could realistically afford a new laptop anytime soon. As you look over your screen, however, your relief shifts to panic. 
omg. oMG. OMG!
It’s gone. Your research files. The ones on your laptop and on your flash drive. The email is gone. Before you can refresh the page you get logged out. You can’t even log into your old email account - Error 404 Not Found. 
Your heart races. Then, it aches. You worked so hard on those projects. They were part of your scientific fabric and now both were just gone. Your years of work, gone in seconds. 
You felt like crying. But you decide not to, at least not until you’re in the shower where the tears can blend in with the cascading liquid as you sing emo music. 
For now, you decide a quick walk and some fresh air are what you need, so you grab your keys and head for the mailbox. You’ve only lived in this apartment for a week but you check the mail constantly in an effort to get in the habit rather than because you expect something. 
But today, you did get something. A small parcel with no return address. Curious, you take that and the grocery flyers to your apartment and open the package there. 
A phone? It’s from the same company as yours, just a slightly older model.
You blink at it, almost telepathically asking it what it’s doing in your mailbox. You decide to turn it in to the mail service and are about to put it back in its envelope when you notice a note. 
“Charge me” 
“What the hell is going on today?” You mutter as you pull out your charger and plug it into the phone.
You sit on the floor with this new phone in hand and sigh. “Why am I even taking orders from a mysterious note for anyway?”
Just then the screen lights up. There’s no passcode so opening the phone was super easy. The phone’s screen and minimal app selection almost made you think it was new, but the lack of setting it up told you that wasn’t the case. Who would buy this phone and not use it? And why did they send it to you? 
There is one app that calls to you, mostly because you’ve never seen it before. And because it was unlike the rest of the default apps on the screen.
RFA? What’s that?
Just then, the screen turns dark and green characters zoom up through the screen. You sucked with all tech but even you knew this reaction was abnormal. You swore you didn’t press the app but seeing the phone continue reacting, you become less confident. 
“Hello?” 
You stare at the screen. ‘Unknown’ was messaging you. 
You respond. Stupidly. Naively. And without thinking about the consequences. 
Because this was real life. Right?
What’s the worse that could happen?
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I’m debating taking this next part a few routes...we’ll see what I decide...
If you, by any chance made it all the way down here, can you drop a reblog or something with your thoughts? Was Emme Cee likable? Did the flow make sense? Do you like where this is going? Let me know! 
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avnakin · 5 years
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i have posted a gifset about female characters a while ago. i saw posts with female characters from other fandoms with this quote-message and got inspired from it just like any creator could (i left the link to the source of inspiration on my original post), both by the message itself and the idea of the gifset. i was like, hey, why not make it with the lord of the rings female characters, since i am a big tolkien fan and i haven't seen it done with them before.
on october 18th i posted this gifset, featuring the lord of the rings and the hobbit female characters. at first the feedback was great—people supported and agreed with the message. the post blew up and there were a few negative comments/reblogs. at first, i didn't want to respond to them to avoid any conflict. i also kept in mind that some people might not understand the message, we, creators of this post sequence, are trying to deliver through our form of art. but the story doesn't end here.
the post blew up again after some reasonable chunk of time, however, this time the backlash was on the larger scale. i would get upset and disappointed, sometimes even annoyed by people’s unnecessary aggression towards me. so i decided i need to clarify my post, my message and intention behind it to avoid any future confusion. you can call this my response, as the op of this post, to those who say ‘what is op smoking?’ or on similar note.
let me break it all down to you. first of all, as i mentioned above, i am a creator—i love making gifs, edits, icons, etc. i am a creative person who likes to share his creations on internet. i have been in tolkien fandom for over a year, and have been a tolkien fan for over 4 years if not more. so guess what? i love making fandom content. one day i was scrolling through my tumblr feed and came across the post with this message which featured female characters from other fandom. i clicked on the link of their inspiration and got to another fandom with the same message. and so on and so on. and guess what again? i got inspired. i liked the post and i wanted to make the same one but for the lord of the rings/the hobbit fandom.
for this post you need, as you can see from the sequence and the quote, six female characters. a problem for me arose—limited number of female characters in the lord of the rings and the hobbit. i found a solution for it—i had to include really minor female characters such as sigrid and rosie cotton. the next step is to apply each quote to each character accordingly. and here is the point which sparked a lot of negativity. if you look through every post alike to this one, the quotes do not, i repeat, do not essentially apply to the character portrayed behind the quote. the idea is to show a female character for the fact that this post is about female characters in media. so when people complain about me using sigrid as ‘weak’, that doesn't mean i actually mean that she is weak or anyone else thinks about her like that. or when eowyn is said to be mean, that does not imply that she is mean or people say that this particular character is mean. to sum this point up, quotes do not essentially correlate with the characters shown along with them.
the next point is the criticism itself. you may or may not have noticed that the overall message of the post is about the criticism female characters in media receive, no matter from whom, straight white cis men, feminists, anyone. it is only the criticism itself. have you heard about criticism to harry potter female characters? i, for example, haven’t. or if i had, it was very minimal. guess what, such post was made about harry potter universe female characters, too. and my post was made, not because tolkien ladies get such criticism, no, absolutely not. in fact i would say tolkien ladies are one of the most respected and loved by everyone out of all fandoms (the only complaint is their minimal amount but that’s a topic for another day). the message is not about these particular ladies, or harry potter ladies, or star wars ladies, but female characters in general. it doesn't matter which movie, show or book. the message is to bring awareness to the negativity that, unfortunately, surrounds female characters, and this message is carried through this type of post by creators.
please, stop trying to analyse every tolkien female character to prove ‘how wrong i am’. believe me, i know these characters by my heart, i love all of them and my lore knowledge is sufficient enough for that (you may ask my fandom friends if you still don't believe me). the thing is, even if i didn't know them, i could still make this post because, let me repeat myself again, the message doesn't essentially apply to these particular characters. the idea is to spread awareness about this social issue and simply create content that i she enjoy making.
one person said that this post was about captain marvel. well, newsflash, you are late on this train. as i said above, this post was made on 18.10.2018. captain marvel, as is known, was released on february 27 in london (which i believe the earliest release date. in any case i haven't watched this movie up until the end of may.)
people are accusing feminists for this message. i don't want to get into this because this is politics and i avoid it like fire, especially feminist issue. i am a guy and i feel like i shouldn't get into this matter because it’s all up to women, and it’s not my place, although i fully support them. it could be all because of feminists, could be because of white straight cis men, anyone really. what matters is the criticism itself. look at the quote under the post itself one more ‘what can a female character do, without being criticised mercilessly?’
stop telling me ‘to shut the fuck up’, ‘step 1 : do not ask someone bathing in full on persecution hysteria’ (what does it even mean?), ‘what fucking world do people who make memes like this live in?’ and so on. it hurts me, especially as a creator who just wanted to share his art and spread a message without any intention for starting a conflict.
stop being so aggressive under a post that is not a text post with controversial ideas. if you don't like it, just skip over it. there is no need to steer negativity.
please spread this message. if people will continue with the backlash, i will start tagging them and linking them to this post. take down your accusations towards me after you have read this post and realized that you accusations were wrong.
thank you for your time and hopefully understanding.
your fellow tolkien fan, james.
