So like...Danny as Ghost King getting to help sort people into the correct/prefered afterlives, and talking with all the Justice League peeps to figure out what they want/where they want to go ahead of time like it's a pension plan or like he's a Travel Agent.
Like he gives tours around various afterlives around the Ghost Zone, offers up different "packages" they can choose from.
"With the Ghost Package you can come back to the living realm, but you will be locked in with an Obsession - it's not as bad as it sounds, but we can go into more detail later on what it entails if you're interested - and you will be bound to a particular Haunt. Also my parents might try to capture and experiment on you."
"Unfortunately you don't qualify for the Revenant package due to how many times you've already died and come back, but I *can* get you set up with one of our Reincarnation representatives if returning to the living world is something you are interested in."
"Guardian Spirit is a popular choice, so there is a bit of a waiting time in terms of getting paperwork processed, but if you sign up for it now while you're still alive all that can be done ahead of time and you can jump right in once you pass on. You will need to make sure you regularly update the list of who you will be watching over considering your propensity for adoption."
1K notes
·
View notes
https://www.instagram.com/p/C1Ki8d-vJU1/?igsh=N2ViNmM2MDRjNw==
… opinions on a pirate au? Just one more au?
There are four things that every pirate prays to. No gods, no masters, no kings, but the laws of sailing, things the cannot be left up to chance. The sea, the wind that carries them over her, the stars overhead that chart their path, and death. It's the pirates that pray for a pay day that really get into trouble. Ghost has never had that issue. He likes guarantees, likes knowing that there are constants(the sea, the stars, the air in his lungs, the long sleep waiting for him at the end of it all), likes days without surprises.
Except that Ghost has already met one of the four laws. He's found himself in graves both watery and dry, and every time he's managed to cheat death out of what they're deserved. Every time he's managed to outwit, out maneuver, out gun the very thing that waits for every pirate. He won't say how, finds the scars over his lips sewn shut every time he attempts to, but it's well known. Ghost has beat death, maybe not for good, but enough to know what's waiting for him on the other side. Enough to know that laws of nature don't follow human constraints, and that the men he's aligned himself with are meant for more than just this.
Enough to find the island he's been seeing in his dreams and unearth the only thing pirates hope against. He can call you whatever he likes when he cracks open the heavy wooden lid of the chest you were buried in: Greed, Envy, Violent passion, passing fancies, the first on a long list of things that doom pirates to the shore. You call yourself inevitable, the same as any of the laws, and you've just found four new vessels tailor made for the ideals they pray to.
172 notes
·
View notes
My name is [BRUTUS] and my name means [HEAVY]
so with a [HEAVY] heart I'll guide this dagger
Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after.
Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers.
Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him."
Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement.
Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
241 notes
·
View notes
Canines
The hand that feeds
Mickbell Tomas & Kuro
Dungeon Meshi
^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man
v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth
125 notes
·
View notes
It's hilarious we spend the whole show coming to know Chen Xiaoshi as impulsive and rash only for the final 10 seconds to prove that LU GUANG is the most reckless one all along
174 notes
·
View notes
i love how unfatherly crowley and aziraphale both are when it comes down to it. sure aziraphale is more than willing to give the young people in his life help and advice and be their friend but he and crowley spent six years (eleven in the book) practically raising a kid (you just know his parents weren't around that often) and by the end they didn't even like him. crowley even suggested they just fucking kill him. he turned three kids into lizards for annoying him right after he destroyed their house. like it was that or kill them obviously but he did NOT hesitate with the newts. that's so funny to me. they're just inherently disinclined to parenthood. we need more characters like them actually
171 notes
·
View notes
a little reminder to my fellow writeblrs that the small text i see used for aesthetic reasons is not accessible for everyone! personally i find it very hard to read and gives me a lot of eye strain trying to, and in the end i just scroll past any post that uses them. i've also heard people say that some text to speech readers can't process them. there are lots of ways you can make your posts pretty that still allows for everyone to read them
133 notes
·
View notes
the narrative gameplay design of is3 vs is4 is really good
i really like it. its driving me insane.
we've all played is3 right. here's the gist of is3: the ocean is treacherous and cruel and ever-changing. there is something with you in the water and you can not see it, you can't even sense it properly- you see flashes of what it is and it is so, so much more incomprehensible than you.
