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#because spring is here
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Thank you to @sleepnoises for making the original poll & for giving us the idea to to this :)
Sorry if we couldn’t get your favorite on here, we were limited to only 12 options (11 if you don’t include the “other” option).
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raycatzdraws · 1 month
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Red Red Red!
Whatever it is about Zelda 1 and 2 that makes artists go absolutely insane with the colors- I am not exempt.
I haven't drawn Roolie with his hat before and OOHHH MY GOSH YEAAAHHHH WOOO HAT!!!!!
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sugajimin · 7 months
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some yoongi gifs until he comes back home (1/?)
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angeart · 3 months
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have this doodle of a birb in a hot spring lake while i work on the drawings for everyone who sent in their ask <3
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Good, good morning so good to see you. Weren't just a dream of mine.
Real as a raven, real as thunder. Real as the sun shinin'
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✨ my links ✨
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bronzebluemind · 1 month
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It’s been 0 weeks since the World Cup finale, 17 weeks to go until sgp and 34 weeks to go until next season.
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violaextract · 5 months
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fated highschool au, this is an au that was made by a group of us when the official discord server was still up and running, i redrew them in their teenage get up because i was reminded it existed
what kind of high school shenanigans are they gonna get up to??
some more doodles of the au for fun vvvv
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jtl-fics · 11 months
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Fluent Freshman - Part 24
PREVIOUS
“What do you MEAN Smithy is in the hospital with a stab wound to his stomach?!” Nicky’s own voice is agony for his hangover but honestly, how the fuck else was he supposed to respond when he had asked Andrew where FF was and gotten that as a response.
“Calm down.” Andrew says and he looks tired, looks stressed, and maybe even just…a touch nervous?
Nicky isn’t as good as Neil at reading Andrew Minyard. He doesn’t think anyone will ever be as fluent in the language of Andrew Minyard as Neil Josten but Nicky has picked up some key phrases.
He can see when he’s making a joke that is a step too far. He can see when his cousin wants to kiss Neil but is holding back. He can see when his cousin is stressed.
He can see a guilty curve to Andrew’s spine.
“Andrew, answer me honestly, did you stab my sweet baby freshman?” Nicky asks and he’s not sure if the nausea he feels anymore is from horror or from the sheer number of drinks he had put in his system the night before.
Roland usually cuts him off before he gets this level.
Roland also has a habit of pouring heavier when he’s stressed.
Roland also also tends to make complicated fruity drinks that Nicky likes when he’s stressed.
Andrew’s jaw tenses but it’s Neil who speaks up, “It was an accident. It happened during a fight.” Neil says and Nicky throws his hands up in the air.
“You got into a FIGHT with my sweet baby freshman? Sweet little Smithy? The boy who made brownies that made me feel kinda straight for a dead woman?!” Nicky exclaims and sees Andrew and Neil open their mouths to say something but, “I promised him that if he wanted I’d get him something hard that’d mess his GUTS up but this isn’t what I MEANT.” He lets himself collapse dramatically over the table.
“Nicky, shut up!” Kevin hisses from his spot on the couch.
“When the fuck did Kevin get here?!” Because seriously, how fucked up was Nicky last night that he doesn’t remember Kevin coming on this Columbia trip? Where’d he sit? He couldn’t really remember coming over after Thanksgiving. Had Andrew put Kevin in the trunk? Had Andrew put Nicky in the trunk?
“He came with Wymack.” Neil cut in before Nicky started testing reality. “Wymack is at the hospital since he’s…uh…he’s the…”
“Medical Power of Attorney” Andrew answers.
“Yes! Thank you, the Medical power of attorney for Smith. He needed surgery and Wymack wanted to be nearby in case he had to make any pressing decisions.” Neil explains and yeah that tracks, he knows a little bit about FF’s family and knows that aside from his grandma on his dad’s side the rest can go take a long walk off a short volcano observation platform
“Okay, that explains why Kevin is here….how?! Despite all of the unwarranted advice, Kevin is not a medical professional.” Nicky says before turning to Kevin, “So Kevin, what insane Exy-related reason are you here? Don’t lie and say it’s because you want to sign the get well soon card.” He hisses.
“Fuck you!” Kevin spits, “I need to know how long Smiths is going to be out of commission and what his PT is going to look like. He was supposed to be starting during the spring season.” Kevin growls.
“There it is!” Nicky throws up his hands.
“Nicky, just calm down!” Neil pleads.
“How can I stay calm? Andrew stabbed Smithy! So not only is my favorite freshman in the hospital Andrew’s going to end up back on those god forsaken meds again!” Nicky shouts and buries his face in his hands.
