okay a few more danyal al ghul au memes because i think they're funny to make. with bonus yaelokre danyal memes!
yaelokre! danyal 🤝 threes! danyal:
being five years older than damian
yaelokre danyal comes from my oneshot right here. however, i would frankly recommend reading the version i put on ao3 because it's been edited and includes more content! shout out to my boy, he's got amnesia </3
Do i think that the LOA has technology in it? Absolutely I do. LED lights but in 3000k warm white instead of the jarring bright sterile white, if they've got glass windows they're those solar panel glass panes my college natural science building uses that detects sunlight position, which in term controls the lights, which in turn saves energy. Amber lights for outside, solar panels. Just. anything environmentally sound and friendly, they've got it, they use it.
Do i think they've got computers and tvs lying around for casual recreational use? ....that i'm not so sure about. For this au? I'm gonna say nooooottt really. That stuff is typically reserved for like, mission planning, debriefing, research, etc. Frankly danny probably does know how to use a computer, however i thought it was funny if he didn't. so the meme is staying in lmao.
If they're not training, they've probably like, got a greenhouse or two somewhere on base they can help with. The LoA's whole thing is balance, harmony, restoring the natural world with extreme environmentalism. All that jazz. Probably plenty of ponds, recreational areas outside, gardens, just, stuff to do that's not technology based. My most basic understanding is that these people are the world's deadliest hippies. They can't be training all the time, that's neither good for morale nor for their bodies, so when they're not training... they're off doing shit. If Ras has kept this thing running for thousands of years then it’s gotta be pretty lit enough that nobody’s revolted lmao.
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Spoilers For Final Episodes!
Tbh I’m kinda disappointed in these last two episodes. I knew that we would end the series with Simon and Fionna learning to be happy, but I felt like it went too fast.
I’m glad my accession of how Betty sacrificing everything for Simon was something that came back, and Simon actually learned that Betty sacrificed so much for him while he just let it happen.
Very cool that we got to see Beth and Shermy again, but I’m still confused on how Shermy and Simon were both in his head? And why Simon was naked for some reason??
I am glad on the direction they decided to take Fionna’s world, in how she made a wish for it to be real or for everyone to have their wish(which is what I’m assuming is implied as she never says it). I really do wish that they let Simon put on the crown and for Fionna’s nightmare to actually become real, as I feel it would’ve made the last episodes feel more active and led to her and Simons realization in a more direct way.
I honestly don’t get why Simons voice actor said it would be heartbreaking in the 9th episode as it really wasn’t. Even in the last episode it was pretty tame and didn’t feel as bittersweet as I felt it should’ve for the topic the show decided to address.
Also really wish Betty and Simon had more than like 3 sentences said between them, as it felt like Simon and Betty really didn’t get closure. It kinda seemed like Simon decided he was worth living for when the episode really wasn’t about that? It was about how Simon loved Betty but they weren’t on equal footing in terms of commitment so Betty agreed with Simon, even if it put them both in a bad place in the end.
They didn’t even show how it would’ve been different, which you could agree is the point of “well that’s not what happened”, but it just felt lacklustre with the rest of the context.
I feel bad because I REALLY liked this show and the rest of the episodes. The end just didn’t have the right kick to it and didn’t really make sense. Like why did we have the random characters show up to live in Fionna’s world, and we didn’t even get a glimpse of Finn or Marcy in Simons ending? I was thinking they would do a montage at the end with what happened in the universes we left, but I guess it does leave it open for a season 2. I’m of course glad that Simon and Fionna were able to feel happy in their worlds again, but still.
I honestly wasn’t that stoked about a season 2 unless the ending for this season wasn’t the best, so I guess I’ll just hope season 2 gets created.
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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.
Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.
Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.
And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.
An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.
Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.
The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".
Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.
But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.
Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.
However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.
What's more is that this lurking "optimism" matches really well with our own protagonist's personality.
And it makes perfect sense that Ava would do the best she could with whatever she is given.
Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.
Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.
Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?
True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.
And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.
Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.
Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.
It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.
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