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davidthetraveler · 6 years
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David’s Bio-Monday:  The Other Side of Me
Hey guys.  So I haven’t done this in a while, and for that I apologize.  But I got a great ask the other day that would work perfectly as a Bio-Monday post, so I’m bringing it back.  Get ready, because today you’re going to meet...
My Sides
I’ve already started using them in some of my comments and reblog posts, but I haven’t done much to actually describe them to anyone besides the people in one particular Discord server, and that was so long ago they probably don’t remember.  But that’s okay, because you’re all getting to meet them now.
One thing you should note first off is that I have five sides, not four.  I carefully considered all the important aspects of myself, and found that I could not simplify them down any further than having five sides (not counting Dark Sides, which is not something I’ll be discussing here).  So bare with me on that.
Duane, my Morality
My oldest side is my Morality, Duane.  He represents my sense of right and wrong as well as my emotions and empathy.  He also represents my strong sense of platonic, familial, and universal love.  He cares deeply about others and is definitely the Parent Friend part of me, combining both the careful awareness of the Mom Friend and the calming support of the Dad Friend.  But he can also be rather silly, though that alternates with a more stoic nature that he has taken on as I’ve grown older.
His name comes from a family name, which is also where he gets his look.  He tends to wear plaid button-down shirts with khaki pants and a belt, like my dad used to wear everyday at school.  He has his hair tied back in a loose ponytail, though he will sometimes let it hang free if he’s tired.
Duane appeared very early on and is the oldest, though his appearance and name didn’t become finalized until I hit puberty.  He is the least changed of my sides in regards to how he used to act, though he has become somewhat more reserved as I’ve matured.  He has also gone through a number of crises as I’ve reevaluated my personal beliefs and opinions concerning the world, including a major one when Dudley arrived.  But like the best people these have only made him stronger in the long run.
When he’s not cooking for the others in the mindscape kitchen, he is most often found in the commons, rewatching old shows and movies I’ve seen, or helping with the others’ various issues.  He’s a great listener, and will never judge you or your problems.
Dalton, my Creativity
The next side to appear was Dalton, my Creativity.  He is solely responsible for maintaining and running my imagination.  He also is the part of me that most expresses a desire for a romantic partner, often creating elaborate scenarios in my mind portraying myself meeting someone and living a life with them.  His creations can sometimes be a little overbearing in my mind, but he’s learned how to keep them in check when I need to focus on other things.
Dalton wasn’t sure at first what his name should be, but after considering the options (since he wanted to have a D-name, like Duane and myself), he went with Dalton, as it’s very similar to Walt (as in Walt Disney).  His clothes are the most variable, though his most common outfit is a set of navy blue wizards robes.  He keeps his hair tied back with a blue ribbon (not unlike Prince Adam from Disney’s Beauty and the Beast).
Dalton has been around the second longest, and is the second least changed of my sides.  While he has become less exuberant as I’ve matured, especially after Dudley arrived, he still continues to create and explore various imaginative and creative ideas for me to use in my writings.  He has recently entered into a partnership with Dewey to pursue my most recent creative endeavor:  song writing.
When not doing that, he maintains the vast universe of stories I still keep in my head, and entertains the others with the various people, places, and things that he creates.  He’s the storyteller of the group, and knows just what kind of story you need to feel better.
Dewey, my Knowledge
Unlike the other sides, Dewey and Dexter started out as a single side:  my Intelligence.  But with the onset of puberty, the two primary aspects of my Intelligence went to war with each other over whether knowledge or reasoning was more important.  When my Reasoning half of Intelligence finally declared that it was the most important part of my mind, and that all the other parts were just getting in its way, my Intelligence split in two, becoming the two separate sides I now have.
Dewey was the side that separated from Intelligence to keep from being suppressed by the other half.  He represents every fact and piece of knowledge I’ve ever been exposed to, as well as my pacifist nature and my more reserved behavior when around others.  He cares deeply about the precision of language, and prefers to use proper grammar and punctuation, even when using an informal communication system.  He can sometimes get bogged down in the minutiae of situations, but will also help to keep me focused on the big picture.
Dewey chose his name from the Dewey Decimal System, as he is the part of me that most wants things to be neat and organized, and chose it to honor the one who created a system for organizing knowledge for the common man.  He generally wears solid-color button-down shirts under sweater vests with a bow tie and khakis, tending to appear like a quintessential nerd.  His hair is kept in a tight bun on the back of his head, though the more stressed he becomes, the looser it gets.  He is also the only side that still wears glasses, as the others that were present stopped after I had Lasik.
After he and Dexter split apart, he became the one who most insisted on quiet dignity in my dealings with others, in stark contrast to Dexter’s more arrogant and self-serving nature.  But he wasn’t able to counter Dexter’s influence very well until shortly before Dudley arrived.
He is the least emotionally aware of my sides, which makes him sometimes come off as cold.  But he cares deeply about the others, and when the need arises he can calm them down with facts about the world around them, which taps into their shared sense of wonder and curiosity.  He is the one who can keep them grounded in a tumultuous sea of emotions.
Dexter, my Reasoning
After Dewey split off, Dexter was forced to take on a new title, much to his annoyance.  He immediately went for my most pronounced mental gift:  my Reasoning.  He represents the part of me that can analyze and interpret data for any given situation, recognizing patterns and variables that others might miss, and process that information into a viable conclusion.  Because of this, he also has come to represent my self-assurance and even my ego, but this has also caused him to at times be the source of my arrogance.
Dexter chose his name after the classic smart boy name.  All aspects of my personality share my intelligence in some way, but he insisted on being the one to most represent it.  He wears a polo and blue jeans underneath a lab coat.  His hair is kept in a loose ponytail except when he’s performing an experiment, in which case it’s clipped to the back of his head.
Dexter is the one that’s changed the most since he appeared, having been the source of my arrogance for much of my youth.  He was not one to share the spotlight with any of the other sides, much to their chagrin.  He barely even acknowledged Dalton’s contributions to the ideas they created together, preferring to credit his extrapolation abilities.  It was not until... the unpleasantness... that he finally learned to reign himself in.  And the prominence to which Dudley would rise in my mind helped him to see the error of his ways, though it wasn’t until later that he found the right balance with which to work with the others.
Dexter is often found working on experiments and examining situations to figure out the best course of action.  But he still loves to shut down and enjoy mindless entertainment with the others.  He is also the one who can most often figure out what might be bothering the others when they themselves can’t quite piece it together.  He may not always show it, but he would do anything for the others.
Dudley, my Regret
Dudley represents my Regret, and as such is the part of me that looks back at my past mistakes on a regular basis.  But as he’s integrated himself as a healthy aspect of my mind, he has also come to represent my more sarcastic and defiant natures, as well as the part that most often recognizes things to avoid.
