#but I don't like the colors at all. it's a very saturated blue on a dark purple. kinda like wine color and I don't like it at all but

[aniseandspearmint]

Reblog for a bigger sample size! Feel free to specify in the tags what shade you'd go for, and why that's your pick you want! Even why you own as many of a particular color of a thing, if it is or isn't your favorite, if you want! I'm as nosy as anyone on this site. ^__^

Commentary:

This is less about your favorite color, and more what color most things you own end up being. That CAN match up with your favorite, but I've noticed a lot of people accumulate things in a color that's not their fav, for reasons.

Like, with me, I was sorting through clothes today (packing away winter and pulling out summer) and realized I own a lot of pink, and a lot of blue. My favorite color however, is purple. But I don't actually like the most popular bright shades I see in the stores, so I don't actually have many articles of clothing that are purple. I do own more purple objects, but blue still out numbers the purple.

It's interesting to think about.

#i own more blue and pink clothes because my mom liked those shades/colors on me i think #and i like them okay- especially blue #and it's hard to find a good dusky shade of lavender or a nice dark purple for some reason #it's all over saturated royal purple shades and i just don't like those very much

[unproduciblesmackdown]

had a hell of a time (good) bit ago watching elemental and feeling things including enjoying a film, great ride, i love a metaphor & anything vignettey (just living life, alongside but also including the [this is about the metaphor] threads), i do love it when a couple of fun people have an enriching dynamic that they enjoy and huaaaghwgh (good) & i liked the premise metaphor exactly as is for what it is for what it did with it & i liked overlaps & resonances w/other experiences i saw ppl perceive. i liked the way i was going oh my god that painting looks the way i feel b/c like navigating a complementary dynamic where what's holding one person back is what helps the other person along, vice versa, no interaction or relationship that develops by like having some [theoretically your trait/quality/behavior] contained in the other person, rather it being an interaction within yourself, such that i was going "i have this interaction Within Myself, right now, in life currently like always and the past years but also past months especially really, it's ongoing, i'm going Oh Goddamn Omg" scintillating to see it externalized as a conversation imagined by others. and also still different / more capacious on both ends than "wow Exactly that." feeling things going ohh my god. music is going for it so Noticeably. hot air balloon scene And track changing me with an immediate Resonance

easier when having fun but i was also like continually so hype gasping about intrigued about pointing at art direction decisions & execution and one especial element i was sooo noting was the use of Color b/c it's Really colorful like rainbow palette nigh constant noticeable saturation, And it was atmospheric, always readily visibly parsed, varying in styles but cohesive. the backgrounds babey, with obvious priority for working with a vivacious orange and/or blue. oh and the related use of Light like different visuals for different glows and just different effects and waugh....i collected mostly a bunch of bgs to point at often for that "look at the color design & atmosphere" but also so much more & foreground things big time too. semitransparent characters like bitch. the physics of fluid dynamics. optics like refraction like my God. i'm mclosing it and that these effects would be sooo prohibitively intensive w/o computer but it's so impressive w/computer and that Stylistic Decisions were made all over, it's clearly not ever simply just "oh this is what it'd 'realistically' look like if uhhh someone was made of fire or water" even as realism Based effects were employed for style and fun and our lives. the use of of course 2D animation / art conventions for style and effect and fun & our lives!!! maybe ember a bit too but wade has a whole like 2D style profile so the [curved droplet] shape always faces the camera, how are we doing that it's so cool & i love to see it. not to mention being transparent but also like clearly not!! first time i've properly thought about how inside of mouth 3D animation has Ever worked lmao

cut so i can go on & on (^ that's brevity up there lol) & post mostly various backgrounds to gesticulate at what i notice abt the use of color like oh my god. and some other things. laughed, cried, lived & loved like for real lol

oh my god

and like immediate intro theme going "oh my god blue and orange making Purple (magenta, pink) oh my god we're doing Additive Light with that holy shit yes"

so extra [!!!] about city nighttime shots especially. and the details of all the building designs, it's all the shit like i haven't even sat and Studied any given shot for all small elements like that but that you know they're There so that it looks this complex and "realistic" like you know the attention & effort is there & you get the Overall Effect baby. also the way purple/green are employed to contrast with blue/orange often. the Glows here, the Bluer upper half and the Oranger lower half that both also have some purplishness to them, the Green bridge breaking it up / spanning this

the colors in closeups even. first of all the expressions styles are after my own heart & got it, and i'm sure i'll go on & on more there. pull mouths down do the m upper lip n lower lip lines combo, you know what i mean, i Love it. wavy flowy design vs more triangular / ending in peaks/corners design for your water vs fire aesthetiques. i think that's [heat creating refraction in the air] effect like lord. the pink blue purple here. the slight shadow framing the pic for better contrast, the pink / glow around ember, wade slightly Glows from within too, the constant wave refraction there. okay obsessed again with both sorta transparent and fluid Figures like you've got the outermost layers. you've got the Inside. you've got the silhouettes and the lines that are "drawn," reddish outlines of flame shapes and constant highlight "outlines" for water so it never "realistically" blends in with everything / just Is clear and is impossible to easily parse. that those silhouettes are constantly Flowing and responding to motion / pressure as well. i can only imagine. oh and the colors again that the Glow for fire is often a Soft gradient, but there's this like, slightly convex polygonal style of "glow" / Light in backgrounds a lot and it works great for style and contrast with the important Soft Glow from fire and even also water, again the slight inner glow there too. and again the mutual [pull mouths down] expressiveness lol so much fun. the Elasticity is fantastic, same with like 2D style Movement like invoking a smear frame for example like fuck yes it's about What Works it's about style & effect & what things like lighting color faces can do that aren't just aiming for "be peak realistic" like clearly it isn't. note the sharper line of shadow in the upper corner with a deeper blue. we framing

oh this one was to point out "look at how you can see the full spectrum rainbow in the wave surface light refraction oh my fucking god" not to mention of course In Motion the shapes, the effect, some bubbles and flow for flare and seeing that constant Light Outline, the cyan leaning aqua that's put in along with the overall slight blue not b/c it's "realistic" but b/c it's what works baby the artistic design choices fuck like hell. and only when i took this one frame was it like oh my fucking god look at these split second flame shames flowing off of ember there above her head especially. all the more stylization required for fire without it being like, "realistically" mostly transparent, overly bright, not very strongly delineated / silhouetted....the shape, color, flow of flames on the "inside," outermost breaking off shapes & "outline" as well augh god. and look at the purples in the background's left side

AUGH the night city backgrounds. pottery burn haha yeah the blue orange AND purple my god!!!! it's thematic ([blue + orange = purple] b/w the blue & orange characters) and it fucks like hell holy shit!!!!!

meanwhile the green & purple here with One orange element getting to stand out / not that much blue either, but more ultramarine style than aquamarine, and LOOK AT THE MOON!!! the surface!!! check out that Polygonal glow around it and the green/purple there too!!!

and the use of bokeh. immaculate, not holding back, after my heart. the Purple/Pink additive light properties coming into play!! her reflection is more simply orange(tm) sometimes and i would presume it tends purpler when we are getting [emotionally connecting / recognition of the self through the other] but oh my god heaving overhead like a hero this additive light blue+orange=purple ingenious and stylistically fucking like hell choice. and again their "outlines" working so well while also retaining enough softness/fluidity to be part of them as a whole. everything is so cool

there's the mouth shape i was talking about. you see the slight m upper lip simply n lower lip and resultant (idk like a video game controller?) shape lol. flexible expressive asymmetry. the closeup transparency of [can always see the other side of shirt collar]. green bg for contrast while also incorporating the orange glow. the full spectrum rainbow refraction just also an immaculate and probably characterfully relevant lmao as a bonus. also hell of cute moments wauugh yes, fun, dying thanks

the additive light!!! (how magenta/purple/pink the reflection of Orange is off the Blue like employing what's realistic in another context for what fucks aesthetically & carries symbolism. like wade wouldn't Realistically be constantly [surface wave refractions] but it fucks like hell. also wouldn't be someone made of fire or water but it fucks like hell & embodies a central metaphorical layer to the literal material). also look at that curtain from deep purplish red to deep bluer purple!!! the line of bright blue!!! the glow in the Background with sharper polygonal lines / corners to contrast with the visual effects of glows elsewhere!!! wade default =3 as [wavy featured] and inherent =3 vs ember's more flame tipped => (not pictured)

ohh this one for rainbow color / out of focus usage and b/c it's like how the semi transparency but only So Much + constant outline of Highlights / constant inner glow and visible infusion of like aquamarine / bright turquoise cerulean color helps a water guy stay perfectly Visible / parsable. also besides ember being green, an effect subtly pictured at any given point: like cinders continually rising off fire but depicted so much like Sparkles :') there's so much colors and highlights and choices after my own sensibilities out here like i love a shoulder swoop design that flows right into the arms from the neck from the head. and that's exactly what we get precisely b/c it has so much flow!!! ember's like whole head Flaring out from her neck, terminal points like tips, or sources, of flames. Styles

the bokeh!! the blues and pinks and purples!!!

ouuwaah

UGH obviously in motion the like arcing falling curtains of water, the shimmering....the purple into pink into dusky orange!!! the little bit of contribution of the turquoise light aaa wahooo, ofc what the bridge adds in Composition for this & that previous shot

lmao this is b/c Wavy Scribble Squiggle Mouth again the design choices after my own heart. the constant extra wobbliness to Mouth Outline obviously works great to emphasize [water design] but it also works great b/c i love it

every shot of the background with this beach is gongious like jesus christ. the closeup of sand is like that looks amazing and So soft. look at the wavy swoopy shapiness of the clouds, look at the [in this shot] faintly detectable Polygonal outlines of Glow from the sun. feel free to look at that water like i said every shot of this, wrow. tasked with Pretty Beach Sunset and coming through big time

expressive design contrast, glow contrasts, refracting, silhouettes, those flame shapes breaking off again epic hot wheels style fuck yes....and the bg!!! look at the purple to muted purple pink sky, the atmospheric distancing on layers of buildings that goes from blue to purple!! the dimmer purple / blue / teal on the ground in the foreground here UGH the COLOR USE

ooh i was so Noticing the like, full ultramarine blue here, like it's been used Before in any night environments but the way here it's brighter, making it like "okay yeah night but more Lit Up. also the visual variety of [water curtain] textures there, the area of Pink, the Yellow that hasn't previously shown up too much but might be saved for associations with tension / "danger" lol. also love the "straightup a pool" designs lol wish i was swimming

oh the orange + blue = purple on display here / translating Outlines

amazing sequence and again look at the Purple shadows the Blues the Oranges the Greens!!!! aughhh again like So colorful and so bright but also ofc dimmed, atmospheric, balanced, waughhh!!!

oh my god what can i say. "bisexuality" for one but and also fr like the pink of the sky vs deep purple, lighter with more blue in the water, the streak of oranger light, pink atmospheric haze....augh!!!

speaking of "and then really vivid striking colors in another overall palette we haven't seen before" the teal & golden yellow for this shot was new & noticeable. the yellow of problems, but not too bad lol, looking at that Contrast with the blue on the outer pool edge there. i wanna take a swim yippee....but fr like holding some colors more in reservation, finding new combinations, as Ever how bright the bgs are but atmospheric, non overwhelming of other elements, i Love it

bokeh!!!! colors!!!!!!!

bokeh!!!!!! colors!!!!!!!!!!!!!!!!!!!!!!!

fucking roy g biv like yes gorgeous. nice tree evocative bridge. composition. lots of lights and colors but the distribution being so balanced, but organic, broken up in all the right ways and all encompassing....the bright orange lights in shadowed blue/purple buildings in the upper left corner, leading down to the path of lights across the center of everything....ugh incredible great

out of focus bg, the lights, the purples, the blue/Green, look at everything on the right side ugh lovely, the slight Shapes of glows, can see that arc in the right side as well, the emotional relevance of all the colors and glows as this bg dims / desaturates a second later

and so similarly here, the Purple, the Glows....like the use of both the perfect balance of soft edges/borders but no sacrifice in clarity

oh and i suppose there's then any amount of spoilers following but like, in part only b/c i point them out as as much but also like. it's about the journey lmfao you see two screenshots, containing some information, well you've seen it all

and to pad that out i'll also note without screenshots about it like bringing in a very like Clear for Compositional Effect sort of Danger Yellow again twice over, with the harshest like chartreuse leaning yellow yet for it, v much a color that it'd just take more effort to fit into a palette / would have to be kind of the color centerpiece, vs the orange/blue/purple here

