I had a thought earlier: What if Ezio was Desmond's Sage?
Basically, the usual setup with Desmond using the eye to contact Ezio in the library and offering to send him back in time to save his family, but due to the damage he's sustained from the Eye, he can't come with. Once this moment in the Grey is over, he would die. Ezio begs him to come with him, through any means possible. He refuses to leave behind the divine being he is the chosen Prophet for. The being who is going against Fate itself to give him his family back. Desmond just can't say no to Ezio and tries to see if there's anyway he could come with Ezio. He doesn't want to die if he can avoid it. It's then, through the connection with the Eye and the Apple, that he learns about Sages. With a few modifications for Ezio's safety, that could work. Instead of consuming Ezio's mind to take over, he would just live alongside him. When he tells Ezio of it, Ezio accepts.
.
.
When Ezio wakes up, it is to his childhood bedroom. Everything is how it was when he was 17. Is 17. It worked! His family is alive and well! Did the Sage thing work?
"Desmond, are you here?"
'Yes Ezio, i am.'
.
Just a thought i had. I imagine that Ezio could let Desmond have control of his body, but Desmond is pretty chill with just watching though Ezio's eyes.
Ezio would have mind conversations with Desmond, which worries his family a lot when they catch him just staring emptily though the air. That and his complete switch in behaviour.
There's probably so many routes to go here, but i'm too sleep deprived to think atm. XD
It doesn’t take long before Desmond realized that all the modifications he made for his consciousness to become part of Ezio had turned him to be the least invasive Bleed to ever be conceived.
Did this count as possession?
Was Ezio even a Sage or was Desmond simply a sentient Bleed?
Wait.
Did that mean that the Bleeding Effect mimicked the experiences a Sage goes through when they start ‘getting’ the Isu’s memories.
Didn’t that mean that there was a possibility that the Animus was based on the research the Isus made to create the-
“Desmond, as interesting as your thoughts are about this subject, I’d prefer it if you were to. Focus!” Ezio was unable to stop himself from raising his voice as he punched one of Vieri’s hired muscles as Desmond liked to call them. The man staggered as he took a few steps back and Ezio swiped his feet before stomping on his groin.
There was a few scandalous looks thrown his way at that attack and Ezio just shrugged.
It wasn’t his fault that Desmond’s skills in unarmed combat bled through to him during these situations and Desmond fought shamelessly dirty.
‘In my defense…’ Desmond quipped from his mind, ‘I was taught that honor and shame have no place when you’re getting ganged up by Templars.’
Ezio grunted as he dodged a punch aimed for his chest, quickly grabbing the wrist and pulling him forward to unbalance him before delivering a high knee strike, making the man gasp as Ezio kneed him on the throat.
Okay, that one was from one of Desmond’s Bleed, not Desmond himself.
But then again…
Desmond was his Bleeds and his Bleeds were him. When he thinks about it that way…
“Desmond…” Ezio gritted as he smacked an incoming kick from another man, quickly jabbing the man’s side before suckerpunching him.
‘Sorry, sorry. My brain’s wacky at the moment.’ Desmond said.
That was an understatement.
Desmond had been in Ezio’s body for only a few hours. They had went outside to try and get a lay of the land and found out the date by Vieri throwing a rock at Ezio and giving Ezio the scar on his lips.
So yeah…
Desmond was still not used to being this… entity inside Ezio’s mind.
“Don’t think too hard.” Ezio backhanded a goon’s cheek hard and fast enough that he was able to topple the surprised and hurt goon with his mind quickly making it known that it was a common technique Altaïr used to do. Ezio tried to focus as he said, “Let’s just get this over with then we can have our mental breakdown in our room, okay?”
‘Yeah, okay.’ Desmond answered and Ezio felt Desmond focus.
It was like his senses became clearer.
His body became lighter.
And…
He could predict everyone’s next move.
To borrow Desmond’s expression at the moment.
Holy shit.
(Desmond doesn’t know it but because he made Ezio his Sage, he is technically a being that has access to Isu senses which he can pass down to Ezio. Ezio’s human body can’t take much of it though so there’s a time limit and that is how Federico comes in and save them because Ezio and Desmond starts getting a headache after using it too much.)