“Smith isn’t going to say that.” Andrew’s voice is calm but Nicky can hear the slight edge.
“Oh yeah?” Nicky asks because he could see FF promising to never mention who stabbed him if Andrew would just spare his life. FF was going to be even MORE of a disaster when it came to his anxiety around Andrew. Nicky wouldn’t be surprised if his friend just straight up dropped out after this. His cousin is safe but he’s absolutely going to lose his friend.
“Because he’s saying Romero Malcolm stabbed him.” Andrew finishes.
Nicky sits up.
“Wait, what?” Nicky asks.
“Last night Romero Malcolm was at Eden’s.” Neil says voice even in a way that lets Nicky know that he’s trying to stay calm, “Smith recognized him, heard he wanted to grab,” Neil swallows thickly, “…grab one of my friends and saw them looking at…” Neil trails off and looks to Andrew who shakes his head, “…around for someone to grab.” Neil seems to decide and Nicky knows when something is being hidden from him but he’s more interested in the story than what Neil is hiding at the moment, “He got Romero’s attention so that he wouldn’t do anything bad in Eden’s and let Roland know to call help. He went out alone into the alley but Romero didn’t follow him.” Neil explains.
“Oh thank god.” Nicky sighs.
“Because he’d alerted Jackson Plank was lying in wait to ambush him.” Neil continues.
“Oh dear god.” Nicky exclaims.
“He uh…” Neil looks to Andrew who shakes his head again, “okay we don’t know exactly HOW Smith managed to do it but he beat Jackson up pretty bad.” Neil explains.
Nicky feels his brain stop working.
He has watched FF trip over his own feet, walk into four different trees, and almost sprain his ankle walking across a flat surface. He knows FF has been watching self-defense videos and had even gotten some pointers from Matt but even Matt had told him his better bet was probably just to yell “WOW WHAT’S THAT OVER THERE?!”, point behind the attacker, and run as fast as humanly possible away from a fight.
Neil is still talking.
Nicky boots back up quickly.
“…a gun. He tackled Romero into Andrew and Andrew’s knife ended up in Smith’s stomach on accident while they were wrestling for the gun. Smith is the one who said he’s going to tell everyone who asks that it was Romero. He even said it to me.” Neil says with an awkward laugh.
“And you believed him.” Andrew says and there’s warmth in his cousin’s eyes as he looks at Neil and teases him.
“And I believed him.” Neil confirms.
“Okay, so you swear to me that you did not INTENTIONALLY stab my BFF?” Nicky asks looking at Andrew seriously.
“BFF, seriously?” Kevin asks.
“Best Freshman Friend.” Nicky answers quickly, “Don’t worry Kevin, you lose out to Matt in all regards for my Best Senior Friend.” He says.
Kevin just flips him off but Nicky turns his attention back to Andrew, “Andrew, I need to hear it.” He says .
“I did not intentionally stab Smith.” Andrew confirms.
Nicky lets the horrified nausea leave him with only his hangover nausea.
“Okay, we can work with that.”  Nicky leans back. “Have you heard from that Agent?” he asks looking at Neil.
Neil nods but then looks nervous and shoots a look towards Kevin, “The FBI is sending Browning and a field office agent to talk with us but…Ichirou also contacted me.” He says and Nicky watches as Kevin perks up.
“He did?!” Kevin squawks looking around like he expected the head of the Moriyama family to appear from the shadows.
“He wants to make sure we do our part to keep the Moriyama name out of this. He is going to deal with Romero and Jackson himself.” Neil says looking nervous.
Nicky clenches his eyes shut, “Well you’re not going to mention them right?” he hears Kevin ask.
“Of course not Kevin.” Nicky hears Andrew hiss.
“Good.” Kevin says.
There’s silence in the wake of Neil’s statement.
Nicky takes a deep breath and wishes his head was a little less agonizing. “Why aren’t we at the hospital to see Smithy?” he asks because he has nothing he can do about Ichirou so he may as well put it out of his mind.
There is some grumbling.
“Wymack said that he’ll just make us sit in the waiting room without any updates.” Neil says. “We’re picking up Smith’s grandma from the airport and she’s our ticket to getting an actual update beyond ‘not dead yet’ from Wymack.” He adds.
“What, you really can’t get updates without Wymack?” Nicky asks.
Andrew looks at Nicky and Nicky can’t read a single thing his cousin is thinking.
“What’s Smith’s first name Nicky.” Andrew asks.
