William H. Johnson, Jesus and Three Marys, 1939
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Henry Ossawa Tanner (1859-1937)
"The Young Sabot Maker" (1895)
Oil on canvas
Located in the Nelson-Atkins Museum of Art, Kansas City, Missouri, United States
The painting depicts an older man proudly watching a boy push with his weight against the crossbar handle of an auger to carve a sabot, or wooden shoe.
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Faith Ringgold
Mama Can Sing
2004
Silkscreen
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The Annunciation - Henry Ossawa Tanner , 1898.
African-American , 1859 - 1937
Oil on canvas , 140 cm × 181.0 cm 57 in × 71.25 in
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Kehinde Wiley (Nigerian-American, b.1977), Portrait of Melissa Thompson (detail), 2020, oil on linen.
Ms. Thompson in front of her portrait.
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Charles White
Two Alone, 1946
Oil on board.
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Lois Mailou Jones, Paris le Soir, ca. 1948-1950, oil/canvas (DeMell Jacobsen Foundation, Jacksonville)
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Let the Children March • Frank Morrison, illustrator • (American, b. 1971) • Author, Monica Clark-Robinson • Clarion Books, publisher • 2018
In 1963 Birmingham, Alabama, thousands of African American children volunteered to march for their rights after hearing Dr. Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.
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William H. Johnson, New Land Breaking, 1941
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ARCMANORO NILES
Got So Far from My Raising I Forgot Where / Come From (Spent My Youth among the Pines), 2023
oil, acrylic, and glitter on canvas
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Jacob Lawrence
Pool Parlor
1942
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I hadn’t come across the work of Renee Stout before a visit to the Washington Museum Of Art at the weekend. This is ‘Burn for Love’, 2000, and I like it.
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Dox Thrash (American, 1893 - 1965), Untitled (Strike), ca. 1940, watercolor, 17⅛ in. × 12 in. (43.5 × 30.5 cm), Pennsylvania Academy of the Fine Arts, Philadelphia.
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Charles Ethan Porter (1847-1923)
"Lilacs" (1890)
Oil on canvas
Located in the SCAD Museum of Art, Savannah, Georgia, United States
Porter was an American painter who specialized in still life painting. He was a student at the National Academy of Design in New York City and was one of the first African Americans to exhibit there.
He was the only African-American artist at the turn of the century who painted in still life.
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HALE WOODRUFF
TOTEM, C. 1954
Oil on canvas
36 x 20 inches
GFAF
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Kehinde Wiley, Saint Amelie, 2014, hand painted glass mounted on lightbox (Walters Art Gallery, Baltimore)
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