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#burbery
referenciasbuenosaires · 11 months
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Burberry
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shitpostroundhouse · 2 years
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"Google, what is that aborted fart of a song used in the piece of shit Burrberrry "HER" ad?
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yasmine-cariaga · 1 year
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Blokette core: sporty with a feminine twist
Is this new trend a celebration of football culture or class appropriation?
TikTok has given rise to many ‘core’ trends like ballet, fairy, and gorp but the current ‘core’ which has everyone obsessed is blokette core.
Blokette core is a fusion between the masculine, sporty bloke aesthetic with the hyperfeminine coquette style. Independent label Peachy Den recently dropped a new collection inspired by football and blokette core called ‘Glory Days’. Also, German sportswear company Adidas is collaborating with the famed Florentine fashion house Gucci for another collection.
Blokette Core first went viral due to the World Cup frenzy at the end of 2022, and the hype doesn’t seem to be dying down anytime soon as videos tagged #blokettecore have scored an impressive 19.1 million views on Tik Tok.
The components making up the blokette capsule wardrobe include: oversized football jerseys, vintage Adidas track jackets, micro-minis, denim midi-skirts and baggy tracksuits. For footwear, Adidas trainers like Forum Lows, Gazelles or Sambas are another staple in a blokette’s wardrobe.
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Instagram’s favourite It girl and model Bella Hadid is rarely seen without her Sambas, which could be the reason behind a surge in Google searches of her favourite shoe. There’s been a 350% surge in Samba searches during the last three months.
“The thing I like about blokette core is the casualness of it, you can’t really go wrong with it,” said LCF fashion student and blokette fan, Kateleigh Tome.
“As I grew up with this style and was constantly surrounded by it, it’s nice to see that it’s still being worn today.”
Finding the middle ground between femininity and masculinity is the key to achieving the blokette look.
For those wanting to give the trend a go, substituting the laces in your Adidas trainers for baby pink ribbons is a good start, or layering a vintage football jersey over a mini skirt works for those aspiring to be a little more daring. Try adding pastel-coloured bows to your hair for the ultimate blokette badge of approval.
On the surface, blokette core seems like a harmless celebration and feminisation of football-lad culture but can it be argued that this latest Tik Tok trend, is an appropriation of the British working-class aesthetic?
Arguably, blokette is 2023’s spin on the 90s-word ‘ladette’. A ladette is recognised as a working-class girl, with a scruffy attitude. She doesn’t care about the confines of gender roles and doesn’t mind taking a seat at the table at some of society’s most masculine hotspots – the grungier the pub, the better.
The look was first demonised when it first made its way to the social scene in the 1990s, but now its return is welcomed with (a fashionista’s) open arms.
If you need further visual representation of the look, BBC series Little Britain (2005) was filled with characters sporting the look. One of its main characters, Vicky Pollard is arguably the most memorable yet negative representation of working-class women in the media: “Whether nicking stuff from the supermarket or swapping her baby for a Westlife CD, Vicky reacts to any accusation with indignant outrage,” reads the BBC’s synopsis of the series.
Pollard could be seen as harmless fun, but the creators behind her character, two privately educated white men, has triggered social media discussion and perception 20-odd years on.
In 2006, YouGov carried out a survey at Edinburgh’s Film Festival, and found that the majority of participants felt that the depiction of Pollard on screen was an authentic depiction of single, working class mums off screen, according to The Guardian.
In addition, survey participants felt that Pollard  is a manifestation of a ‘chav’.
‘Chav’ is a derogatory term used to describe lower-class people who stereotypically behave in an antisocial way. In the late 1990s and early 2000s, the government created a moral panic about chavs, which the media helped perpetuate.
Pollard’s iconic TV wardrobe of a Kappa zip-up, fluffy hair scrunchy, flared joggers and trainers, is a lesson in how to dress blokette, despite the character’s controversy.
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However, when working-class people dress in a similar way, society arguably deems them as poor, or indeed a chav.
There is undoubtedly a double standard in fashion as clothes that are seen as trendy and cool on a middle-class white person, are typically seen as cheap and ‘chavvy’ on someone who is working class.
Kateleigh Tome explains: “When I was growing up, blokette core type clothing was what my family could afford at the time. Whenever someone walked past wearing a top from Sports Direct and baggy jeans or trackies I would always hear a comment [from passers-by] how that person is a chav and that you can tell they live in a council flat.”