“Oh God fucking Dammit.” Nicky’s head hurts too bad for this.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
Per your requests:
@i-have-three-feelings
 @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themundanemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit @anxietymoss @oddgreyhound @ohno-myhyperfixation-itsbroken @ken22789 @atiredvampire @isoldescorner @not--a--pipedream @azure-wing @bushbees  @roonilwazlib-main @crumplelush @foldedaces-paperbirds @thesenseinnonsense @let-tyrants-fear @ketchupandfries @legowerewolf @deadlydodos @but-we-respect-his-craft @cariniqe @zanypersonapricotbiscuit @lesbian-blackbeard @lesbiansupernatural @silvermasquerade @thepeachfuzz @minniemariex @kazoo-the-demjin @gaypomegranate @ji-nk-ies @neilimfinejosten @omgrubelangel @itsyouitsmeorpheuseurydice @percabethotplove @cozyrosykay @foxyatlas​
The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.
As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?
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psalmsofpsychosis · 1 month
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"#Batman resists his own insanity so it spreads to e v e r y t h i n g around him"
You can't just say this and not elaborate in great detail. PLEASE elaborate oh my God. I do agree but I want to hear every single thought you have about this topic.
Btw, I'm the same Anon who asked -- or not really asked but more so talked -- about Batman and Joker's soulmate sort of bond.
AND WHAT DO YOU MEAN WITH "COMBINING JOKER'S HEAD WITH BATMAN'S BODY"???????
I was thinking along the lines of the concept version and how they could never be satisfied like this, united in one body. What is the result of mixing chaos and order? What is the result of mixing the act of forgetting the past and fixating on it? What do you get through combining the ideology of making everything matter and taking all meaning away?
The result is that the pure concepts become stained and dull, pushed away from their original function, losing their purpose to oppose each other.
Becoming one entity is the act of becoming complete (concepts being stained) and losing the thing that made them them. Batman and Joker were never meant to unite in this way with overlapping voices, finishing each others thoughts and sentences and it SHOWS. I'm in love with their grotesque obsession with each other that borders on love and punishment. Their desire to win and conquer the other for good but never being able to because losing one side takes away the purpose of the other.
That's why I'm so, so, SO disappointed with how the Batman Who Laughs turned out. Where are my identity crises? Plural, because this could never be an one-and-done kind of deal. They became OneTM, inentionally or not, but BeforeTM, they were always wondering what it would be like. Batman could try to get closer to Joker's mental state but never fully experience it, same with Joker. But now they are OneTM and then what? Batman is just the Joker with Bruce's memories and face. I can't begin to describe how boring that is. That's like if DC made a "Deadpool kills the Marvel Universe" story only they used Joker instead of Deadpool.
Do you see my vision? Can you feel my pain? I wanted to psychoanalyse that asshole with my amateurish psychology knowledge but they only gave us a watered down Joker who makes other Batmen less interesting upon contact. WHERE ARE THE IDENTITY CRISES?? WHERE IS THE DIFFICULTY IN MAKING A DECISION?? WHERE ARE THE LENGTHY MONOLOGUES ARGUING BACK AND FORTH OR CONTRADICTING EACH OTHER ALL THE TIME??? The Batman Who Laughs is basically Two Face but without the wall seperating Harvey and Two Face. Joker!Batman should be unable to do anything or constantly switch between Bruce and Joker or save one life and then turn around and kill it. Like, where is the complexity? Why the hell is that guy only a murder machine?? That was neither Joker nor Batman's whole purpose??
Tell me all your thoughts, my friend, while I'm here spinning in circles and going insane. I'll never get out of this alive, you'll still find me ruminating on this on my deathbed.
I swear, if you give an absolute banger of an answer again, I'll come and start living in your walls.
Have a nice day!! :)
ANON LOVE OF MY LIFE, i'm shoveling all the insides of my walls out as we speak, you can move in by Wednesday morning—
Like, the way i felt every single word you said in my bones. You are so right, and there are a couple different points here and it's gonna get longer than usual so i'll separate each thought thread to avoid drowning in lé brain soup.
• Re: batman resisting his own insanity, i feel like i have simultaneously talked about this in 7986 different ways and haven't said anything about it at all 😂 possibly most of it has been discord ramblings. Long story short, the spine of his narrative to me is that he actively resists his own humanity and in extension of it, his evil. He wants to be good. But there's also immense psychological/emotional/physical price we pay whenever we make these kind of choices; whatever we disown and banish to our subconscious, we project out into the world and unto the people around us. The load you refuse to carry will be carried by the people around you, because at the end of the day /someone/ has to carry it, it doesn't just disappear into ether. So, in a way, for Batman to remain good, to remain a hero, someone else has to be bad. The extent in which Batman keeps his goodness "pure and untainted" dictates the horrors created around him— and particularly the creation of Joker. I say creation because the existence of Batman as a concept absolutely necessitates the existence of Joker. In a way Batman does create him, and it's true that with Batman gone Joker and half the evil in Gotham would be gone too, not because Batman is an evil presence— but precisely because he disowns his own evil.
