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#African American painter
the-cricket-chirps · 6 months
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Jacob Lawrence
Pool Parlor
1942
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irishgop · 6 months
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Temi Wynston Edun, “The
Cross and the Sinner,” Oil
and stick on canvas (2023)
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Horace Pippin
The Blue Tiger
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nudeartpluspoetry · 2 years
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painting by Hughie Lee-Smith
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newyorkthegoldenage · 2 months
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Palmer Hayden, The Janitor Who Paints, ca. 1930, repainted after 1940, oil on canvas.
Palmer Hayden was known for his paintings of the African-American scene. In a 1969 interview he described The Janitor Who Paints, created around 1930, as "a sort of protest painting" of his own economic and social standing as well as that of his fellow African-Americans.
The most immediate source for the element of protest that Hayden associated with the work, however, was his friendship with Cloyd Boykin, an older African-American painter who supported himself as a janitor: "I painted it because no one called Boykin the artist. They called him the janitor." Hayden incorporated details such as the beret and the subject of mother and child to reinforce the sense of artistic identity, while the clock alludes to the workman's schedule. (Smithsonian American Art Museum)
Details within the cramped apartment—the duster and the trashcan, for example—point to the janitor's profession; the figure's dapper clothes and beret, much like those Hayden himself wore, point to his artistic pursuits. Hayden's use of perspective was informed by modern art practices, which favored abstraction and simplified forms. He originally exaggerated the figure's facial features, which many of his contemporaries criticized as African-American caricatures, but later altered the painting. He maintained the janitor as the protagonist as it represented larger civil rights issues within the African-American community. (John Ott, "Labored Stereotypes: Palmer Hayden's 'The Janitor Who Paints,'" American Art 22, no.1, Spring 2008).
Photo: Smithsonian American Art Museum
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woobosco · 7 months
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Afro Culture, My Culture @woobosco
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petalpetal · 1 year
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Artist I Like Series 
Kara Walker 1969 - ???? an American contemporary painter, silhouettist, print-maker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work. She is best known for her room-size tableaux of black cut-paper silhouettes. Walker was awarded a MacArthur fellowship in 1997, at the age of 28, becoming one of the youngest ever recipients of the award. Walker is regarded as among the most prominent and acclaimed Black American artists working today.
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sassafrasmoonshine · 4 months
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Kadir Nelson (American, b. 1974) • New Yorker cover • February/March, 2015
Celebrated illustrator Kadir Nelson began his career as the lead conceptual artist for Steven Spielberg’s Oscar-nominated 1997 feature, “Amistad.” His works are usually figurative paintings that focus on historical narrative and heroic subjects in American culture. Nelson’s art is often informed by the Old Masters like Henry O. Tanner and displays a realistic technique that incorporates modern urban realism and masterly works of turn-of-the-century American painters.
“ There are hundreds of artists, but my style has been heavily influenced by Norman Rockwell, N.C. Wyeth, Ernie Barnes, Dean Cornwell, Charles White,”explained Nelson, 44. “I like the style, I like their technique, the emotion that comes through their work, the light and shadow, the drama, the use of color and storytelling. ”
— Kadir Nelson
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abwwia · 2 months
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Elizabeth Catlett (1915-2012)
Elizabeth Catlett (1915-2012) Sculptor and Graphic Artist #PalianSHOW
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View On WordPress
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Benny Andrews
Thresh Hold, 1992 Medium: oil,collage
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the-cricket-chirps · 2 months
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Faith Ringgold, 8 Oct 1930 - 12 Apr 2024, Self-Portrait, 1998
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afrotumble · 11 months
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Working in France after 1891, Henry Ossawa Tanner achieved an international reputation largely through his religious paintings. Their deep spirituality reflects Tanner's upbringing as a minister's son as well as the influence of his visits to the Holy Land after 1897.
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florjus · 1 year
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Charles Sebree | Untitled, 1959
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nudeartpluspoetry · 4 months
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View of Mount Tahoma, later named Mount Rainier--oil on canvas
painting by African American landscape artist Grafton Tyler Brown,
who painted landscapes in California, Oregon, Washington, and British Columbia
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newyorkthegoldenage · 13 days
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William H. Johnson, Blind Singer, ca. 1940. Screenprint with tempera additions.
Johnson was among the foremost painters of African-American life during the Harlem Renaissance. Born in South Carolina and educated in fine arts in New York and Provincetown, Johnson spent most of his time from the mid-1920s to the late 1930s in Europe, where he was influenced by Post-Impressionism and Expressionism. After achieving critical acclaim abroad, he returned to New York permanently in 1938 under the threat of war and with a desire to reconnect to his roots. The move produced a dramatic change in his work. Assigned by the government's Works Progress Administration to teach at the Harlem Community Art Center, Johnson became immersed in the sights, sounds, and people of New York's African-American community, which he captured in compositions of flat shapes, patterned designs, and brilliant colors that were distinctly modernist in their simplicity and directness.
During his lifetime, Johnson created more than seventy-five prints. While in Europe he produced woodcuts and linoleum cuts, usually with hand coloring, inspired by the raw power of German Expressionism. After returning to New York, he took up screenprint and pochoir, techniques that suited his new embrace of simplified forms and bold colors. He printed these works on assorted found papers and often completed his images by hand with tempera, making each print slightly different from the next. He frequently experimented with subjects by printing compositional variants and also rendering them in drawing and painting, each format enriching the other, but with the printed versions the most simplified of all.
Notable among Johnson's New York prints are those that capture the essence of Harlem's fashion, music, and dance. This print, entitled Blind Singer, shows a pair of musicians in an open-air performance that was common on the city's bustling streets. The composition's flatness, pure color, and orchestrated angularity endow this still image with a sense of rhythmic motion and dynamic energy. --Judy Hecker, in Deborah Wye, Artists and Prints: Masterworks from The Museum of Modern Art
Photo & text: MoMA
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woobosco · 9 months
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@woobosco art
Sold 3 paintings and been feeling on fire ever since then!
See more art at @woobosco Instagram.
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