The fashion industry is notorious for taking elements of working-class life such as clothing and making it palatable for higher social classes.
For example, in the early noughties, Burberry’s check pattern became popular amongst the working class and the classist British press was quick to label the check pattern as ‘chav wear’, making Burberry believe their association with the working class was damaging its image.
As a result, Burberry started to fade the Nova check out of its production line and they discontinued the once iconic Nova check cap, which was worn and loved by working-class football fans, to revoke their association with the working class. The Burberry check was now only featured in five per cent of products.
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Fast forward to the late 2010s when the middle class and social elites no longer want to appear wealthy anymore, Burberry released its SS18 collection which was a Nova Check paradise. Now, instead of shying away from sport-leisure, brands are embracing the style, through the art of collaborating: In 2022 Gucci and Adidas created a world-dominating collection and for SS23 the two companies are collaborating again for another collection.
Is it as simple to say then, that working-class style is popular in fashion now because rich people don’t want to appear rich? According to LCF fashion student Saida Mahad, people wear working-class clothing: “To feel like they look like those around them,” and Tome agrees.
“Today, especially on social media, middle-class people are one of the main targets for criticism as they’re sort of out of touch. So, I think what happened years ago to working-class people is happening now to middle-class people and they’re trying to look less prestige. It’s all about fitting in.”
On the other hand, social media has allowed the fashion world to become more accessible to the working class and they are now able to influence fashion in ways they haven’t been able to before. So, this could be why recent trends have roots in working-class culture.
Now that the working-class aesthetic is loved by the fashion industry, maybe it’s time the industry starts to appreciate the working class people who are trying to finally break fashion’s seemingly impenetrable class ceiling.
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champagnemoon · 8 months
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trying to find a deep cherry fragrance that doesn't smell like chapstick is a full time job
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20dollarlolita · 4 months
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Good news: went to San Francisco with friends. Got to go to Baby and AP. Had a ton of fun. Bad news: dumped myself out of my wheelchair and into a San Francisco gutter in the middle of an intense storm RIGHT before going into Baby, was rushing to get to AP before they closed and forgot my side guards in my car, drove for a few hours to get home and the storm knocked out my power and water, and my JSK is a little, well
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That's a seat belt print. This is what happens when you get in a car in a wet cotton burbery JSK for a few hours. The socks might be saveable but they have actual mud on the bottoms from loading and unloading my chair at one point. I usually wash this dress myself but it's definitely going to the dry cleaner's with a note that says, "I'm sorry (btw this is wheelchair dirt so i'm DOUBLE sorry)" on it.
I can't even start to clean it yet because my house still doesn't have water. And I can't take it to my dry cleaner's because the entire city they're in doesn't yet have power. So, unless any of y'all out there can confirm that leaving it in the backyard to get rained on will help it, this dirt's just going to sit there until an act of god is done happening.
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I also can't start to clean it yet because my front yard looks like this, and while the Honda Fit is AMAZING for fitting my rigid wheelchair into the back without me needing to take off the wheels, it is actually notably bad at off-road traveling around fallen trees.
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ballata · 1 year
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It's raining sir , take your trench.
#raining
#trench
#dresscode
#polygon
#gliaudaci
#burbery
#robertonicolettiballatibonaffini
#sigsauerp320
#picoftheday
#weaponsaddict
#concealcarry
instagram
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volumesilenzioso · 2 years
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semplicemente noi. un po’ forastici, burberi e maneschi, per niente affettuosi se non in rari e brevissimi momenti, testardi a livelli estremi, poco delicati, piuttosto cupi, con la solita espressione incazzata/scazzata, incompresi perché spesso inespressivi, di poche parole, poco rumorosi, con il monociglio e la pancetta fisiologica, antipatici a primo impatto, soffocatori di emozioni, decisamente il contrario dei fan delle dimostrazioni smielate di affetto, per niente dolci e romantici, amanti del rosario (ma personalizzato), tu appassionato di caccia e asparagi, io che ti venivo dietro. tutto questo e molto altro, abbiamo sempre condiviso tutto, a partire dal carattere, dai modi di dire e i modi di fare. dal tono di voce all’espressione facciale. sei parte integrante di me, mai ti dimenticherò. ti amo papà.
ps. mi manchi
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carmenvicinanza · 1 year
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Sônia Braga
https://www.unadonnalgiorno.it/sonia-braga/
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Sônia Braga è l’attrice brasiliana più famosa al mondo.