And the thing is, in the specific context of Joker, it has become this almost loving, adoring symbiotic relationship; Joker has willingly shaped himself to fit the outline of an evil that Batman needs to defeat, he has become the sin that Batman can overcome so he can stay a saint. I actually have a draft on this that i never finished, a meta about how all the coloring choices in Joker's design eerily resemble the different color stages of a wound and the bruising after, how Batman almost feels like Jesus with Joker as his side wound, Joker being the price he pays and the pain he goes through for his martyrdom in order to stay pure, for his idealogy to have any form of meaning and significance, Joker being his very own holy suffering.
We fundamentally understand reality in form of contrasts, internal ones, external ones. As you very well pointed out, without an innate sense of contrast, we cease to have any form of coherent grasp on different concepts, and they start to sort of become noise, they become nothing. Would you truly understand what a day was and grasp it as a concept if it wasn't followed by a night? So like, what i'm saying is, people around Bruce/Batman become what he needs because they love him and they want to help him keep his narrative, the structure of his psyche intact. They help him stay 'him' by taking on the burden of what he doesn't want to be, he subconsciously shapes them in the image of what he needs to uphold his identity as a good person. This is why Alfred becomes Joker to save him, this is why Selina is the more socially acceptable pretty Joker that Bruce can actually marry and bring to his family, this is why Joker and Batman feel like they can never escape their narrative, their roles and their performance. It's the reason the moment Batman lurches to kill The Riddler in "the war of jokes and riddles", Joker stops his knife with his hand. It's their defined roles, and the greatest act of love that noone except Joker would show him. Joker says "I'm the sacrifice. I'm the evil, i'm the one who kills, i have made this choice so you can make yours. You're the good one. If you become evil, it renders both your efforts and my sacrifice meaningless, and i can not allow that to happen." And it's a truly fascinating dynamic really, for all that Joker has and hasn't done throughout the Batmanverse history, when it comes to Batman he's irredeemably selfless. Everything he does regarding Batman is to keep Batman's sense of goodness and heroism intact, and in this context he's more pure than him. Everyone around Batman wants him to kill, perhaps rightfully so, they mean well. But Joker says "i'll bear all the unbearable evil so you dont have to, and we both acutely understand that without my existence you mean nothing. I will be the monster so you dont have to." And honest to god there's a heartbreaking affection to this, something noone else will ever be willing or want to offer to Bruce, not to this extent.
in 'the war of jokes and riddles' Bruce tells Selina that "what separates him from utter evil is a hand on his knife. Joker's hand." like bro, he knows. In a deeply twisted and gutwrenching way Bruce knows that noone loves him the way Joker does.
• Re: combining Joker and Batman's heads and bodies, i was thinking.... two concepts maybe?? 👀 one is more like the Dullahan myth, in which Batman loses his head but he isn't carrying it, Joker steals it. And then Joker loses his head and Batman has to keep it and he's forced to use it. It'd be an insanely fun concept; the Dullahan myth can be interpreted as the idea of death of self by supposedly losing all that would make you human; your thoughts and memories and logic, etc. Except that you still have a heart, and a body, and they're not exactly cooperative. It'd be fun to have Joker's mind trying to tame Batman's heart and body, each fighting and singing their own song, same for Batman. A version of the myth has Dullahan carrying a human spine in one hand, and i mean, the possibilities are endless!
But also another concept would be: two frankenstein monsters lmaooo, same sense of discordent internal landscape, same sense of ideological tension and conflict, but also someone's gotta [tw mentions of gore] chop chop them and sew their body parts together, and that can be another interesting element added to their fucked up dynamic ✨️ it can also be Joker as Dr Frankensten and he sews parts of himself to Batman in order to save him!
• Re: Batman Who Laughs, oh girl (gn), i have nothing to add that you haven't already said more beautifully than me. There's so much emotional nuance and complex philosophy that could've gone into that concept, it's certainly one of the hardest Batman story variations to pull off, and weirdly enough, the people who dont directly aim for "Batman becomes Joker/Joker becomes Batman" stories often tell a better more intricate tale about that transformation than the people who straight up shoot for the concept. One of the things that always sends a chill down my spine is the ending of Batman: Europa, in which Joker is terrified and screaming as Batman laughs and lurches for him; that's the dynamic, that's the Batman who laughs, and the most unsettling part of it is that, Batman doesn't change. He doesn't have to. On a core level he is quite frankly a bit fucked up, it's not a stretch for Batman to be evil, and that's why his goodness is meaningful. Cue Nietsche's quote, "Of all evil I deem you capable: Therefore I want good from you. Verily, I have often laughed at the weaklings who thought themselves good because they had no claws." Batman is not a good guy entirely, and that makes his goodness a conscious choice with so much weight and worth and significance. I dont think a lot of DC people understand this.