(but also not to say yellow was never used otherwise....some perfectly harmless golds, paler lighting like just Daytime vibe, constant presence w/fire of course. so the Particulars of a hazard yellow are all the more notable)

the COLORS....look at that orange that pink red the pink reflections the Purples....the just deep slightly slightly purple red in the bg and how like smoothed over / Immediate that background is to just make everything close & present!! the flame textures going!!! water textures going!!! cinders as points of light!! the colors the orange purple pink blue UGHH it's amazing they're really off the shits with it in every scene

spoilers they do kiss about it and i was like smacking hand to forehead like oh my god and they did another "breaking out a new Light thing" when we've glowed and refracted within and without, lit up or dimmed, sparkled, reflected, used further styles in environmental lighting....answer was Lens Flare rainbow refracting glow like goddamn!!! and again like putting In the purple, but also the blue, the orange, the out & out more cerulean / aquamarine that is not gonna simply come from elsewhere in the environment. nice commitment to also having someone smile into a kiss lmao we've all been like i Will make this work. i'm still just like ugh the focus on and variety of Light too, the backgrounds' like soft polygon/hexagon glow "fields," straightforward soft/even gradient glows, wave pattern refraction, refraction also separating light into rainbows, remember water is a lens, stylized light of fire, bokeh, additive color mixing....holding on to & breaking out Cinematic LENS FLARE is fr like ohhh my god they're just fucking On It, got this, here's another effect for you

i also have a gif b/c i couldn't note anyone's fluid dynamics / flowing / Interacting physics enough, and little moments giving that some extra flair are a delight, but holy shit a highlight i'm instantly obsessed with forever, now if there's something and nobody pours themself, i'm out

oh we sloshing!! all the water physics going on here to fantastic effect but also all working within the confines of "and it's some guy." immaculate joke 5 sec later around the "i am Not an inspector" line just What a delight. the vision....the manifestation of effort, craft....i'm not kidding at all i'm like okay forever treasuring [pours yourself] clip and if someone doesn't get it it's like it's called joie de vivre, panache, taking all kinds. some sloshheads out here

again i had a delightful time at the cinema (figuratively. i didn't go anywhere. though i did go "oh fuck re: even the idea of seeing plenty of this in theater format" like i was going oh Shit at visuals and music and every damn thing enough already, can only imagine) i was like bitch i love ppl living life vignettesquely with the emotional arcs aids of metaphor, symbolism. i love the styles and designs and i love paying attention to details and going damn how they'd do that, i love technical shit, noting techniques that are centered around 2D derived visuals, about aesthetic effect & visual purpose....i was going "oh my god same. lately, always, ongoing. oh my god it's me always crying at everything, but also never at anything, and also just sometimes at some things. it's me with the Temper it's me with one like everyone else but not about to let it out at all / not be making room for anyone else's. me like 'just powering through like arghhh' me like 'that, but [a puddle]' liable to spontaneously interact with randos by just doing your own thing, also [dying] and beloathed at that, going with the flow trying to carpe diem it, having these conversations and navigations like just as one person lmao, and also ofc it's different" lol like oh damn okay. and twentysomethings popular with the nebkids like wow in real life....and just having a great time entirely straightforwardly and expecting as much but also being increasingly delighted and surprised and going "wow my aesthetique sensibilities piqued" and going "wow okay a journey" and like Gasp at details and loving the overall effects and little moments and shots and entire deal. did weep repeatedly, when you slosh, when you soggy....delighted a lot, along for the ride having fun for the whole way, so much abt [bummed 20somethings who are nevertheless very vivacious Feeling Things, including About feeling things] and the way that's given sooo much space, Saturating things even, maybe with light & color....i liked it a bunch, [aaaaaa], great time, thinking about feeling things and feeling about it and about thinking about it & so on & so forth too like man hang on a second. and the soundtrack. and the character designs Overall there did i mention?? so cute & fun. wobbly wavy shivery tapering having Flow in the lines / shapes of silhouettes in different ways just like flow in [fluid dynamics] of flame or water in different ways. there's a lot i can say but i just mostly did the backgrounds / color / lighting noncomprehensive slideshow lol. i was very engaged like oh wahoo yippee aaa then mfs let's go and keep going

#i'm big on like rainbow lot of color constant saturation....Yet; Atmosphere / skilled balance in application/usage #i don't have the restraint (or like full knowledge / experience lol) to Use it myself but i Love when i see it used lol. Very colorful here #and i had thoughts & feelings & a good time so that made it easier to be like oh whee AND look at that background. mf we sloshing #nonzero spoilers via largely contextless static images; many wide shots / environments; really doesn't matter much #but i guess if you're like ''i specifically want to know Nothing at All'' like well then there are images in there #like 65% me going ''and look at that purple. oh my God the green blue & blue green. Orange'' #b/c like wrow.... #pixar elemental #films to whisper to myself like omg. like me. right now #btw it's kind of long post inside there. but For Me; typically so lol #can't say shit in thirty tags!! esp when i had a great time i liked it i was like oh my god #can't even say that shit in regular text which is why i mostly talk about colorful backgrounds lmfao. and even Then!! and so on so forth #and hand over heart like omg when by yourself you're a bit too much; but together; you're a bit too much together ;w; #like wow just like me; me; & still me!!! and not caring about what's all ''too much'' like it's about the me & me actually thanks #(and ofc the premise / central metaphor/conflict there as is; vulnerable cultural identity that needs to be maintained but uh oh) #speaking of uh oh look who's underway in the tags!! i'm heading myself off now lmao. time for half past 3 am Night Sandwich

[secondbeatsongs]

as a bi person, the bisexual flag brings me infinite joy and always puts a smile on my face, however as a person who has a Passion for Graphic Design, that undersaturated shade of purple infuriates me when it's used digitally

like, on an actual flag - which was its original purpose - it looks great!

those look fine! lovely, even! with the semi-transparent fabric, the way it catches the sunlight, it looks beautiful!

but now look at how it looks digitally

the pink and blue are so vibrant compared to the sad, lonely lavender!

and let's look at this statement from Michael Page, the creator of the bi flag:

(sidenote: he created this flag in 1998, so if his takes on bisexuality is different from yours, it's okay to notice that! a lot has changed since the 90s when it comes to lived experiences and the way we describe them. but, it's also important to respect his thoughts about this and the way he presented them, even if today, we'd probably not say that bi people "blend unnoticeably into both the gay/lesbian and straight communities.")

so in pantone colors, the pink is 226 C, the blue is 286 C, and the purple of the flag is 258 C.

but...here's the deal

Michael talks here about how the key to understanding the symbolism is to know that the purple blends into both the pink and blue. and on a physical flag, I think you can see that!

but digitally, it absolutely does not blend. it clashes badly, and looks oddly separate from the other two colors.

which got me wondering...what purple do you get if you actually blend 226 C and 286 C?

oh! oh, my god.

look at that! look at how nicely it fits between those colors!

look at it next to the original color scheme! look at how much more vibrant the purple is!

and friends. this is just blending through rgb! you get even more purple variations when you use other color spaces!

let's compare all of them:

(top: original, lab. middle: lrgb, lch. bottom: rgb, hsl)

look at all of the different purple options you can get just by combining these two colors!

if you want almost too-vibrant saturation, you can go hsl, if you want something more relaxed that's closer to the original, you can go lab or lrgb. and if you want to split the difference, lch is bright and violet, while rgb is there with its saturated but darker purple.

anyway, I guess I don't really have a point here? this isn't so much an informational post as it is Me Getting Weird About Colors, but I think it is a useful lesson about how colors look very different on screens compared to how they look on objects in real life.

and sometimes, I think it's okay to compensate for that.

out of all of these, this is my favorite bi flag:

it's the one where the colors were blended in lab color space. for me, the lighter, softer purple is close enough to the original bi flag purple, while also feeling like a smoother blend of the blue and pink

but that's just me! and it might not even look the same to you, since every screen is different, because technology is a nightmare!

anyway, thank you for coming with me on this colorful journey! I will now retreat back to inkscape and make pained sounds about inkstitch gradients until something tangible pulls me back into reality

#bi #bisexual #bisexuality #bi flag #bisexual flag #sbs rambles #graphic design is my passion #id in alt text #but #the ids are probably deeply unhelpful for the different variations of flags #in the alt text of the six flags all grouped together #I just put what method the purples were blended with #and then tried to describe them more in the paragraph below #but this is an inherently visual post #so if you're reading it with a screen reader I am sorry :(

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

#answers to asks #illustration #art advice #art help #drawing #digital art

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

#process #art tutorial #unsure what else to tag this as. if this does not post properly i will cry.

[wasyago]

how do you choose colors?? i love your color choices and wanna know how you do it

oookay, i don't actually know what i am doing with colors 90% of the time, but there are some guidelines that i follow, so, i hope this will be useful ":3

so. one of the main things that i use almost all the time is complimentary colors! a very cool very useful thing, good for everything. complimentary colors are the ones that are opposite each other on a color wheel. a proper color wheel, not the one that drawing apps use, because that one most of the time has the colors distributed wrong 😔

the thing about complimentary colors is that they make each other stand out more. so if you use them in equal amount and saturation they will fight for attention and don't look as good. another thing is that if you put gray on one complimentary color it will appear to have changed the hue to its pair. uhhh its hard to describe with words, but just try to fill a canvas with one saturated color and draw something gray on it, its an optical illusion of sorts.

so uhhhhhh, what im trying to say is, complimentary colors compliment each other (wow), so using them for accents and shadows and backgrounds will generally make both stand out and look better? idk, here are some examples so it hopefully makes more sense

and so you change the amount of color, it's saturation, hue, warmth, tone, other smart words, and it changes the feeling of the picture! as you can see i really like my greens and reds, they're almost in every picture, but it still looks different (hopefully). if you can't full on change the color of something, if you have a set design for example, bringing the complimentary color in shadows and highlights or background works too! try different things see what's for you!

and, of course, using complimentary colors doesn't mean you can't use any other color! its more like, complimentary colors establish this connection that's pleasing to the eye and everything else is whatever you want it to be! i also have no idea about using more than one pair, generally one is enough but technically it works?

i also try not to use more than 3 main colors for a piece, like, blue-red-yellow but no green, or green-blue-yellow and no red, and stuff. (key word is "try" of course lol) this has nothing to do with the color wheel, just uhh general color balance? but this is about um, "clean" colors. you can absolutely use all 4, if one of them appears different because of the lighting and stuff? again, its hard to explain color with words. plus it all depends on a style, its not a rule, that's just how i do it

and then all the things outside of theory, like, don't use black and gray for shadows, it looks dirty. a lot of artists don't use pure black at all, but i just can't help it i like it too much. i try not to use pure white for things like clothes and eyes and other things that are in-universe colored white. its fine for highlights but for everything else i usually use grayish yellowish color, it looks much more pleasing. things that are closer are more saturated and have more contrast, things that are far have less saturation and less contrast. things that you want to attract attention should have more contrast, and the other way around

aaand i think that's it? all that i can remember at least

#yagotalk #how to yago

[souperluminal]

Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]

But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3

Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!

I also like to bias colors a little bit away from their standard versions:

The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.

Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!

By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:

It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:

Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!

#and thank you for your patience! #I know this and other questions have been sitting in my inbox for a while #these past months have been the type where there was always something (or several somethings) just a little more urgent on the to-do list #and once again thank you so so much to everyone who has sent in kind messages about my work!! #it would flood this blog if I were to respond to every one but know that I do immensely appreciate every one #they absolutely make my day

[jakeyp]

GRID + TORN PAPER + RAINBOW LAYOUT TUTORIAL (yeah, i'm sorry, but that is the title i came up with)

Hi everyone! This tutorial was requested by an anon, and we're going to make a gifset like this. You need, as usual, basic gifmaking skills and basic photoshop knowledge, but i'll try to explain this as easily as possible!

You'll also need a torn paper brush, which you can download here.

And here are the links to download the fonts used in my gifset: x, x

Okay let's start!

→ First you're going to create a new canvas, and it will be 540x540 px. Make sure to click on create video timeline (if you dont have a timeline, go to window > timeline. We'll leave this canvas there waiting for us :)

Then, onto our first gif. We're going to make the small square gifs first. All i do is resize the image and make it 120 px high, and you'll see why in a moment.

Make sure to remember the number of frames of this gif!! All the gifs we're going to put in the same canvas should have the same amount of frames.

Okay, so we have our first small gif:

As you can see it's a smart object, and I added some brightness, but so far that's all. You can sharpen it, but i like to sharpen until i've colored it. Now onto the important part:

Most of the gifs i worked with were mostly blue (aside from the skin color), which is recommendable, because you can create lots of colors starting from blue, using the hue/saturation adjustment, or camera raw filter. I also recommend you to use a gif that doesn't move a lot, so it'll be easier to color the background:

For the tutorial, we have our predominantly blue gif, but we are going to make it yellow, which is the opposite color, so it's the hardest to get. I hope you can see how i manipulate colors, and do it yourself :)

Here, you can use camera raw filter (filter > camera raw filter) to turn the blues and purples greener, like this:

And click ok to exit the camera raw filter. Then, we're going to use hue/saturation (image > adjustments > hue/saturation) to turn it yellow:

Since it was cyan, i changed the cyans, but if you got a much greener result you'll have to use green (duh, right? i dont know i just dont want anyone to get confused akjsdhs)

And you can also add a selective color adjustment to make those yellows more yellow:

The reason i don't directly use hue/saturation is cause it might look ugly and lose quality, or it wont pick up all the colors i want it to but they're also very small gifs so if you wanna do that, do it :)

I sharpen it until this point, but if you already have that's okay.

Now we're going to color the background! For that, you just add a new layer, and set the blending mode to color.