Grazie a eclettismo, tenacia e grandi doti recitative ha compiuto un’impresa che pareva impensabile, passare con naturalezza dalle telenovelas a Hollywood.
Il suo nome completo è Sônia Maria Campos Braga ed è nata Maringá, l’8 giugno 1950.
Quinta di sette figli, perse il padre quando aveva solo otto anni. La passione per la recitazione era nata quando era giovanissima. Il suo debutto è stato in un programma TV per bambini, poi, nel 1969 partecipò al musical Hair.
In Brasile ha raggiunto la popolarità nel 1975, con la trasposizione televisiva e poi cinematografica del romanzo Gabriella, garofano e cannella di Jorge Amado.
Mentre il paese era in pieno regime dittatoriale si producevano drammi sentimentali, che volevano essere una distrazione dalle tragedie che la politica attuava impunemente.
La fama mondiale è arrivata con la sua interpretazione di Giulia in Dancin’ Days, arrivata sulle tv locali italiane nei primi anni ottanta e subito diventata un fenomeno molto seguito tanto da scalzare le serie statunitensi.
L’attenzione di Hollywood è arrivata col suo ruolo di protagonista del film Dona Flor e i suoi due mariti sempre tratto da un romanzo di Amado.Pur all’interno di uno stereotipo culturale che la voleva come icona sexy latina, Sônia Braga è riuscita a imprimere la sua unicità. Tanti e diversi i ruoli interpretati in film e serie tv, da Il bacio della donna ragno a Milagro, diretta dal compagno dell’epoca Robert Redford.Di lei, il celebre fotografo Steve McCurry disse che è stata la modella più interessante che abbia fotografato.Nel 2016, è riuscita a riconquistare un nuovo interesse globale grazie al film brasiliano Aquarius, presentato a Cannes. Il ruolo più bello e a tutto tondo della sua carriera, in cui veste i panni di una donna che rivendica il diritto di esprimere la sua identità culturale, politica e sessuale, il diritto di essere sola e libera in un’opera che ha i colori della controcultura e delle rivendicazioni femminili.
Molto amato dal pubblico, è diventato un vero e proprio manifesto di libertà e resistenza, dando il via a una discussione politica in Brasile sullo sviluppo incontrollato e sui costi umani per il boom edilizio.
Impegnata anche in temi di giustizia sociale e ambientale, ha contribuito a fondare la National Hispanic Foundation for the Arts, per promuovere la presenza delle persone latine nei media e nelle comunicazioni.
È stata vista con le mani dipinte di rosso a simboleggiare il sangue, durante le proteste in difesa dell’Amazonia e in altre battaglie civili, ha anche conosciuto e appoggiato le battaglie di Marielle Franco, l’attivista delle favelas, uccisa dal regime di Bolsonaro. L’aveva incontrata mentre stava girando Bacurau in cui interpreta Domingas, personaggio complesso e conflittuale con modi burberi e il vizio dell’alcol.
Un film corale composto da professionisti e persone native di un villaggio nell’entroterra brasiliano, la storia di una comunità assediata da politici corrotti e mancanza di risorse che riesce a unirsi per combattere contro le avversità.
Sônia Braga è una donna che non teme il passare del tempo, le rughe e le esperienza vissute senza rincorrere il mito dell’eterna giovinezza.
E rivendica la tanta televisione fatta, perché in Brasile, sostiene, la gente va poco al cinema, non ha i soldi per permetterselo. Non disdegna i social come amplificatori di notizie che certi regimi politici vorrebbero tacitare.
Il suo percorso artistico e culturale ha vissuto tappe intense e controverse per i ruoli interpretati e per l’opinione che la critica e il pubblico, di volta in volta, si facevano di lei. È stata sempre se stessa, in tutti gli step della sua vita, una donna libera che ha sempre osato e non si è mai tirata indietro di fronte alle sfide.