you can stock up well in is3. hell, you can stock up REALLY well- you can get dozens of collectibles and hit all the right operators and you might roll 1s the entire way down.
because is3 is based on helplessness.
is3 is a scenario where your fate is determined by the roll of a die. you will grit your teeth and sigh as you get hit with the worst random debuff available and be like well. nothing i could do there! certainly there are choices that can be made, strategic advances and whatnot, but the ocean is what decides this for you. you are helpless to the ocean's whims.
in fact- there is certainly something comforting in helplessness! it makes the terrifying a little less terrifying. the yoke of responsibility is lifted from you!
is4 is not that.
is4 there is something with you in the mountains and it is just out of view. is4 it is gritty and unchanging and uncompromising. is4 says: here is what is in front of you. there is no chance here.
is4 gives you the terror of choice.
is4 says hey. there's the boss on this floor but you have 1 life point remaining and there's an emergency node up next, do you spend a foldartal now to get a buff or risk the wait? there's a trader node right below you but if you spend it your equipment will be damaged and maybe you'll need that down the line? either way you are making a choice.
you can see what is in here with you. you can grab it by the scruff of the neck and you can say Screw You You Are Going To Have 50% Less HP In This Node And I Will Have +50 ASPD Whether You Like It Or Not.
but it can do the same. you're not in a lush, terrifying ecosystem of the ocean, you are in a barren and frozen mountain. you are getting less collectibles you're getting less hope you've got less resources and more enemies and is4 says okay, yeah, you can shoot me.
but you only have one bullet. and you need to choose to pull the trigger.
61 notes
·
View notes
Durge is the came back wrong trope for Gortash
110 notes
·
View notes
One thing about Dr. Daniel Cain is that he’s gonna be positively shit at his job
97 notes
·
View notes
Bold of JKR to assume we'd find Snape unattractive, based on her description of a hook-nosed, black-haired, sallow-skinned, thin dude
Miss ma'am.
I am Italian. That is what most men in my country look like. That is literally what my dating pool is.
Ma'am.
Please.
106 notes
·
View notes
"their relationship is romantic" "their relationship is familial" "their relationship is platonic" you're thinking too narrow. their relationship goes beyond labels. the family is inherently queer. their platonic love is romantic. the erotic is familial. each one is the other and the other is them
55 notes
·
View notes
Do you ever just lay awake at night, turning over in your head the stark difference in delivery between Hewson's Van saying--steadily, unshakably--"it's just something that's happening to you...happening to us" and Cypress' Taissa saying--imploringly, whiningly--"this was not just my dream, this was our dream"?
Do you ever just turn it over and over, how often Tai tried to scare Van away, and how it only made Van set her feet more firmly? How Taissa's first love was this person who saw a problem fall into Taissa's lap, a problem that was quite literally trapped inside Taissa's body, and decided unflinchingly: No, that's an us problem now? How she refused point-blank to walk away even with blood in her mouth, how she flatly informed Tai "I'm never gonna be scared of you", and promptly turned a moment of pain into a declaration of love? And how this would etch itself into Taissa for the rest of her life? How she'd take these things that worked with Van--with the person Van was, with the bond they shared--and try so hard to run through an identical script with Simone?
Except Simone is her own person. A completely different kind of person. A person who hasn't been offered any of the context, any of the realities going on inside Taissa. So: naturally she doesn't respond the way Van did at eighteen--and will go on to do all over again in her forties. Naturally, she hears our dream as the excuse it is, not as a plea for connection. Naturally, she is scared away when Taissa pushes, and shouts, and begs. Because there isn't blood in her mouth, not yet, but there will be. And they have a son to worry about. And she isn't eighteen and a special kind of immortal, a special kind of romanticized. She's a grown woman with responsibilities, with priorities, with an understanding that you can't fix someone just because you love them. And Tai can't just perform a revival of the play she and Van had memorized twenty-five years later with a whole new performer in the works, and expect it to shake out the same.
Of course it doesn't work. But look at Taissa trying it. Look at Taissa trying to reframe her first love through a new lens. Trying to recast it. Trying to play it through again. Van taught her love was sticking out the blood, shaking off the pain, making a you problem into an us problem. Does it ever just eat at you, how tragic it is, watching Taissa try to shape her marriage around a woman who isn't even wearing a ring?