Then you'll use your brush, set it to 20px and 0% hardness, and pick the color you're using for this gif, you can use the eyedropper tool. This is why it's important that the gif doesn't move a lot, so you can color the bg like this:

I colored carefully around the edges, and that's the result. In some gifs from my gif set I colored Jake's jacket too because i was too lazy, but this looks cleaner :)

You might want to select the color layer and the gif layer to convert them both to a smart object, just to make everything easier. So, be careful, because after that you won't be able to change anything!

But let's say you have a scene that you want to include, and it moves too much and has no blue and it's going to be a nightmare to color it.

Well, don't worry, you can! Simply, instead of manually coloring everything, you can just choose to add a gradient map to it (image > adjustments > gradient map), like this:

And this is the result:

Just remember, it has to be the same amount of frames as the other ones!

You repeat the process, until you have 10 small gifs. I made around 5 manually colored gifs, and 5 gifs with gradient for each gif. That's a confusing sentence but i hope you get it.

We are going to start pasting the small gifs on our first canvas.

(You can paste them one by one but i did this so you can see my 10 gifs)

You're going to create a square that has to be 108x108 px, using the rectangle tool. You can remove the default white background.

And you may be wondering, why did we not just crop the small gifs into those dimensions? Well, you can do that, but to me it's much easier this way, because sometimes cropping isn't accurate, or it's tedious.

Place the small square on top the gif you're going to crop, right where the face of the character is (or whatever objects you're giffing), and while holding ctrl, click on the square. It will select it:

You're going to create a layer mask:

And then drag that layer mask to the gif:

And voila! It's now the same size as the small square. Once that's done, right click on the layer and convert it to a smart object, because we have to remove that mask. Make the square layer invisible, and start placing your gifs where you want them:

You're going to repeat that process with the rest of the gifs, and then place them all together. Don't forget that if you're making the first gif, they will all be at the bottom of the canvas, if it's one of the middle gifs, one row should be at the top and the other one at the bottom, and when you're making the last gif, they should all be at the top. Here we're making the first one, so they will all be at the bottom:

If you forgot to check that all the gifs had the same amount of frames, you can fix it here, just make sure no gif is past this little guy:

Okay! Now, to create the gutter, we're going to add a layer mask to each small gif, so that we can cut some of it.

The gutter has to be 4 pixels, (i recommend you to REALLY zoom in). What i do is make sure the width of the gutter takes 2 pixels from the edges of the gifs, since they are all together. As you can see in the image above, there's no a single empty pixel between the gifs.

This is a close-up of what i'm talking about. I select two pixels from each gif, and go all the way down to create the gutter:

(I hope I'm not over or underexplaining)

I usually use this tool when i have to make so many selections:

But that was just an example :)

(Another way you can do this, is by changing the size of the small square from the beginning and make it be 104x104 px, but i don't know why that seems more complicated to me ajsdks)

Anyway, this is what we have so far:

Now we're going to create the big gif. Its normal dimensions are usually around 1920x1080, unless you have different dimensions and have to crop it, but whatever it is, we're going to resize it and crop it to be around 550 px wide, and 400 px high:

We'll do the same thing of adding an adjustment of gradient to it to make it the color we're using. For this, i usually add a brightness layer before, because sometimes the gradient is a bit dark.

And using a 600px brush with 0% hardness, you can add some "light" on a new layer, like this:

Selecting all the layers, right-click on them and convert them to a smart object. Again, be careful, because once its a smart object, you wont be able to change any of it!

Then we paste our big gif on the canvas with small gifs, and add a layer mask to it. Using the torn paper brush at 600px, remove some of the gif to shape it like the torn paper. Make sure you're using black, otherwise it won't work correctly:

To make the effect better, add a layer UNDER the big gif, and using the torn paper brush, with the same size, you can paint under it:

Yeah, I covered some of jake's face, but that's how it supposed to look so the effect works!

And finally for the text! I used Granesta, at 150 px, and at -10.00º to make it a bit askew.

We're going to double click on it and give it a color overlay, set to normal, and give it a solid shadow if you want, then place it right here on the corner:

But as you can see, it's too big for the gif. So we're going to add a layer mask to it, and again, shape it the same way that we did with the gif. Make sure they're exactly the same shape, like this:

And that's it! This is our final result:

As always I'm sure there are easier ways to do many of these things, this is just how i do it but if you know an easier way to do it, go ahead. I hope this was at least understandable enough so you can apply the logic of it any way you want :)

If you have any questions you can send me an ask and i'll clarify!

If you found this helpful i'd really appreciate it if you left a tip on my ko-fi!

Happy giffing!

#will i ever learn how to properly explain things 😭 #tutorials #uservivaldi #userraffa #userbuckleys #userhallie #tuserheidi #usertina #userfern #usersole #usercera #userzaynab #userisaiah #usernik #userpriyas #usertj

[evelyn-art-05]

i am so in love with how you draw fabric! all the colors! it’s stunning. would you be willing to share some of your process?

Of course!! :]

First off, start with a flat color (we're going with yellow), and then using a slightly more saturated and darker color, make a gradient on your clothing going from the bottom up. I prefer to use the Tamar painting brush in procreate for this!

Next, take a pencil brush (or whatever brush you prefer, I used the 6B pencil in procreate) and using that same darker color, block in your darkest areas. Don't worry about being perfect! Take another more saturated color, this time only Slightly darker than your base, and block in the rest of your shaded areas. This will give you clothing item more depth! Be sure that you know what direction your lighting is coming from!

Now, we neaten things up! Use a blending brush (I use the Stucco paint brush) to soften the edges of areas where the lighting is softer, and take your pencil brush and neaten up any areas you would like. This can also involve adding lighter spots like I did, using the base color in the gradient area.

Now into reflective lighting! This is assuming that the clothing is reflecting light from objects around it. If it isn't, you can really just add a bit of warm blue, and be done with this step. If it is, take some warm blue and, using a textured brush (Tamar brush for me), lightly brush it over your main shaded areas! I am going to demonstrate reflective lighting with a more intense lighting, so if you're looking for that, take a brighter, highly saturated color and place it on the Edges of your darkest shading spots. With clothing, if it is thin enough, light will pass through to shaded areas, casting a more warm and satured hue.

For the actual brighter light, make another layer above your color layer and turn it to an Add/Addition layer. Using your base clothing color and a textured brush (Tamar) just lightly go over the spots that get the most light! It will seem very bright, so turn the opacity for that layer down to 35%, or adjust it however you like!

#gonna add more!! #sorry its so long lmao #i like to be detailed when explaing things fidhdk #eve answers

[headspace-hotel]

Minecraft Tips

or, a list of things about Minecraft that took me forever to figure out, that might not be obvious to new players, or that I just found helpful

Equal parts gravel and dirt can be crafted into coarse dirt, and using a hoe on coarse dirt changes it to normal dirt, so you can effectively change gravel into dirt if you have at least 2 dirt blocks with you

I know the game technically teaches you this BUT: you can cure zombie villagers by hitting them with a splash weakness potion and then feeding them a golden apple. This is an easy way to populate a village you built yourself, I've done it in all my survival worlds. The easiest way to protect newly potioned and appled villagers is to dig a long trench, get the zombie villager to chase you, circle the pit until the villager falls in, and cover the pit so no mobs attack the zombie villager when it changes into a villager.

Killing fish is a pretty good way to get bones. I don't need a skeleton farm because automatic fish farms are probably among the easiest automatic farms to build

drinking milk stops status effects

Tiny slimes can't damage you. You can keep them as pets.

The fastest transportation method is, for some reason, a boat on blue ice. Many horses are faster than powered rails.

Suspicious stew can be crafted, even though it's not part of the creative inventory or recipe book, using the normal recipe for mushroom stew+one flower. Allium gives a couple seconds of fire resistance, poppy gives night vision, cornflower gives jump boost, blue orchids or dandelions give saturation, and oxeye daisy gives regeneration.

A lot of wooden items—fences, doors, bows, fishing poles, and so on—can be used as fuel in furnaces. It's not efficient but it's a good way to get rid of excess items

Sneak to add blocks to the side of a furnace or chest directly. Do y'all have any idea how long this took me to figure it out. (This is also how you add a hopper to a chest.)

gold or iron armor can be melted down into gold and iron nuggets

The fortune enchantment affects sapling drops from trees and crop harvests.

Early in game, smelting copper into ingots is one of the best ways to get XP fast.

Fishing odds are slightly better when it's raining.

When you first get a full set of diamond armor your first instinct may be to wear it on a quest into the Nether. Don't. Take a couple stacks each of gravel/sand and any stone and run repeated suicide missions until you've made a stone shelter around your portal and paths across surrounding lava lakes.

More nether navigation tricks: drop columns of gravel down precipices in the Nether and then add cobblestone to the side of the gravel columns to build stairs from the top down

If your nether portal goes out while you're in the Nether, a Ghast fireball hitting the inside of the frame will relight it. But please don't get caught in the Nether without flint and steel

Lava breaks your fall much like water does, and you can't drown in it, though it's very hard to move in. Fire resistance potions will let you exploit both of these things.

Fill a basalt delta with three- or four-block-high towers of whatever block you like, two blocks apart, in staggered rows. Occasionally place a block on the side of the towers' top blocks. This won't stop magma cubes from spawning, but it will stop the large ones from moving effectively.

Using silk touch to grab the red and blue "turf" layers in Nether forests lets you farm both kinds of giant nether fungi by bone-mealing mushrooms, though the turf colors and mushroom colors have to match up. The growth is unaffected by obstructions above and the fungus "foliage" blocks never decay like leaves do. I have no idea who thought that was a good idea. BUT doing this repeatedly will eventually completely obstruct the "sky", protecting you from Ghasts

Nether fortresses and bastions are found along a "grid" pattern, so when you find one nether fortress you can travel in a straight line to find another fortress or bastion. Villages do the same thing, except when they don't. (Really, how villages spawn is a total mystery to me.)

Bonemealing moss will straight up convert surrounding stone into moss. I have no idea why. Since bone meal can be automated using a dropper iirc, this seems like it could lead to some weird redstone contraptions.

Horses can survive falls that would seriously damage a player.

Animals can and will climb ladders. I don't know why. But if you push a sheep or cow toward a ladder, they will often automatically ascend it. I've used this fact for automatic farms before.

You can name literally anything using an anvil, even if you can't repair or enchant it

Soul sand placed underwater creates bubble columns that shoot you upward. Magma blocks create bubble columns that pull you down. You can breathe in the bubble columns.

Night vision potions, if you've never used one, will also let you see the ocean floor.

A water source block in an "ocean" biome will spawn ocean animals, whether there is room for them there or not. If you change a section of ocean into a one-block-deep pond, you'll still get fish in there

you probably won't like this one but. keep a notebook with the coordinates of important spots it is SO HELPFUL

I'll add more when I think of them. please note that I play bedrock and some of these might not work in java

#minecraft #mineblr

[starrysharks]

OK heres zeno coloring tutorial 2.0 !!!! i'm gonna do it kind of in chapters i guess?

chapter 1: choosing base colors

when i'm choosing base colors i always pick everything based on a specific off-white! my 'default' off-white is this kind of very light cyan color but i change it regularly based on character designs/environment/lighting whatever,, examples here!

for callie in this piece, i based everything off of this pinkish color! her skin tone, tentacles, outfit etc are all chosen to harmonise/contrast with the pink color

and with this piece, i used a slightly darker blueish color as they're in space but there's still a lot of light... and the lighter colors in the background (the explosion) make a sense of depth i guess? i used that blue color and chose similar cool colors to harmonise with it!

so i more or less base the tone of the colors in the piece off the off-white! warm off-white = warmer colors (like the nova valentine's day art) and cold off white = cooler colors (like the explosion nova and paro art). but i switch up this formula often !!

chapter 2: coloring specific things

here i'll go over some specific textures and stuff like skin and hair ... skin first !!

for skin, i like to use a variety of tones! there are different ways to draw cooler and warmer skintones that other people have gone over way better than i have but basically for skin i use this part of the color wheel and pick the darker tones of oranges/reds/pinks etc. (for darker skintones, i go to the middle of the color square thingy, and for lighter tones, i usually slide down the upper-right side)

when it comes to shading skintones, it's pretty straightforward, just a darkish-purple and a pinkish color on 100% multiply, and i always add a little shadow on the nose and blush becuz i think it's cute

(also i like to add reflective spots on darker skin tones sometimes because 1. darker skin tones reflect in real life and 2. it's fun)

next up is hair... this is very specific to my artstyle but i like to add 3-6 long oval line thingies to the hair to mimic reflection ! it looks cool, it's a good way to show off different colors in the design and i like to switch it up sometimes based on a character's personality!! (like how the frye pic above has a lighting bolt shaped hair thing, or how my teto design has a wing shaped hair thing to mimic her wings in her chimera form!) (note: it doesn't always need to be lighter than the actually hair color and it usually isn't)

for other materials like metal, screens, etc etc... i just add random X marks lol... and reflections!!!