With Batman Who Laughs, the name kinda sums up the take unfortunately; it's a superficial interpretation that falls flat on its own face because the writers couldn't be assed to explore how a chemical combination of Batman and Joker's narrative would unfold. ¯\_(ツ)_/¯ as with any potent chemical reaction, the mixture is highly unstable and unpredictable, and that's the fucking fun of it. There's gotta be tension. I do think Batman and Joker can very well mix, i do think they can make a seamless fusion, but i dont trust any canon DC writers to handle the characterization well in a way that doesn't bore you out of your fucking mind. You gotta make a new person and you gotta capitalise on the core components both Batman and Joker share; their incessant sense of idealism, their need for purity, their volatile emotions and their aggression, their need to individuate from their context and deviate from the norm, take the third way out narrative wise, their philosophical and intellectual bend, their immense grief, their need to be oh so special and different 😂 they actually have a whole lot in common, this is why they're perfect enemies!
But yeah, writing that personality fusion is very hard because it's such an emotionally complex context and most DC writers have not felt a single emotion in the past 35 years aflhdtdhlf
Anyway yep i love your brain so SO much Anon, hope you have a wonderful day ❤️💕 and dont forget to tell me what ya think!!
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youssefguedira · 20 days
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wrote this instead of doing any of my actual tasks <3 tw for brief mention of animal death (by hunting)
Yusuf has been dreading this since the moment they left for Akkala. He had made as many excuses as he could to stay in Goron City for as long as he could, but every one had run out in the end, and he could no longer put off the inevitable. 
The first time he had walked this road, his father had accompanied him with a platoon of guards, still cautious, still reeling from the attack that had taken Yusuf's mother. The second time there had been fewer, but still many. 
In the years after that, the number of people sent with him had decreased even further until it was only two or three guards, enough to keep him safe. His father stopped accompanying him on these journeys after he turned fourteen and there had been no sign of their worth. 
Now, only Nicolò. 
He follows, keeping a respectful distance away from Yusuf, but closer than he had walked before they had gone to meet Nile, to ask for her help. He doesn't ever ask to stop, or to slow down, letting Yusuf set the pace. He keeps a hand on the hilt of his sword and does not speak. 
What is there to be said? Nicolò knows what lies at the end of this road, even if he does not know what it will mean for Yusuf. 
Yusuf can feel Nicolò's eyes on his back. It is bad enough that the whole kingdom knows he is a failure: he does not need Nicolò to watch him fail and say nothing. 
The sun is low, casting the landscape in burnt orange. It would be beautiful were it not so horribly familiar. There is a cabin nearby, and not far from it, the Spring. They will stay in the cabin tonight; they will leave for the Spring in the morning and spend three days there, then return to Goron City and after that, the castle. 
Yusuf thinks about returning, about his father's inevitable disappointment, and feels sick. 
“Yusuf,” Nicolò says, sounding uncertain. He is not yet used to calling Yusuf by his name. “We are not far, yes?” 
Yusuf had forgotten that Nicolò does not know every cursed inch of this road the way Yusuf does. “No, not far. In a moment you'll see the cabin.” 
Nicolò says nothing. Yusuf glances back just long enough to meet his eyes before looking away. 
What is Nicolò thinking? Yusuf can never tell. 
Yusuf catches sight of the cabin a moment later. Dread sits like a stone in his stomach. 
When they get closer, Nicolò takes hold of his elbow, gentle. It startles Yusuf all the same - he hadn't realised Nicolò was that close to him. 
“Let me go first,” Nicolò says. “To check. But stay close.” 
Yusuf nods, and lingers barely a handspan from Nicolò's back while he surveys first the outside, then the inside, of the cabin. Once he's satisfied, he gestures for Yusuf to enter. 
“You should rest,” he says, and he is being so gentle with Yusuf it almost hurts. Perhaps Andromache has told him what this will mean for him: she has accompanied him before. 
Yusuf shakes his head, because sleep means dreams, and dreams will be worse. “What are you going to do?” 
“I am going to find something for dinner,” Nicolò says. 