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it will forever break my heart that we’ll never know the true aftermath of what was supposed to happen with scratch and aaron
“you have no idea what i did to him” — yes you’re right we DON’T
like when the victim had ‘hotch’ scratched into her forehead — foreshadowing aaron was gonna go dark or something i’m SURE of it, it was like a,, you’re next watch out kinda thing 😭 s12 was gonna be his
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Easts Supernatural Rant
Just been thinking a lot about how bad Supernatural is lately because I've been going through the weeds reading old fics I've bookmarked and there's some good SPN ones. Background info: I watched SPN nonstop in middle school (roughly ten years ago) and if you go back in time you'll see that it was the fandom I was in way back when I first made my tumblr. I watched until about... season 10? When I realized it was never going to actually get good. So I was really obsessed with it for a good while but also it has been quite a while since I actually watched it.
rant under the cut o7
Okay so anyone who has watched Supernatural knows that it didn't start out actually so... bad. Supernatural starts out decent and builds up momentum fine in my memory clear through the final of season 5. I feel like among the fandom most people know that this should have been the ending of the series. For those reading who don't know, Swan Song ends with a really beautiful monologue about endings and in a tragedy with just enough of a glimmer of hope. Like it's a good ending. And then the series just kept going. do not get me wrong - there's a lot of fun episodes and concepts explored in the *checks notes* holy shit 10 FUTURE SEASONS, but it's also where a lot of the cracks really get bad.
However, in my opinion the biggest issue with Supernatural as the seasons progress is how whittled down the cast becomes. In the first few seasons there are a lot of supporting cast that you really get attached to - there's a bar for hunters, Bobby's place, a whole network of people connected to the principle cast.
While naturally the core of the series is Dean and Sam (and eventually Castiel) almost all of the supporting cast dies. And while I think the death is good in several ways, it really pushes the stakes of the series, especially in the earlier seasons where death truly was final and wasn't a joke. However you can only kill the supporting cast for so long until the show becomes... lonely. Messy. You start to not want to get attached to new characters because of how you know they'll probably die and then not get mentioned again. Many characters after their death just kind of... fade into the background never to be seen. While I don't believe that characters need to be mourned forever, you can't help but to feel that they are dropped for convenience of the show.
This has been on my mind because, as I've been poking around the annals of ao3 looking for diamonds in the rough, I've realized that really any fics that take place in any of the later seasons (let's say 8-15) to me might as well be a different show. It's a show heralded by characters I either don't know (Griffin Mcelroy meme of 'I don't know who Jack Kline is and at this point I'm too afraid to ask) or are character so completely reshaped by the narrative that I no longer recognize them (Castiel the character that just kind of does whatever will make the story interesting I'm looking at you).
What previously is a respectable narrative becomes blown out of proportion. I was reading a fic that dealt a lot with the themes of 'free will' and what that means and how do we try and exercise it, and I realize that I forgotten that, at one point, free will had been the theme of the series. The principle trio in the fandom is called Team Free Will because of that, but pretty much after season 5 all of that is thrown out the window. The first third of the series the boys are fighting against fate, and prophecy, and roles that they have been assigned to. But in the latter part of the series, as the narrative web spins further out of control, you lose that theming.
I mostly talk about this because I kind of find it interesting to look at. About what is engaging to me as a person, and what is a red flag. What I like in a story and what I don't. And I am chiefly reminded of moments where the series drops plot point, or muddies messaging (I have been reminded what The Voicemail is and how it is never addressed). And It's sad. Because I really REALLY loved the show once, and cared for the characters. And now I take refuge in fanfiction, because a lot of the aspects of the story and settings and characters hold SO MUCH potential, that is ruined in the source material.
Uhhhh yeah. Let me know what you think and let me know if have any questions about my opinions on stuff cuz I LOVE talking about art and narrative and stories. Or let me know if you want Fanfic recs because hell yeah I do.
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Two characters that I believe have personality traits and interests in common are Asha and Robb!
-- They're both emotional leaders who express their feelings (they don't typically hide their emotions that well).
-- They're both bold and respected for their skill in battle.
-- They both have a special relationship with their mother (in Robb's case there is too many examples to count haha).
