Betye Saar - Mystic Window for Leo (1969)
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Betye Saar, Rojo Toro, 1964
Betye Saar, The Beast that Pounds the Devil's Dust, 1964
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Betye Saar (b. 1926). Untitled, 1976.
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Betye Saar - Celestial Universe, 1988
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"Black Girl's Window"
Betye Saar (1926)
[wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine] 1969
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artist Betye Saar (1972)
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From left: Tracye Saar-Cavanaugh, Alison Saar, Betye Saar, and Lezley Saar.
Betye Saar, Her Daughters, and the House That Never Stopped Making Art
The pioneering artist and her three daughters on family, creativity, and why being able to see beauty, even in difficult times, is the true mother of invention. | photo Texas Isaiah
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Betye Saar - Midnight Madonnas (1996)
Source: Kristine Juncker - Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo & Santeria (2014)
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Betye Saar, Mti, 1973
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Betye Saar, “Rainbow Mojo” (1972)
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Betye Saar - Black Girl's Window (1969)
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Betye Saar
House of Tarot
1960
MoMA New York
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Betye Saar, Flight, 1963, screenprint, 17 15/16 × 24 1/8" (45.5 × 61.2 cm)
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Betye Saar hanging out at the Watts Towers
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Celebrating Black History Month with daily selections of Art by Black artists.
Betye Saar (American, b. 1926)
The Liberation of Aunt Jemima • 1972 • Mixed mediums • 11¾ by 8 by 2¾ inches • Berkeley Art Museum and Pacific Film Archive. Courtesy Roberts Projects, Los Angeles.
Mti • 1973 • Tate Britain • Wood, palm fronds, acrylic paint, doll, candles, bone, shell, printed papers, fabric, metal and other materials
“To me the trick is to seduce the viewer. If you can get the viewer to look at a work of art, then you might be able to give them some sort of message.” – Betye Saar
A better than usual Wikipedia entry about Betye Saar
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