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#but I don’t really have a choice
jaegerbroshoe · 7 months
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Rewatching the finale, Jinx is actually a lot more self-aware than people make her out to be. I find it funny how people say Silco manipulated her into becoming Jinx when she herself reveals that his words over the years weren’t what shaped her into this. She even recognizes that he projects his trauma onto her. So like… I don’t think she was manipulated. She’s not oblivious.
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twinstxrs · 3 months
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
#gorgug thistlespring#fantasy high#dimension 20#fhjy#fhjy spoilers#btw these r just my personal opinions u r 100% free to disagree#gorgug & his rage interest me so deeply because of how deeply that rage existing seems to be against gorgug’s own will#like mechanically classes are choices & you can switch stuff around any time. but gorgug as a barbarian always felt like an unwilling choice#like that 14 y/o kid did not want to have rage. & that really interests me.#i’ve seen people before be like ‘what if gorgug dropped barbarian & went full srtificer’ but i feel like that simply can’t happen??#mechanically yea sure but it always felt like a core part of gorgug that the rage will always be there & it’s a matter of how you channel it#idk. dnd classes narratively being treated as ‘you can not lose this part of you’ even though you technically can#gorgug could be lvl 19 artificer & he’d still have 1 level of barbarian. because that is part of who he is.#btw i don’t think porter truly cares about gorgug valuing his rage only as a way to be a human shield#i think porter just sees that as ‘wrong’ but like. not as in ‘you need to take care of yourself’ & more ‘you aren’t conforming’#he thinks it’s wrong for the wrong reasons. the nastier ‘this is how you should be’ reasons#ppl being like ‘we r being too hard on porter. it’s an 150% courseload gorgug will be overwhelmed’ i think r missing the point bc like.#that is 100% a valid reason to not approve gorgug for multiclassing! but that’s also 100% not the reason porter rejected him.#that whole interaction was basically porter shoving his percieved version of conformity down gorgug’s throat. was v neurodivergent kid coded#no hate to anyone saying that last point btw these r all just opinions#thinking about last ep wilma & digby being like ‘you’re a great barbarian. you’re so great at it. but look at what you made!!!’ like.#they would never mean it like that. but when you only understand half of your son he is going to prioritize the half you do.
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squuote · 1 month
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something that feels particularly notable is how much the game itself pushes the player to continue, whether or not that aligns with the narrator’s desires. That there is no real consequence by not playing an ending except for denying yourself of seeing the outcome of that choice. Which in itself is the very nature of continuing to push the wheel. Choices lead to actions that lead to player interaction. And even in scenarios like the zending, where the narrator desperately does not want us to move forward, the game provides a way for us to do so anyway. The way that the game will always provide a choice no matter the moral ramifications. But whether or not you choose to take that option will always be the choice you bear.
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flickerintwilights · 2 months
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on the road to hell
#hadestown#art#my art#tag ramble as promised:#firstly#i’ve been thinking about redoing this as digital art#(like - mostly the same but cleaner and with some of the details fixed) and probably will if i have time#because i like this composition a lot#but! for now i am oddly happy with how this turned out despite being traditional art/watercolor (no undo button. sobs.)#and it Is a noteworthy day for hadestown with lola tung and lillias white departing#(this is Not meant to celebrate them specifically - i used the obc as reference not them - i just think it’s a nice day symbolically)#so i thought i’d put this out. whatever. yknow.#oh a second thing i will say is that this was a great excuse to check out the slime tutorials on youtube#i spent like 9 or something hours on this :/ so. plenty of time to have things on in the background while i was working. we love slime#thirdly! two things i feel like are worth mentioning rq for Symbolism:#wait for me reprise (intro) originally having wedding procession imagery (from anaïs mitchell in working on a song)#is what first made me desperately want to put the flower/petals on the edges (it still fucking haunts me)#though it was a solid composition choice in general i think#and i mean. clearly the carnation should be prominent. it’s the carnation. from hadestown.#i don’t think the wedding procession reference comes across the way it turned out but that was the first thought#NEXT ouroboros. the snake devouring its own tail (i legitimately forgot that this was why i first drew the rattlesnake that way but#fundamentally i really did just want its tail and head to point to each other lmao)
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biceratops7 · 9 months
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Sooo…
is anyone else having like, somber autistic thoughts about Muriel? Cause there’s just something so deeply relatable about this young-looking being, curious and delighted by the world around them, but constantly bewildered, overwhelmed.
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Always so grateful for connection, not to be underestimated or overlooked. Knowing they’re probably being tricked or lied to, but still somehow unable to not fall for it. Just that constant sinking feeling mixed with stubborn hope.