(also, just a general thing, but adding little saturated lines to shading really adds depth and color imo!!)

i would put more tips with refs but tumbles only allows 10 images per post ;w; so i will simply close off by saying don't be afraid to add overlays and filters to your art!! overlays can really help harmonise colors and filters like brightness and contrast can help colors pop... try not to completely rely on them for color choice tho!!

and that's basically it !!! this is not a definitive 'how to draw/color' post... i am not a color theorist... i just wanted to show people how i choose colors cuz a lot of people say they like my color choices! honestly i don't know much myself but i hope that this and the philosophy of 'do what looks good' will help you all o_ob thank you and goodbye

#long post #ah its so freeing to have zero character limit on this site #i did want to add more pics tho 😭 #i would make a part two but i dont have much else to say #hope this helps people maybe #also idk how to add a cut/'continue reading' thingy on mobile so if someone could tell me how id appreciate it 😭😭😭

[linddzz]

In Which Hob, a Shitty Wizard, Meets a Supposed Demon

Last week or so I made too many posts about what if Hob, still immortal, trying out occultism but kinda crap at it (which is some bullshit considering that Death is his drinking buddy), first meets Dream as the devil in the basement of The Magus Burgess. I called it "the shit-wizard Hob AU"

I still don't know if I'll finish it. But I couldn't stop it from starting.

No editing no betas we post on Tumblr like idiots.

EDIT: very mild editing still no betas we still stupid

********

In August of 1923, Hob Gadling - currently Rob Gedlen- is introduced to a demon.

It is, he has to admit, rather impressive. Or at least, the bonds keeping it tamed are. The prison space is everything a magus cellar should be. All arched, ancient stone and dim lighting that only barely illuminates the painted ceiling. Shadows so deep that even the electric bulbs only give the dark textures of colour. Green algae, the saturated grays and browns of rock, the faded blue and gold of the artificial night sky.

The oily glint of black iron chains. The sweeping ooze of the light over the curved iron scaffolding the chains held up, and the dizzying reflection off of the glass orb held within the iron like a gem clasped in dragon claws suspended over a small, mirror flat moat and an intricate golden circle.

Very impressive. Forboding even. The sort of thing a magus should have in his cellar.

The man inside of it looks for all the world like an ordinary naked man. Right number of limbs, hair and skin natural colors, everything in place where it should be. That's if one ignored the fact that he was sitting calm and clean in a fully airtight sphere of glass. Ordinary, if you were a dimwit and took human shape as a sign of humanity.

“This,” Burgess says with a wicked, bitter sort of pride, “is the Order’s secret of success.”

Hob whistles, because he thinks he should show some sort of appreciation. He's been working for Burgess for a few years now after all, and knows when to look suitably impressed. It is impressive, so he doesn't need to play it up too much when he follows Burgess past the wrought iron gate.

The man in the glass looks less like a mystical secret and more like he needs a coat. He's even sitting with his knees tucked to his chest, delicate ankles crossed in front of him, arms loosely draped forward and black haired head bowed down as if in deep thought.

With his nakedness, the curled position would look painfully vulnerable, were it not for the overwhelming sense that he's waiting.

“He's a demon of dreams. Or close enough to a demon.” Burgess explains. His cane tapping on the stone is the only other sound in that strange space. “I was attempting to summon Death itself, and failed at my task. But I did not come away empty handed.”

Yeah, that's probably for the best. If Hob had sauntered down here and seen Her displayed in a glass cage like a bauble, he would have done something stupid and violent. Best case scenario; She would just laugh at him for overreacting. Worst case; She'd do it with that sad little twist to Her mouth.

The entity Burgess did nab seems miniscule compared to the apparatus around him, to the manor towering over their heads. Yet even Hob and his absolute shit senses for magic can feel how everything is circling the center point of the man. They're all little marbles, orbiting the sphere and the mass within it.

“An incubus?” Hob asks, walking around the perimeter of the moat. His tone is mild, curious, intrigued. It's a talent of his to not exactly lie, but to use some of his feelings to mask others.

It’s a horrible thing, to take the freedom of another for your own benefit.

Her voice echoes in his head. That moment is never far from his head. The sad sweetness of her voice turned sour. The hard disappointment in her dark eyes. He will never forget the horrid, sickening twist of guilt of that meeting, and he feels it when he looks at the demon in the magus’ cellar.

The lights reflect oddly in the sphere, making it seem as if the man himself were the source of illumination. His skin is the sort of gleaming white that poets would froth over. Hob isn't a poet, but even he can tell that “white” hardly does it justice. The alabaster statues a floor above are going to appear dull and crude now when compared to the snow-under-moonlight of the man down here. The shadows of him are blue, violet, deepest velvet black.

Maybe not snow under moonlight, Hob thinks, reminded of the multi-hued winter twilight.

Now that he's closer, Hob can make out the sharply sculpted features of him. His curled body is a lean, hungry twist of muscle that reminds one less of actual flesh than of a tangled metal chord. His cheekbones are sharp and high, his eyes cast down with a sweep of raven wing lashes. The only hints of life are the faint flushes of seashell pink at his ears, his fingers, the still and plush lips.

“If you like.” Burgess says, which means the man isn't an incubus and Burgess thinks he's fucking clever again. The magus is watching Hob now, who is examining the circle, the iron chains, anything that will keep him from thinking too much about the thin form trapped within it.

“I attempted first to gain favors from it.” Burgess continues when Hob says nothing. “But it is stubbornly silent. No matter.”

Burgess has stepped past the moat, past the circle, to stand with his nose nearly touching the round glass wall. Hob stays outside of the barriers, but he is close enough that he can see the hate that always sits beneath his boss’ manners.

“No matter.” Burgess repeats, sneering at his captive. “Found a use for you anyway, didn't I? Just its presence brings power to this place. It amplifies the magic here, makes the spells wrought near it more solid.”

“Not much hope for me then, if I'm already by some magic booster.” Hob grins, and his boss chuckles almost fondly. It had been a whim that had Hob joining the Order. He’d never tried being a magician before, though he had gone to a few seances when they were at their peak. Occultism wasn't too fashionable anymore, so Hob thought it was best to try it out now before it got truly passe.

He's glad he's only been at it for a few years, because he's crap at it. All the costumes and chanting and intricate rituals seem silly, even when he's seen the true results of it. It was just a bunch of nonsense cobbled together from bad translations and old frauds that everyone knew were frauds back in the day! But if you followed the stupid made up rubbish perfectly, sometimes it would result in some actual magic.

That's one of the stupid things about magic. If all you can think about while doing a spell is that you must look like an utter berk, it won't work.

“We all have our talents, Mr. Gedlen.” Burgess says mildly, indulgently. “It's why I have brought you here, actually. You may not have the Gift,” he always referred to magic like that, you could hear the self important capitalized letters in it, “but you’re measured. Resilient. Notably unshakable.

Hob supposed that was true enough. Being in a house with a bunch of wizardy twats who were too busy going mad while practicing the perfect runes took a level head. Someone needed to have enough of a practical mindset to smother out all the fires that tended to happen, even if those fires had colors that gave you a headache.

“I've tried other magicians, promising acolytes, ruffian's from the street.” Burgess continues, sighing with remembered disappointment and gazing hard at the unmoving demon. “They would lose their nerve, complain of nightmares, or they would be too dimwitted to know the sorts of things to report on.”

Hob moves again, still keeping to the edges of the moat, until he is looking at Burgess’ back and into the lowered face of the demon. “You want me to be a guard?” He asks, voice mild because he isn't sure how he feels about that.

“An observer.” Burgess corrects. “You're sharp, though I've noticed that you try not to show it. You don't have a talent for magic, but you're quick to catch onto the supernatural.”

Hob should hope so, all things considered.

“I want you to take one of the guard shifts, yes. But I want to see what you observe compared to the thicker minds my son has hired. I want you to tell me when it moves, how it moved, if the light seemed different, if you felt tired despite the forced march pills you will be required to take. Any sign that it might be trying to wear away at the binds that hold it.

Do not be fooled by it's stillness or fair looks.” Burgess taps his cane on the sphere, making it ring like a perfect crystal. “This is a demon. If it ever breaks free, it will destroy all of us without a thought.”

The demon lifts its head then, and Hob wonders if his heart finally stops. The movement is slow, strange and dragged, a statue that can only mimic how a living thing would move. The raven wing lashes fly up. The demons eyes are shadowed. Far more deeply shadowed than they should be for the amount of light shining off his skin.

Within those shadows, the place where his eyes must be draw all the light in, refine it, refract it back in the distant twinkling of two dim, hateful, cold stars.

“Yeah. I don't doubt that.” Hob says quietly, and the demons eyes blaze in its beautiful, dead face.

#dreamling #new orb rescue mission au dropped #shit wizard hob #my fic

[oakbuggy]

Liar, Liar Chapter 5

Recom!Neteyam x female OC

Summary : Tala of the Tawkami gets captured by a familiar face and to both of their misfortune, they are trapped together due to circumstance. They are extremely vexed by this and each other and also very horny.

Warnings: Minors DNI, non-con+dub-con, explicit smut, dirty talk, authority, power struggle, mentions+depictions of blood, minor violence, character death, marking, biting, scenting, ANGST

!! Each chapter will have images throughout the chapter, only the AO3 will have the NSFW-uncensored versions. Please keep this in mind as you read !!

Chapter 5 (NSFW) ~9.3k words

AO3 Link Here!

Prev Chapter / Next Chapter

When Lo'ak woke it was through cold shudders and violent gasps, rousing Tsireya next to him awake.

"Yawne?" She called out to him so gently, "What is wrong?" Lo'ak couldn't hear her sweet tone but still his large hands grappled for hers, finding them within the darkness of the mauri and the night sky.

He could only think of the searing gaze of the brother he thought he lost so long ago and the grip of a knife he was actually so ready to use. The sound of the waves outside, mindlessly and rhythmically tumbling against each other, gave him some peace, so he breathed out hard, pushing beaded braids out of his face.

He could hear the water, yet why did it still feel like his blue skin was getting scorched?

"Lo." Tsireya's voice was louder and she willed his attention to her, her other hand cradled his jaw. The Sully's jewel-toned eyes flickered, anchoring their gaze on her blue ones.

"Sorry." He rumbled, voice still saturated with sleep. She shook her head and smiled softly, he could tell that her eyes were tracing all the stripes on his face, the star patterned marks of his forehead.

Lo'ak always liked her eyes, they looked like the sky.

He kissed her knuckles. "Thank you."

Tsireya nodded, her sweet smile dimpled and she pressed her lips against his brow, the hair tickling her. There they were, in their shared mauri, colorful and thick blankets adorning their bedspread and their limbs still tangled together in this safe harbor.

"What did you see?"

"..." The lump in his throat was heavy and painful. "I saw him. I saw Neteyam."

The Metkayina woman gasped softly. She couldn't believe it, she remembered too well how the eldest Sully son looked as he died. How she was there all too long with him, alone, as he bled out.

They didn't know how to feel, when they heard the news from the Tawkami alchemist, (tala full name). No one did, not when they saw the signs of struggle and blood in the Compass's photo album.

"Great Mother... How was he? Are you okay?"

"I'm okay, he's... he's a completely different person now, 'Reya. Mom was there, he barely even looked at her, kept saying shit about dad and turning him in," Lo'ak covered his face with his other hand, fingers splayed as he willed himself to stop shaking. He could feel his emotions rising, he knew his tendencies now and all had seen how intensely Lo'ak blamed himself for Neteyam's death. Impulsivity, stupidity- "He hates me."

"Don't, Lo'ak. don't do this to yourself." Tsireya squeezed his hand, darker blue and with an extra digit and so comforting as it held hers.

"It's the RDA, the vrrteps [demons], they've poisoned his mind when they brought him back, just like Tala said. You know that Neteyam would never actually blame you."

Lo'ak smiled weakly. Yes, he knew his older brother, yes, the Neteyam he knew would probably stab himself again than even 'look' at his family members the way he did in the dream. In a sick way, however, Lo'ak thought he deserved it all the same.

"Enough of that. You're doing it again." His mate cut off his spiraling again and this time he chuckled, his thumb rubbed her palm.

"How'd I get so lucky with a girl like you, 'Reya?" He joked, though sincere. It's been years and he's grown, tattooed and proved himself as both warrior and adult. And yet still he didn't know exactly how to return truly how much he loved her, when her floral and oceanic skin calmed him, and her scent drove him wild.

Tsireya smiled brighter, dimples showing cutely. "How funny, I was just thinking the same thing." She answered. It made him laugh, made him pepper kisses along her cheeks and dimples, her neck and shoulder and arms.

"Now you're just being cute." He snickered and brought her dark curls to his lips again, intending to kiss every part of her and take in her scent. She calmed him, she knew it and she rested her forehead on his.

A moment. A quiet. Every moment like this felt perfect with her.

But heat still glowed in the back of Lo'ak's mind, his brain was just too active, as evident by the way his tail swayed behind him restlessly. He kissed Tsireya’s forehead again. “I’ll be right back. I just need to clear my head.”

“Alright, just don't take too long.”

Tisreya never got tired of the way he’d smile at her, fangs showing through upturned lips.

“From you? Never.”