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referenciasbuenosaires · 11 months
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Come ogni luogo abbandonato che un tempo pullulava di vita, anche questo esprimeva una sorta di tristezza, di desolazione, che fluttuava nell'aria infiltrandosi in ogni crepa. Ed è noto che, dopo un po', gli abitanti di una terra abbandonata cominciano ad assorbirne i tratti: diventano taciturni, burberi, riservati. Almeno in superficie. Ma le persone sono come la terra, e la superficie raramente è della stessa materia del cuore.
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eightertrek · 2 years
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so at all out there were these drunk assholes in burbery jumpers who wouldnt shut the fuck up and were very excited for the main event but they were real assholes and wouldnt stop their shitty meanspirited talking about the wrestlers and harrassing those around them and we couldnt find security (they were already escorted out once for spilling their beer all over everyone but lied and got let back in) well during the beginning of the main event a photographer was right behind me and i accidentally bumped into him
once he put the camera down i asked if he knew where security was bc these chumps were harrassing people
he grabbed security and they dragged em out before the mjf reveal
fuck around and find ooouuuuuuut
still proud of that one tbh
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marinedecoder · 3 days
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and dolls who are done being styled!
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Harper! simple hair braiding and then temperature setting with water. she gives me such strong lesbian vibes tbh, and i think it's the burbery - i've only ever seen straight dudes or lesbians wearing it. also her hat fits her head better backwards than forwards?? weird.
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Victoria! i love this doll so, so much, she's so pretty. i put really loose knots in her hair on either side, then tied them at the back. that's about it. just obsessed with her.
also, finally got these girls sorted out! and took the picture i promised my partner i would at xmas when i got them, haha
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gave Sunny twists in place of the mass volumes of hair gel holding her hair like that, and gave Luna a facsimile of a bodysuit until i can make one for her in the style of her one from the show.
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20dollarlolita · 7 months
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Hey! I’m hoping you might have a suggestion for fabrics; I’m looking for a thick cotton to make a petticoat style skirt (like those oldschool ones made of cotton with pintucks and insertion lace). I want it thick enough that the white skirt isn’t see through and it stays stiff enough to provide volume if I use it as an underskirt, but not so thick/rough it’s uncomfortable or that I can’t gather it to be frilly. There’s so many words out there- duck? Broadcloth? Canvas? Twill? I’m not sure how to describe what I’m looking for in a Google search. All I know is I definitely don’t want quilting cotton. ‘Burberry’ (which I see a lot of brands use) just turns up plaids a la the high fashion brand. Any help would be appreciated! Thank you so much!
Anyone who is interested in burbery in the lolita context should talk to @babelglyph aka burberryglyph. The short version is that burbery is a lightweight cotton twill used in a lot of old school pieces, and B.Glyph knows where to get it, as well as can provide info about why they know that the fabric they recommend is true burbery twill, as well as why it's called burbery. I remember that they know all of this but can't remember the actual answer to any of it.
As for other fabrics you mentioned: All duck is canvas but not all canvas is duck. Duck is a plain weave and other canvasses can be a twill weave of some kind. Either way, the heavier yarn and overall thick construction is what makes canvas canvas. Fun fact, "duck tape" predated the term "duct tape" and referred to tape made of duck canvas. Broadcloth is usually interchangeably with quilt cotton, though "quilt cotton" is generally a more specific term. Broadcloth can be pretty much any fiber but quilt cotton is expected to be cotton. Some people think that broadcloth has to be a single color. Twill is a weave structure, so the words that predate it are important. "stretch twill" is going to be different from "suiting twill" or "heavyweight wool twill." If you want to see a twill weave structure, generally the most accessible example of a twill structure is denim. Look at some blue jeans and you can see how there's that slanting pattern caused by the blue threads passing over 2-3 white threads before going under a white thread? That's a twill weave structure. (You then have to have it be cotton and have the two color setup to be proper denim. Technically black jeans aren't denim, they're just twill, but no one wants to get into that fight with me.)
If you're looking for cotton fabrics that aren't quilt cotton, but tend to be in that sort of lighter weight area, I'd look for:
Cotton sateen: This is cotton fibers woven in a satin weave. This has a really subtle luster and will drape better than quilt cotton,
or
Cotton poplin: poplin has what's called an unbalanced plain weave, so the threads are woven in the same pattern as quilting cotton, but where in quilting cotton they are the same thickness vertically and horizontally, they're different thicknesses vertical vs horizontal in poplin. This means that it hangs better, and also that it has a different drape depending on if you're using lengthwise grain or crosswise grain. Poplin is used for shirting a lot.