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I think the one good thing that came from this whole mess is that this friendless person kept in HORRENDOUSLY isolated circumstances with very little stimuli has found a way out, or at least a start. They are somewhere warm and homey, surrounded by books, things that are made to entertain, effect, comfort. Where people walk by every day, are in their space everyday, and they have all the freedom and ability to learn to be part of them.
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yellowsubiesdance · 3 months
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i think i’ve learned a lot when it comes to not applying my own values to the media i consume
for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.
and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.
all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.
HE IS NOT A GOOD PERSON.
if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.
you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.
#hazbin hotel spoilers#that’s not even touching on the fact that husk was an overlord too#he also owned souls that he used as currency to supply his gambling addiction#he’s also not a good person!!#the majority of these characters are in hell for a reason: they’re not good people#i quite frankly love the way this show blurs the lines between good and evil#our heroes are sinners and overlords and demons. while the enemies are angels. but that doesn’t mean our heroes are good people.#you HAAAVE to come to terms with that!! you have to stop seeing the world in black and white or you’re not going to survive this world#if you’re upset because alastor was cruel to husk fine! be upset! but explore why you’re taking yourself out of that world.#in this world sinners own other people. there’s no ifs ands or buts#‘oh alastor is a poc why would he own people’ he was a serial killer when he was alive do you really think you can apply your values to that#(and this is me speaking as a poc. specifically a mixed race poc.)#i cannot speak to who vivzie is as a person. but i’m interested in the message she’s writing and thus far i’m finding it compelling#it’s a similar story as the good place but it’s going the distance to explore even worse people than those in the good place#i don’t think it’s responsible to write something off just because unsavory things happen in it.#and she’s giving us so many different types of representation that don’t involve race (although we’re also getting a lot of hispanic rep)#just like cool your jets and maybe process some of the anger you’re feeling. and maybe nothing will change.#but if you act. instead of react. if you understand why you’re feeling some type of way and then make a choice.#that’s so much stronger and more responsible than reacting and not thinking anything through#hazbin hotel#alastor#husk#hazbin alastor#hazbin husk#anyway let me get off my soapbox#long post
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grahoriasfancave · 3 months
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Thinking about how in a single gameplay Jason (who already has blood on his hands and conscience from an incorrect call) can be faced with the decision to:
let Merwin face the vampires alone
stab Joey
shoot or abandon Clarice
shoot Rachel
lie to Nick about his chance of survival
leave Salim to die
And then thinking about how they find Balathu or Kurum half preserved and suffering and Salim decides they must put him out of his misery. And how when Jason automatically moves to follow through, Salim puts a hand on his gun and says “I’ll do it.”
It’s a choice born of practicality, not kindness. But to Jason, who’s made the call so many times he’s gone numb, it must also be a lifeline.
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flashhwing · 3 months
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if you think that Flint is in love with Silver is that really shipping or is that just media literacy
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yourqueenb · 6 months
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As a continuation of this ask that I responded to, all the things I mentioned are just parts of the overall issue I have with Blades…. which is that, in the grand scheme of things, I feel like MC is simply a plot device for the other characters rather than a fully developed character who has a fully developed and satisfying arc herself. It’s clear that Nia’s is the story the writers really wanted to tell considering how intertwined her characterization/development and the overall world building are. They basically even admitted as much.
So my question is why not just make her the MC if that’s really what you wanted on the not so down low? They still could’ve incorporated the skill mechanic. Why create a whole player character just to have us running to solve everyone else’s problems/support them while acting like everything that happens to us exists inside of a vacuum in the meantime? So far, all we’ve really been doing in this book is reporting where the group needs to go, telling them what to do, having heart to hearts with them when they need help moving to the next stage of their development, and then being spoonfed information through the lore tablets, which are apparently more for the players’ benefit than MC’s since they barely affect how we respond in game anyway. I’m fine with being the leader or the glue that holds everyone together, but to me it’s unsatisfying that that’s all we are as the main character.
We somehow become more competent due to the skill mechanic but no less clueless at the same time. We have all this terrible shit happen to us, but are only offered a few lines’ description of how that’s affected us. And then the rest of the attention goes to setting up the light vs. shadow conflict and our friends, who get to have personal and compelling conflicts of their own. I mean I feel like MC is more of an emotional support animal to them than an actual person with dreams, feelings, and a (minimal) background. Imo the only character who’s getting shafted almost as much as us is Imtura.
