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#but HOW am I supposed to write that??
lieutenantselnia · 5 months
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Me, a non-native English speaker, trying to figure out how to convey Davy's accent in written words:
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sabertoothwalrus · 7 months
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I’m so fucked up about Simon because he wants to be a dad so bad. he wants to be a dad but he always LEAVES
He raised Marceline. He left her.
He thought he had kids in the Farmworld universe. For just a moment, he thought he was able to settle down and raise kids of his own. He found out they were FW Finn’s. that’s okay, he loves Finn! but then FW Finn (???) may or may not have died???? Those five kids now orphaned. and you KNOW Simon would take care of them in a heartbeat.
But he left.
And Baby Finn. He was holding him the whole time. Would Baby Finn age? Or would he be a baby forever? Would it matter to Simon?
Either way, he left.
It’s not even his fault. There are circumstances, y’know. Simon doesn’t know who he wants to be but no matter what he’s a DAD, except he can’t seem to stay put. He can’t stop leaving
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mipexch · 3 months
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ladybeug · 1 year
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I drew the same comic twice because I didn't think the first one was funny enough. I don't know if the second comic is funnier though??
Here's both of them
Side by side because i couldn't decide which one to put first - knowing the punchline changes the experience?? pick your adventure. read either one first.
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which ones funnier i honestly can't tell
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clairenatural · 6 months
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okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel
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perpetualcynicism · 26 days
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“May I hold you?” you ask Jing Yuan one afternoon as you lie sun-warmed in his garden. 
You almost think he is asleep until he invites, “Please,” carrying a smile in his voice. 
With ginger movements, you reach over and place your hands on either side of his face. It begins as mere holding, but soon you find your touch roaming. You smooth your fingers over his eyebrows and trace down to each side of his jaw. From here your hands climb up again, and once more back down, mapping out each crevice and dip of his face, his skin, his bone, until you are certain there is no part of him remaining that you do not know better than you know yourself.
You play this game with yourself, sometimes. You imagine people not as people, but as planets. After all, what is a person anyway, if not a world of their own? You trace the ridge of his nose, and imagine there lies a mountain range. Around his eyes you find oceans. Where his cheeks dip, there are valleys, and a river runs between his lips.
“What are you doing?” Jing Yuan asks. There is an element of amusement to his question, but his voice is primarily gentle. Endeared.
You still your hands. They rest on his cheeks while your thumbs brush back and forth over his skin, holding him. Though the world melts back into the familiar shapes of his face, there is still an assured sturdiness to his features which is grounding; a gravity which draws you towards him, as if you were the moon to his planet. Small, perhaps, and bare, but casting light on him wherever you can.
You answer, “I think I’m holding the world in my hands.”
You feel Jing Yuan’s smile through the way his cheeks press into your palms. Two hands cover yours, large and calloused, but gentle, and hold yours securely in place against his face. There is the tender press of lips to your skin as he turns his head enough to kiss the inside of your palm.
You hear Jing Yuan’s smile through the way his words come warm and bright and filled with adoration. You wonder why you thought him a planet, when he is so clearly the sun.
“And I am being held by the universe.”
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gutsfics · 4 months
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so. i just watched most of the new quintonreviews Sam & Cat video and for Reasons i looked up both Goomer and Frankini on ao3 and theres only One Single Fic thats tagged with Goomer/Frankini. fucking criminal.
double criminal for it being tagged as "past Frankini/Goomer" bc the actual relationship focused in the fic is fuCKING GOOMER/DICE. BITING AND KILLING.
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sillysnaily · 1 month
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FINALLY GOT TO DRAWING FANART FOR SO MUCH FOR STARDUST BY @a-plethora-of-peters
I've been rotating this fanfic in my head for SO long, it surprising that I waited so long before drawing SOMETHING EEEEEE
BONUS MANY MONTHS OLD SKETCH BELOW CUT
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0bticeo · 2 months
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oooh but to be pinned down against the panel control by alastor during that one scene in stayed gone. maybe you're one of his contracted souls. maybe you're one of the poor souls seeking redemption. maybe you're one of his friends, if the radio demon has such a thing. maybe you're playing spy for vox. doesn't matter - you're here during his showdown with vox.
his façade drops. you take a step back, until your hip hits the control panels. there's nowhere to run. not with him looming over you. his ever-present smile stretches impossibly wide, fangs bared, hot breath fanning your skin. saliva trickles down his gaping maw. your breath hitches when it hits the tender skin of your neck, lips parting in a silent gasp.
"i'm gonna make you wish that i'd stayed gone."
his body contorts and stretches, limbs elongating until he encases you, studies you - pupils like radio dials emerging from a pool of black. he's close. too close. oh, and he's pissed.
you've never seen something as terribly beautiful as him.
his claws dig in your chin, craning up your neck just short of humanely possible until you meet his stare. he sings, still, static digging into your very bones until it steals your breath away, until it's only you and the radio demon watching you like you're his last meal. oh, and he's snarling his verse, voice dripping with venom as he goes, as you drown into him.
there's a distorted chuckle in his voice, the richness of his laughter merging with that of his audience's.
"oh, this will be fun."
