Palestinian Artists/Record Labels on Bandcamp
{ELECTRONIC}
00970
377
Bilna'es بالناقص
BOUNCYDUCK
BRUT_FORC.e/TRAUM.a
Cyber Witch
Double Dunks
Loris
NaJazz Project
Sea Level Records /تسجيلات سطح البحر
Toumba
{EXPERIMENTAL}
Dirar Kalash
Dunums
Garden of Gethsemane
Irritable Syndrome
Mamzera
Maya Al-Khaldi
Never A Land Without People
Phonodelica
Raymond Haddad
{FOLK}
Akram Abdulfattah
Arhan Afndy
Gazelleband
Marwan Abado
Rim Banna
Samah Mustafa
Sounds of Palestine
{INDIE/ALTERNATIVE}
Bassam Beroumi
Discoverer
Eddie Violet
Haya Zaatry
Mafar
Maysa Daw
Shadi Zaqtan
{JAZZ/RNB}
Drink Sage
Majazz Project / Palestine Sound Archive
{METAL}
Bahal Amma
{RAP/HIP-HOP}
Asifeh
ERROR
Exist Records
Moody Kablawi
Shabab
{FUNDRAISER/SOLIDARITY PROJECTS}
"A Better Tomorrow for Palestine" by naru records; profits made will be donated to Medical Aid for Palestinians
"Archivio Futuro x Gaza" by Archivo Futuro; profits made will be donated to the Gaza Emergency Appeal by the UNRWA
"By the People, For the People" by House of Afandi Records; profits made will be donated to the Palestine Children's Relief Fund
Dunums & MANAS' Self-Titled EP; profits made will be donated to Medical Aid for Palestinians
"For Palestine" by Paralax Editions; profits made will be donated to Médecins Sans Frontières/Doctors Without Borders
"For Palestine" by Toumba; profits made will be donated to Médecins Sans Frontières/Doctors Without Borders
"For Those We Lost" by Lowlives Collective
IAFG - Vol. 1 by IAFG - International Artists For Gaza; profits made will be donated to Gaza Freestyle
"For All" by MidnightRoba; profits made will be donated to the Gaza Emergency Appeal by the UNRWA and Medical Aid for Palestinians
"ترويدة مولالاة - حرية" by 1; profits made will be donated to Medical Aid for Palestinians
"Rap Across the Wall-Palestine" by Musicians Without Borders; profits go towards workshops organized by MWB to help platform lesser known Palestinian artists and provide music programs to Palestinian children (Bara’em Ghirass)
"RE-INSTITUTIONS" by BALLAMONA; profits made will be donated to Save the Children: Gaza Emergency Appeal
"Resist to Exist" by Avon Terror Corp x Exist Records; profits made will be donated to Medical Aid for Palestinians and the Palestinian Medical Relief Society
"The Olive Tree" by Turquoise Coconut; profits made will be donated to Medical Aid for Palestinians
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What advice would you give to someone who really wants to get into writing/drawing comics, but doesn't know how or where to start? What would you recommend? Even if/ especially if they already have a decent history in writing and drawing
SHORT ANSWER: Don’t do what I’m doing with Replica haha! I’m breaking all my own rules with this comic but maybe we can use it as a good example of what not to do in my rant below…
LONG ANSWER: (below the cut)
Hoo boy… there are so many avenues this question could take. I assume you don’t necessarily mean entering the comic industry as a professional (there are far more experienced people you can ask about that). But simply drawing your own comics? I'll try my best to break down some of the basics I've picked up over the years. Note these are just my opinion and there is always room for other methods...
1. ASK YOURSELF WHAT KIND OF COMIC AM I DOING?
The first thing to consider is what is your intention with this comic? Do you want to tell a story centered around a preexisting fandom or tell a completely new story you came up with? What genre do you want to focus on? I'd recommend finding something that really sparks your interest, because you're going to be working on it for far longer than a regular art piece. Plus if you like it, someone else is bound to like it as well!
