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#bittersweet forever
lotus-pear · 8 months
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"feels like we could go on for forever this way.." (x)
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thepenguisalive7 · 7 months
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Hospital Flowers 🌸 (click here for the clip!)
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IS THAT JEREMY!?
I’M GLAD YALL NOTICED THIS DETAIL! To answer your question,,, oh yknow
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iedistis · 3 months
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30 seconds before disaster
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aria-greenhoodie · 7 months
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In my heart this is how the finale ACTUALLY ended. In my heart…
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Click for Quality!
Based on this specific panel from the comics:
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nartothelar · 9 months
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But for the vampire au, have you considered Emmet getting Severely Hurt™️ and Ingo turning him to keep his brother alive?
Or do they have an agreement to just let things happen?
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“No.” Emmet responds simply, decisively.
The answer is expected and yet, the disappointment Ingo feels is an unwelcome heaviness, his constant frown turning genuine without it meaning to.
Ingo had asked the very same question thrice times now.
Once was when they were kids. It was casual inquiry that came with little prompting; he had asked out of curiosity more than anything. Ingo had asked Emmet after they had defeated a trio of challengers off hand. Emmet had laughed, light and airy, when he answered. They had gotten ice cream using their winnings after.
The second time had been following a much more harrowing experience. A safety check forgotten, a simple mistake by a depot agent newly hired, had resulted in a derailed train. Fortunately only a few were injured. Unfortunately, one of those few was Emmet.
Ingo had asked him with bags under his eyes, something quite silly since Ingo didn’t even need to sleep. (Was that makeup? Emmet had joked with an exhausted smile.)
Emmet, laying in that hospital bed, IV's in his arm and a cask around his left leg, had responded much the same, a chuckle rather than a laugh. Perhaps his headache had come back to manage much more than that. Ingo didn’t attempt to change his mind and offered him the chicken noodle soup Elesa had brought for him.
And the third time was right now: Ingo sitting across from Emmet in the dining room of their shared apartment. It was morning and even though the windows curtains were drawn, the room was illuminated with a soft glow. In front of his brother was a plate of eggs and toast, him nursing a cup of black coffee. In front of Ingo was just a cup of tea, untouched and cooling.
“But why don’t you want to be a vampire?”
“But why don’t you want to be a vampire?”
The way he asks shows his cards far to easily. Whoever had said Subway Boss Ingo was hard to read must have not tried at all.
His brother looks at him, assessing him, and then looks away.
Emmet is silent for a minute, simply gazing at the cup in front of him. His food was getting cold.
Most would think Emmet was being hesitant when answering, that this was a sign he didn’t want to answer at all. But Ingo knows him well. He knows he wants to go over what he will day and that he voices his thoughts properly.
Ingo is patient and waits. Finally, Emmet answers.
“I like the sun.” His brother says, looking at him. The color of his eyes haven’t dulled all these years. “It feels warm on my skin. It feels good.”
“I love eating. The taste, the action. Yup!" Emmet picks at his plate with a hum. "I want to eat what I like, when I like."
“I like my independence." Ingo's tea leaves an ashy taste as he sips it - a floral chamomile bag floats at the bottom of it. "I do not want to be dependent on others. I do not want to be dependent on things out of my control."
"I know that I will have to sometimes." Emmet really looks at him now. "And that is ok. But I still feel the same way.”
Ingo squeezes his mug, before he relaxes his grip. Emmet notices.
Emmet lays his palm on his chest, closing it into a fist near the middle.
“I like being human.” It sounds final, the words like a gavel to wood, the way it echoes in his mind. “I do not want to be a vampire.”
Ingo wants to argue. To convince him that the pros outweigh the insignificant cons, but he does not. No. Usually Ingo is more eloquent with his words, but the fear that rises up in his throat makes his usually well thought out words more brisk, more succinct, more honest as he says the obvious.
“But you are aging.” Ingo says. You are dying, Ingo tries, fails, and a refrains to add.
Ingo hands are smooth, his face without a wrinkle. He looks as the same as he as when he first became a subway boss. He has since he was sent to Hisui. Forever youthful. And Emmet.