“Let me come with you,” Yusuf says. Anything is better than sitting in this cabin alone with his thoughts.
Nicolò looks at him for a long moment. Perhaps he takes pity on Yusuf, or perhaps he thinks that it will be easier to keep Yusuf safe if he stays with Nicolò. Either way, he nods. “All right.”
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Finding something for dinner means that Nicolò leads Yusuf a little way into the woods, far enough that the foliage and the dying sunlight makes it difficult to see, and bids him hide beneath a tree, in a space formed by the roots, while Nicolò crouches beside him with his bow, nocking an arrow in one smooth, seamless motion. From his vantage point, Yusuf can see a small clearing with a few fallen trees.
“Do not move,” Nicolò instructs him in a whisper, “and do not make a sound.”
Yusuf rests his head against the tree and watches the leaves move in the breeze. It is quiet enough that all he can hear is their rustling, the sounds of birds and animals calling to each other, the rushing of the stream nearby. After a moment, and with nothing else to watch, Yusuf begins to watch Nicolò. 
He has gone as still and as quiet as the trees around them, barely breathing, his shoulders rising and falling only slightly, like he has become a part of the forest. Faron Woods is much further south from here, but Yusuf supposes that this forest must be somewhat similar to where Nicolò grew up. He wonders who taught him to hunt; who taught him to be so comfortable in this place. Why he left it behind to travel to the castle and work for the king.
There are a lot of things Yusuf wonders about him. He cannot tell if Nicolò is aware of Yusuf’s watching; he must be. Still, Yusuf cannot help but watch.
It happens faster than Yusuf can track. Nicolò goes entirely still, and draws his bow swiftly, silently. Yusuf holds his breath and so does the forest.
Nicolò lets the arrow fly.
Yusuf doesn’t see whether it finds its mark, but Nicolò looks for a moment and then stands. “Wait here,” he says to Yusuf, and then heads for the clearing. When he returns he’s carrying something behind his back, the arrow in his other hand. Blood drips onto the grass. 
“You can wait inside while I prepare it, if you prefer,” Nicolò says haltingly. Yusuf shakes his head, and so he sits on a log outside while Nicolò skins the rabbit, arms wrapped around his knees and chin drawn up to his chest. Nicolò keeps his back to Yusuf, shielding most of it from view. 
Who taught him this? Yusuf wonders. It is a part of Nicolò he has never seen before.
When it is done, he takes it back inside to cook over the fire, and they eat it alongside the bread and cheese they brought from Goron City, across from each other at the cabin’s little table.
“When do you want to leave, tomorrow?” Nicolò asks softly. 
“I don’t,” Yusuf says before he can stop himself, and then adds, “I don’t know. Early, probably.” The thought bursts the little bubble he’s been in since they arrived. He doesn’t want to leave, could stay here for the three days they’ve been allocated and return to his father without even having tried and it would change nothing. 
“Just after sunrise, then,” Nicolò says. “It is not far, you said?”
Yusuf shakes his head. “No,” he says. “Not far.”
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The water is freezing.
It has always been freezing. But Yusuf knows well enough that if he stands in it for long enough, it will start to warm. It reaches to around halfway up his thigh; when he was younger, it felt deeper. 
The stone in front of him offers nothing. No sign, no indication that anything is listening to him except for the water and Nicolò, who has been standing at the gate of the Spring for however long he has been in here. Has he been listening? Has he heard Yusuf pleading for something, anything, dreading the moment he returns to the castle and his father looks down at his left hand and sees nothing there? 
What does Nicolò think of him now? If he did not see a failure before, does he see one now? 
His legs may be going numb. They tremble beneath him, struggling to hold his weight. How long has he been standing here? 
“Tell me what I am doing wrong,” he begs the stone. His voice sounds like it’s coming from somewhere else. “I know I am not the one you wanted, but I am trying. I am trying. I have given everything. I do not know how much more I have left.”
The stone says nothing.
Nicolò says, “Yusuf.”
Yusuf hears him without listening, falls to his knees in the water and does not even feel the chill. 
“Please,” he pleads. “I cannot return – I cannot give anymore.”
There is a splash behind him, and then there is Nicolò, pulling him to his feet, pulling him from the water. Yusuf tries to hold fast - he cannot leave now or it will have been three days in the Spring with nothing to show for it. 
“Yusuf,” Nicolò says again. His grip is gentle but unrelenting, and he is warm. Yusuf, shivering as he is, can’t help but lean into it. “You are exhausted. You are going to freeze. Come with me.”
“I can’t,” Yusuf says, even as he lets Nicolò take his weight, lets him guide Yusuf out of the Spring. “I can’t.”
