Karting Champion and tutor, Mike Wilson spoke about his first encounter with Lance during his karting days in an interview, with an interesting comparison to a young Fernando Alonso, whom he'd also mentored:
"Before leaving I said to my wife: "The father told me that the boy is very good. But it's normal to say that, do you know how many times I've heard it before? I assure you that if he is not phenomenal, I will return home, I don't want to waste time". Instead, when I saw him on the track, I realised that his father had his reasons and that this was a special child, with something more than others. Above all I was surprised by his determination: it was greater than normal. And this is strange, because boys who comes from such wealthy families generally do not need to struggle to get anything; consequently, they are not very determined. Not him. Quite the contrary! Before him, the last boy I had seen with his "willingness" was Fernando."
"Lance drove well and listened to all the advice. I remember a ROK International Final in which he started from the front row, in second place.
The commissioners decided to replace the clutch for the first four (a precaution to avoid misconduct …) and he, at the second restart, started badly due to an overheated clutch. He was among the last drivers, but he did not lose heart because of this: he put his head down and proved to be among the fastest on the track. If he had started further ahead he would have won the race, also because he managed to overtake without wasting time: if you can do this at 11 years of age, it's only because you have talent. If that inconvenience had happened to me, I would have been so annoyed that I would have stopped and returned to the pits. It was certainly not easy to tutor Lance in those years: I would stay on Canada for a month, then return to Italia for a few weeks. Then I would go back to Canada, and so on. With a wife and children at home it certainly wasn’t easy. But it gave me great satisfaction: when he would climb onto the podium it would be as if I was there with him. Making money is important in life, but doing something you like is better. At my age, I still manage to get emotional on the track, and staying close to Lance was emotional.” - source
look if the general election ends up being biden v trump (which it very likely will), there are plenty of logical and pragmatic reasons i'd want biden to win, obviously. but the pettiest reason is that i just never want to hear about donald fucking trump ever again
saw “the sunshine court” trending along with “Neil Josten” and I was very confused, checked the tag AND YOURE TELLING ME THERES A NEW ALL FOR THE GAME BOOK??? why did I have no idea about this???
one last thing as someone who was active 7 years ago the most shocking thing is the turn around of kaider as the fandom favorite. it was literally a cresswell and wolflet world back then and kaider fans were struggling to survive and its so strange to see kaider as super popular and have double the fanfics of any other canon couple
There are only two people in the entire world that I will go so far out of my way to watch ANYTHING they’ve been involved in and those two men are James Acaster and Aneurin Barnard because I transcend genre and I have the range
A post about Freddy Carter in the 2016 play CIRCA, with some info about the play in here too.
If you repost pics from this elsewhere please remember to:
a) credit the photographer/photo source
and
b) mention me as having found them (I'm purpleyindom on insta if anyone reposts there) since it took a fair bit of time/effort to research this play.
Photo sources: tratcliffe15, 2 -__circa & 3 - the VAULTS performance crowdfunder page and others sources mentioned later
The play was written by Tom Ratcliffe who is friends with Freddy - he was at Oxford Drama School with Freddy, as well as starring in "The Wars of the Roses" (Rose Theatre) with him in 2015.
CIRCA was first performed as a sell-out research & development showing at the Old Red Lion Theatre, Islington in November 2015. After that a crowdfunding campaign was started to raise money for putting on the world premiere of the play in Amsterdam.
10 minutes of CIRCA were also performed as part of Wildcard Theatre's Christmas fundraiser December 1st 2015, with Freddy playing The First Love and Tom Ratcliffe playing The Young Man, and Jamie Jackson directing. Photographer: Ali Wright
Rehearsals for Amsterdam, with director Eleanor Clare Taylor in the 1st pic. Freddy plays The First Love.
Photo source: __circa
The Amsterdam performance happened 8th January 2016 as part of Festival Contact at the Theater de Meervaart. Some behind the scene shots + some more from the performance itself (EDIT: the lefthand side sofa pic I'd included is actually from the 2015 London performance instead - the righthand side one is the Amsterdam set).
Following Amsterdam, another crowdfunding campaign was started to raise money for the plays UK première as part of 2016 Pride in London. Here's pics for the readthrough, rehearsals & preview show. Freddy plays The First Love and The Younger Man.
Photo source: __circa
The play ran June 21st-25th, directed by Joe Allan, performed at The VAULTS, Waterloo. As mentioned by a londontheatre1, the actors changed into dark clothes to double up as stagehands like in pic 5. As far as I can tell there's no public recordings of the play, just a very brief insta reel of applause for one of the shows.
Photo sources: - tratcliffe15 , eskijoe + poster design & some pics by Eitan Bernat
CIRCA had another run in March 2019 - for 4 weeks this time - again at The Old Red Lion Theatre, with a smaller cast of 5: Antony Gabriel, Daniel Abelson, Jenna Fincken, Joseph Rowe, and Thomas Flynn. Maybe CIRCA will return sometime potentially but it seems unlikely it would be with Freddy again. I very much wish I could see it tbh but I'll probably have to satisfy myself buying the script sometime.
Photographer Lidia Crisafulli
For anyone curious about the play more generally, Tom Ratcliffe has interviews about the 2019 run linked on his website under 'Press' further down on his writer's CV page. There are reviews for the 2016 Vaults performance here. CIRCA is also published, and there were some quotes from the play released as part of promo tweets - they're behind the read more.
"That’s what everyone says isn't it? Gay men shag everything. Disease and all that. My mum, when I came out, the first thing she said to me was ‘don’t get AIDS'...But things are different now. They’ll be different for us."
"Have you ever played the Game of Life?"
"Most people get to be happy with just one person. I don't see why I should have it any different."
"You have this thing where you don't let it define you... I'm not going to apologise"
"Everybody loves a drag queen but nobody will ever love a drag queen"
"No one sleeps with one person forever. You can't be so naive."
Since i started actively reading again in 2020 i’ve read two (2) books with zero (0) queer rep in them and like. The characters are just so boring. Fascinating plot and worldbuilding, but i just keep thinking of how much better they would be if there was literally any queer rep at all. Even just like a side/background character
Shamelessly telling everyone to go read the Lockwood & Co. books right now because the fifth book was/still is literally my favourite book ever, it’s spooky, it’s fun, it’s got that perfect balance of action, drama, heart, humour, and horror, with great twists and characters and all and trying to find mere fandom crumbs for it is why I ever joined tumblr in the first place like 7 years ago, AND if the new Netflix adaptation is good, I don’t want it to be cancelled and I want you all to watch it to save my immeasurable grief. *swinging pocket watch back and forth* You want to read Lockwood & co so bad
I can sit and critique forever as I am the world's proudest hater but I do feel that a lot of the snark around Vengeful is just people crucially misunderstanding the point of the villains universe. it's fucking camp! everything is self aware and overdramatic and reads like a published (albeit very good) fanfiction. if you're in specific circles you absolutely recognise the tropes schwab is pulling from and the tongue in cheek references she makes and all of them are on some base level FUNNY. I don't think it can be read with 100% gravitas because as much as it is brutal and visceral and about extremely traumatized people desperately clutching onto each other because carrying on feels easier than trying something new, it is also a book in which the girlboss mafia leader queen gets taken out by a naked college quarterback . schwab likes nice and wrapped up endings and after dealing with stief and Muir it is a BREATH OF FRESH FUCKING AIRRRR