49 notes
·
View notes
So like...Danny as Ghost King getting to help sort people into the correct/prefered afterlives, and talking with all the Justice League peeps to figure out what they want/where they want to go ahead of time like it's a pension plan or like he's a Travel Agent.
Like he gives tours around various afterlives around the Ghost Zone, offers up different "packages" they can choose from.
"With the Ghost Package you can come back to the living realm, but you will be locked in with an Obsession - it's not as bad as it sounds, but we can go into more detail later on what it entails if you're interested - and you will be bound to a particular Haunt. Also my parents might try to capture and experiment on you."
"Unfortunately you don't apply for the Revenant package due to how many times you've already died and come back, but I *can* get you set up with one of our Reincarnation representatives if returning to the living world is something you are interested in."
"Guardian Spirit is a popular choice, so there is a bit of a waiting time in terms of getting paperwork processed, but if you sign up for it now while you're still alive all that can be done ahead of time and you can jump right in once you pass on. You will need to make sure you regularly update the list of who you will be watching over considering your propensity for adoption."
246 notes
·
View notes
make your choice
Digory didn’t think much on making choices. The whole world would be over when his mother died anyhow.
Of course, this didn’t keep him from being curious or adventurous. It was exciting to meet new people, exciting to go exploring and to speculate about whatever mischief his Uncle Andrew was up to. Being a lively young boy was perhaps the best distraction from being a boy about to lose his mother.
Going after Polly was so obviously right that it might as well not have been a choice at all. What else could he do? It was easy to be righteous in the face of an evil old magician who said things like "Ours is a high and lonely destiny."
Yet once they were there in that rich, in-between place, with all the worlds there were splayed out before them— ((Make your choice, adventurous stranger)) Well. What sort of lively young boy would he be if he turned back now?
Digory could feel the bell’s magic ((strike the bell and bide the danger)) beginning to work on him. There was no use in resisting. He felt tendrils of magic sinking deep beneath his skin, laying claim to any free will he’d ever had. He said as much to Polly, but she wasn’t listening.
Polly said ((or wonder till it drives you mad)) that he looked exactly like his uncle when he said that.
Jadis’s whole world had ended. Everyone had died, and she’d just gone to sleep. She might have stayed sleeping forever if he hadn’t woken her. Sitting outside his mother’s sickroom, Digory wondered ((what would have followed if you had)) if that was really so shocking. Hadn’t he been preparing for just such an end? Were Charn and Mabel Kirke so different?
Narnia was not an end. It was a beginning.
And face to face with the Lion, Digory was forced to admit that the bell had not been magic. Nothing had caused him to strike it. Make your choice, the writing had said. Digory had chosen.
I’ve spoiled everything. There’s no chance of getting anything for mother now.
The enormous Lion asked him, "Son of Adam, are you ready to undo the wrong that you have done?" and Digory sputtered his maybes.
"I asked, are you ready?" the Lion said again.
At that very moment, an ultimatum flashed through Digory’s mind. If I salvage your beginning, will you prevent my end? If make amends, will you save my mother? He thought of refusing, of holding his choice hostage until his future was secure. Could the Lion be bargained with? Could Digory twist his arm, as he'd twisted Polly's?
But what Digory said was, "Yes."
Jadis conjured such lovely visions of the future. His mother's face would lose its gray sheen and she would say, Why, I'm beginning to feel stronger. There would be no more morphia, no more of the terrible drawn look about her when she slept. She would rise from her sickbed, vibrant and whole ((Come in by the gold gates or not at all)) rise and walk to the door and fling it open and then Digory would go running into her arms.
He gasped as though he'd been mortally wounded. Perhaps he had been in a way. After all, had the gate not said ((take my fruit for others or forbear))?
Jadis ((for those who steal and those who climb my wall)) called Digory the Lion's slave. Years later, he would think back over all that those words implied. The Witch seemed to think that Digory had no will, if he was willing to subordinate himself to Aslan.
But was it not Aslan who made Digory realize his own culpability ((shall find their heart's desire and find despair)), and in the same breath gave him a way to repair it? Had not Aslan given his will back to him?
And at the foot of the tree, Aslan gave Digory his future back as well.
He was old, but now he is young again, watching as the stars fall headlong across the black of the world-that-was. The world is ending at last, but Digory does not fear such things any longer.
117 notes
·
View notes