A few more lingering looks, Lo’ak stepped onto the pathways of the camp, Txampaytsrul [Ocean Nest]]. A new wartime settlement was established between the forest na’vi and the ocean na’vi tribes, as a way to protect their homes yet keep close to Bridgehead. It made another home away from home for warriors and healers like Lo’ak and Tsireya, those from different clans that allowed their love to grow.

The Omaticayan male stared all around him, at Eywa’eveng, his brother’s words reeling in his headspace. Their dad doomed this place, this place still teeming valiantly with life and beauty despite the RDA’s efforts?

Tiny pebbles of sand became smoothened rock and Lo’ak settled onto one that hung over calmed waters. He heard something… above him, he looked up.

“Hey bro.” He greeted upon seeing Spider, hanging upside down along the fronds of the tree above the rocks. Gracefully the smaller maneuvered himself next to his younger brother.

“What’s up? You alright?” He said, jerking blond locs away from his face. Lo’ak shrugged.

“Bad dream. What are you still doing up?”

“Haven’t slept much since I ran out of Tala's sleep mix.”

“Kiri’s not good enough?”

Spider chuckled. “Tala got some secret ingredient she’s never told anyone about. Kiri said she knows it but… she doesn’t want to use it. It’s Tala’s thing, something like that.” Lo’ak hummed in agreement. It’s been many months now since the Tawkami na’vi’s capture, and thinking about Tala inevitably made him think about…

"Dream was that bad?"  Spider asked, a brown-eyed comforting gaze settled on his younger brother and Lo’ak sighed.

“I saw… Neteyam. And mom. It didn’t go well, it felt real and really hot, like it was burning.”

Spider’s eyes went wide.

“How... how is he?” He said, a lump forming. It had messed him badly enough to know it took Neteyam’s death to be truly accepted into the Sully family in the parents’ eyes, it was an awful reminder to him.

“Not good. It's like I could feel what both he and mom were thinking, we all could, and it wasn't... It was bad."

“What was he thinking about?”

“About how you were probably the only one he was sure he wouldn’t kill. Because of… you know,” Lo’ak shrugged and smiled at Spider in chagrin, “Quaritch.”

“Oh…” Spider starved carving into the stone with his thumb, “fuck.”

The mention of Colonel Quaritch still hung like a dead animal in the air between them, the body gone but the stench remained. Both men understood the emotions and rationalizing behind the choice, but Lo’ak could never forget it and Spider couldn’t ever quite forgive himself, even if some days he was sure there wasn’t anything to forgive. The smaller Sully sucked in breath through his teeth.

“Bro, I–”

“Brooo!” The younger groaned, “you already said sorry like a hundred times you skxawng. It’s not like it was ever going to bring him back. It’s been years.”

Relief soared through Spider’s heart instantly and he smiled.

“Right, right, yea.”

Lo’ak leaned back, both men more relaxed and sporting warrior garb and tattoos. They were brothers, they’ve already made their peace.

“Whatever Great Mother is planning, I hope she does it soon.” Lo’ak sighed, bringing a hand to his face.

“I wanna save him. What dad’s gonna say at the family meeting tomorrow though, I don't know.” Lo’ak huffed.

“We will. But yea, the family meeting...” Spider’s words were clipped, a family meeting was often a stressful affair, Neytiri could not help but look displeased with him there or for any other more intimate function within The People. Lo’ak noticed and clapped a large hand on Spider’s back. Their fingers matched in number and scars.

“That includes you, dude. Mom’ll lay off you, I promise, she’s been… okay.”

The smaller Sully scoffed but nodded. “By okay you mean no longer cursing under her breath whenever I’m near, then sure. She’s better.” Spider shook his head, admonishing himself slightly for his bitterness, “But if she had that dream too, I don't wanna upset her more. You know I would.”

Lo’ak snorted and tapped on the glass at Spider’s forehead. He was lucky he couldn’t give him a noogie for the dumb shit he just said.

“Spider. Bro. You’re a true Sully, look at how much the RDA wants to kill you! And Neteyam, even though he’s not allowed to!” the corners of his mouth raised, a laugh ready to bellow.

"Yeah, I guess that's what it takes to be a Sully, huh?" Spider joked and the two of them laughed, some stress finally leaving their young features. As the giggles quieted down and they returned to staring at the night sky.

"Maybe this will end the war." Spider broke the silence and Lo'ak hummed, agreeing. The end of the war, the  two of them hoped. The return of peace, and maybe selfishly that included the return of their brother and their family.

"You think we'll all survive it?"

At this the smaller smiled. "If even Neteyam's alive now, I don't think it's bad to hope for it,"

"We'll fight for happy times to return, and they will, you'll see."

---------------------------

Neteyam was not happy. Neteyam knew he had fucked himself over when his eyes cracked open and eh saw the long length of Tala's back, which he stared at in frustration.

He could feel his veins bursting. Fuck. Fuck. This was exactly why he avoided her, the curves of her body made him recall all too vividly the way he completely let go in front of her. How he praised and begged for her–to feel that much more of her skin on his. He tried to block it out, but the feeling of her bite, her first mark on him, triggered so many feelings of possessiveness and desire in his head and his heart–wasn’t she supposed to be helping with his headaches? 

His fingers grazed over the bandages she had applied the day before, still pristine and his overall condition did technically improve. But his digits twitched, Tala’s stupid little mark was right above the injury, on the curve of his neck.

It was barely noticeable, the bruise would purple up and disappear within the day. The soldier didn’t pay too much attention to how his tail thumped softly underneath the covers.

He had a full view of her striped back, they must have disconnected sometime in the night. With his hand, which Neteyam thought assuredly he was going to use to push Tala off, he surprised himself by tracing the line down her spine. His hand hovered over the fullness of her hips, pushing down the covers to reveal more of her, and his thumbs rested on the indents of her back dimples.

Tala… Tala… Li’Tala.

Remnants of their night together reached up and stained her ass, they had made such a big mess. He tried so fucking hard not to look at those swollen pussy ips peaking between her ass cheeks because they’d only be grossly caked in old cum–

Why was he hard. Why did that make him hard.

He internally groaned and quickly covered her body back up. The only silver lining Neteyam could figure in this situation was that Tala was working marvelously as a distraction of the usual mental battles he was forced to participate in every day of existence. She was just… too effective.

And that agitated him.

With a natural poise, the soldier kneeled up and grabbed at the starched lab coat without disturbing even a wrinkle of the blanket on her body. Quickly he searched through the inner pockets, carefully rolling the tiniest crumbs of herbs and plant matter. Not necessarily satisfying his need to prove her guilt.

The first outer pocket held only hard crumbs of honey he already knew of. It made his mouth water, he truly like he was a child again when she pushed the small piece of it into his mouth.

Her smile was nearly as sweet.

“Hmmmm…” Tala stirred, as if on cue, and Neteyam immediately hid the coat behind him, buried underneath his body as he resettled onto the mattress. Something in him saw this moment as peace and didn’t want to disturb it, not even with his suspicion active.

Just… not yet.

Tala sighed and turned and rubbed sleep out of her eyes. She yawned as she swore she saw a flash of dazzling yellow and heard quick movements of fabric but when her eyes focused on his form, he was breathing peacefully and sleepily.

Great Mother… She looked at the mark she gave him on his neck, her wrists and right ear feeling heavy. What had she done? What was she thinking? She turned to face him fully.

Tala was surprised to find herself still in his bed, all things considered. This was the first time she’s woken in warmth, in comfort even, she wondered how bad was his fever that he let this happen. Regardless, all the softness of the sheets or his heat didn’t stop a tightness developing in her chest, a pressure. She didn’t truly want her place to be a thing warming his bed.

Neteyam’s nose twitched and immediately Tala had to suppress a chuckle. Oh, how long had he been awake? Somehow he’d teeter on the line of just enough being adorable that it made tiny moments like this worth it, the fun she could poke at through his militaristic exterior. It was wishful, she knew, it was just pretend.

Tala planted her cold feet quickly onto his thighs and Neteyam snapped back.

“You skxawng!” He hissed childishly, the facade abandoned and she laughed.

“It’s what you get for trying to fool me, hona tsamsiyu [adorable warrior].” Tala replied teasingly, eyes too much mirthful. Whatever scathing dither he was about to spit out was unfairly interrupted when she suddenly sat closer, supporting herself on her side as she hovered her face above his.

“Good morning.” She purred musically.

Neteyam swallowed, her curtain of hair covered him slightly and it reiginited him, he breathed in her scent. Heady healing roses and charred honey now.

He pursed his lips, “...Morning.” The taste of honey sprung forth and the fact that she was not too unlike it. Her taste.

“Did you sleep well?”

“Yes.”

His reply made the corners of her smile rise. “See what happens when you let a proper healer take care of you?” Her voice dipped low and nearly saccharine, her tail swayed behind her in self-satisfaction. The male na’vi’s nose twitched again, irritated, and he rolled his eyes. Impossible.

“Don’t get cocky.”

“Around you? Never.” Her words held an unspoken insult but her smile made it teasing and humorous, Great Mother he hated when she smiled like that.

Tala examined his injury, checking and complimenting herself on her work, and used the back of her hand to check his fever. Still warm, but not nearly as bad as before.

Meanwhile Neteyam was struggling, her leaf green eyes were so inviting and kind that he thought he was going to melt. Did she know how tenderly she was looking at him? Did she know the way her eyelashes framed them made him only want to stare longer?

He grabbed her by her shackle and those infernal green eyes only widened.

How many times did his heart find necessary to trick him into liking this woman?

“Is something wrong, Corporal?” Her using such a name made him grimace and jerk back, letting go of her wrist.

“You’re playing a dangerous game, Tawkami.” He replied, a sneer felt so much more natural to him now than soft words.

“What game?” Tala whispered. She closed her eyes and leaned forward, his eyelids too naturally closed. Except, to the utter demise of his ego, she only hovered in front of his lips.

Oh, she did deserve some fun, didn’t she?

“Would you like to kiss me?”

Damnit.

"Seems like you want me to." He murmured.

"Only if it's like last night."

"And how was it last night?"

'Like you cared for me.' Tala sighed pettily, "Fine, nevermi-"

Neteyam obliged so easily, the warm contact of her lips made him sigh, both of their bodies relaxed. He reached to bring her closer, curling his arm around her torso as Tala settled her hand on his cheek, their legs tangled together once more. Heat surged between their bodies, Neteyam almost dug his fingers into her flesh but Tala pulled back.

“No. Soft.” She whispered then pushed back into the kiss without letting him reply. He got the memo through, his hand splayed on her hips and near-affectionately massaged her softness.

Their kiss was slow, gentle, plush lips squeezed against each other. It was an entirely romantic kiss and both wholly melted into it.

Tala was as much lulled into Neteyam’s warmth as he was in hers and notes of regret and self-contempt seeped in. She knew it was wrong, her eyes peaked open when Neteyam gently held her jaw. Large and scarred hands that weren’t trapped in cuffs and surely had killed their own.

Tala was foolish, she always accepted that fact.

“Why did you call me Li’Tala last night, Neteyam?” She whispered softly into the kiss but all Neteyam heard were words that damned him.

He broke off the kiss and swallowed.

“Is there a reason I shouldn’t?” He challenged.

It made her scoff, "If you were to be my mate, why aren't you crying tears of gratitude right now?"

She remembered that? Of course she did, he did too. He chuckled dryly.

"I can call you whatever I want, you are my toy."

"You said you wanted to pretend."

He froze.

Tala closed her eyes and sighed. Of course, he wouldn’t give her an answer, it was probably too much for him to admit to wanting to feel loved, no matter how fake it was, no matter who it was with.

She pushed him and turned away and it flummoxed Neteyam. He was stunned by the quickness of cold surging through his body without her in his arms and his hands chased for her waist to hold her closely. It was as if he was the one being discarded and Tala wondered if he’d ever realize the depths of his immaturity, his neediness.

What was he doing? Neteyam couldn’t find it within himself to let go of her.

“Would you rather I call you syulang? Is that it?” He murmured meanly, a smirk on his lips, trying to distract.

“You’ve got many nicknames for me, don’t you, Corporal?” She replied with her own smirk. His dropped.

“Stop picking a fight with me, filtsyíp [little toy].” His voice had an experienced razor-sharp edge but it was tinged in pleading. Tala bristled at it all the same. She poked his nose, mockingly affectionate.

"You are needy."

Neteyam’s ears raised in complete offense, his brows went up so high, Tala couldn’t count the wrinkles on his forehead. "Needy??" He scoffed, not him! No, what the fuck?

"You are needy and stubborn and you find me irresistible, just admit it, you."

Her smile was irritating him now.

"You're crazy."

She giggled, "And you," She poked at his cock that was awake and at attention, he didn't notice before, "are hard for me."

Neteyam cursed in his head.

“That’s not for you.”

“Ahuh.”

She was supposed to be helping with his headaches, not being one.

He reversed their positions with ease, hand spread against her throat. He pushed her down by her neck and growled.

“Filtsyíp, you forget yourself.”

Her hands went up to cradle his face and it felt more like he was being ensnared. Her legs locked around his waist, bringing their hips together and Neteyam had to bite back a moan at his cock head perfectly pressing against her folds.