2. ASK YOURSELF DOES IT NEED TO BE A COMIC?
This may sound silly... but often times I find people fail to take into consideration whether or not the story they are telling works best with the medium they are considering. Had I done Replica as a fan fiction, I would be much farther along with it... but with comics there comes a wide range of subtle visual cues, parallels, and symbolism I can use that I wouldn't be able to show through writing. The written word also has many strengths that comics lack... it just comes down to what you want to be able to show in your story.
3. KEEP IT SHORT AND SIMPLE
If this is your first time doing a comic, I recommend not overextending yourself with some grand epic that is going to take you forever (like Replica haha.)
Example: Years ago a close friend and I did a webcomic called Perpetual Flux that we were unable to finish. It went for about 2-3 years, was over 110 pages long, and yet we had only managed to get about 3 chapters into what would have probably been a +30 chapter story. We came up with this huge epic we wanted to tell and while it was a story we still wanted to finish, it just became impossible to continue as our lives and availability changed.
So start small! And take that experience you gain into bigger, future projects. Obviously I have not learned my lesson with Replica, but at least with this project it's something I can do on my own time and is supported by a wonderful community who keep me inspired. Speaking of which...
4. FINDING AN AUDIENCE
If it’s a story based off something with an existing fandom then half the work is already done! You just need to start interacting more with people in that fandom, and I mean really interacting. Talk to other artists, join Zines, leave comments, and share other people’s work. It can foster a community and help you be a part of the fandom so that people will be interested in what you have to share.
If it’s a new story you’re going to have to create your own community. Nowadays it’s easier than ever to get your work out there, but the competition for eyes is much steeper. What I find that works is rather than starting the comic cold turkey, draw out some highlights from your future story. Moments that have yet to unfold that might wet a random viewer's appetite for more. Kind of like… a trailer for what’s to come. Keep dropping those little crumbs of interest as you prep your comic to garner some interest and that way when you do start you may already have some followers who might share your work around!
5. CONSISTENCY IS KEY
Get into the habit of drawing and writing regularly. I know it can be a hassle and the last thing you want to do is make it a chore, but like exercising I find that the more I do it, the easier it is and the better I feel about it. Nowadays I feel weird if I'm not at least writing some script or drawing a few sketches towards my comic/projects every day.
Also, if you can make sure to update fairly regularly (something I also fail at with Replica haha, but at least I try to post little things here and there when time allows). It's important to let your followers know that you are still there and you care! It also helps keep you at the front of their minds. My fellow Apocalypse AU creators Cass and Tapakah0 are GREAT at this as they post a ton! It helps garner a strong community and a lot of continuous excitement! I wish I had that same energy and time but you'll have to make do with my old-lady pace of things, bless you all haha.
6. GRAPHIC DESIGN
Obviously as a writer and artist you're used to doing both... but with comics there's another aspect that can come into play. Graphic design! Whether it's your title, your font choices, the word bubbles, or the way you break down the panels, these area all things you should take into consideration. For example, every webcomic has panels, but they can vary tremendously in style. Because of Tumblr and the nature of the scroll method I chose to forgo the typical "comic book style" for more of a... loose storyboard feel where I care more about the angle of the shot within each panel rather than how these separated images link up to one another. Where as with Perpetual Flux, it was laid out on actual comic pages so we had to take serious consideration into how they fit together within each page. IngunnSara is also a great example of this more traditional method of paneling and it's gorgeous and difficult and they have my utmost respect for pulling it off with Hamato Wanderers! So I recommend looking to some of your own favorite comics and see what jives with you.
7. FIND A STYLE THAT WORKS FOR YOU
Also failed this with Replica haha, but to be fair I went right into it with the intent on learning the style as I went. But I recommend having some grasp on the style you want to use and whether or not it's a viable to be drawing over and over again for your comic (for example, if you make it too detailed it will take you far longer to draw!)
8. FORGET ABOUT PERFECTION
Perfection is a lie. There is no place for it in art, especially if you're just doing this for your own pleasure. Don't strive for it. Don't worry about it. Don't compare yourself. Just keep doing what you're doing and keep learning from it. You'll get much farther!