There is a small paved area where their camp is set up. Nicolò has kept the fire going, or restarted it, while Yusuf was in there, and he half-carries Yusuf over to it now. Yusuf’s legs buckle under him the moment Nicolò lets him go, and he sinks onto something soft laid over the paving stones. He blinks, and there is a bowl in his hands, warming even if he does not really taste it. 
“It was never supposed to be me,” Yusuf says without really meaning to. 
From across the fire, Nicolò watches him.
“It was supposed to be my mother,” Yusuf whispers. The only sound between them is the crackling of the fire. Yusuf is so, so tired. He has never said this to anybody else, not even Andromache, but he cannot keep the words from rushing out of him now.
“It came to her when she was nineteen,” he says, “and that’s how they knew it would happen in her lifetime. So she trained, and she mastered it, and we were ready. And then she was killed, and because I was the oldest, it came to me.”
He does not like thinking about this. He has not thought about this in years. They do not speak of it anymore.
Nicolò is still watching him.
“I was asleep when it happened,” Yusuf continues. “I dreamt it as it happened, but I didn’t know until later. The moment she died, I woke up screaming. They told me afterwards that I was– I was glowing, bright enough that nobody could look at me for long or get close enough to see what was happening to me. They just had to wait until I came out of it. It felt like I was burning.” If he closes his eyes, he is there again, twelve years old and terrified.
“That’s how we know it should be me,” he says after a moment. “Who can do it. Because I did, once, but never again, despite all of this.” He waves at the Spring, the water, the stone. 
Exhaustion tugs at him. His eyes will not stay open, but he cannot let himself fall asleep, not yet.
“Don’t let me fall asleep,” he tells Nicolò. “There’s still time.” It cannot be late yet; the sun has gone down, but it is not quite dark. “Don’t let me.”
“You have to rest,” Nicolò says. It is the first thing he has said to Yusuf since he pulled him from the Spring, and Yusuf cannot tell what he is thinking. 
“I can’t fall asleep,” Yusuf insists.
“At least let yourself warm up first,” Nicolò says. There is a pile of dry clothes in his hands - where did he get them?
Nicolò convinces him to change and to sit back down, to rest a little while longer. This time he  steers Yusuf to sit down on his bedroll instead, and Yusuf’s grip on his arm goes tight.
“Don’t let me fall asleep,” he says again. 
“You cannot go on like this,” Nicolò says. “Sleep, and I will wake you in a few hours’ time.”
Yes, a few hours. That, Yusuf can afford. “Promise me,” Yusuf says, but his eyes are already closing unbidden. 
Nicolò says nothing.
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When Yusuf wakes, it is still dark outside, and there is a cloak that is not his own draped over him. Nicolò is crouched over the fire only a short distance away. He catches Yusuf’s eye, but doesn’t say a word.
It all comes crashing back at once: the water, the stone, Nicolò. Yusuf sits up.
“You didn’t wake me,” he says.
Nicolò watches him for a long moment. “You needed the rest,” he says finally. 
Suddenly his consideration stings. “That wasn’t your decision to make. What time is it?”
Nicolò glances at the sky. “It will be sunrise soon.”
Yusuf’s heart sinks. Sunrise means return, means return to the castle and his father with nothing. He gets up, pushes Nicolò’s cloak aside. “You should have woken me.”
Unexpectedly, Nicolò pushes back. “You would have only made yourself ill. You were barely conscious. I would not have done it if–” “That was not your decision to make,” Yusuf snaps. “I am not a child, Nicolò. I am capable of handling myself. I have lost hours.”
Nicolò does not say anything. Yusuf almost wishes he would keep pushing, but he does not. He simply folds himself back into the same blank expression he always carries, and again, Yusuf cannot read him.
“If the sun will rise soon, there is not much use in staying here for much longer,” Nicolò says eventually, quiet. He doesn’t meet Yusuf’s eyes. Guilt twists his stomach. 
Did Nicolò know? Did Andromache warn him? Or was he just worried?
Yusuf nods. 
They pack up their camp in silence, side by side. By the time they set off on the road back towards Goron City, the sun has risen, and the early light turns the world around them to gold.
Yusuf walks, and Nicolò follows behind him, as always.
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jakeperalta · 1 year
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I've seen a few people refer to a current hunger games renaissance happening and it's so funny to me like for some of us the brainrot never ended.... I stayed here dust collecting on my pinned up hair etc
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braisedhoney · 6 months
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some tragic love stories be like: if i could bottle the galaxy, i would pour it into a cup so it would be easier for you to drink. do you want them? do you want the stars? or do they suit you better as adornments for your eyes than glitter on your lips?
but they don’t want the stars. they don’t want the galaxy. but how can they not? is that not enough? (it’s too much, that’s the problem. it’s too much.)