Emmet's hands are calloused, wrinkled from years of maintenance at gear station. His hair is thinning and his temples were turning white. His stride not as brisk as it was years ago.
“I am.” Emmet replies. “And I will continue to age.”
Ingo knows Emmet. He is stubborn, just like himself. That is how he is. He knows he will not change his mind. And that makes him clench his jaw, look down at his cup with furrowed brow.
“Ingo.”
Ingo snaps his head up, fear turning to anger that makes him feel sick. He should not be angry, but he is.
“Then you plan to reach your final stop?” Emmet’s smile dims. Ingo continues anyway. “Leave this station?” Without me? Ingo clamps down before he utters the accusation.
“You....you will have me wait here for you to die? And do nothing?!”
And there it is. Ingo barring his greatest fear since he got turned. The thing that has plaguing his mind since he stood at the grave of his old clan leader in Hisui, at the cemetery where his other wardens were laid to rest. What he had realized as he saw time passes by, years of constant goodbyes and tearful farewells.
It was that, no matter how grand his ideals, the simple truth of the matter was that he was utterly powerless to the passage of time.
Ingo doesn't realize that he has stood up until he is already towering over Emmet's seated form. His fangs barred and he suspects his eyes are slits.
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And despite that, Emmet looks calm. He looks...sad.
“I didn’t ask for this.” Ingo says softly, deflated as the anger leaves his body. To live on as those around him pass. To see enjoy his life without the people he cares most around him.
Ingo feels arms wrap around him and he wraps trembling arms around Emmet too, his head laying on his shoulder. They stay like that for a moment, simply holding each other, not letting go.
"I'm sorry I never gave you the choice." Emmet finally says. Ingo's hands grip at Emmet's shirt. "We were young. You were dying. And I was desperate. I did not want to lose you..."
Emmet pulls back after that, not all the way, but enough to look into Ingo's face. His fangs have retracted, his eyes normal again. "But those details do not matter now, do they?" Emmet sighs out, that sad smile still there.
"They matter. Of course they matter." Ingo protests, but he doesn't elaborate pass that.
Emmet looks at the floor, thinking about his words and looks at Ingo again before saying, "Everything reaches its final terminal."
"Not me." Ingo says. It comes out bitter.
"Everything does." Emmet repeats, shaking his head. He squeezes Ingo's forearm before he lets go. "I did not give you a choice. but you can choose for yourself now."
His brother’s crows feet, a result from decades worth of smiles, crinkle at the edges as he looks at him. "Just as I choose for myself."
Ingo dwells on those words, on what his brother is offering. A choice and a decision to make. Emmet looks at him and Ingo understands.
With a sigh (a concession, a compromise), Ingo nods and accepts Emmet's answer.
That heaviness Ingo feels is not fully gone from his mind, but it has lightened, the tension of the room dispersing like the morning fog.
Emmet notices, smiles, and sits back down to finish his breakfast. Ingo follows. And then the silence is filled anew with his brother's latest retelling of yet another dealing he had with a rude passenger yesterday.
Ingo listens and they both laugh and talk and all is right and as it should be that morning, in their shared moment of time.
Him and his brother were a two car train, always have been, no matter their differences. And no matter what, he was going to be there with him until his brother's final destination.
And then after that, once that engine has long gone cold, Ingo would decide when his last stop was too.
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pherre · 4 months
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honestly i think it would be a better ending if it was slowly foreshadowed and prepared for over the course of the last season instead of tacked on at the end bc it feels so jarring after the last ep of s5. its like "alison you shouldn't go and here's why" and then the next episode its "no actually you should go"
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nctsworld · 9 months
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LITTLE MOMENTS WITH JAEHYUN, FROZEN IN TIME // HORIZON
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blimbo-buddy · 5 months
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"Warrior Cats needs more tragedy!" you can't even handle the idea of ShadowSight dying in ALITM
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kadextra · 7 months
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some 4halo hugs because I miss them :’)
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inkskinned · 1 year
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i had a dream that the clouds looked like you, pink in the sunset. you were the ghost of a lighthouse and when we fell in love all your shackles fell off in great grey chunks. we became fish-squid-humans, unkillable and round as the sun. our children were whales, and we grew past the size of cruise ships. i cursed poachers with my own blood; only to relent, knowing the pain of drowning just close-enough, warning them: do better. be well. don't make a mistake you can't come back from.
