Canva Free Premium Account 2022
Canva Free Premium Account 2022
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Parker Ito
Clear Sushi #5
2023
Ink, acrylic, gloss varnish and paper on canvas
46 x 64 in (116.8 x 162.6 cm)
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Disco Harmony
[Image ID: a digital watercolor illustration, fanart for the game Disco Elysium. The image feels somewhat isolating, the majority of it filled only with a blue sky, nearly empty save for some sparse clouds, plus musical notes floating around two lines, swirling downward together to visually imply whistled tunes. The thicker line is a simple, swaying dark green trail—the other, a dark orange that loops around it in a thin, twisting melody. The lines end above Harry and Kim, who are sitting on an old, rusted swingset, staring out at a car half-sunk into the icy sea before them. They are viewed from behind, near a sparsely-leafed tree in the blurry foreground. The colors around the edges of the image all fade into a soft, Pale grey, which in turn becomes wispy and transparent.]
DRAMA - The tune on your lips forms a strange, yet undeniably beautiful contrast with the surrounding bleakness.
KIM KITSURAGI - The lieutenant gives you a quick glance. Then, still looking straight ahead, he joins you with a higher-pitched and slightly more melodic trill.
CONCEPTUALIZATION - Two birds on a wire, whistling by the seaside. Looking at the water. And a sunken car.
🎵 Want to be free
Burn, baby, burn
🎶 And the trees are green and overhanging
Feather-light, free, and everlasting
Doing a bit more watercolor experimentation in Rebelle, trying to wrangle water physics. The description of this scene stuck in my brain—because unless they both knew the song, you don't "just" casually, spontaneously harmonize with someone. They're either both very good with musical improv, and/or so ~in tune~ (hehe) with each other that it Just Works. (Which, yes, it's a symbolic story element of how Kim is perfect good at being adaptably exactly what's needed, a parallel to that one trust exercise idle they do.)
Either way, this struck my brain with the idea of using swirling lines (as ya do) to visualize the song as being the most solid and "real" thing, in what would mostly be isolating, empty sky. Everything else is watercolor (with ink lineart and airbrushed fog)—transient, transparent, and taking on the texture of the canvas—but the "song" was done in solid, opaque pencil.
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I didn't go to prom when I was in high school because I graduated a year early (I did a lot of required classes early and over the summer), but I think it would have gone alright.
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Himmelspaläste (Sky Palaces)
Anselm Kiefer
Emulsion, oil and straw on canvas, collage, 1987–1991
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Sara Yukiko Mon
Luck / Fcuk
2022
Ink on canvas
24 × 40 in.
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