#ney's idle chatter (random textposts)#me trying and failing to capture why hadestown has embodied Love in a way i don’t think i’m really capable of comprehending fr#but also this can be about whatever blorbo you want#when i think about that one line in chant#when hades says ‘brighter than the light of day’#‘look. look at what i can make for you—see?’#meanwhile the last thing persephone wants is to be reminded of this hollow echo of what their love is in her memories#when i think about that scene when eurydice tells orpheus they need to get food#but he’s working on his song and she makes the choice to trust him and go#to work harder and longer and search for things to feed them and trust he’ll bring spring back#THE WAY PERSEPHONE TRIES TO KISS HADES GOODBYE AT THE START WHEN SHE COMES BACK FOR SUMMER#AND HOW IT PARALLELS EURYDICE KISSING ORPHEUS GOODBYE WHEN SHE GOES TO LOOK FOR FOOD#and hades pulls away. because she’s leaving him and he’s terrified. he’s terrified and turns it into anger because otherwise he’s helpless.#and orpheus doesn’t respond when eurydice leaves because he’s working—he’s working and he’s going to give her what he promised.#but she needs his help. she needs his help now—she needs his support and he isn’t there.#thinking about the moment she takes the ticket from hades and#it almost implies she starves. that she dies. that she starves to death trying to find food for them both#i promise you however unhinged i seem about this musical i am being purposefully restrained so i don’t spam you all too much orz#holy SHIT these tags are LONG#even for me this is ridiculous there’s a whole other post down here#high five to you for reading it ig damn#hadestown
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fishyfishyfishtimes · 1 month
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I love you winter!
I love you, first snowfall of the season. I love you, powdery snow and frozen grass in the mornings. I love you, pink and purple sunsets. I love you, heavy snowfall. I love you, waking up in the morning to find a thick blanket of untouched white snow. I love you, skiing trips through the woods. I love you, hot berry juice. I love you, making running steps through the untouched snow to see how far you can leap. I love you, frost and snow in the tree branches making everything look glistening and perfect. I love you, grey cloudy days when everything looks monochrome except for the red trunks of the pines. I love you, downhill skiing. I love you, trying out new routes and tricks while downhill skiing and getting out of my comfort zone! I love you, hot chocolate and whipped cream. I love you, great tits and magpies flying about looking for food. I love you, clear days when the sky is blue and you remember how beautiful it really is. I love you, heavy snowfall illuminated by the street lamps at night. I love you, walking on the sea ice and lake ice and accessing places I never could before. I love you, glögi. I love you, snowflakes and inspecting your patterns. I love you, steaming hot saunas. I love you, ice swimming, even though you also frighten me! I love you, fairy lights in the trees. I love you, wind-carved waves and shapes in the snow. I love you, blue hour. I love you, warm blankets. I love you, tiny black streams still staying unfrozen and moving. I love you, icicles and other beautiful ice formations. I love you, crown snow-load and thick snow covering the trees. I love you, northern lights. I love you, fireplaces. I love you, waking up in the middle of the night in your warm bed, finding the house completely quiet as you walk through the hall, and upon looking out the window, all you can see is the calm snow slowly making its way to the ground, illuminated by the colourful fairy lights and the orange street lights. And you get this magical feeling inside of you, that you’re so warm, and calm, and perfectly safe and sound in this very moment. And you feel like you could stand there forever and just… take it all in.
I love you winter!
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runningforabel · 7 days
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“Good to see you in the flesh! The totally-unbroken, skin-not-bitten-by-zombies flesh…right?”
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magicmorningmeteora · 21 days
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The Spring of Departures Has Come
Spring is a season with longtime associations with new beginnings, including those brought about by graduation.
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One harsh reality one must live with as a wota is the possibility of your oshi graduating. Be it to pursue a new career path, focus on studies or health, or to retire from entertainment (and hopefully not the mortal plane), there's many a reason for an idol to utter that word.
For Harowota, we will enter summer having seen at least three such idols take part in the ritual.
The spring of departures has come, hasn't it?
So, who's ready for Round 2?!
Note: As you can probably tell, this poll was made before Ichioka Reina's announcement. And Yamazaki Yuhane's.
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mewkwota · 9 months
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Here are some small sketches of her, the baby. I've actually never drawn Maria's RoB design until just recently, so I needed a quick run through it before I lost the groove to draw that other thing I did.
She has fluffy, pat-able hair just like her brother.
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