And all of this might make it sound like I hate Blades, but it’s quite the contrary actually. It’s still one of my favorite series and has a lot of fun moments and lovable characters. But I think at this point, its flaws have become too large for me to ignore. So that’s still affecting my enjoyment a bit and probably the reason why I’m so upset with how certain things are being handled. Of course I’m aware that Blades isn’t the only book that has some of these issues though. I think it’s just a little more disappointing because I expected more
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aeoris4lovers · 5 months
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i know travis guiding them was 100% travis and not in character as chet bc he didn’t even have the voice going, but i also would like to imagine that chet did exactly that.
i like it generally bc he has moments like that where he drops the chaos when things get serious (i’ll never forget watching him and orym talk about will and realizing that oh god, under all those layers of whatever the fuck is going on with him, he cares so much).
but i really like it in this specific situation too bc i’m pretty sure imogen was the one to step up after his confession and immediately say they weren’t going to leave him, and i can totally see him avoiding the conversation in the moment but then stepping up to guide her and taking it really seriously out of appreciation.
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kingofthering · 15 days
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the-obnoxious-sibling · 6 months
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“Being a pirate is all about going your own way.” // “Come with me, Buggy!!”
is this post totally redundant after the similar post i made last week? idk. i guess the main difference is that this time i’m looking at the same topic in an unambiguously romantic light? the shipper goggles, as they say, are on, and i want to talk about these scenes in that context. so, if you’ll forgive me for repeating myself a bit, let’s talk about this again:
as much as i enjoy the heartbreak of “they always thought they’d be together but miscommunication tore them apart” takes on shanks/buggy, the very first flashback we get about them—the first things we learn about them at all, really—tells us this isn’t true.
and i think what we get is more romantic.
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Chapter 19, Pages 12-13. i know last time i said they’re at most 12 here, but looking at these lanky-ass teenaged designs that’s nuts. i fully believe oda hadn’t thought through their ages/the timeline at this point, and they were originally supposed to be about luffy’s age when buggy got his devil fruit. which is not relevant to this post in any way, but it’s my post so i get to go off-topic if i want.
Shanks and Buggy have their own goals as pirates, and at this time they understand them to be mutually incompatible. Buggy thinks Shanks’ travel-and-adventure-oriented take on piracy is soft and foolish; Shanks doesn’t care for Buggy’s exclusively treasure-focused take. They’re sometimes friendly, sometimes not, they’ve fought side by side, but they know this time as allies and crewmates is temporary. (Buggy plans on taking his treasure map and the Devil Fruit and leaving the crew immediately.) Maybe they’ll become friendly rivals, ‘fighting to the finish’ when they run into each other like Roger and Whitebeard do, or maybe the next time they see each other they’ll literally fight to the finish. Who knows?
“That’s also what being a pirate is all about.” It’s very sensible behavior. Smart planning for the future.
Which means the contradictory ways they act later—Buggy secretly deciding to follow Shanks, Shanks bluntly asking Buggy to come with him—are not about these characters thoughtlessly clinging to the status quo. They are not in a “we were always together and I never thought that would change” situation. Deciding to stick together is a considered, emotional decision: “I know we don’t make sense together but I don’t care, I want us together anyway.”
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Chapter 1082, Pages 8-9. i was cursed the moment i saw these pages with Unable To Stop Thinking About It disease; only time will tell if seeing it animated makes it worse or cures me.
This argument is a codependent breaking point. Buggy’s pinned all his dreams on Shanks, hoisted that poor boy up on a pedestal, and it all falls apart when Shanks reveals thoughts and plans that don’t match Buggy’s perception of him. He can’t bear to be around him now that the false image has been revealed. (Shanks, poor thing, seems to have had no idea any of this was happening.)
But if Shanks hadn’t said no to Laugh Tale in this moment—or maybe if he’d offered a soft no of, idk, “okay, sure, once we’ve got a strong enough crew”—Buggy would have gone with him, still projecting wildly onto Shanks. He’d convinced himself that being a member of the Pirate King’s crew was enough for him, that he didn’t need to be Pirate King himself if Shanks got the title and he was with Shanks.
…but would he have actually liked being a member of that crew?
Like, looking at the things the Red-Haired Pirates do, would Buggy have enjoyed being one of them? Wandering East Blue, hanging out in friendly port towns, collecting treasure here and there but spending a lot of time getting drunk and making friends with the locals? Eventually becoming famous for having a large, weak fleet of subordinate pirate crews Shanks has to sometimes physically step in and protect?
God, no, he’d’ve been miserable. Just seething with thwarted ambition, furious at the perceived disrespect. A real power hungry first officer stereotype, the kind of character that makes you think, Why’s he working for this guy if he hates him so much?
And Buggy must have suspected it would go something like that. But if Shanks hadn’t rejected Laugh Tale, he would’ve gone with him anyway.
(Better to be miserable with you than a loser on my own.)
Or say Buggy agreed to come with Shanks. Obviously his presence wouldn’t change the crew makeup significantly enough to skew the Red-Haired Pirates towards his way of thinking, but for the sake of argument: if he had convinced Shanks to do things his way, would Shanks have enjoyed the kind of piracy Buggy engages in? Taking over and destroying East Blue port towns, ordering your crew killed on a furious whim, single-mindedly hunting down treasure maps and single-mindedly hunting down treasure chests and paying no attention to anything along the journey? Eventually becoming the boss and administrator for a bunch of bounty hunters and mercenaries?