Dudley chose his name after the character of Dudley Dursley, remembering how he was a bully who came to regret his treatment of his cousin after being shown what he was really like by dementors.  He wears a dark blue hooded jacket over a polo and jeans.  He usually just lets his hair hang loosely.
Dudley is the youngest side, and has only been around for a few years.  But he was at least a part of my psyche since the beginning, like the others.  It was... the unpleasantness... that caused him to ascend to side status, and at first he was merely a Dark Side that the others couldn’t suppress.  He insisted on making me relive every mistake I’d ever made.  But after some time of reflection and growth, he was able to tame himself and integrate himself into the side family.  He now does his best to keep me aware of the negative consequences of my actions.
Dudley cares deeply about me and my sides, though he hides that care behind his sarcastic and somewhat depressive nature.  But whenever any of us needs it, he’s the one to point out all our mistakes in the past.  Not to show us how bad we are, but to remind us how much we’ve grown.  And we are more than happy to do the same to him.  He’s part of our family, and we wouldn’t trade him for the world.
Well, that was a lot of backstory I had to cobble together.  But it was definitely worth it.  I’m unlikely to use these guys in anything other than reaction comments (and maybe a oneshot, but that’s not high on my writer priority list right now).  But I thought it was a great exercise in exploring who I am as a person, and I think everyone should try it out to see what sides they’d get.
But anyway, I hope you found that interesting.  If you would like to, you can read my previous Bio-Mondays via the “Links to the Important Stuff” tab on my blog.  And if you want you can also be added to (or removed from) my new Bio-Monday tag list.  In any case, thanks for reading, and have a great week.
Tag List:
@ultimate-queen-of-fandoms2 @rose-gold-roman @asterias-confused-writings @alexthechaotic
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What is the bechdel test?
Also relevant:
@lena-in-a-red-dress​ replied to your post “youngbloodbuzz: [me seeing everyone reblogging that post claiming how…”
With the Bechdel test, I couldn’t remember if it was a total conversation test (where any dude talk took the convo out of the running) or a time test (which the scene would tech pass), so I admittedly have research to do. But I do wish men hadn’t been mentioned at all… from a storytelling/performance perspective, they could have easily hit all the same plot-necessary notes elsewhere in the plot-necessary notes without infringing on girl time at all.
(Bare with me, I’ll also be addressing some other recently popular fandom opinions in this break down.)
Application of the Bechdel Test:
The Bechdel-Wallace test is simply, “The movie has to have at least two women in it who talk to each other about something besides a man.”
It was inspired by the writings of Virginia Wolf in which she observed that women were rarely portrayed in ways other than in relation to men, with particular note that this weasels it’s way into fictional female friendship.
I think I’ve seen individual studies expand upon this by specifying that it has to reach some designated length of time (one minute, for example), but I’ve never seen it interpreted so that men being mentioned earlier in the conversation negates the fact that they were afterward talking about something other than a man.
If it were so, it’d seem rather arbitrary a rule. Would the second half of the conversation suddenly pass if they had cut away to something else in the middle, making it a separate conversation? How does that method tell us anything about the quality of the show or the characterization of the women?
Furthermore, the Bechdel test is not meant for singular scenes, it is meant for entire works. In this case—entire episodes.
Sometimes whole conversations between women will, in fact, be about men. And that’s okay, as long as there are also conversations between women about things other than men within the text. In this episode, there certainly were. There will be more episodes in the future with multiple women interacting without mentioning men at all.
Something that people seem to be forgetting is that there’s nothing innately wrong with women talking about men, it’s when it’s made to be the entirety (or majority) of their characters that there’s an issue.
The point of the test is not to stop women from caring about men or having any storylines to do with men, it’s to make sure that there’s more than that. That they aren’t reduced to only that.
So people’s issues with the scene actually have little to do with the Bechdel test, and more to do the fact that these women got together on a girl’s night and, for about half of the portion of it that we saw, they talked about guys.
People are upset about it as a sort of… girl’s night trope in a feminist way, and—more strangely to me—in a queer activism way.
The Queer Activism Way:
Recently (the past few weeks or couple months), I’ve seen an alarming number of posts with regard to Supergirl in which people forget that their experiences are not universal and that their personal discomforts do not necessarily equate injustice.
Perhaps the mere mention of relationships with men makes you uncomfortable because you headcanon the character speaking about it as a lesbian or it reminds you of how alienated you felt growing up and not being attracted to men, but that does not actually make the mention of relationships with men homophobic.
First, the writers are under no obligation to make their characters the specific sexuality that you desire, especially when there is no lack of lesbian representation within the text. Moving forward with the romantic and/or sexual attraction that they have chosen for a character is not a violence against you, and believing that it’s a move designed just to hurt you comes off as rather paranoid and egocentric. 
It’s also worth noting that the writers stating that a character is attracted to men in no way prevents fans from shipping the character with a woman. Because, idk if you know this but… bisexuality exists!
Saying “we get it, you’re straight!” every time the character mentions having had a relationship with a guy is reductive and inaccurate.
(And I think it’s also worth noting that you’re probably making your local bisexuals uncomfortable when voicing how horrible it is that your headcanoned wlw is mentioning her relationships with men.
It may be coming from a place of “but we were attached to her being a lesbian! I was attached to her representing me, and having projected myself onto her, I feel uncomfortable when she is attracted to men,” but fans acting as if it is not simply a personal discomfort but an injustice that the character is made to be attracted to men? As a bisexual, it’s not a fun message to receive.)
And with regard to lesbian alienation in the face of discussion of relationships with men, Alex and Maggie were not uncomfortable hearing about their friends’ past significant others.
That is your personal trigger that you are projecting on two characters who are not at all left out in that situation, and who are actually—as the only characters in the room in a relationship—in a more enviable place than those there who are attracted to men.
This was a group of friends talking to each other about their past relationships. Just as it wouldn’t be wrong for your straight friends to talk about their past relationships in front of you, it is not wrong for the writers to have Alex and Maggie talk to their friends about their past relationships.
(Also, It’s likely that if Maggie were not there, they probably would have had Alex talk about her relationship with her.)
The Feminist Way:
It’s a bit of a cliche to have girls get together and talk about guys, but is it really that bad a thing? 
“But the scene perpetuates the stereotype that women get together and just talk about men!”
But the presence of stereotypical behavior within characters is alright, as long as there is enough representative content so that viewers do not get the impression that the stereotype is true for most/all people or most/all situations.
To compare, if there is a show filled with primarily bisexual characters and one of them cheats, it’s within the context of a group of bisexuals who have not cheated and thus can’t be mistaken for being representative of all bisexuals.
(This is why token characters can be so harmful.)
So if there is a show in which female characters regularly get together and interact in different ways and with varying topics, one half of a conversation in which they talk about their significant others who happen to be men is not indicative of negative representation of women.