If you need to get thicker, you will probably want to look for lightweight twill. I'm trying to not get too into textile science, which is hard because i LOVE textile science. So stick with me for a second:
The "higher quality" a fabric generally feels, in quotes there because quality is subjective, but through history we have associated finely spun yarns with a higher quality. Thinner yarns are harder to make, and you need to use more of them to make the same size fabric as you'd make with thicker yarn. Thinner yarn has to be structurally better constructed to take the force of being woven into fabric, versus a thicker yarn. So, when we want something that feels like quality, we look for fabrics spun with a thinner yarn. This is why expensive sheets are measured in thread count: more threads per inch is a better quality sheet.
However, the problem comes when you want a thicker fabric made of thinner yarns. If you've ever had a potholder loom, you understand a plain weave: a yarn goes over one yarn, under the next, over the next, and so on. Thinner threads in a plain weave will make a thinner fabric.
However, if you start using other weave patterns, you start changing fabric properties. In a twill weave, a thread will go over two or more other threads before going under another thread. One of the side effects of this is that it's possible to fit more threads into the same space than you could fit in a plain weave, meaning that you can make a thicker fabric with thinner yarns going into the construction process.
And this means that, if you're judging a fabric thickness by weight, like you know how many ounces a yard of fabric is, a twill fabric will be made of finer yarns than a canvas fabric of the same weight.
In addition to being "higher quality", we like thinner yarns in garment construction because they're more flexible, so they make the fabric hang more like a garment and less like a canvas sack.
As a final note, when you say "provide volume as an underskirt", a twill skirt with pintucks and insertion will have some volume, but if you're doing a lolita fashion look, you'll also need petticoats under that. Some fashion styles, that added volume will be enough, but in lolita fashion, if you can get the hem of your skirt to be 10" away from your legs in all direction, you're probably approaching the correct level of poof.
(But for what it's worth, if you're trying to add some more volume on a cotton underskirt that's not for lolita fashion, pintucks will make the same skirt have more volume. Creating that rigid-ish line that goes in the direction opposite of what the skirt would naturally want to fold, especially if you make several of those lines in a close spacing, will hold the skirt out and make it have more lift. Just a fun fact there. If you want to get as much volume as possible out of this, you will want to use many small pintucks, as well as the stiffest insertion that you can find. Skirts want to be small and make lots of soft vertical folds, so applying horizontal decoration that makes that folding harder to do will add volume).
I don't know how much of that was answering the ask and how much was just Pink Loves Textile Science 2023(tm)
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lora60 · 6 months
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Check out this listing I just added to my Poshmark closet: Nice Burberry 88085637 Swiss Made Quartz Ladies Wach no Battery needs to replace.
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ugurcifdaloz · 7 months
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KADIN KODLARI