No way; most of that behavior is totally repellant to Shanks. If he let Buggy do that kind of thing under his banner, you’d be left wondering What happened to his morals? Why does he let this guy walk all over him?
And Shanks knew the kind of pirate Buggy was and wanted to be. But he asked Buggy to come with him anyway.
(Better to be miserable with you than have fun apart.)
It’s hard to see a way to make these very different styles of pirating work together. It’s probably doable… with a lot of compromise and honest conversation. The younger Shanks and Buggy had a point, when they said each going their own way was the obvious choice! It was certainly the easier one. Was it the happier one? Who can say.
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comradekatara · 6 months
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i was recently admiring sokka's acting skills in return to omashu (when katara invents pentapox), so if the modern gaang (and others) were all to be cast in a shakespeare play, which play would it be and who would play who?
okay you really don’t know what you’ve unleashed by asking me this (but thank you for enabling me)
aang would obviously be typecast as ariel or puck, but i also think he’d make a great prince hal, a really lovable horatio, or even angelo (not a reflection on his character, i just think he could pull it off!)
katara would be typecast as beatrice, emilia, rosalind and/or celia, cordelia, viola, ophelia, juliet, etc etc. you get the gist. so she’d probably be typecast as lavinia too, but i think she’d kill it as tamora. maybe even gertrude.
sokka is obviously best suited to any kind of robert armin fool (think lear’s fool, think feste) but i think he’d also kill it as richard iii, he’d bring the necessary humor (and self-loathing) for the role. he’d make a great jacques too. or even a really compelling cassio.
suki would kill as beatrice (opposite sokka’s benedick). she could also definitely pull off a more grounded and sensitive olivia. and even though the play kind of sucks she’d be a great jeanne d’arc. i also think she’d love playing one of the witches.
toph would love to play any crossdressing role, especially rosalind. i could also see her playing a witty fool. she’d kill as the gravedigger, for example. she’d also play a fairy or a rude mechanical, but not a principle one. maybe starveling, or mustardseed, or peter quince.
zuko was born to play edgar fyi. he’d also be a great macbeth. i think he’d make a better laertes than hamlet tbh, but it also depends on how buff he is in the moment (if he’s in his skinny era he could also play hamlet). also richard ii. and he’d be a really good antonio (12n), frankly.
saying azula would be a great lady m is almost laughably obvious. she would be though. and she wouldn’t play goneril, she’d play regan, so THERE. but also she would kill it as edmund if she wasn’t too traditional to refuse it. same goes for iago.
mai could play every single role in hamlet and pull it off flawlessly. also im picturing her and ty lee as rosencrantz and guildenstern, but also in the stoppard (ie, “are dead”). she’d love to play a witch. she’d also be a great banquo.
ty lee could literally play any role she could be desdemona she could be falstaff she could be prospero she is truly that bitch darling she has the range. she’d probably get typecast as fair maidens though because she’s so pretty. alas. she’d kill as lear.
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dragonseeds · 8 months
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there’s a horrible sickness in me that makes me want to stop and replay da:i whenever i start a different game. how am i supposed to resist the story of my own unwilling apotheosis? especially as lavellan, who doesn’t believe in the maker and who has every right to hate and mistrust the chantry but chooses to use what power they have to try save people, to fix what’s broken, no matter how afraid they are or how careful they have to be. walking side by side with the great trickster god/adversary of your people without knowing, befriending him, changing his mind about this world but ultimately not his choice. he understands what’s happening to you because it happened to him once and he gives you his castle, built over the place where he sundered the world, and paints your story there in frescos that will last long after you’re gone and after the story has been retold and reshaped so many times that the truth of who you are and what you did is lost—just as he did his own story, which was lost and perverted by war and propaganda, and he shows all of this to you knowing you’ll understand because you’ve lived through something similar, grown into something larger than yourself and your true name, and it doesn’t change anything but. he wanted you to see him just for a moment, even if he can’t tell you everything (or almost anything) and you can’t save him—because he owes it to you as a someone who is a friend, almost an equal, and because there’s no one else left who knows: a direct result of what he did to your people and which he now seeks to undo at the cost of this world.
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angelnumber27 · 1 month
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If someone abuses you they’re probably going to do it again. Don’t allow that <3 please
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eye-of-the-hawk · 16 hours
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“Yes. Stole my own hypothesis and turned it against me.”
“Fascinating. I’d love to meet her.”
“… Ah. So you’re just like her here, aren’t you?”
“I’ll be the judge of that.”
“*Sigh…* unfortunately, you’ve already made it quite obvious.”
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