This is why we use the Bechdel test, as low a bar as it is—to judge the discussion of men against the rest of the work. If it were not important to judge it against the whole of the text, the test would simply be “The movie has two have two female characters who never talk to each other about a man.”
Could this all have been avoided?
I really don’t think there is a different, natural way to bring up all of the elements that they wanted to bring up in this scene without mentioning significant others.
These are the topics they likely wanted to touch on:
1. Faith as a theme (“he asked me if I was baptized”)
2. Alex’s want for kids vs. Maggie not wanting them
3. Sam’s struggles with Ruby
4. Kara’s depression
Bonus: The tangible dynamic of Alex and Maggie being fully in the know with Kara, Lena knowing the half truth, and Sam knowing nothing
I’d be interested to see if any of you can actually come up with an alternative script for this scene in a way that isn’t too heavy or addressed later in the episode. 
(Using mothers as the link between these topics would work logically, with Kara’s depression being linked to the loss of her mother, but it’s a Heavy topic in a way that can’t be moved passed as easily as Kara’s “break up.” Not to mention Lena’s issues with her mom… It’d screw up the tone of the scene, and would be just a bit too on-the-nose with Alex’s current predicament. 
It’d also effectively skip through Sam’s storyline this episode right to the climax, because Lena would logically have given her the “my mom sucked, you’re doing pretty well” speech right there. (And again, that was a heavy scene that has no place at girl’s night.)
I also don’t quite know how you’d introduce faith as a theme or have Lena tell a funny story that doesn’t make everyone mildly uncomfortable if the topic is mothers.)
Perhaps you can figure out a way to have them avoid mentioning men at all, but you’re also more focused on that than the development of a natural and effective character interaction.
I think there’s a certain point where this becomes less about feminism and more about an intolerance to hearing about men.
And it’s understandable that this tolerance has suffered after last season’s focus on Mon-El to the detriment of Kara’s characterization and the Danvers Sisters interaction, but if you’re expecting them to actively avoid mentioning him or other men, you’re simply expecting too much.
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shadowsong26x · 6 years
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TLJ Reaction Post!
Putting everything behind a cut just in case, to avoid spoilers. Also, any TLJ-related posts I either write or reblog will be tagged as listed here.
Feel free to reply/reblog/ask/whatever if you want to discuss!
So, that was an experience.
First, quick reaction--while I was watching it, it was overall engaging/good. I had some issues even in the moment, but most of what I’m going to write up here was of the fridge logic variety?
Things I liked:
- Leia getting a STRAIGHT-UP ACTUAL JEDI MOMENT. Yes, I am talking about her flying through space like Mary Poppins and yes it was ridiculous but again it was a Jedi Moment sooooooooo there it is.
- All of the combat scenes/lightsaber duels in particular were really well put together. The throne room duel (which I’ll talk about that whole scene in some detail later), Finn vs. Phasma, Astral Projection Luke vs Kylo Ren (side note: I had seen a poster or clip or something before this, and I was Very Annoyed that Luke’s lightsaber was blue pretty much for the same reason I get irrationally irritated when Padme is tagged/drawn in the Gothic Peacock dress and the fact that elbows don’t grow back oh my god--minor continuity details that make a difference but don’t really matter in the long run; but the fact that Luke chose to project himself with the Heirloom Lightsaber(tm) that blew up ten minutes ago made that make sense and was delightful in hindsight) the space combat--the red dust on Crait, though, so cool the way it did visual things.
- Pretty much everything to do with Finn and Rose’s plotline (except I was sad that there was no Lando cameo at Canto Bight)
- Most of the stuff with Amilyn I liked a lot too. Especially her flipping badass Last Stand. (I also liked the fact that the bulk of high command was women, and they made a point of showing off all the lady piliots)
- Luke and Leia’s reunion moment made me bawl in a very good way. (Side note: I’m pretty sure she knew all along he was Astral Projection Luke. In part because how else could he have gotten there, in part because, as my friend who I went to see it with pointed out, he projected himself exactly as he would have been the last time she saw him. Also the much shorter and darker hair which I feel is very impractical to manage in an X-wing cockpit)
- That little kid on Canto Bight. Oh, that little kid on Canto Bight, who reminded me so much of TPM!Anakin I can’t even. (There’s a whole potential Thing here, that my friend pointed out to me, re: Light/Dark/Balance a la Daughter/Son/Father from Mortis where we might be going for Kylo as Dark, Rey as Balance, Tiny as Light? I’m not sure if I actually want the story to go there or not but it’s at least interesting as a vague concept!)
- I love Poe. Just...Poe was delightful in this film, as he figures out exactly how Being In Command works, his relationship with Leia, his back-and-forth with Amilyn...
- I liked that the bridge/whatever between Rey and Kylo was clearly set up to parallel Luke and Leia, rather than anything romantic--to the point where Luke and Leia had a Twin Moment that then immediately cut to one of the shared dreams and that can’t have been an accident.
- There was a lot of really great dialogue in this film. Just in general. “Do you think you got him.” “I don’t think they like me very much.”/”I can’t imagine why.” “What are you looking at me for? Follow him!” Leia and Amilyn’s goodbye (which, side note--I read the Leia novel, and I definitely thought she and Amilyn had more chemistry than she and Kier did, also there’s a...something percolating in the back of my brain about Kier and Lando and the similar choices they made when their people were in danger and they felt their backs were against the wall, and what that might mean in terms of added context for Leia’s choices/actions in ESB, but that is a topic for a different post)
- While this was not the Force Ghost(s) I was looking for, I enjoyed Yoda’s appearance a whole heck of a lot.
- Rey and Poe finally actually met! And it was a very nice meeting!
- The fact that, once again, the last intelligible dialogue in the film went to Leia (because Tiny was speaking in another language)
Things I am neutral about but I feel bear mentioning:
- The reveal(?) about Rey’s parentage--I’m not sure whether or not Kylo Ren was lying, but I’m honestly okay with it either way. I mean, I’ve been on team Rey Kenobi, so to speak, from the beginning [partly because I think it makes a more interesting narrative than Rey Skywalker; partly because Obi-Wan’s line of descent, if he has one (and, whether it comes from Korkie and Satine or not, I think it could be credibly written that he does)...it makes much more sense that it would be lost the way Rey’s backstory establishes than either of Luke or Leia’s children being lost. And the potential alternatives (i.e., Shmi having had a child before Anakin and they were sold separately or something, or Anakin’s DNA being used to sire another child because Reasons, would require a lot more setup than we’ve got); also I kind of like the idea of Finn Skywalker though that ship has probably sailed]. Where was I...anyway, while I prefer that story, I don’t actually dislike any of the potential theories (except the reincarnation one). And Rey Nobody (I think is what it was called?) has its own appeal, definitely. So...I guess my reaction to that is a nonreaction? Especially since I can’t make up my mind whether or not it’s true...
- I wasn’t super invested in any shipping in this trilogy, but honestly as far as I’m concerned we now have a third possible endgame pairing for Finn and I like all three. (I’d rather not discuss this particular point in overmuch detail, because as I said I’m not super invested in any ST ships and I know a lot of people are and I’d rather not get argued at on the subject).