"Am I? Are you sure about that?~" Her singsong voice forced a shudder through his body.

Yomioang [chalice plant]. She was fucking dangerous.

Neteyam gathered his arms around her and just when Tala was thinking how predictable a man he was, he stood up, holding her, and walked towards his connected bathroom.

"Neteyam! What are you-!" He ignored her squawks and wiggling. This bathroom had a shower head affixed to the ceiling and Tala's eyes went wide. She screeched.

"Don't you dare!"

He dared. Neteyam turned the water on and it soaked them both, her tail pointed up violently, the water was so cold!

“Neteyam! What is wrong with you?! Let me go!”

He didn’t let her go, he let the freezing water ground him. He'd almost let her do whatever she wanted with him.

"Oh, poor Tala. Can't handle a little cold water?" He taunted, standing straight proudly as he cupped her ass to support her weight better. He held her up around her back, with his stupid strong arms. She closed in on his face with a petulant hiss, nails digging into his shoulders.

"Happy with yourself, soldier?"

He looked at her, watched the way the water streamed from her face, her hair, onto the valleys of her breasts and her tummy, creating a perfectly little triangle down her pelvis. He smiled, showing his fangs.

"Yes, thank you filtsyíp."

OH, he said it was such a smirk, she wanted to slap it off entirely. Great Mother, she wanted him to drop dead. Tala steamed for a good few seconds, the water slowly turning warm, and she watched dirtied water flock and swirl over the drain. Her tail was swinging back and forth, enraged.

"Seems like you needed to cool down, and took me with you because you're a..." Tala's reply devolved into grumbling curses and Neteyam laughed.

Soon the soldier turned off the water and sat her back down on his bed, now shivering. He contemplated giving back her lab coat, but it's not like the material would do much to dry her off.

He threw her an extra towel carelessly. 

"Finally. You trying to get me sick now too?" Tala scathed. She continued to glower at him as she worked to dry herself off, looking away from him as she patted at her dark hair.

Neteyam rolled his eyes and walked close to her, kneeling towards her as she sat at the edge of his bed. The corners of his mouth were raised but Tala could hardly call it a smile, not with it brimming with arrogance like that.

"Want another shower, filtsyíp?"

She tightly frowned.

"Then keep that mouth shut."

--

Like a wet cat, Neteyam unceremoniously handed Tala off to Private Patty a few 10 minutes later.

"Corpor-aluhhhhh." Patty's composure was compromised, seeing two very wet na'vi as she stood in front of Neteyam's quarters. Her yellow eyes darted between the two, each face had irritation practically glowing from their features.

"Just take her back to Lab 12 now." He said tiredly and handed Tala off to the guard.

"Sir, yes sir."

The door closed and Tala sneered at him the second before it completely shut. She stood up straighter, a towel still covering her and she looked up at Patty.

"Do you even want to know?"

"No. Let's get going, troublemaker."

Tala sighed, her ears flat against her head in irritation. She followed Patty, casting one last glance at Neteyam's door. This was another lesson, it seemed, that she really should stop being so willful and think ahead for a second.

Because no amount of humiliation and guilt was worth the treatment of being HIS little toy. She prayed for his sake that he would not get hurt again, because surely, she would NOT be helping this time.

--

Neteyam fell back into his bed, slowly dressing back into his usual uniform now that that yomioang was out of his space. He wanted to welcome the usual drumming in his head, the usual migraine but Tala's scent was unfortunately everywhere still.

He wanted to punch something, so he figured getting up and getting some sparing done would do him immense good.

As Neteyam put on his headband he realized that the main source of her scent was still on his bed, her lab coat. He had forgotten to return it to her, having had too much fun mocking her towards the end.

With only little expectation now, Neteyam dug into the last pocket. Might as well, it was more about the principle than actually finding anything-

He felt the prick before he could see it and there it was… a thin and crude titanium needle, tiny and unnoticeable at the bottom of Tala’s pocket. The tips of Neteyam’s fingers held the needle in place as he excruciatingly slowly pulled it out, letting it glint even from the low light of his room.

Ah.

He should have known.

--

Patty turned first, hearing loud footsteps behind them as Tala walked ahead of her, wrists clasped together once more.

"Corporal Tom?"

Fingers poised as claws and it latched onto Tala's neck, her scream died as the hand began to squeeze at her windpipe. Her own hands flew to it, digging her nails into the skin but nothing deterred him.

“Change of plans, Private. I'll take her back myself." Neteyam husked and Patty knew immediately how pissed he was.

"Wha-what's wrong, sir?"

"None of your concern, Private. This won't take long." He roughly turned Tala to face him. His eyes looked like suns burning into her but he was emotionless. She was just so good at pretending, wasn’t she?

“You never did answer my questions, filtsyíp. It’s fair for me to get them now.” He discretely slid out the end of the needle from underneath his watch and Tala balked. Oh, shit.

"I-I can-"

Her words were interrupted when a larger group of prisoners shuffled across his path, a pair of guards to every few shackled na’vi. Their blue skin was drenched, still shaking and freezing from the pouring rain outside. They created large puddles as they walked on the otherwise immaculate Bridgehead flooring. There Anke’ti was, amongst the miserable group, having just returned from the dark and cloudy outside from digging useless trenches around Bridgehead. His body may have been numb to the bone but he could smell his best friend and his head snapped toward her

Green met green, Anke'ti's eyes widened at the scene he stumbled upon. That resurrected soldier, the Sully, hand squeezed around Tala's throat.

"Tala...!" He gasped, breaking the formation of the prisoners. It caused confused and agitated mumblings, hisses, from the other na'vi and the guards yelled at them to keep in line!

"Yayo!" Tala reached out for him, making Neteyam's sneer only worsen. Him again.

Against a well-rested soldier with minor injury, a starved and exhausted captive was definitely no match. Neteyam elected to sidestep Anke’ti and use the force of his leg to kick him back to the floor, next to the other prisoners. Tala screeched, a panicked voice bubbled from her constricted throat.

"Don't hurt him!"

“Don’t do this.” The soldier warned Anke'ti, ignoring Tala. He noticed another soldier about to strike at the group with a powered up baton and he opened his mouth to order them to stop when another voice bellowed out instead.

“You wanna blow out the entire facility? Turn that shit off, boy!” Quaritch’s growl and thunderous footsteps hushed the aggravated soldiers and warriors. Soldiers stood straighter, their batons turned off but at the ready as the prisoners huddled closer together, snarled and ready to strike back.

“The fuck’s going on, Tommy?” The older man barked, eyeing the entire group. An apprehensive prisoner, a strong grip around a smaller female, her smell strong on his Corporal. Oh, just great.

"I can handle this." Neteyam gruffed out. Quaritch snorted, golden eyes landing on Tala and instantly it made her cower, lowering her eyes back to Anke'ti.

"Anke, stop." She whispered hurriedly, eyes gazing at the rest of the prisoners. These were not warriors, perhaps she and Anke'ti may have been the only ones in that hallway, and that meant whatever her friend did, they would follow.

Anke'ti glanced at her, conflicted.

Neteyam noticed and with a silent huff, he let go of Tala's neck. He took a small step away, closer to the Tawkami male now, fingers lazily draped in the air.

See? Now get back in line.

Anke'ti's ears folded flat against his head, but after his friend nodded at him reassuringly, he straightened his posture. He no longer radiated aggression, and shuffled back to the group.

The other na’vi took notice, they too calmed their stances.

Quaritch sighed and jerked his head at the nearest dreamwaker. “What’re you waiting for? Take them away.”

Neteyam kept his eyes on the Tawkami long after the rest of them shambled away, though again the Colonel casted his stare on him.

He scoffed at his appearance and the little love bite, “Careful, revenge is a good motivator for a prisoner like that. A bit of stress relief ain’t supposed to get you killed.” When he called her stress relief Tala's ears pointed down, embarrassed and fearful. Was he going to tell him now about what she's done, especially about Halloway?

“We live stressful lives, Colonel. Everything we do can get us killed.” The soldier cooly replied. It made the old man's expression pinch.

“Jesus Christ, if that aint the truth… Regardless, glad to see you’re up and about, finally. That looks like that smarts.”

He glanced down, the blood through the bandage was no longer bright red.

“I’ve handled worse. If you'll excuse me, Colonel.” Neteyam glanced at Tala, who resolved to watch Anke'ti's back disappear into the distance. She was so worried now, he looked thinner still.

"Keep it short. Mission briefing’s at 0-900 hours." Quaritch started to walk away, leering at them both. "Private Eastin, follow me."

"M-me?" Patty owlishly blinked but nodded. "Sir, yes sir!" She scrambled to follow the older Recom soldier, she looked back only once at Tala and Neteyam. When they finally disappeared down the winding halls of Bridgehead, Neteyam's grip returned, now on her braid.

"Now, where were we?"

Tala hissed from the pain, forced to quickly follow the soldier's lead into an emptied and dark lab. He roughly pushed her against the wall as soon as the doors locked shut, seething. Neteyam's eyes looked like they were boiling through hers.

"Did you hope your yayo would save you now?"

The air was knocked out of her chest, his arm pushed against her harder onto the wall. The room was dark, darker than his room, and Tala felt suffocated further by the way his eyes glowed gold in the shadows.

"I-I don't know-"

Neteyam again pulled out the needle and she huffed. "That's literally nothing, Neteyam."

"It's what you used on Halloway, isn;t it? You wouldn't be dumb enough to have only one, would you?" He pulled her kuru back, making her whimper as it forced her to look up at him more.

“There’s a symbol being spread around the facility here. Was it you?”

Tala’s breath hitched, even if she hadn’t seen him for three weeks, he was still around Bridgehead. He must’ve been informed. Her brows pinched together.

"What are you even talking about?" She struggled to choke out, fingers gripping the metal wall. She tried to find any purchase, any bit of relief.

The towel fell from her shoulders and onto the floor. Without it, the na'vi was completely bare so she moved her legs closer together, only for Neteyam to kick them apart once more. He dug his knee between her thighs and she hissed at the friction, her skin against his rough camo-pants.

"You're just a little whore, aren't you, Tala? What, changed your mind? Decided you only wanted my cock?" Neteyam taunted, riding his knee further up so it directly and roughly rubbed against her cunt. Tala breathed deeply and quickly.

"J-just get to the point, Neteyam. Are you really this angry over a tiny piece of metal?" She laughed meanly, because she knew too well how to. "Or was the cold shower actually not very helpful?"

He growled above her and with both hands he forcefully dug into her hips, grinding her down against his clothed thigh. Tala mewled, shuddering violently.

Slick was already coating the waterproof material and the Omaticayan buried his face into her wet hair. He growled his amusement against her ear. 

"Look at you... answer me and I can help you, little toy. It looks like you need it."

Tala squeezed her eyes shut, her fangs prodding into her bottom lip. Her handiwork, the mark she’d given him and her treatment on his chest, mocked her so vividly. She did forget herself.

"I-mmm!-I didn't..." She whined, balling her fists up against Neteyam's chest. He was fully clothed, now sporting a black tank top that let her lean against his bare neck. His scent, she hated that she was becoming addicted to the tree musk and sunlillies on his skin.

"I-there are metal scraps in-in the lab. I don't have any more." She explained, though she found it hard to focus as he continued rhythmically sliding her up and down his thigh. He was her only source of warmth now and she quivered as she chased it.

He sighed, suddenly stopping. Tala squeaked, supporting herself on her tippy toes as she gawked up at his smug expression.

"Were you planning on using it on me, little toy?" He asked, noticing though that she was struggling not to move at all. The material of his pants were driving Tala crazy, stiff wrinkles kept pressed against her sensitive vulva.

But the question knocked some sense back into her and she glared at him.

"Why would I do that after I just finished treating you? I didn't plan for you to get shot and then somehow I be available to heal you, if that's how far you're thinking."

Grumbling, Tala tried to step out of the muscled thigh. Her scent was heavy, it felt like it was almost suffocating him and Neteyam roughly held onto her ass cheeks now, commanding attention again. Her leaf-green eyes were dark, it made him think of lightning in the jungle.

"Who knows, maybe you've already flirted with some other guards while I was gone. Maybe you got yourself your own little group of rebels willing to fight for your escape. Your yayo was about to."

Tala's ears strained, his comment baffled her.

“How badly did the vrrteps mix up your mind, hm? One moment begging for me, the next stranglin–”

She couldn't finish the sentence when suddenly Neteyam forced them both into a large storage locker, he locked the cabinet from the inside and covered Tala's mouth. She was about to struggle when she heard a familiar click and whirr of the doors opening.

"So how much do we need?"

"Only like 30 kilograms, it should be somewhere around here." Tawtute voices rang through and Tala tensed.

Neteyam kneeled behind her and very slowly and silently, he led Tala's body to also kneel, able to disperse her weight on top of him--

She jumped away when she suddenly felt the delicious lick of pleasure of her hard cock against her shiny pussy lips. She whined but that only caused Neteyam's hand to clamp around her face harder.

"You hear something?"

"Huh? No?"