A104 ANGEL A112 ALIEN A114 DIOR ADDICT A117 CACHAREL AMOR AMOR A118 ARMANI MY WAY A120 ARMANI CODE A121 ARMANI BECAUSE IT YOU A122 ARMANI SI PASSION (KIRMIZI ŞİŞE) B103 BURBERRY HER (ÇİLEKLİ KOKU) B104 BURBERRY CLASSIC B106 BURBERRY WEEKEND C118 MAD CASHMERE C119 CACHAREL YES I AM C120 CHANEL COCO MADEMOSIELLE C121 CALVIN KLEIN EUPHORIA C123 CHANEL CHANCE C124 PRADA CANDY C126 212 SEXY CAROLINE HERRERA D101 DAVIDOFF COOL WATER D104 DIOR JOY D114 MISS DIOR BOUQET D115 DOLCE GABBANA LIGHT BLUE D116 DOLCE GABBANA Q D119 DAVIDOFF ECHO (VODKA) D121 DONNA KARAN BE DELICIOUS (YEŞİL ELMA) E101 ELIE SAAB GIRL NOW E104 ARMANI SHE E109 ESCADA COLLECTION E117 ESCADA MAGNETISM G101 GUCCI ENVY ME (BEBEK KOKUSU) G103 GOOD GIRL CAROLINE HERRERA G104 GIVENCHY L'NTERDIT G106 GOOD GIRL SUPREME G107 MON GUERLAIN H102 HUGO BOSS CLASSIC H103 HYPNOTIC POISON H104 HUGO BOSS ALIVE H105 HUGO BOSS INTENSE (122) I102 ISSEY MIYAKE J101 JADORE J102 JEAN PAUL GAULTIER SCANDAL J103 JEAN PAUL GAULTIER 2 J104 JO MALONE WOOD WAGE & SEA SALT K101 KILLIAN GOOD GIRL K103 KENZO FLOWER L101 LANCOME IDOLE L102 LANCOME LA NUIT L103 LA VI EST BELLE INTENSE L111 LOLITA LIFT L112 LANCOME HYPNOSE L113 LACOSTE CLASSIC M101 MIRACLE M104 MONTALE PINK EXTASY M109 ARMANI MANIA N101 CACHAREL NOA N103 NAOMI CAMPLE N105 NARSICO RODRIGUEZ FOR HER N106 NARSICO RODRIGUEZ P101 DE MARLEY ORION P104 OLYMPEA P105 PACO RABANNE FAME P107 PRADA PARADOXE R105 GUCCI RUSH R109 GUCCI RUSH 2 R110 RALPH LAUREN S101 SHISEDIO GINZA S112 ESCADA SEXY GRAFITI T101 TRUSARDI INSIDE WOMEN T103 TOM FORD VELVET T105 TOM FORD LOST CHERRY U101 ULTRAVIOLET V101 SCANDALOUS VICTORIA SECRET V102 VICTORIA SECRET NIGHT V103 VICTORIA SECRET XO VICTORIA V104 VERY IRRESISTIBLE V105 VICTORIA SECRET BOMBSHELL INTENSE V106 VICTORIA SECRET ORCHID V107 VICTORIA SECRET SEA V109 VICTORIA SECRET TEASE CREME CLOUD V110 BOMBSHEL SUNDRENCHED V112 VICTORIA SECRET BARE VANILLA W101 CHOPARD WISH W113 MIDNIGHT FANTASY W125 SHISEDIO ZEN W132 IRRESISTIBLE ABSOLUTE (BİHTER KOKUSU) W144 CHLOE CLASSIC W150 VERSACE CRYSTAL NOIR W153 LADY MILLION W154 CHANEL CHANCE TENDER W155 ACQUA DI GIO ARMANI W160 212 VIP W162 CHLOE LOVE (PUDRA KOKUSU) W164 CALVIN KLEIN BEAUTY (YASEMIN KOKUSU) W165 GUCCI GUILTY W169 JIMMY CHOO W174 HERMES ELIXIR W175 BURBERRY BODY W179 VERSACE VANITAS W183 VICTORIA SECRET NOIR TEASE W184 HERMES MERVEILES W185 ROBERTO CAVALLI CLASSIC W190 CHRISTIANA AGUILERA W197 ANGE DEMON LE SECRET W201 LANCOME LA VIE EST BELLE W203 ARMANI SI W204 MAD FORBIDDEN ROSE W208 YSL MANIFESTO W209 MY BURBERY W212 MICHAEL KORS SEXY AMBER W213 BLACK OPIUM (KAHVE) W214 VICTORIA SECRET BOMBSHELL W217 VERSACE BRIGHT CRYSTAL W222 OLYMPEA W230 OMNIA CRYSTAL Y101 YSL LIBRE Y102 YSL LIBRE INTENSE Z101 ZADIG VOLTAIRE THIS IS HER Z102 ZADIG VOLTAIRE ZODIAC ROCK HER A113 ALIEN GODDESS
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La cosa più esilarante, stupefacente anzi, "stupida" dell'essere umano è il giudizio. Giudicano la copertina stropicciata, definendola: orrenda, disgustosa, tetra e malconcia; senza comprendere che dietro vi è una storia piena di ostacoli e di storie da leggere attentamente, per comprendere le righe non facilmente comprensibili. Giudicano la gioventù per le capacità che possiede, come se non fossero al livello del tempo di un adulto, come se la corteggia che lo racchiude non fosse valorasa come quella di un albero secolare. Giudicano l'amore giovanile, inabile di comprendere e di detenere tali sentimenti e emozioni, che svolazzano dentro quel meccanismo a tempo. Si sono dimenticati di essere stati bambini; coltivati al punto di perdersi, divenendo il mostro adulto, ostili, burberi, scontrosi e protervi.
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