- I have no idea how I feel about the Heirloom Lightsaber(tm) being destroyed? But the crystal seemed to be intact sooooooo we’ll see.
- Snoke’s ridiculous golden bathrobe???????
Things I liked less:
- I’m not thrilled with how Luke was written. Like...I can make it make sense. I can draw the roadmap in my brain of how we got from the Luke I know and love to the Luke we saw in this movie (including in the flashback) but it takes a lot of backhacking, so to speak. Honestly, if I ever get this far in a canon-aligned fic timeline, I would definitely go in a different direction (frex, if Masks ever comes back off hiatus and I get to Martyrs, which is the third part of that AU and is set in this timeframe, it would no longer be an In Spite Of A Nail AU from here).
(This sort of ties into...look, if I was going to assign a cardinal narrative sin to each of the trilogies (looking only at how the story is structured here), the PT has pacing issues, the OT was made up as it went along and it shows in several points; but the ST? The ST relies way too much on It’s All There In The Manual. I’ve read some of the Manual, but not all of it, because I mostly hang out in the PT corner of the fandom, but it was an issue in TFA and it was an issue again in TLJ. Amilyn and Leia, I think, suffered from this the most, but Luke’s headspace probably did, too.)
- I’m not super thrilled with the fact that we got introduced to a lot of interesting new characters, and almost all of them just...died. And I kept looking for familiar faces from TFA in the background of the Resistance and...yeah, they weren’t there.
- This is...this is maybe not going to come off as super articulate when I try to explain myself, but it actually bothers me a lot. And that’s that...there’s...there’s no...
Look. To me, above all things, Star Wars is about Redemption. It is about finding the spark of light in the darkness, and fanning it into a flame. And I say this even as someone who primarily hangs out in the PT part of fandom, which is in some ways structured as the opposite (i.e., find the speck of darkness in the light and feed it until it consumes all). Because it’s still there at the end. We still have that spark--in the twins, and in their guardians--and we are nurturing it until it is ready to burst into a proper flame and it also set up Anakin’s motivations in a way that led to/added to the credibility/impact of the eventual redemption arc. (Like I said, I’m not sure I can articulate this well, but it’s a Thing, okay?) And, yes, I get that the ST is coming at this find-the-light-in-the-dark theme from a different angle which is fine, I guess, I just...I just...
There is no antagonist (who has been at all developed) who is redeemable at this point.
Like--I didn’t really care about Kylo Ren as Kylo Ren. I cared about his (potential and now thwarted) redemption arc because see above about how that’s what Star Wars is to me. And where we left off at the end of TFA, he could still credibly be redeemed. And now, even without all the explicit ROTJ parallels (up to and including straight-up quoted dialogue), that door is closed. A redemption arc for him from here would not be credible.
And no one else in the First Order is developed enough for it, except maybe Hux, who also has credibility issues (to draw a comparison, that would be like trying to write a redemption arc for Tarkin, aka essentially impossible without an AU breakpoint when he was like twelve or younger at which point it’s not a redemption arc it’s a completely different story.) Phasma (assuming she isn’t actually dead, which I think she’s not but ehhh she might be) isn’t developed enough. No one else in the First Order who’s still alive has an on-screen not-All-There-In-The-Manual name, so it wouldn’t have the necessary emotional/narrative payoff.
And that’s...that’s...I don’t like it. I really don’t like it. I mean...it actually weirdly bothers me less than I thought it would, when I was trying to talk about this a year or so ago? I have no idea why, because like I thought that would be something that would make me completely break away at least from the ST era/corner of the fandom. And yet it’s not. But it’s still...Star Wars has always sold itself as straight up Good Vs Evil, but has had that...coming home. Or something? Like I said, not sure I’m too articulate about it. But I don’t like that this happened the way it did.
And also, just...like, think about what it would have been if they had just gone ahead and played the ROTJ aspects straight. If Ben Solo had come home, the way Anakin Skywalker did--without dying. We would get the story we never got with Vaderkin, of clawing his way back and atoning and making amends. We barely even got it with Ventress (side note: there’s a Thing in the back of my head that I’m not sure I can get out in any articulate way about the parallels between Anakin and Ventress because man.) (Also I think there might be a plot like this in Rebels, but I haven’t seen it yet so IDK for sure.)
Sigh. I don’t know. I think we’re going to get an interesting story about the way things did go, which may be part of why I’m less upset than I thought I would be. But I am upset.
(Side note: I do think that Snoke’s death was really well-put-together/well-played. I genuinely didn’t see it coming until the Heirloom Lightsaber started turning. Like...I pretty much figured that it wasn’t going to go how either Rey or Kylo saw it, because (even before Snoke said he made the bridge between them) I pretty much figured they’d both seen what they wanted to see/their ideal ending for the confrontation, so I knew it would be some kind of third option, but I did not expect the one we got and the way it was presented/approached was extremely effective; I just have serious, serious issues with where it went from there).
- I wish there had been more Leia. And Maz. And Phasma.
- I wish it had done more to expand on/develop the relationships/answer the questions/etc. established by TFA. In some ways, it feels more like “this is a series of events that happened in the wake of that,” rather than a continuation? This was mostly a problem with Poe’s storyline--Rey’s did okay at that, though if the backstory reveal was true it was a little disappointingly presented and if it’s not it didn’t resolve enough; and Finn’s did reasonably well. (Also, there were supposed to be Knights of Ren???? Were these the students that Kylo Ren left with after burning Luke’s Temple? What happened to them? Were those the people he and Rey killed in the throne room?????)
- On a much pettier note--what the fuck even was up with the timeline???? HOW SHORT ARE THE DAYS ON AHCH-TO? WHAT ABOUT FREAKING TRAVEL TIME--FTL TRAVEL IN THIS UNIVERSE IS NOT INSTANTANEOUS AND THAT IS EXPLICITLY REFERENCED IN THIS VERY FILM. Congratulations, Star Wars, you now have a film with a timeline that makes even less sense than ESB. [ROTS doesn’t, either, although that one’s more a question of ‘exactly how long is it between the Invisible Hand and Utapau because I don’t buy the ‘less than two weeks’ from the novel, but beyond that it could be anywhere from like a month to like three or four...but that makes sense, it’s just unclear.)
And, because I like to end on a positive note--there’s a lot I do genuinely enjoy/like/even love about this movie. Is it my favorite? Probably not; I don’t know exactly where I’d rank it, but probably in the Bottom Tier (I have sort of three tiers in terms of ‘Which Of These Puppies Licking My Face Am I Most Likely To Take Home If I Can Only Have One’ and they fluctuate a fair amount other than ESB, AOTC, and ROTS are consistently in the top tier). But there’s enough about it that I liked that I’m going to see it again, and while the things I disliked were for the most part serious issues, they weren’t enough to make me want to avoid the film itself. I’m hoping the next movie answers some more things, I’m hoping Phasma and Baby Canto Bight Jedi come back, I’m looking forward to Force Ghost Luke (and maybe the others fingers crossed).