Ok... hopefully that helps a bit. I'm sure there's plenty more to talk about but I feel like I've talked enough for now. Thanks for listening to my TED Talk and lemmed know if you manage to get your comic off the ground :)
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What's your version of Jiang Cheng Gives Up? *chinhands*
Hiii! My version of jc gives up is very boring: he gives up on wwx and their shared past and moves on.
An overexposure to yunmeng bros reconciliations has brought me to one conclusion: I don't necessarily need them to reconcile. (Not because: 'jc/wwx is so toxic!' or 'jc/wwx deserves better than that selfish asshole!'. Like, I always roll my eyes. They are two horrible human - fictional- beings who deserve each other!).
But imo, post-canon jc has two priorities:
Jin ling
Himself
First point: he needs to be there for jl. Not only politically! But emotionally too. jl is going through a rough time jc too experienced: a loved ones betrayal. jc knows what it does to you. And listen, one of the things I love about jc is how he is trying his best. Always. In particular when it comes to people he loves. ('but he did a lot of things wrong', thank fuck! He is a traumatized character who behaves like a traumatized character. This scene explains so much about jc imo: jc knows that not having an adult in your life who believes in you is shit. So he tries to give space - in his way- to jl, while fighting his urge to protect him, because the last time every one of his family member was on a battlefield, they died.) So yeah, he is going to try being there for jl, in his imperfect way. And that brings me to point two.
jc has to recalibrate himself, to be there for jl: what he thought were truths, are revealed to be lies. All his life was a lie.
That's my favorite jc's speech. It's visceral, it's painfully honest. He is literally saying to us his state of mind: he is feeling guilty, wronged and confused.
'who am I?' hits hard, because who you are when you have built your life on lies?! Should he feel guilty?! wwx has made this huge sacrifice for him, but he has hurt him too: what should he feel?!
So, because I interpret jc as someone who overthinks, I want him to lose his mind over his doubts and start a journey of healing (or, what realistically someone without therapy can manage).
I want him to look at Lotus Pier, his home, and think: 'dang, what I have managed is incredible'. I what him to realize: 'what wwx made for me was an huge sacrifice, but my feelings are valid too'. I want him to be, not happy, but satisfied, when thinking about his life. And I don't need him and wwx to reconcile, because I like the bittersweet taste their broken relationship leaves in his mouth.
So, my jc gives up is: he learns to live with himself and jl, peacefully.
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Just a small opinion thing on stuff i read people say about Side Orders story.
I think people vastly overexaggerate when they talk about Side Order's story, going as far to say that there is no story at all, which is simply not true.
While the story doesn't introduce any new concepts or offer shocking relevations, it odes touch on a bunch of smaller elements from the earlier games:
• We got information on what Agent 8 was up to in the time between S2 and S3
• The interactions between Pearl and Marina
• The introduction or Acht as an actual character
• Sn insight into Marinas past while living in the domes
• An actual explanation of Sanitization as well as Marinas efforts to find a way to help sanitized victims
Additionally it touches on Marinas fear of change and how she has overcome it in the time since the Final Fest by accepting it as a part of life.
I just think that people had higher expectations for the story, probably due to multiple factor. Octo Expansion had set the bar quite high, but the marketing also had a big role to play in this. The first teaser we got with its very abstract concept art has set an expectation for themes that were not delivered in the DLC, such as themes of cloning which were already teased with the Judds (and maybe with Marigold?). The time between anouncement and release fostered an atmosphere of wild speculation, which only created a set up for disappointment. While this issue is one that isnt exclusive to this case, it can't be overlooked.
While the DLCs story doesnt hit the same highs as OEs, to say that it doesnt have any story at all does it a disservice. Side Order revisits story beads and concepts from S2 and OE and ties up loose ends, similarly to Return of the Mammalians. In hindsight this makes sense as S3's role in regards to story seems to be the end of am era, to tie up loose ends and pave the way for new stoey lines in the future.
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