how quietly you've slipped inside me, little seal shifting me under the water. this little dance we are both stepping, our hands just-quite not-touching. like mermaids, sometimes i think our form is the shape of the ocean. sometimes i think we are too horribly human, too terrified of the rip and torrent.
i have thought about my hand in your hair enough, and the curve of your cheekbone, and how you wait for a moment to gather your thoughts before telling a joke. i have thought about the tension that grows in cables between us, a little spined bridge neither of us will cross unless the situation dramatically shifts. i have thought about the way you tilt your head when considering something i blurted, how you show just-half of your smile when you know more than i did.
what even are you two? she asks me, stirring her coffee, her brows knitting. i shrug noncommittally.
somewhere, we are mermaids, eternally. in this world, for now - i tell her: i think we're just... enjoying.
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kingslayerstew · 1 year
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gotta feel bad for whoever the next kings justice will be bcs he will have to live with the pressure of succeeding STAR EXECUTIONER ilyn payne. a lifetime of "um just so you know payne wouldve gotten it over with in 1 swing :/" and "i mean youre fine but you just lack ser ilyn's atmosphere :(" and "what was that?? sorry im not used to a speaking kings justice u_u" poor guy
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tensecondstomidnight · 3 months
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ring ring
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thiagodasilva · 6 months
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lets hear it for the girls
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Hello. I've been binge reading your meta post an I loves all of it. I have one question, though I don't know if you had the same question or not. If you had I'm sorry feel free to ignore this but if you hadn't, this is my question. Many people said Adrien as sentimonster is a good plot and the other said it's also good metaphor for abuse children. But what do you think about the senti plot? Is it necessary? And what do you think the writer is trying to achieve with the plot if Adrien doesn't even allowed to know about what he is?
Thank you! I'm glad that you've been enjoying my rambles! I don't think I've touched on those aspects of the sentiplot, so here goes!
Is it Necessary/What's The Goal?
I don't think that the sentiplot is even remotely necessary. My two cents is that it reads like something that was added relatively last-minute in order to add some cheap drama to draw the plot out because they didn't have enough content to organically fill seven seasons. Part of the reason that I'm comfortable saying that is because we've seen the writers do this type of move many times before. I don't wanna get too into the weeds on this, but a good example is the love triangles with Luka and Kagami.
Luka and Kagami are never treated as real alternate love interests. They're just road blocks on the love square highway that allow for seasons three to end on a cliff hanger. The fact that season four opens on two episodes meant to reassure the audience that Lukanette and Adrigami are doomed to fail is proof of this. No one is actually supposed to ship those ships. There's no Team Luka vs Team Adrien. It's just cheap drama.
The other reason that I feel comfortable calling the sentiplot cheap shoehorned drama is because the sentiplot has no teeth. A big reason why I refused to believe that it was going to be a thing was because it's an extremely serious plot that has no place in a Y-7 show. The wielder of raw destruction can have his free will overwritten at any time! The show has made jewelry theft a common teenage past time! This is bad!
And yet, once it's introduced, it goes nowhere. Gabe gives the most lackluster commands humanly possible and Nathalie undoes every one of them before they have a chance to meaningfully impact the plot. The biggest fallout of the sentiplot was that the Adrienette kiss got delayed a bit. How terrifying.
If the sentiplot had the weight it deserved, then it would have destroyed Adrientte in a big, dramatic fashion. Gabriel would have commanded Adrien to date Kagami and Tomoe would have done the same for Kagami re Adrien. But that's too serious, so we don't even get Gabe telling Adrien to break up with Marinette. He just tells Adrien to not see her and Marinette never has any clue that something went wrong there because Nathalie undoes the command two minutes later.
The Sentiplot's and Emilie
You may have read the previous section and thought, "But wait, doesn't the sentiplot give an explanation for why Emilie used the peacock? Didn't we need that?"
No, we didn't. Felix's little play and Gabe's memory of the night they used the peacock both heavily imply that no one knew that the peacock would kill you. It's why Felix exists! His father did not willingly give his life to have a kid and neither did Emilie. It was an unknown side effect.