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doverstar · 1 year
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to be clear, I think Rose Tyler being an often-selfish character is great. I think it's great because real women are selfish. Real women get petty. Real women hear their ex boyfriend say he's going out with a mutual acquaintance and get unfairly jealous and real women then say things like "she's a bit big" when they shouldn't and they have no right. Real women can be monsters, and Rose Tyler is relatable and I love how she is written and I love her, thanks for listening
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justepilepsy · 2 months
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Okay uhm - I need to say this because I am noticing this a bit in the responses to Somerton's "Apology" video. Do people really think, just because ableism in the workplace is forbidden, that workplaces don't discriminate?
Even if insurance stuff covers your health issues, I won't put it past an employer to let you go with the made up argument it doesn't. Because non-epileptic people are generally very uncomfortable with seeing seizure activity and some of them will prioritize their comfort over sticking to anti-discrimination laws.
I think Somerton's video is full of BS, but I am even more uncomfortable with how happy people are to dismiss Somerton's medical history/symptoms, just so they can argue against him. As if people with disabilities can be absolved for being dicks by accepting their stated medical and discrimination history.
When you don't even have to do so to point out the harm Somerton's logic does?
I mean - I think it's warranted to question James' statements because of his complicated relationship with telling the truth, but I am just kind of bothered by how people argue "this could not have happened because laws/policies" No. Let it have happened. It makes his apology worse if you choose to believe him on this, trust me.
If our response to disabled people acting terrible (stealing other people's material and presenting it as your own), is to accuse said disabled people of lying about their symptoms and diagnosis, I think we are missing the point and problem.
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merakiui · 2 months
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Okay speaking of magical girls.... Evil villain tako that has a crush on the cute magical girl at NRC but he doesnt know shes the magical girl that's trying to thwart his evil plan of taking over sage's island mwhaha
YES YES YES. And every week he gets his ass handed to him. You're determined to keep Sage's Island safe!!!! He's trying to get to know you through the fights. The (one-sided) sexual/romantic tension is too much. Tako who flirts at every chance during your fights... you genuinely want to take him out (defeat him), but he wants to take you out (on a date). And it's so obvious he's down bad for you, but you have no idea he's Azul Ashengrotto (your fellow classmate) and he has no idea of your identity either. Azul's trying to balance his love for the magical girl he fights on weekends and his darling classmate who he sees during the week hehe. How fortuitous that they are the same person.
Please imagine that trope where the villain ensnares the hero in tentacles, but it ends up looking more erotic than threatening....... orz evil villain tako whose tentacle is holding you upside down by the ankle and he's monologuing about how he'll take over the island and you'll get to watch, powerless against him. But then he looks at you and your skirt has flipped up and he's granted a gratuitous panty shot!!!!!!! Tako who gets a nosebleed on the spot. He's such a loser pervert. <3
Omg omg or you're squirming in the tentacles and ranting about how you'll get him for this, but Azul's trying so hard not to give into the horny thoughts because the way the tentacles are looped around you and squeezing is so attractive to him.
Like that one scene where Stocking's fighting the octopus ghost LOL.
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✧ written for ‘cake’ ✧ word count: 311 ✧ rated: T ✧ cw: suggestive ✧ tags: eddie being thirsty ✧ @steddiemicrofic ο(=•ω<=)ρ⌒✧
Eddie doesn't know why, but this is the third time it's happened, and he's losing his mind.
"It should be good now."
Steve's bent over the engine of his car, it’s a hot summer day and Eddie is losing his goddamn mind.
“Eddie?”
What’s he supposed to say? ‘Sorry dude, got distracted by your ass again! What were you saying?’
The first time was manageable! Just hanging out in Steve’s bedroom, messing around with ideas for his walls, Steve dropping his keys as they got ready to go get the paint and Eddie unable to look away as he bent down –
The second time? Playing pool at the Hideout, Steve smirking at Eddie with half-lidded eyes under the low lights, sauntering his way over and slowly bending over the table and –
And now this? This is Eddie offering to help Steve out with his car troubles, only to be left awestruck when Steve shoos him away, pops the hood, shoves a rag into his back pocket which also shoves his shorts down just a touch and was that –
“Didn’t know you had a tattoo there, Harrington,” Eddie squeaks, audibly shutting his own jaw up as Steve crawls his torso out from under the hood, just so he can raise his brow at Eddie. Who just. Keeps. Digging. “Kind of a big leap for a first, isn’t it? Would have expected you to go for the wrist or something.”
The grin that stretches across Steve’s face spells fucking trouble.
“Didn’t know you were so curious, Eds,” he purrs, leaning back against his car, hiding away the glory that was his cake of an ass. “Who said it was my first?”
Eddie’s eyes snapped back up to Steve’s face, jaw left on the ground along with his dignity and any sense of calm.
“You got more?”
“You wanna find out?”
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you know you're doing something right when you, as the author, are shaking and crying and autistic hand-flapping when re-reading over the scene you just wrote
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solarpunkani · 4 months
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PROGRESS!!!!!!
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Q's Relevance and Parallels to Double Black
I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.
First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?
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There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.
Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.
Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.
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As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.
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Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.
So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.
And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.
The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.
Dazai and Q share central themes of control.
Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.
Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.
They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.
For bonus points: both have injured right arms.
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On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)
Also I'm unsure if this is significant, but there's this detail too:
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Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.
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...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.
Meanwhile, Chuuya and Q share themes of loss of control.
For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)
Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.
In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".
Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.
But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...
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Is this significant...?
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...is... is this...
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...
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.............
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Um. I may be delusional. But. Well. *gestures at all of this*
So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.
Nice, guys. Really clear and consciously held self-concepts you got there.
Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.
I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.
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