-- They are adept at military strategy (If there are rocks to starboard and a storm to port, a wise captain steers a third course // Robb's Whispering Woods strategy).
-- ...but fail at politics (although Asha seems more politically savvy to me, she is still losing on that front for the time being).
-- They both can be unvoluntarily insensitive (both with Theon during the incident with the wildlings and Bran and in the aftermath of his homecoming).
-- They both fail to gauge the magnitude of Theon's need for belonging and approval (related to the above point).
-- They're both rebels defying a crowned king.
-- They're both the oldest sibling who has had to take responsability at a very young age.
-- They're both romantics !
-- They both need advisors to reassure themselves (Catelyn&Theon and Rodrik the Reader). They're not quite as invulnerable as they might appear.
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I feel like HypMic is at this weird point where they are lingering on how they want to proceed forward. I feel like the music for the 2nd DRB was very experimental, and I did appreciate that even if I didn't like all the music (except for that DragonAsh song tho that was ass LOL). It feels like KR is struggling with how to move forward with telling a story while using the voting system, as such they've kinda written themselves into a corner. Like it was obvious they wanted FP to win the 2nd DRB because it was needed for plot. But at the same time it really feels like the plot has slowed to a crawl at the same time, and between that and the music creeping away from rap you're kinda left with a feeling of disappointment overall. It esp hits harder when you're a fan of BAT and DH given how under utilized they still are in the grand scheme of things. But given how they placed them geographically it feels like yet another instance of KR accidentally writing them into a corner and struggling to rectify that so they can be more relevant but also make it make sense, idk. I still love Kuko no matter what even if the series is currently languishing. (it also doesn't help that there isn't really any unified fandom because of politics, too much content too fast, and people being so oshi-pilled they have no interest in touching content that doesn't interest them. Which again, sucks as BAT fan cuz we don't really have a translator solider for us.)
what’s really really annoying about that, is that it has been put out there that we’ve entered the third act in hypmic’s story and tho it’s not always necessarily the case, usually that means we are heading towards an end. and we are starting to see an end with a lot of og division plot threads so to be closer to the end than not and still having like a third of your cast floundering around is not good!!!!! at all lol!!!! unless there’s a max effort push to bring nagosaka into the fold, it really does feel like nagosaka, no matter what, will feel under utilised
hypmic’s slow to come plot bombs have been a staple since the beginning so i’m not mad at it, esp since i suspect those long waits have something to do with production values and making the next shiny, economically stimulating thing lol, but you’re right about it not being great rn when everything else is not great lol
but i will say hypmic has its formulas. like the way first solos were surface level character introduction raps and the second solos went into depth, for the og divisions, their first drb and preceding dramas were introductory and the 2nd drb dramas really dug deep into them. so hopefully the same will happen for nagosaka when the 3rd drb drama hits them lol 🤞
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i am as intrigued by memory loss laudna as the next person but i am honestly way more interested in laudna reckoning with the fact that she can now live for herself now, if delilah is gone.
laudna’s life is split into two: before her death and after her death. laudna even says that whitestone “felt like a different life”, that the events that took place didn’t feel like it happened to her, it felt like someone else (which is a whole other bag of worms into coping and trauma response and mechanisms of defense - but, for another time). the only time that line is blurred is with delilah and laudna’s own view of herself. laudna thinks she’s just a puppet, a vessel for delilah to take over at any moment. no part of herself is in her control fully, because the woman who killed her is living inside of her, leeching from her. after the “you were never alive” fiasco, laudna wonders if there was always some part of her that was just meant to be a puppet for someone else, even before her death. laudna’s wrecked sense of self because of delilah’s direct influence and manipulation makes her believe she is barely a person. she has no agency, no future, and no way out. and, at the crux of it all, because she is only sort-of living and not really herself, she makes her purpose to give herself entirely to someone else. laudna is not living for herself, because what is there to live for?
so i would truly truly love for her to go through a path where she realizes she is truly alive, where she has agency, and where she now has to deal with the fact that she can start living for herself. that she has a whole family who loves her. that she has to learn how to reconcile her past with a future that is now available to her. i want to see her deal with trauma she felt she could never escape but now she can. i want to see her heal and grow and learn how to live for herself.
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