Imo, it would have actually been better if Emilie hadn't used the peacock for such obviously selfish reasons. I mean, is anyone really saying, "Oh no, the rich lady used forbidden magic (and possibly killed some people?) to get a designer baby, then faced unexpected consequences! How awful for her! She didn't deserve that!"
Wouldn't it have been a far more interesting and complex story if Emilie used the peacock because she wanted to help someone else? If she was an unambiguously good person who suffered for doing the right thing or even just a morally gray thing? Wouldn't that make Gabriel's quest feel more righteous and less like a temper tantrum by a rich, entitled white guy who used his wealth in a morally dubious manner and paid for it?
The Sentiplot as an Abuse Metephor
I don't think that the writers meant for the sentiplot to be an abuse metaphor. In fact, I sincerely hope they didn't because it's a terrible one! Or, at least, a depressing one.
Abuse - especially childhood abuse - is something that sticks with us. A lot of victims will be forever scared by what they went through. But just because they bare scares doesn't mean that they're trapped by their abuse and can never break free. This is true even if the abuse caused mental health issues like PTSD or CPTSD, conditions that can never be cured because you know what they can be? Controlled and mitigated to the point where the victim is no longer ruled by their condition.
There's also the fact that abuse victims - especially child abuse victims - can and often do reach a point where their abusers no longer have any power over them. I have personally seen a child abuse victim go thought the process of realizing that their parent is just another adult now. All the power that the parent once held is gone. The child doesn't depend on them for food and shelter anymore. If the abuse starts up again, then the child can just get up and walk away.
That's not true for a sentimonster. Sentimonsters don't grow up and get more agency/power. At any point, their abuser can get ahold of their amok and override their free will, taking away the sentimonster's freedom even if the sentimonster is on another continent! There is no means of true escape.
No abuse victim will ever be that powerless. Abuse victims can escape abuse and they do have true free will. Sentimonsters will always be sentimonsters.
Is the Sentiplot Good?
No. It's too serious for a kids show. In fact, now that it's canon, here's my two cents: all of the sentikids are massive liabilities to the team who need to give up their miraculouses immediately because they can never be truly trusted. Felix has shown us time and time again how easy it is to steal an amok and replace it with a fake, so we must always assume that the sentikids are compromised because to assume otherwise is to invite the miraculouses to fall into the wrong hands. It's just not worth the risk to trust a senti.
Along the same lines, the love square should never be canon unless Marinette gives up Guardianship because Adrien is a liability to the safety of the miraculouses even if he didn't wield on himself. The only way to get around this issue is to use the wish to make the sentikids human, but Gabe failed to even do that one kindness for his son, so here we are. Season six will either drive this point home by having Lila use the amoks to mess with Adrien or it will drop the sentiplot forever, proving just how cheap and poorly thought out it was.
Other issues I think I've already addressed in other posts, but that are still a problem that make the plot bad:
a sentimonster's creator defines the sentimonster's worth, thus there being no issue with Felix making sentimonsters and then killing them or the heroes destroying them, but it would somehow be wrong if we did the same thing to any of the sentikids
any command you give a sentimonster can be overwritten and sentimonsters can't resist even if they know they're being controlled, so there's truly no hope to free them
giving your leading lady anxiety issues and a boyfriend whose free will is constantly in jeopardy is cruel and unusual punishment
an insane number of lore issues like why is it impossible to destroy other sentimonsters, but Adrien can be destroyed in akuma fights? Cataclysms are pure destruction! It makes no sense that akumas can do what a cataclysm can't. And is Adrien able to die a natural death? What happens to his amok when he does? Will his children be able to be controlled by his amok too since they're part of him?
the lore around Gabe & Emilie finding the miraculous makes no sense and should not be possible. That's another rant, though.
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user2872 · 14 days
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I don't want to simply get baited.
I want them to boldly showcase countless Zutara scenes right in our faces, only to slap us with a Kataang finale, in the end.
I want to embrace the agonizing pain that follows so that I would undoubtedly be forever scared by Zutara, to ever have a chance to move on.
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