Tala dug her nails into her palms as they sweated against the inner metal walls of the storage locker. She tried to resist when Neteyam's other hand started forcing her down, squeezed against her clavicle and neck.

Her thighs trembled when once again the tip of his cock slid against her wet cunt, she couldn't even turn to see his expression. All she knew was that he was horny and insane and angry at her.

Slowly and carefully, the soldier moved his hand away from her face and she breathed as deeply and quietly as she could. His tail came in front to wrap around her waist, coxing her  hips to lower more.

She shook her head, knowing he would be able to see her.

"You stay quiet and I'll forget the whole thing, hm? Besides," Neteyam mocked, whispering into her hair now as he embraced her from behind fully, "You like riding me, don't you?"

Tala cursed more expletives than she realized she knew in her head. Neteyam knew what he was doing was overwhelmingly unnecessary right then, that really he should have reported the entire affair and dust away any bitter feelings.

And yet, it crushed his ego to realize she was right. The cold shower did little and now her tight cunt was mere centimeters away from his weeping cock. He wanted to fuck her and fuck away all these strange feelings of betrayal, indecisiveness. All those feelings that swirled whenever he was around her.

Tala bit her lip as finally her hips lowered. Neteyam used his other hand to adjust his cock into her entrance, she stopped at the bit of resistance of her folds.

He squeezed her neck to kill her squeal as he pushed her down further on his ridged length, stretching her out in one thrust.

Her shackled arms reached in front of her, fingertips willing to not make any sound as she needed to keep her balance and sanity. Something about being in this extremely confined and dark space was making her nerves go on fire and her walls immediately squeezed around his ridges. Neteyam bit his own lips, he continued pushing her body down until her ass was flush against his hips.

Great Mother, his hard cock was pulsing warmth inside her, Tala couldn't control her inner walls spasming despite them not moving.

"Be good." He strained and Tala nodded, still unable to speak with his hand on her throat. Unknowingly, her tail wrapped around his forearm tightly. Oh, she felt like she was going to cum from him just being inside her now, what was happening.

Her eyes were fluttering open, eyes rolling back and her knees were shifting her position slightly, letting her rut tiny movements on him.

He couldn't help himself, she wasn't being good and in this situation, she would be far more mortified than he in getting caught.

So he let go of her neck, which let tiny sounds spill from her closed mouth. He brought both large hands to start playing with her tits, teasing the stiff peaks carelessly.

She hated this, she hated this. She felt so humiliated, how easily she became putty in his arms. She thought she'd gained some sort of foothold over him, but he knocked her down so easily and now his cock was so pleasurably rubbing against her sweet spot over and over, heating her up from the inside. Oh, she hated him, she hated him--

The voices outside stopped, the door whirred loudly closed and instantly Tala crumpled on top of him.

"NNnhg!" She moaned, high pitched and whiny.

"Was that the best you could do?" Neteyam teased from beneath her but before she could reply he fucked up into her harshly.

"I-MMM!" Tala brought back her bound hands to her mouth, trying to muffle the wanton moans as she tried not to fall over from his powerful thrusts. It was nothing like last night, he fucked her to dominate her even though she was on top.

"You wanted me to beg, hm? Wanted me to kiss you all nice and soft?" He pushed her face against the locked cabinet door, rutting into her even faster and rougher, their bodies smacking against each other in the dark heat.

"fuck,, fuck fuck!" She cried tightly to herself. Her tongue rolled out of her mouth, mind was getting hazy now...

"C'mon, ma'fil [my toy]. You want to do good for me, yes?" He groaned as he watched her fucked-out expression and the way her pussy squeezed and sucked in his cock hungrily. He could see all the details of her blushing flesh so easily in the dark, he enjoyed smelling their scents and their juices mixed together inside the locker.

"Ahh, ahh, mmg, gonna-gonna cum, please!" She whined, eyes rolled over. Her hands clasped together tightly, legs were beginning to shake from how roughly he was fucking her.

He just wanted to hear that pretty pussy make all of its pretty noises, wanted to make it squelch as it came from his cock.

But he had an idea, and as excruciating as it was to stop, he did. Tala gasped.

"Bu-what, please!" She whined, trying to grind her hips back on him but he suddenly fully sat down, caging her body in his arms. He leaned against her back, licking at the light sheen of sweat.

"Mmmh, please, Neteyam, please I need to---"

"Only good girls get to cum" He drawled out, he could feel his length twitching inside her and it drove him mad but he resisted.

"Good girls don't make sneaky little weapons or flirt with other men."

Tala cried out, "But-but I didn't~!" In the haze of her desire, the lies sounded extremely true even to her. Well, she never flirted with other men at least!

"Your poor yayo, wonder how he'd feel seeing you begging me now? How did he feel seeing my mark on you?" In place of his lust, Neteyam's cruel words were growing. Tala fidgeted, confusion laced in her every breath.

"W-what are-"

"Or your little mark on me?" He bit into her skin and desperately she squeezed his thick cock head inside her. It made him involuntarily buck, it's true, but it wasn't enough. Not by a long shot.

"We're not lovers, if that's what you're trying to say!" Tala huffed, frustration beading up. "M-maybe I did only want you, you inside me, okay?"

She twisted as best as she could, at least to make eye contact with him and he could see little droplets cling to her eyelashes.

"I’m your toy. Please let me cum~!" It was her final whimper, the only thing she could think to say in that moment and by Eywa, was it the best thing she could've said.

For Neteyam's yellow eyes widened, his pupils contracted even bigger as his possessive nature was stroked to perfection and he basically purred. She was his toy, wasn't she?

"Now you finally get it." His fangs gleamed even in the dark when set Tala against the floor of the locker now, ass raised up.

"OHH, MMMM!" Tala screamed when Neteyam plunged back into her hot and wet core, haggard moans and breaths punching out of her lungs.

He fucked her so hard she thought he was willing her to become part of the floor, but that didn't stop her juices from flowing out of her nonstop or her orgasm from skyrocketing.

"Ahh, ahh,-MM,MM oh, oh, great mother I’m gonna--"

"C'mon, cum for me, Li'Tala."

Tala screamed into her arm as her body convulsed, she was seeing stars as she came so hard she instantly felt numb. Neteyam growled loudly and his hips stuttered, her walls strangling his throbbing length and it coaxed his cum to coat her insides again and again.

A few moments later, Neteyam kicked open the locker door, letting in refreshing air to cool their skin as he cradled Tala against his body. They panted hard and in sync, their bodies twitching from exhaustion and ecstacy and now sticking together, sweaty.

Tala was exhausted, emotionally and physically. She didn't even register how Neteyam had entwined his tail with hers, otherwise she'd surely jump at the opportunity to tease.

"No more of these metal things." Neteyam huffed out.

"Okay..."

"Or those symbols."

"Alright..."

Neteyam shifted, nuzzling into her neck. He liked her perfume too much.

"And don't forget what you said... you're MY toy. Mine."

Tala weakly glanced at him, though his face was still hidden away in her hair. She bit her lip and looked forward, the way their legs tangled together.

"Yours..."

The word felt heavy and bitter in her mouth.

----------------

It’s been a week and Tala had found herself at an impasse.

By no means did she keep any such requests Neteyam had asked of her, Orlek’an simply insisted on her being more careful and that the Anurai woman handle the rest.

She sighed, Neteyam was becoming… overzealous. They had seen each other every day since that incident and each day increased in both intimacy and confusion.

“Something wrong?” Tala turned in her stool back to Dr. Hanson. She smiled cheekily, of all the scientists he had become her favorite. Extremely easy to annoy.

“My ass hurts.”

He choked on his coffee and Patty chortled loudly behind her. Tala sighed louder and stretched out onto the table, prompting the scientist to quickly move his coffee mug and digital pad away to make room.

“Can’t you spare me any zoslu paste? My hips feel like they’re about to break.” Tala whined softly, though truly she was not expecting any charity. Patty howled even louder and Dr. Hanson sputtered.

“I gave you advil! And Jesus Christ, get up! We still have 18 more samples and variations to look through!” Dr. Hanson yelled. Tala rolled over and looked up at him with fluttering eyes.

“Please, a break? I’ll be very cooperative after, I promise.” She asked meekly, her voice small and sad, and Dr. Hanson sighed into his mug.

“Fine. 20 minutes, and then back to work!” He grumbled. Tala smiled and purred against his arm, from 5 minutes to 20, she had done a good job wheedling him to be nicer and nicer.

She took off her new coat, for some reason Neteyam had permanently kept her old one, and laid it flat on the floor. It would be her only cushion and yet it was enough for her then anyway.

As Tala curled onto the floor, her ears could hear the soft whirring and vibrations of mechanical components and people walking and talking. She didn’t have many solid clues of how long since she’d been captured, a few months now at the very least.

It felt like a new lifetime. Eerily comfortable and constricted, Tala increasingly felt a weight settle on her chest with each new cold day she woke up to.

Tala looked down at her hands, inhibitors heavy on her wrists. How long has it been since she’s seen the skin underneath?

Why does she worry about these tawtutes, these bare acquaintances?

How much longer did she have to stay a toy for someone who obviously despised her?

Was there nothing she could do but wait for Eywa?

Tala sighed, she could feel her face heating up. Oh, she’s tried so hard not to think about any of this, she needed to compartmentalize it all, yet the moment she relaxed everything bubbled to the surface.

Not to mention everything with Neteyam. Especially after what had happened the week before, Tala wished desperately for his face to disappear from her thoughts. But it never did.

He was ruining her, though perhaps she was giving him too much credit. 

The Tawkami put her focus back on listening to the machines clicking and vibrating. It was calming, she could get lost in this rhythm, she just needed to calm down. It reminded her of water and rain, and she wished she could see it again–

“GET UP, NOW!”

Patty violently hauled Tala up by her shoulder and only then did she pay attention to all the other noises. Shouting, some screams of panic. Tala snapped to Dr. Hanson who was cursing and gathering materials left and right as Patty impatiently punched in codes for the lab doors to open.

“Wh-What’s-?”

“Flooding in Sector C. It’s been raining hell for fucking days, and something’s punctured the fort!” Dr. Hanson yelled and scrambled after them as Patty dragged her to run down. Rain?

The hallways were filled with scrambling scientists and some guards barking orders, soldiers quickly clearing out rooms. Tala passed by the opposing hallway that led to the prison. “Wait!” She hissed, pulling at Patty’s kuru. The soldier yowled and glared at her.

“What the fuck!”

“Orlek’an, my friend!! What about my friend?!” Tala shouted over her. Patty made a face and looked towards the prison.

“I’m sure the guards cleared her outta there, now let’s move!”

“We have to check! Those guards are skxawngs, they barely even remember to feed us!” The Tawkami girl seethed desperately. “Please, Patty!” She begged loudly over the alarm now blaring through the compound. The lights went out and Dr. Hanson screamed more curses. She could hear Patty curse loudly. Tala yelped when she felt liquid spilling onto the floor and it only made her cling tighter to the soldier to beseech her.

“Please!”

The emergency lights came back on, shining green. Patty glanced at Dr. Hanson, obviously as scared shitless as they all were, and then back at Tala. She cursed again and hit some buttons on her wrist tech and Tala’s hands were freed apart.

“I’ve deactivated the magnets on your cuffs, and I've allowed you full access to the floor. Just hit this code on the door and you can get your friend, follow the blinking lights for the exits. My priority is the safety of Dr. Hanson.” Patty explained quickly and Tala nodded.

“Wait, you can’t just let her go-”

“We’re getting you out of here, Lloyd, no questions!”

“Patty!” Tala yelled.

She turned to Tala.

“Thank you.”

Patty’s mouth was tight as she nodded and she picked up Dr. Hanson, bounding the other way.

Tala looked for only a second until she too was running fast, making large splashes with every leap, basically tearing her lab coat off. She was trying to take care not to slip, but the water level was rising surprisingly quickly.

The water was up to her shins when Tala arrived at the prison doors and punched in the code.

“Orlek’an!!”

“Tala?!” The Anurai woman screamed out, her hands raw from scratching at the cages. Tala sped to Orlek’an, seeing her clearly for the first time.

“How did you-”

“No time!” The younger quickly punched in the code for Orlek’an’s cage and she breathed out in relief when it blinked white and the metal doors opened.

For the first time, Tala looked at her Anurai cellmate fully and wholly, she was older than her, she had already known, and beautiful. Her eyes glowed amber and quickly the two women held each other tightly.

Tala let out a watery laugh, the Anurai woman was so much taller than her, and she smelled like yovo fruit and waterfalls.

“Here, quickly.” Orlek’an handed her a bundle of darts, and bandaids to hold the sharp and rough metal by. Tala almost hesitated but gripped the darts carefully. Much bigger than the needle Neteyam had confiscated, these ones were coated in the nonlethal poison Tala managed to create behind the scientists' backs.

She nodded, finally, it was time to enact something they’d been preparing for weeks together, just them two. 

“Let’s go now, young one!”

Orlek’an grabbed Tala’s hand and the two waded as quickly as possible away from the prison.

Tala strained her eyes between the dark and bright green, the lights blinking. She gestured for the Anurai to follow her and the two swam and paddled desperately.