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pocinperioddramas · 7 years
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Some of the things you said in reference to Wonder Woman - Gal Godot specifically - really rubbed me the wrong way. I'm not Jewish, but it's my understanding - re a post by a Jewish person on the way antisemitism crops up in discussions of Israel and how to avoid it - that 'Zionism' is just the belief that Israel should EXIST, not something that has any connection to support/lack thereof of Israeli politics/military action. (1/2)
Unless you really do think Israel shouldn’t exist - in which case, please be clear on that so I can unfollow. If it was a case of mistaken terminology (I’ve been there too!) please clarify or edit. I’d be happy to send you a link to the post in the messaging or something if you’re interested, or reblog it and tag you! (Also, it might be good to look into the Godot thing a little - she may be problematic, but a lot of the criticism I’ve seen of her is actually anti-Semetic dogwhistling.) (2/2)
Hello there! I am finally getting around to answering your question, after around 2 weeks of being absent from this blog. As you said that you don’t mind me posting my response publicly, I will do so in order for people to be clarified about my views regarding the issues on the table.
I understand your reservations. You linked me to the post you were referring to in your response to my own ask to you (the link did go through BTW). I actually saw that post a few years ago, I believe, and while the OP’s concerns about anti-Semitism cropping up in the process of defending Palestine are definitely valid (and they have every right to be concerned, as there have been some infamous figures who were pro-Palestine but also turned to be very anti-Semitic - there were at least 2 people I remember reading about, but I can’t remember their names at the moment), not every Jewish person shares their particular view about Israel/Zionism. There is, in fact, a website known as the New Jewish Resistance founded and run by anti-Zionist Jews (and they explicitly identify as such) through whom I learned a lot about anti-Semitism and Zionism and how to fight both forms of oppression (in this article, they discuss about what they stand for and in this other article, they tackle about how being anti-Zionist isn’t equivalent to being anti-Semitic). But understand that this definitely shouldn’t excuse from any possible anti-Semitism (as citing that could make me sound like one of those “I’m not racist, I have [insert race/ethnicity being discussed] friends” or in this case, “I’m not anti-Semitic, I have Jewish friends” and I definitely don’t want to be like that), so please do call me out if I have been anti-Semitic, whether subtle or explicit.
But you do bring up the issue of whether Zionism can be considered a legitimate ideology that started out with good intentions (a la how communism and socialism can be interpreted by many people too), which is the view held by the OP of the post you shared, or if it is an inherently flawed or oppressive ideology. To be honest, I’m still very conflicted about that. The important thing here has always been to center both Jewish and Palestinian voices speaking out on the issue, and while most Palestinians identify as anti-Zionist and anti-Israel, Jewish people are divided on it. Of course I definitely think that people who actively support the policies and actions of the Israeli government and Israel Defense Forces are reinforcing oppression, but Jewish people who bring up the point about Zionism being interpreted as an ideology with good intentions should be taken into account too, as people do think that Jewish people, despite centuries and even millennia of being in the diaspora, have an ancestral claim to their homeland in the Middle East.
But that also begs the question: if you support the ideology of Zionism while opposing the oppression of Palestine, do you think the two can be brought to life (i.e. Israel - or at least a Jewish state - and Palestine coexisting peacefully) in a way that do not contradict each other? Because as far as I know, Zionism is founded on the belief that the Jewish people have the right to a state of their own in the region of Palestine, where millions of Palestinians have lived for centuries too. Could a Jewish state exist where it does not have to oust these Palestinians from their own lands and it does not have to be a colonizer, and how can it be (realistically) put into practice? Or does Zionism and the right of Palestine to exist as a state directly contradict each other and thus you cannot actually support both? I would in fact hope for a two-state solution, but I do not know how it could be truly brought to life without involving any oppression or bloodshed. (Most of these questions are actually brought up too in the post you shared, but I am still curious about them and now that you asked me about it, it’s made me realize how sorely lacking my knowledge is on the issues and has made me want to learn more now actually. This is actually a good wake-up call for me, so I thank you for that, as your criticism has made me realize it’s important to evaluate my knowledge about issues in social justice - Zionism included - before speaking out.)
Now, with regards to Gal Gadot, most of the criticism I’ve read about her - from the people I follow on social media who have been vocal about being anti-Gal - with regards to her support of the IDF seems valid to me, but as it is said, anti-Semitism can still insidiously seep into conversations where people are defending Palestine, so maybe there truly was anti-Semitism there but I didn’t notice it. I did recently read an article from a Palestinian woman that discussed Gal’s Zionism/support of the IDF that might have had anti-Semitic undertones, though the author did make very good points about other aspects like the cruelties inflicted by the Israeli government and the IDF and the oppression that the Palestinians face from them, so maybe that’s an example of criticism that has anti-Semitic dog-whistling. What other examples have you seen of such criticism with anti-Semitic undertones?
But my point about Gal still stands: she may be a good actress and apparently progressive in other aspects, but her active support of the IDF and her praise of Shimon Peres alone are enough for me not to want to support her in any of her work, even “Wonder Woman”, despite my admiration of the character, her importance as a strong female superhero presence in pop culture and media, and the appeal of the movie due to the rave reviews it received, and I firmly believe that she wasn’t the one best suited to the role as there are plenty of other female actors who are even more progressive and whose personality, behavior, and views embody Wonder Woman and what she stands for more than someone who is an IDF supporter. I hope you understand.
Maybe you know more about these subjects, so if you have any more information, you can share with me so that I can learn too and if I am wrong in my views, I can rectify them and become more understanding and careful on these topics.
I am in no way an expert on Zionism, Israel’s oppression of Palestine, anti-Semitism, and Jewish and Palestinian experiences, as I am neither Jewish nor Palestinian. In fact, I only heard about the Israeli-Palestinian conflict relatively recently (I might have heard about it earlier had I been living in the West, but I don’t and I learned about it entirely through social media - that’s no excuse for me though, and I’m trying to catch up). I have conflicted feelings about Zionism and Israel in general, as I am not always certain about all the information I learn about these topics. But in recent years, I have tended to think along the lines of ‘Zionism is oppressive’ and ‘Israel (at least the way it was created and the state in its present form) is a colonizer/colonial state’, thanks to the articles I have been reading and whose views make sense to me. However I do get that I may have unconsciously appeared to be making assumptions with regards to the issues of Zionism and Israel, despite not being super knowledgeable about it as I’d want to be (although I definitely do think that what the Israeli government is doing to Palestinians is wrong). So I apologize for that, and please do not be afraid to criticize me for any faulty information or stances that I hold, when I air such information and stances. I actually encourage my followers and even non-followers to do so, so that I may continue to learn too (but that doesn’t mean I should rely entirely on other people to call me out - I am trying to educate myself as well by reading up on more articles, thinkpieces, and books discussing such issues as well as listening to the voices of the people at the center of such issues - I’m simply saying that it’s perfectly fine to call me out too in addition to me calling out myself while I am learning in my own way).
(Now, I will tread more carefully and be more specific when referring to Zionism and Israeli colonialism and make less assumptions as well.)
You are still free to unfollow me if you want, of course. I do hope we can reach an understanding, and thank you once again for your thoughtful ask. I really appreciate it.
-Admin Dawn
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sableaire · 7 years
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I know KS is well you already know but I actually want to continue it just cause I'm curious on how it'll end /or who will end up dead first/ but the thing is... we are allowed to like what we like right? As long you know what's real and what isn't it?
I’m of the opinion that people simplify this issue too much. Consuming problematic media is not inherently wrong, but it’s not just enough to know “what’s real and what isn’t”.
Now, this is one particular issue in which I use my own behavior as a model, but note that I am not going to try and claim that my views are the ‘correct one’ or that my approach is better than others. However, I would just like to offer to everyone who worries about this some insight into a philosophy that isn’t quite so black-and-white as others I have seen.  
Basically, like every ask I ever receive, the answer’s going to be long, so hang on, Anon. Please note that Google Chrome ‘ran out of memory’ while I was writing this post, so if anything cuts off at a weird point, I just lost that portion and didn’t notice…
 More below the cut:
First thing’s first: I consume problematic media. As an aspiring writer, I enjoy experiencing stories that make me feel things, even if that feeling might be “dear god, this is what it feels like to watch a train wreck”, and as someone who thrives on new experiences, I enjoy being able to feel a broad range of emotions in a safe and controlled medium - either dreams or fiction. If there was a way to try psychedelic drugs and or ‘bad trips’ without risk of physical or psychological damage, I would try it. 
Heck, I’m the kind of person who tries to induce sleep paralysis and nightmares for fun because I get a kick out of the sheer terror. It’s inevitable that I sometimes like to read about the visceral horror and sickening dread that comes from highly dangerous and awful situations. (Of course, I also have my limits, but that’s not the point of this post)
That being said, I try to be mindful about my enjoyment of such content in many ways, and I’m of the opinion that everyone else should as well. Something I always say is that “people can’t help how they feel, but they can help how they behave,” and through that behavior the feelings might change over time. However, you can’t blame someone for a reactive emotion, be it positive or negative. Humans don’t have control over their emotions.
As such, of course we’re all allowed to like what you like, but ‘liking’ something is not your ‘behavior’. Liking something is a feeling. Everything else you choose to do are actions, and you need to think them through because every action has a consequence, either on you or the environment around you.
Since you mentioned Killing Stalking, we’ll use it as an example. Although you’re allowed to like what you like, do you also know the reasons why some people are so vehemently against it? It’s not just the murder and it’s not just the depiction of abuse, and it’s not okay just to handwave it all under “haters will be haters”. These are people genuinely upset about this comic’s contents and consumption, and as someone who is choosing to enjoy it, I personally feel as though fans have a responsibility to first understand what these people are so upset about, and then make an informed decision whether or not to read it.
Once I learned that Killing Stalking was so negatively received by some individuals, I did my research. I read reasons why people dislike it. I specifically searched for primary sources, reactions of gay men and reactions of individuals with BPD. I went in with a neutral mindset - I had only just started reading the comic and I wouldn’t have minded giving it up at that point - and then decided what points I could empathize with and thought about how these viewpoints - different from my own - would affect my actions. Typically, there are three questions:
1) Will I continue reading/watching?
2) Will I financially support this content?
3) Will I socially support this content?
Question 1:In my opinion, only the first question depends on your personal likes/dislikes. Yes, you can like what you like. You can consume questionable content. However, if your answer to that is ‘yes’ or even a ‘maybe’, you absolutely have to ask yourself the next two questions.
Question 2:We live in an era of rampant digital pirating, and though yes, it is a crime and people are always encouraged not to, I’ve never personally met someone of my generation who hasn’t pirated a movie if they missed it in theaters and then couldn’t find it on Netflix and or Amazon Video. Popular books can be downloaded as PDFs or epubs. Foreign comic translation is a veritable unpaid industry of its own, on the internet (which is its own bucket of problems, but that’s not what this post is about).
So, ultimately, though the economic and moral implications are a bit hazy, you get to decide whether or not you financially support anything you watch or read. You can decide whether or not something that you find enjoyable is also something you think there should be more of in the world. In the modern capitalistic era, you as a consumer have the power to vote with your wallet, in a sense. I’m going to give an example of how this might work after this section.
I will say, however, if you plan to indirectly profit off your interaction with certain media, no matter how problematic, you have an obligation to support the author for their work. If you are going to write a movie review as an official film critic, you have to watch it in theaters. If you are going to write a book review in an official capacity, buy the book. This is partially because I believe that if you’re profiting off someone else’s work in any way, that someone should be compensated even if you hated it, and mostly because I believe that reviewers will be more accurate if they actually pay the money to see if something was “worth their money”.
This is also the reason why I bought Killing Stalking through its official channels. I had built up a surprising following for my lost-in-translation posts and even received a small sum of donations for my write-ups. As such, as an aspiring content creator myself, I could not in good conscience not pay for the webcomic when the official version was so easily accessible to me. This is also why once I felt too uncomfortable with the content and author’s comments that I stopped my lost-in-translation posts as well. I didn’t feel comfortable financially supporting her, and I didn’t feel comfortable profiting off someone else’s content for free.
Also I just didn’t want to read anymore, ahaha.
An example of something I would watch if I didn’t have to financially support it, though, is the new Ghost in the Shell movie. Even though I have pretty much vocalized everything I dislike about it, I am curious to see it for myself. If I really, really wanted to, I could easily watch the movie without providing financial support or official viewership. However, in exchange, I wouldn’t feel right writing a review about it, especially not a monetized one, due to my personal stance on creative content and also because a low-quality laptop-screen experience would greatly differ from a cinema-quality experience.
Question 3:And lastly, separate from the financial question, you have to ask whether or not you will socially support something. Word-of-mouth and fandom content are powerful, powerful forms of marketing, especially on Tumblr.
I read Killing Stalking and actively contributed to the fandom with my cultural / language translation posts. However, followers of mine might have noticed that aside from the first week or so, I never reblogged any fanart or other such content. This was because, although I personally was reading the comic with some interest, it was not content I wanted to actively encourage others to read. For the same reason, I assured all my followers that every post of mine with Killing Stalking content would be appropriately tagged so that they can blacklist it, should they feel it necessary.
There are some things that I read and enjoy that I choose not to support publicly or enthuse about. Some might call it disingenuous and others might tell me not to let others censor my behavior, but it is an intentional decision on my part. In the case of Killing Stalking, I had several reasons.
Firstly, I knew not all my followers were comfortable with it, and I want my blog to be a comfortable and accessible place for most people. This was especially true because I knew for a fact that I had some younger followers age 14 and 15 and so, and let me tell you, I remember being that age and feeling like I knew enough to make informed choices. I have learned more with age, enough to recognize that rather than controlling the media I consumed, the media I consumed was controlling me. I was young and impressionable, and I made some mistakes I’m not proud of.