This must be the disaster, the first one of Eywa’s Revenge. By Water.

They dove, a light at the end of the hall. When the women resurfaced at the exit, soldiers herded scientists and prisoners, scrambling all around in the chaos. 

The rain made it still so difficult to breathe but Great Mother…

Tala inhaled deeply, the rain and the seawater, the mist and the dirt.

Finally, she was outside.

But only just.

Orlek’an and Tala ran behind more facilities as they made their way to the docks, which was no small feat. Though the sea wall was massive and easy for them to locate, Bridgehead was even bigger and water sloshed all around, making it difficult for any one of them to gain footholds.

The force of the waves was enough to topple over the people in large exoskeleton-machine suits and every so often, Tala or Orlek’an would throw their paralyzing darts. The rain was on their side, never did a droplet deter a dart from its trajectory and each throw left a dreamwalker or tawtute soldier falling to the ground, stunned.

When they neared the sea wall, they were not the only ones. There were multiple prisoners, each had risked their escapes by the raging ocean than by attempting a crossing of the RDA’s Kill Zone.

Tala’s eyes blinked away heavy raindrops as they strained, she turned to Orlek’an. “Why way?!”

The older woman also searched until her eyes landed upon the edge of the seawall, implanted into a rocky cliffside next to the edge of the sea itself. The older na’vi gestured for Tala to follow her as they sprinted towards the edge, losing their footing as the waves that tumbled inside Bridgehead city only increased in violence.

Tala gasped, eyes locked onto a figure already on the sea wall.

“What is it?” Orlek’an shouted.

“It’s– It’s my friend, Anke’ti!”

There he was, already deep in the water and crashing with violent waves, trying to scale over the sea wall. Each time he got closer and closer to the edge, and each time his blue body was more and more visible against the cement.

Tala clasped Orlek’an’s shoulders.

“Go on! I need to help him!!” She shouted and then hugged Orlek’an tightly.

“Goodbye, my friend. Eywa be with you.” She whispered with all her heart. She could tell tears were streaming down her face already, despite the torrent of rain. Her first friend, her only friend here.

“Eywa be with you, Tala.” Orlek’an kissed her cheek and they looked at each other for what could be the last time.

Tala squeezed Orlek’an’s hand, tried to smile, then dashed past the woman. Eywa, she prayed, she prayed deeply for all her friends to survive and to see them again.

She ran breathlessly toward the closest edge of the sea gate, enclosed by natural hills and mountains. She started climbing, feet singing as they crunched on the wild grass underneath. It was wonderful, but she could not stop to admire it! She needed to go faster!

Tala kept her eyes on Anke’ti as she climbed, he was so close, so close to reaching the edge, and – yes! Anke’ti grabbed onto the edge of the sea wall and started climbing himself up. The strain of everything, his thin body shook in both the wind and exhaustion. He had already been experiencing the pressure of rain on his back for many days now, he looked so tired.

“ANKE!” She screamed and she could feel herself smile for that briefest moment when his tail raised, ears flicked. Anke’ti continued his struggle, continued pulling himself up.

Hope filled Tala’s heart, she just needed to see him off, follow him once she knew he was over—

A spot of black in her peripheral vision, a malicious shine through the torrential rain, a gun – NO! It was pointed right at him!

Tala changed her direction towards the soldier, trying to climb faster but it simply felt too long, she felt too slow, she wasn’t going to make it in time, the soldier started to squeeze the trigger and–

Tala prayed to Eywa with a scream.

.

.

tag list: @xylianasblog @itchaboi-itchyboy @hotdsworld @pandoraslxna @luvv4j4ybe11 @neteyamsyawntu @akoyaxs @whatevenisagrapefruit @teyamsatan @justcaptiannoodles @theblueflower05 @neteluvr @neteyamssyulang @plooto @hao-ming-8 @teyamsilly @vivid-ink @vampirefilmlover

#liar liar #avatar way of water #neteyam sully #fanart #fanfic #atwow neteyam #neteyam x oc #smut #doodle #recom neteyam #AU #rda neteyam #avatar 2

[chronicbitchsyndrome]

the thing is, in my crippled opinion, i think we're missing something when pointing at art that's inaccessible in various (including dangerous) ways and saying there's no reason for it to exist. in that like, yes, nobody needs to play a game that needs such intense motor coordination skills that even fully abled players take years of practice to finish the full game, and nobody needs to look at a webcomic where the colors are so saturated they leave the site with a massive headache, and nobody needs to risk death via latent-seizure-disorder by watching a movie with intense red-blue color flashes.

but some people like those experiences, for whatever reasons. some people enjoy doing things that are uncomfortable, risky, and even harmful, like getting choked by their sex partners, or belay-free mountain climbing, or going to a concert with a ton of flashing lights. so it's incredibly low-hanging fruit for someone to be like "but there is a reason. me. the target demographic. i am the reason this art exists" and like. that's real!

which is why i tend to aim my cripple bitching more towards accurate content warnings and diversity of media. i'm not trying to remove all video games that require extremely fast reflexes from existence; i just think video games that are accessible to people with the worst hand-eye coordination known to man should also be able to get made with equal amounts of funding and structural support (and also i really want IP law to shift enough that mods of existing games that change the skills necessary + entirely retooled spinoff games that focus on entirely different skillsets can exist without constantly being under attack from IP holders like nintendo). i'm not trying to take away the spiderverse movies as they currently exist; i just want all of their advertising plus the movie itself to contain warnings for flashing lights and other seizure triggers.

and this isn't even a compromise, to me; i don't see any reason things that are unpleasant and dangerous to me shouldn't exist for other people. but like, i am extremely kinkbrained and that's probably where this mindset comes from. it's very hard to be like "something that could possibly kill me shouldn't exist even if other people like doing it with fully informed consent!" when i just listened with great interest the other night to my discussion group partner describing an actual crucifixion scene she attended.

[dystopianam]

Masterpost: All the Lighting Mods for The Sims 2 ✨

I'm making this post both because I like to group things under one post and because I need it as a link to add to my tracker, but still I think it will be useful for many!

Look here for other masterposts!

Lighting Mods

# Gunmod's Radiance Light System 2.4 by dDefinder on ModTheSims - A realistic, extremely dramatic, sometimes very dark lighting mod that increases the intensity of colors, lights and shadows and adds sunrise and sunset to the game (they don't exist in the vanilla game)

#Gunmod's Radiance Light System 2.5 edited by @dreadpirate - An updated version of the aforementioned lighting, with much more compatibility with many shaders and less blue nights! Every Season it have they own lighting color: Summer is vibrant, autumn has warm colors, winter has cold colors, and spring has a little yellowish "filter".

#Maxis Match Lighting Mod by Dreadpirate - The environment is more saturated and bright, removes the dull gray tint that vanilla game has. Everything is smoother and more uniform. The shadows are calm, exactly like the ones in the vanilla game. Each season has its own lighting, the nights are black instead of blue and it has many compatibility with many shaders. This one also has sunrise and sunset.

#Cinema Secret by Dreadpirate (@veronavillequiltingbee) - A perfect mix between the Gunmod Radiance and the Maxis Match Lighting mod. It use elements of both, such as the shadows and calm colors of the MM Lighting Mods but the intensity of the lights of the Gunmod Radiance (especially noticeable when using neon lights). It has many compatibility with many shaders, the nights are black instead of blue, it has sunrise and sunset and every season has its own lighting.

#SpookyMuffin Lighting Mod - Recommended by a user in the comments! I don't know how to talk about this Lighting Mod because I've never used it, but the post on the site explains what it consists of!

#The Sims 2 Beta Lighting - By opening the link you will see a YouTube video by @boringbones that will explain how to have The Sims 2 Beta lighting! (The download can be accessed from his Discord link in the video description)

#5:55 Lighting by Bugjartimedecayoff - An edit of Radiance 2.4, with much brighter outdoor lighting at night (very similar to Maxis' default night lighting) and soft peach-tinted dusk & dawn lights.

#Rae-diance Lighting by Raemia - Another edit of Radiance 2.4, with the differences being brighter nighttime lighting & brighter unlit rooms, plus reduced room-saturation.

#Original Vanilla Lighting Backup Here!

Lighting Mods for the Neighborhood

#Neighborhood Lighting Remedy by Criquette - This lighting mod is ONLY for the neighborhood and you can use it together with any of the three lighting mods mentioned above. Fixes the direction of the lights and shadows to be consistent with that of the lot imposters and makes it more consistent with lot mode.

#Accurate Neighborhood Terrain Lighting by @simnopke - This lightind mod is like the above one. It is only for the neighborhood and can be used in conjunction with a DP & dDefinder lighting mod but NOT in conjunction with Criquette's NH Lighting Remedy.

EDIT: simnopke said: "My Accurate Nhood Terrain Lighting mod does something different than Criquette's Nhood Lighting Remedy and can be used with it. Moreover, my mod has two versions intended for use with Criquette's mod."

Lighting Mods for the CAS (Create a Sim)

#Minimalistic CAS Lighting Mod Replacement with Custom Light by Dreadpirate - This lighting mod is CAS ONLY and can be used together with a dDefinder or DP lighting mod and a lightind mod for the neighborhood. Using similar lighting to the MM Lighting Mod, it makes the CAS more saturated and smooth. You have to change a value in a lights file within the game install path but it's worth it!

One small problem I've noticed is that when used with lighting mods other than the MM Lighting mod it often doesn't work well even if the value is correctly changed. For example, when I changed the lighting mod and switched from MM to Cinema Secret, it triggered the super lighted sims bug in CAS which I didn't have before. But then again, this could be just my problem. There is fix by Lazy Duchess for this bug but you need to be very careful. Sometimes it conflicts with some shaders (as in my case) and unleashes an absurd pink soup even in bodyshop even if bodyshop shouldn't have anything to do with it. But AS ALWAYS, maybe it's only a problem of mine because I'm very unlucky.

EXTRA SHADERS BUT NOT REQUIRED

#Better Nightlife by @criquette-was-here - Even if it does not change anything graphically with colors, lights and shadows like a lighting MOD it adds shaders that allow the deco hoods to light up during the night. So for example, by downloading hood decos compatible with this shader you can have street lamps that light up on the street (in the neighborhood), buildings lit up at night, lit bridges etch.

#Blue Snow No More by Dreadpirate - This shader removes the blue tint that snow creates even if you use lighting mods that make the night black instead of blue. Many DP lighting mods (Like MM Lighting Mod) have this shader already included, so you don't need to download it, this is an individual shader if you don't use their lighting mods. To be honest, neither the shader INSIDE the lighting mod nor the shader by itself has never worked for me, but I think there is a problem in my download folder at this point or I am very unlucky.

#Overly Bright CAS Fix by @lazyduchess - As I have already explained before, this mod fixes the bug of super enlightened sims in CAS. Sometimes it can conflict with something (which I don't quite understand with what) and trigger an absurd pink soup, so if you suddenly start to notice more pink soup than usual try to remove it and see how it goes.

Maybe it just conflicts with some lighting mod or some shader. In my case it could be the DP's lighting mod for the CAS.

#Moi Shader Roof by niol on ModThe Sims - This shader fixes the lighting of roofs which sometimes appear much darker than their texture. Many lighting mods from DP have this shader included OR are compatible with this shader. So check the descriptions under their lighting mods before downloading it.

#Brighter Roofs...But Not Too Bright! by Deastrumquodvicis on ModTheSims - Same as the previous shader, but makes the roofs less bright than they show with the aforementioned shader. This shader uses Moi's shader as a base, so you can NOT use both. Use only one. Many lighting mods from DP have this shader included OR are compatible with this shader. So check the descriptions under their lighting mods before downloading it.

#Moi's Neighbourhood Water Global Mod by niol on ModTheSims - This mod changes the water color of the neighborhood. Nothing more nothing less. Many DP mods are compatible with this shader.

#Pond & Sea Water Overhaul by Voeille on ModTheSims - This mod changes the water of the sea and ponds and makes it more realistic using The Sims 2 Castaway water shaders. Many DP mods are compatible with this shader but for some shaders like Better Nightlife it needs a little more attention. For example, if you use Better Nightlife you will need to use the version of these shaders provided by the Better Nightlife link to be compatible. So you have to delete these for use their shaders if you want both.

You can't use this together Moi's Water.

#A World Lit by Fire by hat_play_sims on dreamwidth - This mod itself doesn't change shaders dramatically, but it change the color of some lights and make them more sensate. I'll explain: many maxis lights that are powered by candles or should give off a warm light regardless, give off a cool, white light instead. Have you ever seen a candle emitting white light? No! This mod fixes all lights in the game and makes lights that need to be warm... warm. Perfect for history-themed saves or for the ones like me, completely obsessed with candlelight in this game. Many DP mods are compatible with this shader. It's immensely beautiful when used with the dramacity of the Radiance System but works quite well with other lighting mods as well.

#the sims 2 #lighting mod #lighting mods #masterpost

[38sr]

Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.

Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.

Finding the right values:

So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!

If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?

The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).

While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).

Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.

And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).

The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.

Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!

#digital art #digital illustartion #color #anon #ask #send me anon #send me asks #color theory #tone and value