I was especially careful after the first week or so to not post fanart, no matter how nice, because as a teenager, I was so, so, so easily influenced by good fanart. In fact, I am still so easily won over by good fanart and funny content, and this is a problem for me as a person, and it’s dragged me down some pretty questionable rabbit holes in the past.
Secondly, another reason I limited fandom participation outside of my lost-in-translation posts was because sure, Killing Stalking is an interesting story in some capacity, but it isn’t a story I would outright recommend to the general masses, like I would some other media. Killing Stalking is more of a story that people will end up finding if they’re interested in such content in the first place.
In fact, it’s something that I would have found worrying if it had become widely popular, because then it truly would become a social influence and start affecting people’s views of the world.
As an additional note, some people would argue that the ‘lost-in-translation’ posts that I made might have been a form of promotion for this comic. Perhaps that is true, I don’t know. However, the way I see it, the people who would have seen those posts were individuals already in the fandom, and how I saw it, the fandom needed something more than just the fanart and the fanfics. There were a lot of people explaining why fans of Killing Stalking shouldn’t support the comic, but the problem is - and I know this from experience - the vast majority of fans, especially younger fans, won’t read about people hating what they like.
More often than not, a diehard Harry Potter fan won’t read an article about how much the original Harry Potter books suck, except to judge the person who wrote it. Sure, Killing Stalking isn’t Harry Potter and honestly it’s laughable that I even made that comparison at all, but the nature of fans don’t change from story to story. Fans are fans. Killing Stalking fans either wouldn’t have read or wouldn’t have taken to heart some pretty harsh, legitimate criticisms of the comic, especially when they’re really into it.
If someone is already a fan of something and someone comes up to them telling them (often aggressively) that they are wrong to be a fan, those two individuals are already established as enemies. Heck, we see how heated sports fans get about their teams. It’s also pretty much proven human nature, especially in individualistic societies, that if someone tells you not to do something, you feel the need to continue in order to re-establish your autonomy.
So a large part of why I made those lost-in-translation posts was so that people already in the fandom had someone within the fandom they could engage with who could offer some perspective on some of the more dangerous elements within the story. And people have come to ask me for advice about it, you included, Anon! And I’m genuinely grateful that you value and trust my opinion on topics such as these.
Reasons why “I know it’s not real” is not an adequate excuse for unchecked fandom behavior:
This is a metaphor I spent some time developing, but I think it fits. Though, I did come up with the metaphor thinking of a gun-free area, so it might not apply to all parts of America, aha, but let’s just roll with it:
Say, for instance, you have a model gun. Anyone can tell that it’s fake if they take the time to look at it, but it’s still a pretty accurate depiction of a gun. You know it’s not real, and most adults can tell it’s not real. Saying “the content’s not real, so let people reblog whatever they want” is akin to saying “it’s not a real gun, so let people carry it wherever they want.” Sure, that may be a fair point… except, long-term, carrying realistic model guns wherever you want leads to two distinct but significant problems:
1) Children grow desensitized to the sight of guns.
2) It becomes harder to tell the difference between model and real guns.
Problem 1:If children become desensitized to the sight of guns, they grow desensitized to the true danger that comes with holding a gun. One of the most powerful moments of my life, to date, is the first time I held a big, sharp knife. Because I had never held a knife before, I felt the weight of the metal, saw the glint of the edge, and oh boy, I was a little terrified knowing that I held a potential weapon in my hand. It kept me wary. It kept me careful.
Children who grow up desensitized to guns wouldn’t have that with guns. They wouldn’t feel that same danger, and really, that means there’s just one less hurdle between them and real guns.
Problem 2:Where oh where to begin with this. First of all, if children grow up thinking all the model guns are real guns, they’ll end up getting a real gun instead of a model gun. What will they say when they get caught and in trouble? “Everyone else does it, though!” and it may or may not be true.
Secondly, if some people start carrying real guns around amidst the model guns, and the model guns look realistic too, we have difficulty picking out the real guns from the model guns. We know they’re out there, but we can’t tell which is which. It’s not like you could check every single person out there carrying a model gun.
Thirdly, it becomes more difficult to tell real danger from fake danger. In a model gun society, maybe it’s commonplace for people to point model guns at each other as a joke. Haha, it’s fake, we all laugh. But maybe there’s someone out there being threatened by someone close to them with a real gun, disguised as a joke, and we can’t tell.
The Explanation:Maybe I lost you a bit there. It’s a little difficult to see how this relates to problematic fictional media. But again, let’s take Killing Stalking and pretend it became widely popular and mainstream. If something gets super popular and mainstream, it becomes a fad.
I’ll be honest, I lost this entire section when the post restarted, so I’m going to just give you the cliffnotes version. I’m sorry, I’ll rewrite it at some point;;
1) Children get desensitized easily. Think of any drugs, even alcohol or tobacco. The more you take, the more your body builds a tolerance, the more you need to take next time to have the same effect. The human brain is one of the most changeable parts of the body, and it will do the same thing with fictional media. Repeated exposure to something will have an effect. That’s why exposure therapy exists. Simultaneous exposure is a whole different beast. That’s why Pavlovian conditioning exists.
2) Desensitized children grow up into desensitized adults who think that what they went through / the intensity / content of media they watched was the norm, and they will go on to raise children who might end up even more desensitized than them. Perhaps that would just make it ‘natural social change,’ but is is a desirable one?
3) Also, in the case of Killing Stalking, people wore cosplay with visible signs of abuse to conventions. Some conventions have children attending. I am of the opinion that children should not be exposed to fake signs of physical abuse as that is not something that should be normalized.
4) Just these last two weeks, two separate men in two separate countries Facebook Livestreamed the murders they committed. We are living in a technologically developing society that is simultaneously exhibitionist, voyeuristic, and Orwellian. If media like Killing Stalking became popular and mainstream and encouraged similar media to come onto the market, especially in live-action, it will become harder and harder to distinguish the ‘real’ from the ‘not real’. In the future, someone might livestream someone they keep locked in the basement, reassuring their viewers that it’s all ‘fake’ and just an ‘experimental storytelling’ thing. In a society where such media is commonplace, we just might believe it. 
In Closing:
I am aware that not everyone has the patience, energy, or desire to do this research with every controversial piece of media they choose to consume. That’s up to them. However, even these individuals have a responsibility to be mindful about their behavior. Even if you don’t research, if there are people criticizing the content of whatever you are reading/watching, acknowledge that there must be something that bothers some people. You cannot determine that you are right and they are ‘too sensitive’ without actually doing the research.
Be mindful that, no matter what measures people take, there are probably preteens in your fandom. I won’t tell you what to do with that information, but at least keep it in mind.
One person’s mindfulness changes little, but little changes build up. I would write more but it is long and I have a headache, good bye;;
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